{"id":461,"date":"2015-10-21T01:02:42","date_gmt":"2015-10-21T01:02:42","guid":{"rendered":"http:\/\/resources.culturalheritage.org\/pmg-topics\/?page_id=461"},"modified":"2022-11-03T15:48:57","modified_gmt":"2022-11-03T15:48:57","slug":"additional-articles-in-jaic","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/pmg-topics\/additional-articles-in-jaic\/","title":{"rendered":"Related Articles in JAIC"},"content":{"rendered":"<p>The peer-reviewed <em>Journal of the American Institute for Conservation<\/em> (<a href=\"https:\/\/www.culturalheritage.org\/publications\/journal-(jaic)\">JAIC<\/a>) has published additional&nbsp;research on photographic materials:<\/p>\n<p style=\"text-align: left\"><strong>Articles published between 1977-2005 are available for free through Conservation Online (<a href=\"https:\/\/cool.conservation-us.org\/jaic\/index.html\">CoOL<\/a>):<\/strong><\/p>\n<ul>\n<li>\n<div class=\"art_title\"><span class=\"hlFld-Title\"><a class=\"ref nowrap\" href=\"https:\/\/www.maneyonline.com\/doi\/abs\/10.1179\/019713673806029396\">The <span class=\"single_highlight_class\">Conservation<\/span> of <span class=\"single_highlight_class\">Photographic<\/span> Materials<\/a>&nbsp;(1973),&nbsp;<\/span><em>Jos\u00e9 Orraca<\/em><\/div>\n<\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic21-01-003_indx.html\">Monitoring the Fading and Staining of Color Photographic Prints <\/a>(1981), <em>Henry Wilhelm<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic22-01-002_indx.html\">The Cleaning of Daguerreotypes: Comparison of Cleaning Methods<\/a>&nbsp;(1982), <em>M. Susan Barger, S.V. Krishnaswamy, and R. Messier<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic24-01-005_indx.html\">Protective Surface Coatings for Daguerreotypes<\/a>&nbsp;(1984),&nbsp;<em>Barger, M. Susan, A.P. Giri, William B. White, William S. Ginell, and Frank Preusser<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic24-02-004_indx.html\">Paintings on a Photographic Base<\/a>&nbsp;(1985), <em>Mervyn Ruggles<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic27-01-003_indx.html\">A Note on The Treatment of Two Gelatin Silver Photographs by Harold Edgerton From the Portfolio &#8220;Seeing The Unseen<\/a>&#8221;&nbsp;(1988), <em>Meredith Mickelson<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic30-01-005_indx.html\">Preservation of 19th-Century Negatives in The National Archives<\/a>&nbsp;(1991),&nbsp;<em>Constance&nbsp; McCabe<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic30-01-006_indx.html\">The Conservation of a Photograph Album at The National Archives of Canada<\/a>&nbsp;(1991),&nbsp;<em>Gregory Hill<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic31-02-005_indx.html\">Natural Aging of Photographs<\/a>&nbsp;(1992), <em>Stanton Anderson, and Robert Ellison<\/em><\/li>\n<li>\n<div class=\"art_title\"><span class=\"hlFld-Title\"><a class=\"ref nowrap\" href=\"https:\/\/www.maneyonline.com\/doi\/abs\/10.1179\/019713692806156330\">Thomas Eakins: Painter, Sculptor, <span class=\"single_highlight_class\">Photographer<\/span><\/a>&nbsp;(1992),&nbsp;<\/span><em><span class=\"hlFld-ContribAuthor\">Mark F. Bockrath<\/span>, <span class=\"hlFld-ContribAuthor\">Virginia N. Naud\u00e9<\/span>, and&nbsp;<span class=\"hlFld-ContribAuthor\">Debbie Hess Norris<\/span><\/em><\/div>\n<\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic31-01-007_indx.html\">Examination, Technical Analysis, and Treatment of His Works in the Charles Bregler Collection of the Pennsylvania Academy of the Fine Arts<\/a>&nbsp;(1992), <em>Mark F. Bockrath, Virginia N. Naud\u00e9, and Debbie Hess Norris<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic33-02-007_indx.html\">Investigation Into the Deterioration of Paintings and Photographs Using Computerized Modeling of Stress Development<\/a>&nbsp;(1994), <em>Marion F. Mecklenburg, Mark McCormick-Goodhart, and Charles S. Tumosa<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic33-03-003_indx.html\">Effects of Aqueous Treatment on Albumen Photographs<\/a>&nbsp;(1994), <em>Paul Messier, and Timothy Vitale<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic33-03-004_indx.html\">Physical and Mechanical Properties of Albumen Photographs<\/a>&nbsp;(1994),&nbsp;<em>Timothy Vitale, and Paul Messier<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic34-01-001_indx.html\">Alfred Stieglitz&#8217;s Palladium Photographs and Their Treatment by Edward Steichen<\/a>&nbsp;(1995), <em>Douglas G. Serverson<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic34-01-002_indx.html\">Chemistry and Conservation of Platinum and Palladium Photographs<\/a>&nbsp;(1995), <em>Adam Gottlieb<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic35-01-002_indx.html\">Investigation of a Surface Tarnish Found on 19th-Century Daguerreotypes<\/a>&nbsp;(1996), <em>Lee Ann Daffner, Dan Kushel, and&nbsp;John M. Messinger<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic36-03-002.html\" target=\"_blank\" rel=\"noopener noreferrer\">Moisture Relationships of Photographic Films<\/a> (1997), <em>Peter Z. Adelstein, Jean-Louis Bigourdan, and James M. Reilly<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic38-02-002_indx.html\">Differences in Image Tonality Produced by Different Toning Protocols for Matte Collodion Photographs<\/a>&nbsp;(1999), <em>Sylvie P\u00e9nichon<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic38-02-005_indx.html\">The Effects of Four Different Wet Treatments on Albumen Photographs<\/a>&nbsp;(1999), <em>Valerie Baas, Christopher Foster, and Karen Trentelman<\/em><\/li>\n<li><a href=\"https:\/\/www.maneyonline.com\/doi\/abs\/10.1179\/019713699806113448\" target=\"_blank\" rel=\"noopener noreferrer\">The Loss of Meaning in Faded Color Photographs<\/a> (1999), <em>Kayley Vernallis<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic41-03-006_indx.html\">Effects of Enclosure Papers and Paperboards Containing Lignins on Photographic Image Stability<\/a> (2002), <em>Daniel M. Burge, James M. Reilly, and Douglas W. Nishimura<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic41-02-002_indx.html\" target=\"_blank\" rel=\"noopener noreferrer\">Silver-Mirroring Edge Patterns: Diffusion-Reaction Models for the Formation of Silver Mirroring on Gelatin Glass Plates<\/a> (2002),<em> Giovanna Di Pietro, and Frank Ligterink<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic42-03-005_indx.html\">A Transparent Atmosphere: The Paper Negatives of Fr\u00e9d\u00e9ric Flach\u00e9ron in the Harrison D. Horblit Collection<\/a>&nbsp;(2003), <em>Lee Ann Daffner<\/em><\/li>\n<li><a href=\"https:\/\/cool.conservation-us.org\/jaic\/articles\/jaic44-01-001_indx.html\">Optical Brightening Agents in Photographic Papers<\/a>&nbsp;(2005), <em>Paul Messier, Valerie Baas, Diane Tafilowski, and Lauren Varga<\/em><\/li>\n<\/ul>\n<hr>\n<p style=\"text-align: left\"><strong>Articles published after 2005 are available on <a href=\"https:\/\/www.tandfonline.com\/loi\/yjac20\">Taylor &amp; Francis website<\/a>; they are available for free to all AIC members, via <a href=\"https:\/\/www.culturalheritage.org\/publications\/journal-(jaic)\">this page<\/a> (log in and click Member Access on the JAIC page). &nbsp;Non-members are charged a fee per article.<\/strong><\/p>\n<ul>\n<li>\n<div class=\"art_title linkable\"><a class=\"ref nowrap\" href=\"https:\/\/www.maneyonline.com\/doi\/abs\/10.1179\/019713607806112251\">Optical Brighteners in Black-and-White Photographic Paper: Appearance and Degradation<\/a>&nbsp;(2007), <em>Sandra A. Connors-Rowe,&nbsp;Paul M. Whitmore, and Hannah R. Morris<\/em><\/div>\n<\/li>\n<li>\n<div class=\"art_title linkable\"><span class=\"hlFld-Title\"><a class=\"ref nowrap\" href=\"https:\/\/www.maneyonline.com\/doi\/abs\/10.1179\/019713608804539574\">The Making of<i>&nbsp;In the American West<\/i><\/a><i>&nbsp;<\/i>(2008),<i>&nbsp;<\/i><\/span><em>Sylvie P\u00e9nichon<\/em><\/div>\n<\/li>\n<li>\n<div class=\"art_title linkable\"><a class=\"ref nowrap\" href=\"https:\/\/www.maneyonline.com\/doi\/abs\/10.1179\/019713611804480944\">Characterization of Filamentous Accretions on Daguerreotype Surfaces<\/a>&nbsp;(2011), <em>Nick R. Konkol,&nbsp;Brenda Bernier,&nbsp;Elena Bulat, and Ralph Mitchell<\/em><\/div>\n<\/li>\n<li>\n<div class=\"art_title linkable\"><a class=\"ref nowrap\" href=\"https:\/\/www.maneyonline.com\/doi\/abs\/10.1179\/019713612804860392\">Effects of Low-Oxygen Environments in the Light Fading of Six Dyes Present in the Autochrome Color Screen<\/a>&nbsp;(2012), <em>Luisa Casella, and Masahiko Tsukada<\/em><\/div>\n<\/li>\n<li class=\"art_title linkable\"><a href=\"https:\/\/www.maneyonline.com\/toc\/jac\/53\/1\">Multimodality Imaging of Daguerreotypes and Development of a Registration Program for Image Evaluation<\/a>&nbsp;(2014),&nbsp;<em>Patrick Ravines,&nbsp;Karl G. Baum,&nbsp;Nicholas A. Cox,&nbsp;Shawn Welch, and Mar\u00eda Helguera<\/em><\/li>\n<li class=\"art_title linkable\">\n<div class=\"art_title linkable\"><a class=\"ref nowrap\" href=\"https:\/\/www.maneyonline.com\/doi\/abs\/10.1179\/1945233014Y.0000000024\">Pursuing Automated Classification of Historic Photographic Papers from Raking Light Images<\/a>&nbsp;(2014), <em>C. Richard Johnson JR.,&nbsp;Paul Messier,&nbsp;William A. Sethares, et. al.<\/em><\/div>\n<\/li>\n<li class=\"art_title linkable\"><a class=\"ref nowrap\" href=\"https:\/\/www.maneyonline.com\/doi\/abs\/10.1179\/1945233014Y.0000000030\">Photographic Paper XYZ: <em>de facto<\/em> Standard Sizes for Silver Gelatin Paper<\/a>&nbsp;(2014), <em>Jennifer McGlinchey Sexton, and Paul Messier<\/em><\/li>\n<li class=\"art_title linkable\">\n<div class=\"art_title\"><span class=\"hlFld-Title\"><a class=\"ref nowrap\" href=\"https:\/\/www.maneyonline.com\/doi\/full\/10.1179\/1945233015Y.0000000009\">An Investigation Into Japine Platinum Photographs: William Willis&#8217;s Proprietary Paper<\/a>&nbsp;(2015),&nbsp;<\/span><em><span class=\"hlFld-ContribAuthor\">Matthew L. Clarke<\/span>, <span class=\"hlFld-ContribAuthor\">Constance McCabe<\/span>, <span class=\"hlFld-ContribAuthor\">Christopher A. Maines<\/span>, <span class=\"hlFld-ContribAuthor\">Silvia A. Centeno<\/span>, <span class=\"hlFld-ContribAuthor\">Lisa Barro<\/span>, and&nbsp;<span class=\"hlFld-ContribAuthor\">Anna Vila<\/span><\/em><\/div>\n<\/li>\n<li class=\"art_title linkable\"><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/01971360.2016.1188589\">\u2018Transparent things through which the Past Shines\u2019: Investigating Holograms in the Collection of the National Gallery of Australia<\/a> (2016), <em>Andrea Wise<\/em><\/li>\n<li>Forthcoming: Special issue on Salted Paper Prints, Summer 2020<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-1144\" src=\"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-content\/uploads\/sites\/9\/2019\/12\/AIC-PMG-BW-logos2019-1024x491.jpg\" alt=\"\" width=\"625\" height=\"300\" srcset=\"https:\/\/faic.wpenginepowered.com\/pmg-topics\/wp-content\/uploads\/sites\/9\/2019\/12\/AIC-PMG-BW-logos2019-1024x491.jpg 1024w, https:\/\/faic.wpenginepowered.com\/pmg-topics\/wp-content\/uploads\/sites\/9\/2019\/12\/AIC-PMG-BW-logos2019-300x144.jpg 300w, https:\/\/faic.wpenginepowered.com\/pmg-topics\/wp-content\/uploads\/sites\/9\/2019\/12\/AIC-PMG-BW-logos2019-768x368.jpg 768w, https:\/\/faic.wpenginepowered.com\/pmg-topics\/wp-content\/uploads\/sites\/9\/2019\/12\/AIC-PMG-BW-logos2019-624x299.jpg 624w, https:\/\/faic.wpenginepowered.com\/pmg-topics\/wp-content\/uploads\/sites\/9\/2019\/12\/AIC-PMG-BW-logos2019.jpg 1200w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/><\/p>\n\n\n<p class=\"wp-block-paragraph\">If you find an error or a broken link, please let us know at topics.pmg@gmail.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The peer-reviewed Journal of the American Institute for Conservation (JAIC) has published additional&nbsp;research on photographic materials: Articles published between 1977-2005 are available for free through Conservation Online (CoOL): The Conservation of Photographic Materials&nbsp;(1973),&nbsp;Jos\u00e9 Orraca Monitoring the Fading and Staining of Color Photographic Prints (1981), Henry Wilhelm The Cleaning of Daguerreotypes: Comparison of Cleaning Methods&nbsp;(1982), M. [&hellip;]<\/p>\n","protected":false},"author":26,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-461","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages\/461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/users\/26"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/comments?post=461"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/pages\/461\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/pmg-topics\/wp-json\/wp\/v2\/media?parent=461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}