{"id":1221,"date":"2022-11-02T17:04:00","date_gmt":"2022-11-02T17:04:00","guid":{"rendered":"https:\/\/resources.culturalheritage.org\/pmg-topics\/?page_id=1221"},"modified":"2024-08-29T20:31:29","modified_gmt":"2024-08-29T20:31:29","slug":"2021-volume-nineteen","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/pmg-topics\/2021-volume-nineteen\/","title":{"rendered":"2021 | Volume Nineteen"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Download PDF for Volume 19 is not available online yet. While supplies last, hard copies of Volume 19 are available to purchase through the <a href=\"https:\/\/store.culturalheritage.org\/site\/index.php?app=ecom&amp;ns=prodshow&amp;ref=AIC-36\" target=\"_blank\" rel=\"noreferrer noopener\">AIC store<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Foreword<br><\/strong><em>Marie-Lou Beauchamp<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CONTENTS&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Papers presented at the 2020 Photographic Materials Group Session of the<br>American Institute for Conservation Virtual Annual Meeting<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-01-Formatted-Hardman-Peavy.pdf\" data-type=\"link\" data-id=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-01-Formatted-Hardman-Peavy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Technical Analysis of William Henry Fox Talbot\u2019s The Pencil of Nature<\/a><br><em>Colette Hardman-Peavy<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-2-15-Formatted-Thyss.pdf\" data-type=\"link\" data-id=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-2-15-Formatted-Thyss.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Conservation of the Ernest J. Bellocq Glass Plate Negatives at the Metropolitan Museum of Art<\/a><br><em>Elsa Thyss<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-16-17-Formatted-Ahmad.pdf\" data-type=\"link\" data-id=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-16-17-Formatted-Ahmad.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">What do Cigarette Filters and Photographic Films Have in Common? Cellulose Acetate: Durable in the Streets, Volatile in the Sheets<\/a><br><em>Ida R. Ahmad, Deborah Cane, Joyce H. Townsend, Cristian Triana, Luca Mazzei, Katherine Curran<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-18-28-Formatted-Wessling.pdf\" data-type=\"link\" data-id=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-18-28-Formatted-Wessling.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Past, Present, and Future of the Collaborative Workshops in Photograph Conservation<\/a><br><em>Margaret Wessling, Krista Lough<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-29-30-Formatted-Fischer.pdf\" data-type=\"link\" data-id=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-29-30-Formatted-Fischer.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Seventeen Years of Teamwork: Teaching Photograph Conservation in Central and Eastern Europe<\/a><br><em>Monique C. Fischer<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-31-Formatted-Haspo.pdf\" data-type=\"link\" data-id=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-31-Formatted-Haspo.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Strengthening the Preservation of Photographic Materials in Latin America: Celebrating 30 Years of APOYOnline<\/a><br><em>Beatriz Haspo, Amparo Rueda<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-32-33-Formatted-Freeman.pdf\" data-type=\"link\" data-id=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-32-33-Formatted-Freeman.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Deconstructing the Creation of Daguerre\u2019s Dessins-Fum\u00e9es: A Photographic Process or Just Smoke and Mirrors?<\/a><br><em>Sarah Freeman, Nathan Daly, Lynn Lee, Michelle Sullivan, Karen Hellman<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-34-36-Formatted-Brown.pdf\" data-type=\"link\" data-id=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-34-36-Formatted-Brown.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Niepce Heliograph, at the Harry Ransom Center<\/a><br><em>Diana Diaz, Heather Brown<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-37-51-Formatted-Lewis.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Removal of aged filmoplast\u00ae P 90 tape from inkjet prints<\/a><br><em>Saori Kawasumi Lewis<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-52-61-Formatted-Gloor.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">\u2018\u2019Respectfully Dedicated to my Friends Messrs. Bradley &amp; Rulofson\u2019\u2019 Photographically Illustrated Sheet Music and Connections Between Photography Studios and Sheet Music Publishers<\/a><br><em>Jessamy Gloor<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Papers and posters presented at the 2021 Photographic Materials Group Session of the American Institute for Conservation and the Society for the Preservation of Natural History Collections Joint Virtual Annual Meeting<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-62-Formatted-Lucas.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Disinfection of Photographic Materials with Ethanol Vapours: Preliminary Evaluation of the Innocuity on Chromogenic Prints<\/a><br><em>Chlo\u00e9 Lucas, Greg Hill, Nancy E. Binnie<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-63-64-Formatted-Stenman.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Mass-treatment of E.S. Curtis\u2019 The North American Indian Photogravures<\/a><br><em>Richard Stenman, Sara Bone<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-65-66-Formatted-Kelly.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Scanning Micro-XRF for Historical Photography<\/a><br><em>Nigel Kelly, Roald Tagle, Falk Reinhardt, Ullrich Waldschlaeger, Michele Gironda<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-67-Formatted-Pereira.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Photography Beyond Two Dimensions \u2013 Exhibition and Re-Valuation of Materiality<\/a><br><em>Catarina Pereira, Ilda Zabumba<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-68-69-Formatted-Hamilton.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">International Collaboration, and the Potential of Virtual Condition Surveys &#8211; The Conservation Assessment of a Collection of Linnaeus Tripe Photographs at the University of Yangon Central Library, Myanmar<\/a><br><em>Tess Hamilton, Natasha Kung, and Felice Robles<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-70-71-Formatted-Burnett.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Transformation and Printing of Claude Marie Ferrier&#8217;s Albumen on Glass Negatives by Robert Jefferson Bingham<\/a><br><em>Nicholas Burnett<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-72-85-Formatted-Evers.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Treatment and Preservation of the Emily Howland Photograph Album<\/a><br><em>Alisha Chipman, Jennifer Evers<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-86-87-Formatted-Vasallos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Rare findings \u2013 Pannotypes in the Design Registers of the Board of Trade Collection at The National Archives<\/a><br><em>Ioannis Vasallos, Lucia Pereira Pardo, Patrick Atkinson, C. S. Cheung, Haida Liang<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-88-94-Formatted-Ruiz.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Intervention Criteria of Two Photographic Albums<\/a><br><em>Pablo Ruiz<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-95-96-Formatted-Kehoe.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">A Sticky Situation: The Preservation of Self-Adhesive Photograph Albums<\/a><br><em>Amber Kehoe<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-97-111-Formatted-Sobral.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Characterization and Decision Making in the Conservation of IICT\u2019s Photographic Album<\/a><br><em>\u00c9lia Rold\u00e3o, Joana Sobral, Catarina Mateus<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-112-121-Formatted-Hendy.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Aluminum Foil as a Cathodic Protector to Prevent Silver Mirroring on Silver Based Photographic Materials<\/a><br><em>Mohamed Hendy, Enrico Ciliberto, Rasha Shaheen, Reham Tarek<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-122-Formatted-Rodriguez.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Between Originality and Functionality: Conservation Challenges of Two Photographic Albums Belonging to the Saturnino Herr\u00e1n Foundation<\/a><br><em>Ariadna Rodriguez<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-123-Formatted-Burge.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Examination of the Effects of Various Water Emergency Scenarios on Inkjet Prints Past to Present<\/a><br><em>Daniel Burge<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Papers presented at the 2021 Book &amp; Paper and Photographic Materials Joint session of the American Institute for Conservation and the Society for the Preservation of Natural History Collections Joint Virtual Annual Meeting<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-124-137-Formatted-Southworth.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Cross-Disciplinary Care for the Preservation of Photograph Albums<\/a><br><em>Georgia Southworth<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-138-148-Formatted-Marigza.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Revisiting and Reconsidering Disbound Photograph Albums<\/a><br><em>Anne Marigza<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-149-161-Formatted-Maaruf.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Nineteen-Century Japanese Tourist Albums at the Art Institute Chicago: Complex Interpretation and Material Deterioration<\/a><br><em>Nayla Maaruf<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-162-177-Formatted-Barbisan.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Camera Work: One Size Treatment Does Not Fit All<\/a><br><em>Sophie Barbisan<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-178-192-Formatted-Ling.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Lord Fitzwilliam\u2019s Print Albums as Evidence<\/a><br><em>Elenor Ling, Harry Metcalf<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-193-204-Formatted-Appiah.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Jessie Fuller Scrapbook: Balancing Access and Context in the Treatment of an Important Black Sorority Scrapbook from 1949 with a Unique but Damaging Structure<\/a><br><em>Krystal Appiah, Sue Donovan<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Additional Papers<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2024\/08\/T19-205-211-Formatted-Valverde.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">The Expansion of the Cold and Cool Storage Vaults at the Amon Carter Museum of American Art<\/a><br><em>Fernanda Valverde<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><a href=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2016\/02\/Photo_Mats_667_logo-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"850\" src=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2016\/02\/Photo_Mats_667_logo-copy-1024x850.jpg\" alt=\"\" class=\"wp-image-871\" style=\"width:655px;height:543px\" srcset=\"https:\/\/faic.wpenginepowered.com\/pmg-topics\/wp-content\/uploads\/sites\/9\/2016\/02\/Photo_Mats_667_logo-copy-1024x850.jpg 1024w, https:\/\/faic.wpenginepowered.com\/pmg-topics\/wp-content\/uploads\/sites\/9\/2016\/02\/Photo_Mats_667_logo-copy-300x249.jpg 300w, https:\/\/faic.wpenginepowered.com\/pmg-topics\/wp-content\/uploads\/sites\/9\/2016\/02\/Photo_Mats_667_logo-copy-768x638.jpg 768w, https:\/\/faic.wpenginepowered.com\/pmg-topics\/wp-content\/uploads\/sites\/9\/2016\/02\/Photo_Mats_667_logo-copy-624x518.jpg 624w, https:\/\/faic.wpenginepowered.com\/pmg-topics\/wp-content\/uploads\/sites\/9\/2016\/02\/Photo_Mats_667_logo-copy.jpg 1589w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">If you find an error or a broken link, please let us know at topics.pmg@gmail.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Download PDF for Volume 19 is not available online yet. While supplies last, hard copies of Volume 19 are available to purchase through the AIC store. ForewordMarie-Lou Beauchamp CONTENTS&nbsp; Papers presented at the 2020 Photographic Materials Group Session of theAmerican Institute for Conservation Virtual Annual Meeting Technical Analysis of William Henry Fox Talbot\u2019s The Pencil [&hellip;]<\/p>\n","protected":false},"author":49,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1221","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages\/1221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/comments?post=1221"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages\/1221\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/media?parent=1221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}