{"id":287,"date":"2015-09-28T17:26:16","date_gmt":"2015-09-28T17:26:16","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/pmg-topics\/?page_id=287"},"modified":"2022-11-03T15:46:28","modified_gmt":"2022-11-03T15:46:28","slug":"2013-volume-15","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/pmg-topics\/2013-volume-15\/","title":{"rendered":"2013 | Volume Fifteen"},"content":{"rendered":"\n

While supplies last, hard copies of Volume 15 can be purchased through the AIC store<\/a>.<\/p>\n\n\n

Foreword
\n<\/strong>Jessica Keister<\/em><\/p>\n

CONTENTS <\/strong><\/p>\n

Papers and posters presented at the PMG session of the 2012 AIC Annual Meeting in <\/em><\/strong>Albuquerque, New Mexico, May 2012 <\/em><\/strong><\/p>\n

Effects of Enclosure pH on Cyanotypes and Blue Prints (Prussian Blue) (Abstract)
\nLauren Held, Daniel Burge, and Douglas Nishimura <\/em>      Download PDF<\/a><\/p>\n

Further Studies in Digital Print Preservation (Abstract)
\nDaniel Burges         Download PDF<\/a><\/em><\/p>\n

Early Motion Picture Fragments at the Library of Congress (Abstract)
\nDana C. Hemmenway         <\/em> Download PDF<\/a> <\/em><\/p>\n

Panoramic View of Mexico City <\/em>by Photographer Claude D\u00e9sir\u00e9 Charnay
\nMaria Estibaliz Guzman-Solano and Diana Lorena Diaz-Ca\u00f1as         <\/em> Download PDF<\/a> <\/em><\/p>\n

Conservation of an American Icon: the Reconstruction of the Lincoln Interpositive
\nKatherine Whitman         Download PDF<\/a><\/em> <\/em><\/p>\n

The Proof is in the Print: Characterization and Collaboration in the Thomas Walther Collection Project at The Museum of Modern Art (Abstract)
\nLee Ann Daffner<\/em>         Download PDF<\/a><\/em><\/p>\n

A Surface Texture Library for Photographic Papers (Abstract)
\nPaul Messier <\/em>         Download PDF<\/a><\/em><\/p>\n

An Initial Investigation into Japine: William Willis\u2019s Proprietary Paper
\nConstance McCabe, Matthew L. Clarke, Christopher A. Maines, Lisa Barro, Silvia A. Centeno, and Anna Vila<\/em>         Download PDF<\/a><\/em><\/p>\n

Development and Use of the Photograph Information Record
\nErin Murphy, Nora W. Kennedy, and Amy Brost <\/em>         Download PDF<\/a><\/em><\/p>\n

Content Area Photograph Conservation: Teaching Conservation to Non-Native English Speakers
\nJessica Keister <\/em>         Download PDF<\/a><\/em><\/p>\n

Evaluation of Ultraviolet Filtration by Glazing and Display Case Materials (Abstract)
\nMorgan Simms Adams, Steven Weintraub, and Hannelore Roemich <\/em>         Download PDF<\/a><\/em><\/p>\n

19th Century Photography in a Modern Chemistry Lab
\nCorina E. Rogge and Anik\u00f3 Bezur <\/em>          <\/em>Download PDF<\/a><\/p>\n

Papers and posters presented at the 2013 Joint Meeting of the Photographic Materials Group & the International Council of Museums Committee for Conservation, Working Group Photographic Materials in Wellington, New Zealand, February 2013 <\/em><\/strong><\/p>\n

Preservation of Collections <\/em><\/strong><\/span><\/p>\n

Earthquakes and their Aftermath: Lessons Learned from the Canterbury Quakes 2010-2011
\nLynn Campbell <\/em>          <\/em>Download PDF<\/a><\/p>\n

Analysis and Comparison of Recent Large-Scale Emergencies Involving the Recovery of Photographs (Abstract)
\nAndrew Robb <\/em>          <\/em>Download PDF<\/a><\/p>\n

Result!!! Christchurch Earthquakes Test Canterbury Museum’s Quake-Proofing
\nSasha Stollman <\/em>          <\/em>Download PDF<\/a><\/p>\n

The Fouad Debbas Collection (Lebanon) in the Core of a Regional Emergency Preparedness Strategy
\nYasmine Chemali <\/em>          <\/em>Download PDF<\/a><\/p>\n

The Glass Plate Negative Project at the Heritage Conservation Centre
\nJam Meng Tay <\/em>          <\/em>Download PDF<\/a><\/p>\n

A Novel Non-Adhesive Housing Mat for the Display and Storage of Broken Glass Plates
\nIbrahim Abdel-Fattah <\/em>          <\/em>Download PDF<\/a><\/p>\n

Preservation of Historic Glass Plate Negatives in Low Budget Conditions (Abstract)
\nAmir R. M. Miyandabi, Rebecca Main, James Elwing, and Michael Myers          <\/em> Download PDF<\/a><\/p>\n

Digitization of the Enemark Panoramic Nitrate Negatives (Abstract)
\nJennifer Lloyd <\/em>          <\/em>Download PDF<\/a><\/p>\n

The Preservation Challenges of Historic Scientific Photographs (Abstract)
\nBrenda Bernier <\/em>          <\/em>Download PDF<\/a><\/p>\n

Preservation of Photographic Images for Future Generations: New Opportunities for Prints and Photo Books with a Conservator\u2019s Perspective
\nJoseph E. LaBarca <\/em>          <\/em>Download PDF<\/a><\/p>\n

Actions for Preserving Digital Photographs (Abstract)
\nMillard Wesley Long Schisler <\/em>          <\/em>Download PDF<\/a><\/p>\n

Conservation of New Photographic Art: Direct Printing and Textile Artifacts
\nPablo Ruiz Garc\u00eda <\/em>          <\/em>Download PDF<\/a><\/p>\n

Transparent Things through which the Past Shines: Conservation of Holograms in the Collection of the National Gallery of Australia
\nAndrea Wise <\/em>          <\/em>Download PDF<\/a><\/p>\n

Analytical and Technical Studies <\/em><\/strong><\/span><\/p>\n

The Effect of Environmental Pollutants on the Deterioration of the Daguerreotype Image (Abstract)
\nRobyn E. Hodgkins, Silvia A. Centeno, and Alejandro G. Schrott          <\/em>Download PDF<\/a><\/p>\n

Using Electron Back Scattered Diffraction (EBSD) & Energy Dispersive Spectrometry (EDS) to Characterize the Surface of 19th Century and Modern Daguerreotypes
\nPatrick Ravines, Lisa H. Chan, Matt Nowell, and Rob McElroy <\/em>         <\/em>Download PDF<\/a><\/p>\n

A Summary of the National Science Foundation (SCIART) Supported Research of the Daguerreotype: George Eastman House International Museum of Photography and Film, and the University of Rochester
\nRalph Wiegandt, Nicholas Bigelow, and Brian McIntyre <\/em>          <\/em>Download PDF<\/a><\/p>\n

The Platinum and Palladium Initiative: Tools and Strategies for Interdisciplinary Collaboration (Abstract)
\nMatthew L. Clarke, Alisha Chipman, Constance McCabe, Christopher A. Maines, and Sarah S. Wagner <\/em>Download PDF<\/a><\/p>\n

Measuring Color Change in Photographs (Abstract)
\nKatherine Sanderson <\/em>          <\/em>Download PDF<\/a><\/p>\n

Characterizing United Press International\u2019s Unifax Facsimile Prints
\nMargaret Wessling<\/em>          <\/em>Download PDF<\/a><\/p>\n

Pushing the Limits of the Identification of Photographs: Variants of the Gum Dichromate Process
\nArt Kaplan and Dusan Stulik <\/em>          <\/em>Download PDF<\/a><\/p>\n

Pigment-Based Photographic Processes: A Technical Study of Pictorialist Works in the Metropolitan Museum\u2019s Collection (Abstract)
\nAnna Vila, Andreas Gruber, Silvia A. Centeno, Lisa Barro, and Nora W. Kennedy <\/em>          <\/em>Download PDF<\/a><\/p>\n

Crystalline Deterioration on Glass Cinema Slides
\nKerry Yates, Shingo Ishikawa, and Mick Newnham           Download PDF<\/a><\/em><\/p>\n

Technical Investigation of a 20th Century Hand-Colored Opaltype
\nGreta Glaser<\/em>          <\/em>Download PDF<\/a><\/p>\n

Fluorescence Fails: the Color of UVA-Induced Visible Fluorescence of Tintype Varnishes does not Discriminate between Varnish Materials
\nCorina E. Rogge and Krista Lough <\/em>         <\/em>Download PDF<\/a><\/p>\n

The Atlas of Analytical Signatures of Photographic Processes: Its Past, Present, and the Future
\nDusan Stulik and Art Kaplan <\/em>          <\/em>Download PDF<\/a><\/p>\n

Carbon Isotope Analysis of Waxed Paper Negatives
\nElyse Canosa, Gregory W. L. Hodgins, and Gawain Weaver <\/em>          <\/em>Download PDF<\/a><\/p>\n

Poitevin\u2019s Precious Plates: Current Research at the Rijksmuseum (Abstract)
\nMartin J\u00fcrgens <\/em>          <\/em>Download PDF<\/a><\/p>\n

Conservation Treatment <\/em><\/strong><\/span><\/p>\n

The Last Full Measure: An Exhibition of American Civil War Photographs from the Liljenquist Family Collection at the Library of Congress
\nAlisha Chipman and Dana C. Hemmenway <\/em>          <\/em>Download PDF<\/a><\/p>\n

Reconstruction of European Daguerreotype and Ambrotype Cover Glasses
\nJens Gold <\/em>         <\/em>Download PDF<\/a><\/p>\n

Conservation of an Oversized Photographic Collage: First Phase
\nDiana Lorena Diaz-Ca\u00f1as, Maria Elia Botello Miranda, and Maria Estibaliz Guzman-Solano <\/em>Download PDF<\/a><\/p>\n

Re-visiting Strip Lining of Large Format Photographs (Abstract)
\nPip Morrison and Sarah Brown <\/em>          <\/em>Download PDF<\/a><\/p>\n

A Cost Effective Method for Removing Dry Mount Tissue from Photographic Prints
\nCheryl Jackson <\/em>          <\/em>Download PDF<\/a><\/p>\n

Investigation of Fusion 4000 as an Alternative to Lascaux for Hinging Inkjet Prints
\nAlice Cannon <\/em>          <\/em>Download PDF<\/a><\/p>\n

Same Albums, Different Treatment Approaches: the Conservation of Two Photographic Albums from the First Modern Olympic Games in Athens, 1896
\nAdia Adamopoulou <\/em>          <\/em>Download PDF<\/a><\/p>\n

Saving Film History through Photography
\nClaudia Sof\u00eda Ar\u00e9valo Gallardo <\/em>          <\/em>Download PDF<\/a><\/p>\n

Digital Fills for Photographs with Glossy Surfaces
\nVictoria Binder <\/em>          <\/em>Download PDF<\/a><\/p>\n

Acetate Base Stripping: a Preliminary Investigation into the Feasibility of Bulk Treatment
\nCaroline Garratt <\/em>          <\/em>Download PDF<\/a><\/p>\n

Sole Survivor: Re-evaluating and Conserving Claude Cahun and Marcel Moore\u2019s Only Known Remaining Photomontage Used for Cahun\u2019s 1930 Publication Aveux non Avenus <\/em>(Disavowed Confessions)
\nAnne O\u2019Hehir and Andrea Wise <\/em>          <\/em>Download PDF<\/a><\/p>\n

Conservation Education, Training, and Resources<\/span> <\/em><\/strong><\/p>\n

L\u2019Atelier de Restauration et de Conservation des Photographies de la Ville de Paris (ARCP): Activities of the Preventive Conservation Section 2002-2012
\nAur\u00e9lie Perreux and Claire Tragni <\/em>          <\/em>Download PDF<\/a><\/p>\n

Preserving Underserved Historically Significant Photographic Collections: An Overview of the Andrew W. Mellon Funded Photographic Preservation Project with the Historically Black Colleges and Universities
\nJessica Keister, Rachel Wetzel, and Barbara Lemmen <\/em>          <\/em>Download PDF<\/a><\/p>\n

Effective Advocacy and Partnerships: Lessons Learned from Global Photograph Preservation Initiatives
\nDebra Hess Norris, Martin J\u00fcrgens, Nora W. Kennedy, Bertrand Lav\u00e9drine, Paul Messier, and Tram Vo <\/em>Download PDF<\/a><\/p>\n

Extending Our Reach: Effective Methods for Engaging Allied and Public Audiences with Photograph Preservation
\nHeather Brown <\/em>          <\/em>Download PDF<\/a><\/p>\n

The Middle East Photograph Preservation Initiative 2011-2013: Mapping Photograph Archives and Training Collection Keepers
\nRima Mokaiseh, Zeina Arida, Debra Hess Norris, Nora W. Kennedy, and Tram Vo <\/em>          <\/em>Download PDF<\/a><\/p>\n

Faking It in Analog Terms (Abstract)
\nNora W. Kennedy <\/em>          <\/em>Download PDF<\/a><\/p>\n

Additional Papers <\/em><\/strong><\/span><\/p>\n

Francesca Woodman\u2019s Untitled <\/em>Diazotype
\nDana C. Hemmenway <\/em>          <\/em>Download PDF<\/a><\/p>\n

The Graphics Atlas
\nRyan Boatright <\/em>          <\/em>Download PDF<\/a><\/p>\n

Separate but Equal: Testing Treatment Techniques to Separate Water-Damaged Blocked Film-Based Negatives from the Henry Clay Anderson Collection of the Smithsonian National Museum of African-American History and Culture
\nAlisha Chipman <\/em>          <\/em>Download PDF<\/a><\/p>\n

Notice to the Reader: Talbot\u2019s The Pencil of Nature <\/em>in Canada
\nLynn Curry, Tania Passafiume, Genevi\u00e8ve Samson, and Meaghan Scanlon          <\/em>Download PDF<\/a>
\n<\/em>
\nPhotographic Activity Tests of Various Adhesives Suggested for Use on Water-Sensitive Photographs
\nJane Down, Joe Iraci, and Greg Hill<\/em>           <\/em>Download PDF<\/a><\/p>\n

\"Photo_Mats_667_logo<\/a><\/p>\n\n\n

If you find an error or a broken link, please let us know at topics.pmg@gmail.com<\/p>\n","protected":false},"excerpt":{"rendered":"

While supplies last, hard copies of Volume 15 can be purchased through the AIC store. Foreword Jessica Keister CONTENTS  Papers and posters presented at the PMG session of the 2012 AIC Annual Meeting in Albuquerque, New Mexico, May 2012  Effects of Enclosure pH on Cyanotypes and Blue Prints (Prussian Blue) (Abstract) Lauren Held, Daniel Burge, and […]<\/p>\n","protected":false},"author":26,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-287","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages\/287","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/comments?post=287"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages\/287\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/media?parent=287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}