{"id":202,"date":"2021-10-18T15:32:06","date_gmt":"2021-10-18T15:32:06","guid":{"rendered":"https:\/\/resources.culturalheritage.org\/textile-conservation-newsletter-archives\/?page_id=202"},"modified":"2021-10-18T15:32:07","modified_gmt":"2021-10-18T15:32:07","slug":"browse-issue-contents","status":"publish","type":"page","link":"https:\/\/resources.culturalheritage.org\/textile-conservation-newsletter-archives\/browse-issue-contents\/","title":{"rendered":"Browse Issue Contents"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/resources.conservation-us.org\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-01_FALL-1981.pdf\">Issue 1: SEPTEMBER 1981<\/a><\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns alignwide are-vertically-aligned-top is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<p class=\"wp-block-paragraph\"><strong>NOTES FROM THE EDITORS<\/strong>: S. Little, G. Sundstrom \u2026 (p 1)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CURRENT PROJECTS<\/strong> \u2026 (p 1)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HEALTH AND SAFETY<\/strong> \u2026 (p 2)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SUPPLY SOURCES<\/strong> \u2026 (p 2)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PROFESSIONAL SERVICES<\/strong> \u2026 (p 6)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>RECENT PUBLICATIONS<\/strong> \u2026 (p 7)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>TEXTILE EXHIBITIONS<\/strong> \u2026 (p 7)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PEOPLE <\/strong>\u2026 (p 8)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PROBLEMS AND OR QUESTIONS<\/strong> \u2026 (p 8)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Disclaimer \u2026 (p 9)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-02_SPRING-1982.pdf\">Issue 2: FEBRUARY 1982<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NOTES FROM THE EDITORS<\/strong>: S. Little, G. Sundstrom \u2026 (p 1)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CURRENT PROJECTS<\/strong>: \u2026 (p 1)<\/p>\n\n\n<p><\/p>\n\n<p style=\"padding-left: 40px\">\u00a0B.C. Provincial Museum<\/p>\n<p>\u00a0<\/p>\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Canadian Conservation Institute<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Centre de Conservation du Quebec<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Detroit Institute of Arts<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Glenbow Museum<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Royal Ontario Museum<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">UBC Museum of Anthropology<\/p>\n<p>\n\n\n<p><\/p>\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CONSERVATION TECHNIQUES<\/strong>: \u2026 (p 3)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">                   Canadian Conservation Institute: Storage Mounting System For Small Embroidery Samples.. (p 3)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">                    Glenbow Museum &#8211; Gail Sundstrom. Framing small, flat textiles for display \u2026 (p 4)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SUPPLY SOURCES<\/strong> \u2026 (p. 6)<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<p class=\"wp-block-paragraph\">Information on different detergents taken from the specifications for the product from the firm in question. (Translated from Danish, Courtesy of the Textile Conservation Lab National Museum of Denmark.) \u2026 (p 9)<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PROFESSIONAL SERVICES<\/strong> \u2026 (p 10)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HEALTH AND SAFETY<\/strong>: \u2026 (p 10)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PUBLICATIONS\/REVIEWS<\/strong> \u2026 (p 10)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CONFERENCES\/MEETINGS\/SEMINARS<\/strong> \u2026 (p 12)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EXHIBITIONS<\/strong> \u2026 (p 14)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PEOPLE<\/strong> \u2026 (p 14)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PROBLEMS\/QUESTIONS<\/strong> \u2026 (p 15)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Disclaimer \u2026 (p 15)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-03_FALL-1982.pdf\">Issue 3: SEPTEMBER 1982<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NOTES FROM THE EDITORS<\/strong>: S. Little, S.G. Niinimaa (Sundstrom) \u2026 (p2)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CURRENT PROJECTS<\/strong> \u2026 (p 2)<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p style=\"padding-left: 40px\">B.C. Provincial Museum \u2026 (P 2)<\/p>\n\n\n\n<p style=\"padding-left: 40px\"><\/p>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CONSERVATION TECHNIQUES<\/strong> \u2026 (p 5)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mary Frame: Conservation of Archaeological Textiles \u2026 (p 6)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">University of Alberta: Elizabeth Richards &#8211; Inuit Wall Hanging &#8211; Toronto Dominion Art Collection \u2026 (P 7)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">B.C. Provincial Museum: Colleen Wilson \u2026 (p 8)<\/p>\n\n\n<p style=\"padding-left: 120px\"><\/p>\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">1.\/ Mounting of textiles \u2026 (p 8)<\/p>\n<p style=\"padding-left: 40px\">\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">2.\/ Body Building \u2026 (p 8)<\/p>\n<p style=\"padding-left: 40px\">\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">3.\/ Identification of Textile Materials: Dr. Anthony Smith &#8211; Textile Conservation Centre, Hampton Court \u2026 (p 12)<\/p>\n<p style=\"padding-left: 40px\">\n\n\n<p><\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong>SUPPLY SOURCES<\/strong> \u2026 (p 13)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PROFESSIONAL.SERVICES<\/strong> \u2026 (p 15)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HEALTH AND SAFETY<\/strong> \u2026 (p 15)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PUBLICATIONS\/REVIEWS<\/strong> \u2026 (p 16)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CONFERENCES\/MEETINGS\/SEMINARS<\/strong> \u2026 (p 17)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EXHIBITIONS<\/strong> \u2026 (p 19)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PEOPLE <\/strong>\u2026 (p 20)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMPLOYMENT OPPORTUNITIES<\/strong> \u2026 (p 20)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Disclaimer \u2026 (p 21)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-04_SPRING-1983.pdf\">Issue 4: FEBRUARY 1983<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NOTES FROM THE EDITORS<\/strong>: S. Little, S.G. Niinimaa \u2026 (p 2)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CURRENT PROJECTS \/ CONSERVATION TECHNIQUES<\/strong> \u2026 (p 2)<\/p>\n\n\n<p><\/p>\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">1. Provincial Museum &#8211; Colleen Wilson \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">1.1 Laboratory Facilities \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">1.2 Exhibition Preparations &#8211; &#8220;Gold Rush\u201d \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">2. Canadian Conservation Institute \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">2.1 Archaeology Division \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.1.1 Red Bay 1982-Textile Discovery: Judith A. Logan \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.1.2 Treatment Of The Textiles From Red Bay Labrador &#8211; Martha Segal \u2026 (p 5)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">2.2. Textiles Division \u2026 (p 7)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.2.1 Man&#8217;s 18th c Chintz Morning Coat \u2026 (p 7)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.2.2 American Officer&#8217;s Coat 1786 \u2026 (p 7)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.2.3 Bisham Abbey Tapestry \u2026 (p 8)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.2.4 Textile Adhesives at CCI \u2026 (p 8)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.2.5 Textile Dyes at CCI \u2026 (p 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">3. Centre de Conservation du Quebec: Sharon Little \u2026 (p 9)<\/p>\n<p style=\"padding-left: 80px\">3.1 Laboratory Facilities \u2026 (p 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">3.2 Textile Dyeing Procedures: Sandoz Canada Lt. \u2026 (p 10)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">3.3 Exhibition Preparations &#8220;Il etait une fois une dentelliare&#8221; \u2026 (p 11)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">3.4 A Flexible Strainer for Wet-Cleaning \u2026 (p 11)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">3.5 Aluminum Strainers for an Embroidered Medallion \u2026 (p 12)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">3.6 Exhibition Case Design \u2026 (p 13)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">4. Glenbow Museum: Gail Niinimaa \u2026 (p 16)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">4.1 Mounts for Accessible Storage \u2026 (p 16)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">4.2 Sampler Show \u2026 (p 16)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">4.3 Exhibition Preparations -&#8220;The Dinner Party\u201d \u2026 (p 16)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">4.4 Mounts for &#8220;Quillwork of The Plains&#8221; \u2026 (p 16)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">5. Royal Ontario Museum- Izabella Krasuski \u2026 (p 17)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">5.1 20th c. Ballet Costumes from &#8220;Ballet Russe&#8221; \u2026 (p 17)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">5.2 18th c English Embroidered Silk Aprons \u2026 (p 17)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">5.3 A Coptic Tunic, 7th c. \u2026 (p 17)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">5.4 Framing Methods \u2026 (p 17)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>SUPPLY SOURCES<\/strong> \u2026 (p 17)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>PUBLICATIONS \/ REVIEWS<\/strong> \u2026 (p 19)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>CONFERENCES \/ MEETINGS \/ SEMINARS<\/strong> \u2026 (p 19)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>EXHIBITIONS<\/strong> \u2026 (p 21)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>PEOPLE<\/strong> \u2026 (p 22)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>PROBLEMS\/QUESTIONS<\/strong> \u2026 (p 22)<\/p>\n<p>Disclaimer \u2026 (p 22)<\/p>\n<p>\n\n\n<p><\/p>\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-05_FALL-1983.pdf\">Issue 5: OCTOBER 1983<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NOTES FROM THE EDITORS<\/strong>: S. Little, Gail Sundstrom Niinimaa \u2026 (p 2)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CURRENT PROJECTS \/ CONSERVATION TECHNIQUES<\/strong> \u2026 (p 2)<\/p>\n\n\n<p><\/p>\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">1. B.C. Provincial Museum &#8211; Colleen Wilson \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">1.1 Treatment Of Two Dance Screens \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">1.2 General Activities \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">2. Canadian Conservation Institute \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">2.1 Textiles Division \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.1.1 Textile Wallcovering, Spadina House, Toronto: Eva Burnham \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.1.2 Loyalist Dress &#8211; Julie Crawley \u2026 (p 4)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.1.3 Treatment Of Textiles From Museum Disasters &#8211; Chris Paulocik \u2026 (p 4)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">2.2 Conservation Research Services \u2026 (p 5)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">2.2.1 Removal Of- Iron Stains From Cellulosic Materials \u2026 (p 5)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">3. Centre de Conservation du Quebec: Sharon Little \u2026 (p 5)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">3.1 A Special Frame For A Special &#8221; Tapis Crochete\u201d \u2026 (p 5)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">3.2 Improvements On The Construction Of A Protective Plexiglas Case For An 18th Century Embroidery \u2026 (p 6)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">4. Glenbow Museum &#8211; Gail Sundstrom Niinimaa<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">4.1 Mannequin Covers \u2026 (p 7)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">4.2 Storage Project \u2026 (p 7)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>SUPPLY SOURCES<\/strong> \u2026 (p 8)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>PROFESSIONAL SERVICES\/ MEMBERSHIPS \/ ORGANIZATIONS<\/strong> \u2026 (p 10)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>PUBLICATIONS \/ REVIEWS<\/strong> \u2026 (p 10)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>CONFERENCES \/ SEMINARS \/ WORKSHOPS<\/strong> \u2026 (p 12)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>EXHIBITIONS<\/strong> \u2026 (p 14)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>PEOPLE<\/strong> \u2026 (p 15)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>EMPLOYMENT OPPORTUNITIES<\/strong> \u2026 (p 15)<\/p>\n<p>Disclaimer \u2026 (p 15)<\/p>\n<p>\n\n\n<p><\/p>\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-06_SPRING-1984.pdf\">Issue 6: MARCH 1984<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>NOTES FROM THE EDITORS<\/strong>: Sharon Little-Ragusich, Gail Sundstrom-Niinimaa \u2026 (p 2)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CURRENT PROJECTS \/ CONSERVATION TECHNIQUES<\/strong> \u2026 (p 2)<\/p>\n\n\n<p><\/p>\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">1. B.C. Provincial Museum \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">1.1 Colleen Wilson \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">1.1.1 B.C. Employment Situation \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">1.1.2 Dance Screen \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">1.1.3 Smoking Cap. \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">1.1.4 Chilkat Blankets \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">1.1.5 Future Projects \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">1.2 Barbara Kennedy \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">1.2.1 A Small Vacuum System for the Conservation Laboratory \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">2. Canadian Conservation Institute \u2026 (p 4)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">2.1 Washing a Beaded Flapper Dress \u2026 (p 4)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">2.2 Micmac Chief&#8217;s Costume \u2026 (p 5)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">2.3 Micmac Cradle \u2026 (p 6)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">2.4 Textile Laboratory Intern Report \u2026 (p 6)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">3. Centre de Conservation du Quebec: Sharon Little-Ragusich \u2026 (p 6)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">3.1 Professional Development \u2026 (p 6)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">3.2 Emergency Treatment for Mold Growth \u2026 (p 7)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">3.3 Classification of Dye Recipes \u2026 (p 8)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">4. Glenbow Museum: Gail Sundstrom-Niinimaa \u2026 (p 8)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">4.1 Doll Exhibition \u2026 (p 8)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">4.2 Metis Exhibition \u2026 (p 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">4.3 Brussels Tapestry \u2026 (p 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">5. Provincial Museum of Alberta \u2026 (p 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">5.1 Children&#8217;s Costume \u2026 (p 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">5.2 History of Alberta Quilts \u2026 (p 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">6. University of Alberta \u2026 (p 10)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">6.1 Some Current Graduate Research \u2026 (p 10)<\/p>\n<p>\n\n\n<p><\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong>SUPPLY SOURCES <\/strong>\u2026 (p 10)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PROFESSIONAL SERVICES<\/strong> \u2026 (p 11)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HEALTH AND SAFETY<\/strong> \u2026 (p 11)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PUBLICATIONS<\/strong> \u2026 (p 15)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CONFERENCES \/ COURSES \/ WORKSHOPS<\/strong> \u2026 (p 16)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EXHIBITIONS<\/strong> \u2026 (p17)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PEOPLE<\/strong> \u2026 (p 18)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMPLOYMENT OPPORTUNITIES<\/strong> \u2026 (p 19)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Disclaimer \u2026 (p 19)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-07_FALL-1984.pdf\">Issue 7: Fall 1984<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CURRENT PROJECTS<\/strong> \u2026 (p 1)<\/p>\n\n\n<p><\/p>\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">B.C. Provincial Museum: Colleen Wilson \u2026 (p 1)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">ICOM Textile Group \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">[<span class=\"s1\">Museum of Anthropology,<span class=\"Apple-converted-space\">\u00a0 <\/span>University of British Columbia] <\/span>An Experimental Mannequin For The Display Of Heavy Garments: <span class=\"s1\">Susan Roote and Frances Mitchell\u00a0<\/span>\u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Glenbow Museum \u2026 (P 6)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Royal Ontario Museum \u2026 (p 7)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Conservation Department: Isabelle Krasuski \u2026 (p 7)<\/p>\n<p style=\"padding-left: 80px\">Textile Department : Dorothy K. Burnham\u2026 (P 7)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Canadian Conservation Institute \u2026 (P 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Sir Issac Brock&#8217;s Military Coat: Chris Paulocik \u2026 (P 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Backing Research Project: Ela Keyserlingk \u2026 (P 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">A Method For Putting Crepeline Onto Mats: Jan Vuori \u2026 (p 11)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Centre de Conservation du Quebec: Sharon Little \u2026 (p 15)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Visit of Pope Jean-Paul II \u2026 (p 15)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Two Processional Banners \u2026 (p 16)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">The Cope of Mgr. Lafleche, 1870 \u2026 (p 17)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">National Maritime Museum, London England: Mrs. N.T. Muir \u2026 (p 19)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Acid Free, Deacidification, Alkaline Reserve &#8211; What &#8220;Do&#8221; We Mean?: Mary-Lou Florian \u2026 (p 20)<\/p>\n<p style=\"padding-left: 40px\">Appendix: Colleen Wilson&#8230;(p 23)<\/p>\n<p>\n\n\n<p><\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong>SUPPLIES <\/strong>\u2026 (p 25)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PROFESSIONAL SERVICES<\/strong> \u2026 (p 28)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HEALTH AND SAFETY<\/strong> \u2026 (p 28)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EMPLOYMENT OPPORTUNITIES<\/strong> \u2026 (p 29)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PUBLICATIONS<\/strong> \u2026 (p 30)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CONFERENCES<\/strong> \u2026 (p 32)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>WORKSHOPS<\/strong> \u2026 (p 33)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SEMINARS<\/strong> \u2026 (p 34)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Report on: Disaster Planning for Museums, Galleries and Archives \u2026 (p 35)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EXHIBITIONS<\/strong> \u2026 (p 36)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PEOPLE<\/strong> \u2026 (p 37)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>ERRATUM<\/strong> \u2026 (p 38)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Disclaimer \u2026 (p 38)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-08_SPRING-1985.pdf\">Issue 8: Spring 1985<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EDITOR&#8217;S COMMENTS<\/strong> \u2026 (p 1)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;Dear Editors&#8221; \u2026 (p 1)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CURRENT PROJECTS<\/strong> \u2026 (p 2)<\/p>\n\n\n<p><\/p>\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Ukrainian Museum of Canada, Saskatoon:\u00a0 Embroidery Samples Collection: Irene Horhota-Ritch and Randy Bodnaryk \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Provincial Museum of Alberta, Edmonton \u2026 (p 4)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Parks Canada, Ottawa \u2026 (p 5)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">The Costumes and Textiles Resource Group: Ruth Mills \u2026 (p 5)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Royal Ontario Museum, Toronto \u2026 (p 5)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Conservation Department \u2026 (p 5)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">British Columbia Provincial Museum, Victoria: Colleen Wilson \u2026 (p 7)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Glenbow Museum, Calgary: Gail Sundstrom Niinimaa \u2026 (P 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Garment Bags for Traveling Artifacts \u2026 (P 11)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Canadian Conservation Institute Ottawa \u2026 (p 14)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Textiles Division: Chris Paulocik \u2026 (p 14)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">Treatment of a Malecite Chief&#8217;s Costume: Jan Vuori \u2026 (p 15)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Archaeology Division \u2026 (p 17)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">A 16th Century Costume: Judy Logan, Martha Segal \u2026 (p 17)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">Photographic Print Washers: Martha Segal \u2026 (p 19)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">The Padded Free Mount: Martha Segal, Jan Vuori \u2026 (p 21)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">McCord Museum \u2013 Montreal: Jaqueline Beaudoin-Ross \u2026 (p 22)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>CONFERENCE AND WORKSHOP REPORTS<\/strong> \u2026 (p 22)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>TRAINING<\/strong> \u2026 (p 27)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>COURSES<\/strong> \u2026 (p 29)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\">THE MUSEUM FOR TEXTILES TORONTO \u2026 (p 30)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>PEOPLE<\/strong> \u2026 (p 30)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>HEALTH AND SAFETY<\/strong> \u2026 (p 32)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>EXHIBITIONS<\/strong> \u2026 (p 32)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>PUBLICATIONS<\/strong> \u2026 (p 33)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>SUPPLIES<\/strong> \u2026 (p 34)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>ERRATUM<\/strong> \u2026 (p 35)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\">Disclaimer \u2026 (p 35)<\/p>\n<p>\n\n\n<p><\/p>\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-09_FALL-1985.pdf\">Issue 9: Fall 1985<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>&#8220;DEAR EDITORS&#8221;<\/strong> \u2026 (p 1)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CURRENT PROJECTS<\/strong> \u2026 (p 2)<\/p>\n\n\n<p><\/p>\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">British Columbia Provincial Museum: Colleen Wilson \u2026 (p 2)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">\u00a0 Drycleaning: The Conservator Visits The Real World \u2026 (p 3)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Questionnaire For Drycleaners \u2026 (p 8)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Museum of Anthropology: Elizabeth Lominska Johnson \u2026 (p 9)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Preliminary Conservation of Ancient Peruvian Textiles: Rebecca Billings \u2026 (p 11)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Creative Storage Solutions: Sima Elizabeth Shefrin \u2026 (p 12)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Low-Budget Displays of Museum Textiles: Nicole Hyatt \u2026 (p 13)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">University of Alberta \u2026 (p 15)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Textile Analysis Service \u2026 (p 15)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Historic Costume and Textile Study Collection \u2026 (p 15)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Glenbow Museum: Gail Sundstrom-Niinimaa \u2026 (p 17)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Prairie Costume Society \u2026 (p 18)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Museum for Textiles: Simon Waegemaekers \u2026 (p 19)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Royal Ontario Museum: Adrienne D. Hood \u2026 (p 20)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Textile Department \u2026 (p 20)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 120px\">Research Query On Indian Trade Blankets \u2026 (p 20)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">National Museum of Man \u2026 (p 22)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Conservation Services Division: Julie Hughes \u2026 (p 22)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">The Rebellion of 1885: Han Jongejan \u2026 (p 22)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Research \u2026 (p 23)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Canadian Conservation Institute: John E. Dawson \u2026 (p 24)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Textiles Division \u2026 (p 24)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Environmental and Deterioration Research \u2026 (p 24)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Centre de Conservation et de Restauration du Quebec: Sharon Little-Ragusich \u2026 (p 25)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Removal of Dark Yellow Adhesive Stains By Steam-Cleaning \u2026 (p 25)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Conservation Analytical Laboratory &#8211; Washington, D.C.: Mary W. Ballard \u2026 (p 27)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\"><strong>REPORTS ON SEMINARS, CONFERENCES AND COURSES<\/strong> \u2026 (p 28)<\/p>\n<p>\n\n\n<p><\/p>\n\n\n<p class=\"wp-block-paragraph\"><strong>CONFERENCES &amp; SEMINARS<\/strong> \u2026 (p 33)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>FINANCIAL REPORT<\/strong> \u2026 (p 33)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EXHIBITIONS<\/strong> \u2026 (p 34)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>HEALTH AND SAFETY<\/strong> \u2026 (p 38)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SUPPLIES<\/strong> \u2026 (p 39)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>COURSES<\/strong> \u2026 (p 39)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PUBLICATIONS<\/strong> \u2026 (p 40)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>OF PEOPLE<\/strong>\u2026 (p 40)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Disclaimer\u2026 (p 43)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc-wpengine.netdna-ssl.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-10_SPRING-1986.pdf\">Issue 10: Spring 1986<\/a><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LETTERS TO THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SPECIAL FEATURE<\/strong>: In Support of Hats : Lillian Hill (p 4)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Further Refinements of Hat Supports: Arlene Oak&#8230; (p 8)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CURRENT PROJECTS<\/strong> \u2026 (p 14)<\/p>\n\n\n<p><\/p>\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">\u00a0British Columbia Provincial Museum: Colleen Wilson \u2026 (p 14)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">\u00a0Textiles for Peace: Sima Elizabeth Shefrin&#8230; (p 14)<\/p>\n<p style=\"padding-left: 40px\">Glenbow Museum: Gail Sundstrom-Niinimaa, Robin Etherington, Marijke Kerkhoven, \u2026 (p 17)<\/p>\n<p style=\"padding-left: 40px\">Royal Ontario Museum: Adrienne D. Hood \u2026 (p 19)<\/p>\n<p style=\"padding-left: 40px\">University of Alberta \u2026 (p 20)<\/p>\n<p style=\"padding-left: 80px\">Textile Analysis Service : Elizabeth Tait\u2026 (p 20)<\/p>\n<p>\n\n\n<p><\/p>\n\n\n<\/p>\n<p class=\"wp-block-paragraph\">\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Provincial Museum of Alberta: Sandra Morton Weizman \u2026 (p 21)<\/p>\n<p style=\"padding-left: 40px\">Royal Ontario Museum: Izabella Krasuski, Cara Reeves\u2026 (p 22)<\/p>\n<p style=\"padding-left: 40px\">Canadian Conservation Institute: (p 23)<\/p>\n<p style=\"padding-left: 80px\">Vatican Splendor Exhibition: : Eva Burnham, Ela Keyserlingk&#8230; (P 23)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 80px\">Textiles Division [Dye Equipment]: Jan Vuori&#8230;(p 26)<\/p>\n<p>\n\n\n\n<\/p>\n<p class=\"wp-block-paragraph\" style=\"padding-left: 40px\">Canadian Museum of Civilization: Julie Hughes&#8230;(p 28)<\/p>\n<p>\n\n\n<p><\/p>\n\n\n<p class=\"wp-block-paragraph\">Report on the Founding Dinner Costume Society of Ontario Eastern Group \u2026 (p 29)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>BOOK REVIEWS<\/strong> \u2026 (p 30)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>PUBLICATIONS<\/strong> \u2026 (p 32)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CONFERENCE<\/strong> \u2026 (p 33)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>LECTURES<\/strong> \u2026 (p 33)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>COURSES<\/strong> \u2026 (p 34)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>SOURCES<\/strong> \u2026 (p 36)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>EXHIBITIONS<\/strong> \u2026 (p 37)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>TOURS<\/strong> \u2026 (p 38)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>OF PEOPLE<\/strong> \u2026 (p 38)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Disclaimer\u2026 (p&nbsp; 39)<\/p>\n\n\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-11_FALL-1986.pdf\">Issue 11: Fall 1986<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p><strong>CURRENT PROJECTS<\/strong> \u2026 (p 1)<\/p>\n<p style=\"padding-left: 40px\">British Columbia Provincial Museum&#8230;(p 1)<\/p>\n<p style=\"padding-left: 40px\">University of Alberta: Marg Meikle&#8230;(p 2)<\/p>\n<p style=\"padding-left: 40px\">Glenbow Museum: Gail Niinimaa&#8230;(p 4)<\/p>\n<p style=\"padding-left: 80px\">Textile Conservation Laboratory&#8230;(p 4)<\/p>\n<p style=\"padding-left: 80px\">Cultural History Department&#8230;(p 6)<\/p>\n<p style=\"padding-left: 40px\">Royal Ontario Museum: Izabella Krasuski\u2026 (p 6)<\/p>\n<p style=\"padding-left: 40px\">Canadian Conservation Institute&#8230; (p 7)<\/p>\n<p style=\"padding-left: 80px\">Textiles Laboratory: Chris Paulocik&#8230;(p 7)<\/p>\n<p style=\"padding-left: 120px\">Cultural exchange to Italy&#8230;(p 7)<\/p>\n<p style=\"padding-left: 120px\">Palazzo Pitti, Gallery of Costume &#8230;(p 8)<\/p>\n<p style=\"padding-left: 80px\">Works on Paper Laboratory: David Hanington &#8230;(p&#8230;9)<\/p>\n<p style=\"padding-left: 80px\">Archaeology Lab: J. Logan, C. Newton&#8230;(p 10)<\/p>\n<p style=\"padding-left: 120px\">Red Bay&#8230;(p 10)<\/p>\n<p style=\"padding-left: 80px\">Environment and Deterioration Research Division&#8230;(p 12)<\/p>\n<p style=\"padding-left: 120px\">An Adhesive Testing Program Update&#8230;(p 12)<\/p>\n<p style=\"padding-left: 40px\">Canadian Museum of Civilization: Julie Hughes&#8230;(p 13)<\/p>\n<p style=\"padding-left: 80px\">Conservation Services Division&#8230;(p 13)<\/p>\n<p style=\"padding-left: 120px\">[Ballroom Scene Diorama]&#8230;(p 13)<\/p>\n<p style=\"padding-left: 80px\">Parc Laurier&#8230;(p 14)<\/p>\n<p style=\"padding-left: 40px\">Parks Canada: Christine Feniak, Lucie Thivierge&#8230;(p 16)<\/p>\n<p style=\"padding-left: 80px\">Textile Conservation Service&#8230;(p 16)<\/p>\n<p style=\"padding-left: 40px\">Smithsonian Institution: Mary W. Ballard&#8230;(p 17)<\/p>\n<p style=\"padding-left: 80px\">Textile Conservation Laboratory\/ Conservation Analytical Laboratory&#8230;(p 16)<\/p>\n<p><strong>REPORTS ON CONFERENCES, COURSES, TOURS<\/strong> \u2026 (p 17)<\/p>\n<p><strong>PUBLICATIONS<\/strong>&#8230;(P 20)<\/p>\n<p><strong>CONFERENCES<\/strong>&#8230;(p 21)<\/p>\n<p><strong>LECTURES<\/strong>&#8230;(p 21)<\/p>\n<p><strong>NOTICES<\/strong>&#8230;(p 22)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 23)<\/p>\n<p><strong>OF PEOPLE<\/strong> \u2026 (p 24)<\/p>\n<p>Disclaimer \u2026 (p 25)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-12_SPRING-1987.pdf\">Issue 12: SPRING 1987<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p><strong>&#8220;DEAR EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p><strong>SPECIAL FEATURE<\/strong> &#8211; Printed Fabrics: Indiennes \u2026 (p 2)<\/p>\n<p><strong>CURRENT PROJECTS<\/strong> \u2026 (p 5)<\/p>\n<p style=\"padding-left: 40px\">B.C. PROVINCIAL MUSEUM: Colleen Wilson \u2026 (p 5)<\/p>\n<p style=\"padding-left: 40px\">UBC MUSEUM OF ANTHROPOLOGY: Wanda McWilliams, Margee Morris \u2026 (p 7)<\/p>\n<p style=\"padding-left: 40px\">GLENBOW MUSEUM\u2026 (p 7)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Textile Conservation Laborartory: Gail Niinima \u2026 (p 7)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cultural History Department: M. Kerkhoven&#8230;(p 8)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Textile Conservation Laborartory \u2026 (p 9)<\/p>\n<p style=\"padding-left: 40px\">CANADIAN CONSERVATION INSTITUTE \u2026 (p 9)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Textiles Laboratory: Chris Paulocik&#8230;(p 9)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Internships&#8230;(p 11)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ethnology Division&#8230;(p 11)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 An Alternate Support System [for shoes]: Susan Maltby&#8230;(p 11)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 An Attractive Mounting System for Small Artifacts]: Susan Maltby&#8230;(p 12)<\/p>\n<p style=\"padding-left: 40px\">CANADIAN MUSEUM OF CIVILIZATION: Julie Hughes \u2026 (p 14)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Conservation Services Division&#8230; (p 14)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [Mannequins]&#8230;(p 14)<\/p>\n<p style=\"padding-left: 40px\">PARKS CANADA: Christine Feniak, Lucie Thivierge \u2026 (p 21)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Textile Conservation Section\u2026 (p 21)<\/p>\n<p style=\"padding-left: 40px\">SMITHSONIAN INSTITUTION: Mary W. Ballard \u2026 (p 22)<\/p>\n<p style=\"padding-left: 40px\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Textile Conservation Laboratory\/ Conservation Analytical Laboratory&#8230;(p 22)<\/p>\n<p><strong>STUDIES AND ANALYSIS<\/strong> \u2026 (p 23)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Study of Volatile Emissions from Display and Storage Materials: CCI&#8230;(p 23)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Analysis of &#8220;Host&#8221; Rug Drycleaning Product: BC Provincial Museum, Mary-Lou Florian&#8230;<\/p>\n<p style=\"padding-left: 80px\">(p 24)<\/p>\n<p><strong>REPORTS ON CONFERENCES, MEETINGS<\/strong> \u2026 (p 25)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 15th Annual AIC Conference, Vancouver BC: Colleen Wilson\u2026 (p 25)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 13th Annual IIC-CG Conference, Victoria BC: Colleen Wilson\u2026 (p 27)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 [Others]&#8230;(p 28)<\/p>\n<p><strong>COURSES<\/strong> \u2026 (p 29)<\/p>\n<p><strong>CONFERENCES<\/strong> \u2026 (p 30)<\/p>\n<p><strong>POSITIONS<\/strong> \u2026 (p34)<\/p>\n<p><strong>INTERNSHIPS AVAILABLE<\/strong> \u2026 (p35)<\/p>\n<p><strong>PUBLICATIONS <\/strong>\u2026 (p 35)<\/p>\n<p><strong>ANNOUNCEMENTS<\/strong> \u2026 (p 36)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 36)<\/p>\n<p>Disclaimer \u2026 (p 37)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-13_FALL-1987.pdf\">Issue 13: Fall 1987<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>The Dugald Costume Museum: Who Are You?: Susan Charles \u2026 (p 1)<\/p>\n<p><strong>CURRENT PROJECTS<\/strong> \u2026 (p 5)<\/p>\n<p style=\"padding-left: 40px\">CANADIAN CONSERVATION INSTITUTE, Ethnology Division \u2026 (p 5)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 An Adjustable Hat Block: Phil R. White&#8230;( p 5)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Coroplast Box Construction using Hot-melt Rivets: Carl Schlicting&#8230;(p 7)<\/p>\n<p style=\"padding-left: 40px\">ROYAL ONTARIO MUSEUM: Isabella Krasuski \u2026 (p 12)<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Textile Department<\/p>\n<p style=\"padding-left: 40px\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Textile Conservation Lab<\/p>\n<p style=\"padding-left: 40px\">ROYAL BRITISH COLUMBIA MUSEUM: Colleen Wilson \u2026 (p 13)<\/p>\n<p style=\"padding-left: 40px\">UNIVERSITY OF ALBERTA: Melissa Daoust \u2026 (p 14)<\/p>\n<p><strong>REPORTS ON CONFERENCES, MEETINGS, COURSES<\/strong> \u2026 (p 16)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pennsylvania Capital Preservation Committee Flag Symposium: Elsa Keyserlink&#8230;(p 16)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Costume Society of Ontario, Eastern Group Meeting&#8230;(p 19)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Costume Society of Ontario, Eastern Group Workshop: Barbara Dexter&#8230;(p 19)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Workshop on the Degradation of Historic Textiles: Charlotte Newton&#8230;(p 20)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The Identification of Early Synthetic Dyes on Historic Textiles\/ The Preparation of<\/p>\n<p style=\"padding-left: 80px\">Standard Dyeing on Early Synthetics: Chris Paulocik&#8230;(p 20)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Abegg-Stiftung 20th Anniversary: Eva Burnham&#8230;(p 21)<\/p>\n<p><strong>COURSES AND TOURS<\/strong>&#8230;(p 22)<\/p>\n<p><strong>CONFERENCES<\/strong>&#8230;(p 23)<\/p>\n<p><strong>POSITIONS, FELLOWSHIPS<\/strong> \u2026 (p 25)<\/p>\n<p><strong>BOOK REVIEW<\/strong> \u2026 (p 25)<\/p>\n<p><strong>ANNOUNCEMENT<\/strong> \u2026 (p 27)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 237<\/p>\n<p>Disclaimer \u2026 (p 29)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc-wpengine.netdna-ssl.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-14_SPRING-1988.pdf\">Issue 14: SPRING 1988<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p><strong>CURRENT PROJECTS<\/strong> \u2026 (p1)<\/p>\n<p style=\"padding-left: 40px\">Conservation at the Isabella Stewart Gardner Museum: Marjorie Bullock \u2026 (p 1)<\/p>\n<p style=\"padding-left: 40px\">Reproduction of an 18th Century Malecite Costume: Jan Vuori \u2026 (p 5)<\/p>\n<p style=\"padding-left: 40px\">The Treatment of a Tsimshian Hat: Phil White \u2026 (p 7)<\/p>\n<p style=\"padding-left: 40px\">Behind the Scenes of the Galleria Del Costume: Mary Westerman-Bulgarella \u2026 (p 9)<\/p>\n<p style=\"padding-left: 40px\">Anderson House Museum Textile Conservation Lab: Kathleen Betts \u2026 (p 13)<\/p>\n<p style=\"padding-left: 40px\">Support Padding of Textile Shoes at the Bata Shoe Museum: Saundra Reiner-Moffatt \u2026 (p 15)<\/p>\n<p style=\"padding-left: 40px\">Poulin Ballroom Scene \u2026 (p 18)<\/p>\n<p style=\"padding-left: 40px\">Other Projects at the Canadian Museum Of Civilization, Ottawa: Julie Hughes, Ruth Norton, Han Jongejan \u2026 (p 22)<\/p>\n<p style=\"padding-left: 40px\">A Support for Large Flat Artifacts During Treatment: Phil White \u2026 (p 23)<\/p>\n<p style=\"padding-left: 40px\">Mannequins and Headforms: Lucie Thivierge \u2026 (p 24)<\/p>\n<p style=\"padding-left: 40px\">Alteration of a Dressmakers Mannequin: Ruth Mills \u2026 (p 28)<\/p>\n<p style=\"padding-left: 40px\">Conservation Information Network: Ela Keyserlingk \u2026 (p 30)<\/p>\n<p style=\"padding-left: 40px\">Save the Silks! Protection for Weighted Silks: Merrill Horswill \u2026 (p 31)<\/p>\n<p style=\"padding-left: 40px\">Conservation Alert: Harmful Buttons &amp; Buckles: Nancy Kerr \u2026 (p 34)<\/p>\n<p style=\"padding-left: 40px\">News From the Royal Ontario Museum: Izabella Krasuski \u2026 (p 35)<\/p>\n<p><strong>REPORTS ON CONFERENCES, MEETINGS &amp; COURSES<\/strong> \u2026 (p 36)<\/p>\n<p style=\"padding-left: 40px\">Stitching Symposium: Sarah Lowengard \u2026 (p 36)<\/p>\n<p style=\"padding-left: 40px\">Inuit Clothing Conference: Ruth Mills \u2026 (p 39)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 40)<\/p>\n<p style=\"padding-left: 40px\">A Coat of Many Colours: Sandra Morton-Weizman \u2026 (p 41)<\/p>\n<p style=\"padding-left: 40px\">Ivalu: Traditions of Inuit Clothing \u2026 (p 42)<\/p>\n<p><strong>CONFERENCES, COURSES &amp; SEMINARS<\/strong> \u2026 (p 43)<\/p>\n<p><strong>HEALTH AND SAFETY<\/strong>: Arsenic Found in Historic Textiles: Monona Rossol \u2026 (p 44)<\/p>\n<p><strong>NEW PUBLICATIONS<\/strong> \u2026 (p 45)<\/p>\n<p><strong>POSITIONS AVAILABLE<\/strong> \u2026 (p 47)<\/p>\n<p><strong>SUBSCRIPTION INFORMATION<\/strong> \u2026 (p 48)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-15_FALL-1988.pdf\">Issue 15: FALL 1988<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>The Museum for Textiles: Barbara Hewitt, Simon Waegemaekers \u2026 (p2)<\/p>\n<p>A Summary on the Recovery, Conservation, and Analysis of Burial Finds from the Sepulture of the Bamberg Cathedral In Bamberg, Germany: Hannelore Herrmann \u2026 (p 4)<\/p>\n<p>News From the Centre de Conservation: Louise Lalonger \u2026 (p 7)<\/p>\n<p>Fur Storage at the Provinclal Museum: Gladys Serafino \u2026 (p 10)<\/p>\n<p>Conservation of Two North West Coast Indian Woven Mats: Joan Stager, Pat Cooper \u2026 (p 12)<\/p>\n<p>Archaeological Hat: Lorrie Storr \u2026 (p 16)<\/p>\n<p>&#8220;Operation Moth&#8221;: Colleen Wilson \u2026 (p 18)<\/p>\n<p>&#8220;Quilt Top Backing Project\u201d: Gail Niinimaa \u2026 (p 20)<\/p>\n<p>A Trip Around the World: Doreen Rockliff \u2026 (p 21)<\/p>\n<p>Storage of Christmas Tree Ornaments: Gladys Serafino \u2026 (p 22)<\/p>\n<p>Preliminary Treatment of a 16th Century Tapestry: Audrey Yardley-Jones \u2026 (p23)<\/p>\n<p>News Update from CMC: Julie Hughes \u2026 (p 25)<\/p>\n<p>University Collections Centre, Alberta \u2026 (p 26)<\/p>\n<p><strong>REPORTS ON CONFERENCES, MEETINGS, COURSES<\/strong> \u2026 (p 26)<\/p>\n<p style=\"padding-left: 40px\">Pests; Their Biology, Control &amp; Prevention: Michele P. Pagan \u2026 (p 26)<\/p>\n<p style=\"padding-left: 40px\">Professional Development Day for Textile Conservators, Curators &amp; Scientists at the Canadian Conservation Institute: Ela Keyserlingk \u2026 (p 29)<\/p>\n<p style=\"padding-left: 40px\">Culture and Comfort: People, Parlors and Upholstery 1850-1930 Fall Symposium:Eva Burnham \u2026 (p 30)<\/p>\n<p><strong>PUBLICATIONS<\/strong> \u2026 (p 32)<\/p>\n<p><strong>INTERNSHIPS, COURSES, WORKSHOPS<\/strong> \u2026 (p 34)<\/p>\n<p><strong>CONFERENCES<\/strong> \u2026 (p 37)<\/p>\n<p><strong>TEXTILE AND COSTUME STUDY TOURS<\/strong> \u2026 (p 37)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 39)<\/p>\n<p><strong>POSITIONS<\/strong> \u2026 (p 40)<\/p>\n<p><strong>ABOUT PEOPLE<\/strong> \u2026 (p 40)<\/p>\n<p><strong>SUBSCRIPTION INFORMATION<\/strong> \u2026 (p 42)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-16_SPRING-1989.pdf\">Issue 16: SPRING 1989<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>Happy Birthday, Fanny: Colleen Day \u2026 (p 1)<\/p>\n<p>A Make-Over for Lady Blanche: Janet Mason \u2026 (p 3)<\/p>\n<p>Battle of Britain Lace: Helen Holt \u2026 (p 7)<\/p>\n<p>Tapestry Conservation Project &#8211; Biltmore House: Patricia Ewer \u2026 (p 11)<\/p>\n<p>Kashmir Shawl Exhibition at the Musee D&#8217;art et D&#8217;histoire in Geneva, Switzerland: Barbara Raster, Annette Beentjes \u2026 (p 14)<\/p>\n<p>Visible Storage at the Dugald Costume Museum: Susan Charles \u2026 (p 17)<\/p>\n<p>A Method of Treating an Insect-Damaged Uniform Coat with a Minimal Amount<\/p>\n<p>of Interference with Original Stitching: Eva Burnham \u2026 (p 22)<\/p>\n<p>News from the Royal British Columbia Museum: Sharon Hammick, Colleen Wilson \u2026 (p 25)<\/p>\n<p>A Non-Profit Conservation Workshop: Marlene Jaffe \u2026 (p 27)<\/p>\n<p><strong>BOOK REVIEW<\/strong>: Brigitta Schmedding<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Textile Conservation and Research, by Mechthild Flury-Lemberg \u2026 (p 28)<\/p>\n<p>Report on the Internship In Tapestry Conservation at St. John the Divine, New York: Wojciech Jakoblec \u2026 (p 31)<\/p>\n<p><strong>RESEARCH FELLOWSHIPS AND GRANTS<\/strong> \u2026 (p 32)<\/p>\n<p><strong>IN MEMORIAM<\/strong><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Joseph V. Columbus\u2026 (p 32)<\/p>\n<p><strong>SYMPOSIUMS<\/strong> \u2026 (p 33)<\/p>\n<p>Carpet Conservation Symposium<\/p>\n<p>Upholstery Conservation Symposium<\/p>\n<p>Furnishing Textiles<\/p>\n<p>Tapestry Symposium in Honor of Joseph Columbus<\/p>\n<p><strong>COURSES<\/strong> \u2026 (p 34)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 36)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-17_FALL-1989.pdf\">Issue 17: FALL 1989<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>Mildew, Collections and the Work Environment: An Attack of Aspergillus Fumigatus: Vicky Kruckeberg \u2026 (p 2)<\/p>\n<p>A Propos de Costumes: Marie MassonSchoefer \u2026 (p 6)<\/p>\n<p>On Costumes: Marie Masson-Schoefer \u2026 (p 8)<\/p>\n<p>Shoe Conservation: June Swann \u2026 (p 12)<\/p>\n<p>Treatment of an Extensively Corrosion Stained Uniform Jacket Using a Vacuum Suction Technique: Doreen Rockliff, Elizabeth Tait \u2026 (p 14)<\/p>\n<p>Canadian Museum of Civilization: Julie Hughes \u2026 (p 16)<\/p>\n<p>Glenbow Museum, News From the Textile Conservation Lab: Jan Mulhall \u2026 (p 18)<\/p>\n<p>University of Alberta: Karen Myrholm \u2026 (p 21)<\/p>\n<p>Queen\u2019s University: Krysia Spirydowicz \u2026 (p 22)<\/p>\n<p><strong>Conference Report<\/strong> \u2026 (p 24)<\/p>\n<p>Joseph V. Columbus Tapestry Symposium: Elizabeth A. Richards \u2026 (p 24)<\/p>\n<p><strong>FELLOWSHIPS\/INTERNSHIPS<\/strong> \u2026 (p 26)<\/p>\n<p>Smithsonian Courses \u2026 (p 27)<\/p>\n<p><strong>WORKSHOPS<\/strong> \u2026 (p 28)<\/p>\n<p>The Costume and Textile Gallery of the New Samuel European Galleries Opens October 12, 1989 at Toronto\u2019s Royal Ontario Museum \u2026 (p 29)<\/p>\n<p>New Museum for Textiles Now Opened in Toronto \u2026 (p 30)<\/p>\n<p><strong>QUERY<\/strong> \u2026 (p 32)<\/p>\n<p><strong>NEW PRODUCTS<\/strong> \u2026 (p 32)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 32)<\/p>\n<p><strong>TCN SUBSCRIPTION INFORMATION <\/strong>\u2026 (p 33)<\/p>\n<p><strong>INDEX OF TCN BACK ISSUES 1-15<\/strong> \u2026 (p 34)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-18_SPRING-1990.pdf\">Issue 18: SPRING 1990<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>Corrugated Polypropylene Containers: Andr\u00e9 Isabelle \u2026 (p 2)<\/p>\n<p>The Conservation of a Bag Wig, c. 1820: Marion Kite \u2026 (p 7)<\/p>\n<p>Dual Bleaching of a Lace Shawl: Susan Weber-Fuhr \u2026 (p 9)<\/p>\n<p>Trousers Found in Montgomery\u2019s Inn: Hilary Dawson \u2026 (p 12)<\/p>\n<p><strong>HEALTH AND SAFETY<\/strong> \u2026 (p 16)<\/p>\n<p>An Unexpected Hazard in a Textile Storage Room: Julia Fenn \u2026 (p 16)<\/p>\n<p>Health and Safety Considerations for Garment and Textile Conservators: C.O. Lindholm, R.J. Simmons \u2026 (p 18)<\/p>\n<p>News From the Canadian Museum of Civilization: Julie Hughes, Anna Jakobiec \u2026 (p 19)<\/p>\n<p>Nouvelles en Provenance du C.C.Q.\/News From the Centre De Conservation Du Qu\u00e9bec: Sharon Little, Louise Lalonger, Translation: Carole Dignard \u2026 (p 20)<\/p>\n<p><strong>CONFERENCE REPORTS<\/strong> \u2026 (p 21)<\/p>\n<p>Upholstery Conservation Symposium: Krysia Spirydowicz \u2026 (p 21)<\/p>\n<p>Carpet Conservation Symposium: R. Bruce Hutchison \u2026 (p 23)<\/p>\n<p>The Textile Society of America: Mary Ann Butterfield \u2026 (p 23)<\/p>\n<p><strong>CONFERENCES<\/strong> \u2026 (p 24)<\/p>\n<p><strong>EXHIBIT REVIEW<\/strong> \u2026 (p 26)<\/p>\n<p>Measure for Measure \u2013 Measuring Up: Ruth Mills, Eva Burnham \u2026 (p 26)<\/p>\n<p><strong>BOOK REVIEW<\/strong> \u2026 (p 27)<\/p>\n<p>The ATN Guide to Structural Sewing: Terms and Techniques: Stephen Davis, Ruth K. Mills \u2026 (p 27)<\/p>\n<p><strong>NEW PUBLICATIONS<\/strong> \u2026 (p 28)<\/p>\n<p><strong>SUPPLIES<\/strong> \u2026 (p 29)<\/p>\n<p><strong>COURSES AND WORKSHOPS<\/strong> \u2026 (p 30)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 32)<\/p>\n<p><strong>TCN SUBSCRIPTION INFORMATION <\/strong>\u2026 (p 33)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-19_FALL-1990.pdf\">Issue 19: FALL 1990<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p><strong>LETTER TO THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>\u201cTame and Wild,\u201d Basel Tapestries of the 15<sup>th<\/sup> Century: Anna Rapp Buri, Monica Stucky-Schurer \u2026 (p 3)<\/p>\n<p>Shoe Storage Solutions: Judy D. Sourakli, Jeffrey A. Butterworth \u2026 (p 4)<\/p>\n<p>Conservation of a M\u00e9tis Dog Blanket: Leslie Redman \u2026 (p 9)<\/p>\n<p>Canadian Museum of Civilization: Julie Hughes \u2026 (p 11)<\/p>\n<p>News from the Royal British Columbia Museum: Lisa Bengtson \u2026 (p 12)<\/p>\n<p><strong>Health and Safety<\/strong> \u2026 (p 15)<\/p>\n<p>Textile Fumigation with Phosphine: Julia D. Fenn \u2026 (p 15)<\/p>\n<p>Precautions for Textile Conservators: Monona Rossol \u2026 (p 19)<\/p>\n<p>Dichlorvos Carcinogenicity Update \u2026 (p 21)<\/p>\n<p>NTP Criteria: Angela Babin \u2026 (p 21)<\/p>\n<p><strong>CONFERENCE AND COURSE REPORTS <\/strong>\u2026 (p 22)<\/p>\n<p>Winter Institute 1990, Winterthur Museums and Gardens: Pam Buell \u2026 (p 22)<\/p>\n<p>Costume Society of America: Gail Cariou \u2026 (p 23)<\/p>\n<p><strong>CONFERENCES, COURSES, INTERNSHIPS, SEMINARS &amp; LECTURES<\/strong> \u2026 (p 24)<\/p>\n<p><strong>PUBLICATIONS, CONSERVATION SUPPLIES <\/strong>\u2026 (p 29)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 30)<\/p>\n<p><strong>TCN SUBSCRIPTION INFORMATION<\/strong> \u2026 (p 31)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-20_SPRING-1991.pdf\">Issue 20: SPRING 1991<\/a><\/h2>\n<p><strong>From the Editors<\/strong> \u2026 (p 1)<\/p>\n<p>Deodorants and Antiperspirants, A Little History: Helen Holt \u2026 (p 2)<\/p>\n<p>Textiles, Fibers, and Mats Recovered from the San Juan \u2026 (p 6)<\/p>\n<p>The Conservation of a Beaded Dress: Janet L. Wagner \u2026 (p 10)<\/p>\n<p>Overview of the Conservation Project for the First Ladies Collection: Polly Willman \u2026 (p 13)<\/p>\n<p>Bleaching a White Silk Embroidered Cotton Dress: Joan Marshall, Doreen Rockliffe \u2026 (p 16)<\/p>\n<p>Support for Church Vestments: Reginald Porter \u2026 (p 18)<\/p>\n<p>Constructing Oversized Textile Storage Trays and Boxes: Carl Schlichting \u2026 (p 21)<\/p>\n<p>Happy Recycling: Elizabeth Sifton \u2026 (p 27)<\/p>\n<p>Travel Notes from Southeast Asia and Japan: Stephen Davis \u2026 (p 28)<\/p>\n<p>News from Royal B.C. Museum: Colleen Wilson \u2026 (p 31)<\/p>\n<p><strong>BOOK REVIEWS<\/strong> \u2026 (p 32)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Norwegian Immigrant Clothing and Textiles: Dorothy Burnham \u2026 (p 32)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Needlework Fabric Information and Samples: Ruth K. Mills \u2026 (p 33)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 34)<\/p>\n<p><strong>TCN SUBMISSIONS<\/strong> \u2026 (p 38)<strong>TCN SUBSCRIPTION INFORMATION <\/strong>\u2026 (p 39)<\/p>\n<p><strong>TCN INDEX 89-90<\/strong> \u2026 (p 40)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-21_FALL-1991.pdf\">Issue 21: FALL 1991<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>10 Years TCN \u2013 The History of Textile Conservation Newsletter \u2013 Canada, 1981-1991: S. Gail (Sundstrom) Niinimaa \u2026 (p 2)<\/p>\n<p>The Conservation of a Split-Horn Head-Dress: Nicola Bushnell \u2026 (p 3)<\/p>\n<p>The Dynamic Impact of Rubber on American Footwear: Louise Coffey \u2026 (p 11)<\/p>\n<p>Design and Construction of a Storage Container Suitable for a Large, Fragile Garment : Andr\u00e9 Isabelle \u2026 (p 13)<\/p>\n<p>Infestations Part II: Julie Hughes \u2026 (p 17)<\/p>\n<p>Fire at Saskatchewan Museum of Natural History: Don Pingert \u2026 (p 20)<\/p>\n<p>News from Textile Laboratory, Canadian Conservation Institute \u2026 (p 26)<\/p>\n<p>News from the McCord Museum of Canadian History: Eva Burnham \u2026 (p 27)<\/p>\n<p>News from Gail Niinimaa, Private Conservator \u2026 (p 28)<\/p>\n<p><strong>NEW PUBLICATIONS<\/strong> \u2026 (p 28)<\/p>\n<p><strong>BOOK AND EXHIBITION REVIEW<\/strong><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 &#8220;Bevarandets Hemlighet \u2013 Konsten Att Varda, Forvara Och Konservra\u201d \u2013 \u201cThe Secret of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Preservation Revealed \u2013 The Art of Care, Storage and Conservation\u201d: Gail Niinimaa \u2026\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (p 29)<\/p>\n<p><strong>RESEARCH <\/strong>\u2026 (p 31)<\/p>\n<p><strong>FELLOWSHIP<\/strong> \u2026 (p 31)<\/p>\n<p><strong>CONFERENCE<\/strong> \u2026 (p 32)<\/p>\n<p><strong>EXHIBITIONS <\/strong>\u2026 (p 33)<\/p>\n<p><strong>TCN SUBSCRIPTION INFORMATION<\/strong> \u2026 (p 34)<\/p>\n<p><strong>TCN SUBMISSIONS<\/strong> \u2026 (p 34)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-22_SPRING-1992.pdf\">Issue 22: SPRING 1992<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>Report on Orvus WA Paste Tests: Patricia Ewer, Rebecca Rudolph \u2026 (p 2)<\/p>\n<p>Planning a Move to Compact Storage: Elizabeth Sifton \u2026 (p 6)<\/p>\n<p>Costume Developments at Louisburg Historic Park: Elizabeth Tait \u2026 (p 14)<\/p>\n<p>Internship at National Museum of American History: Cynthia Cooper \u2026 (p 17)<\/p>\n<p><strong>CONFERENCES, MEETINGS &amp; SYMPOSIA<\/strong> \u2026 (p 18)<\/p>\n<p><strong>RECENT PUBLICATIONS<\/strong> \u2026 (p 20)<\/p>\n<p><strong>EXHIBITIONS<\/strong> \u2026 (p 21)<\/p>\n<p><strong>TCN SUBSCRIPTION INFORMATION <\/strong>\u2026 (p 22)<\/p>\n<p><strong>TCN SUBMISSIONS<\/strong> \u2026 (p 22)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-23_FALL-1992.pdf\">Issue 23: FALL 1992<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>Water Purification System in Textiles Lab at CCI: Season Tse \u2026 (p 2)<\/p>\n<p>A Mannequin Make-Over: Debra Reeve \u2026 (p 4)<\/p>\n<p>An Inexpensive Tensioner: Teresa A. Knutson \u2026 (p 9)<\/p>\n<p>Conservation at the German Textile Museum Krefeld: Brigitte Dreyspring \u2026 (p 11)<\/p>\n<p>News from Canadian Museum of Civilization Textiles Conservation Laboratory: Julie Hughes, Anna Jokobiec \u2026 (p 17)<\/p>\n<p>Textile Conservation and Historic Textiles at the University of Rhode Island: Margaret Ordonez \u2026 (p 20)<\/p>\n<p><strong>REPORTS ON COURSES AND INTERNSHIPS<\/strong> \u2026 (p 21)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ancient Andean Textile Workshop: Jan Vuori \u2026 (p 21)<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A Work Tour in Germany: Gaelen Gordon \u2026 (p 23)<\/p>\n<p><strong>BOOK REVIEW<\/strong>\u00a0<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 To Please the Caribou: Painted Caribou Skin Coats Worn bv the Naskapi, Montagnais, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 and Cree Hunters of the Quebec-Labrador Peninsula by Dorothy K. Burnham, reviewed \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 by Jill Oakes\u2026 (p 24)\u00a0<\/p>\n<p>McCord Museum of Canadian History Re-Opens,\u00a0 Form and Fashion: Nineteenth-Century Montreal Dress: Alexandra Palmer&#8230;(p 25)<\/p>\n<p>Workshop on Adhesives \u2026 (p 27)<\/p>\n<p><strong>SUPPLIES<\/strong> \u2026 (p 28)<\/p>\n<p><strong>TCN SUBSCRIPTION INFORMATION <\/strong>\u2026 (p 30)<\/p>\n<p><strong>TCN SUBMISSIONS<\/strong> \u2026 (p 30)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-24_SPRING-1993.pdf\">Issue 24: SPRING 1993<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>Improvements to Storage: The Textiles in the History Collection, Royal British Columbia Museum: Colleen Wilson \u2026 (p 2)<\/p>\n<p>The Ethnology Collection Textiles: Kjestin Mackie, Lisa Bengston \u2026 (p 5)<\/p>\n<p>Textile Conservation Laboratory Planning: Loreen Finkelstein \u2026 (p 9)<\/p>\n<p>Visible Storage: An Update: Miriam Clavir \u2026 (p 18)<\/p>\n<p>Textile Conservation Program at the University of Alberta: Heather Prince \u2026 (p 19)<\/p>\n<p>Adhesives Symposium at the Cooper Hewitt Museum: Rebecca Johnson Dibb \u2026 (p 21)<\/p>\n<p><strong>NEW PUBLICATIONS<\/strong> \u2026 (p 22)<\/p>\n<p><strong>TCN SUBSCRIPTION INFORMATION<\/strong> \u2026 (p 23)<\/p>\n<p><strong>TCN SUBMISSIONS<\/strong> \u2026 (p 23)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-25_FALL-1993.pdf\">Issue 25: FALL 1993<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>Improvements to Storage: Part 2 \u2013 The History Collection Textiles, Royal British Columbia Museum: Colleen Wilson \u2026 (p 2)<\/p>\n<p>Moving Museum Collections: How to Avoid Some of those Maalox Moments: Vicky Kruckeberg \u2026 (p 8)<\/p>\n<p>Removing Iron-On Interfacing from a Silk Dress: Ester Meth\u00e9 \u2026 (p 13)<\/p>\n<p>How to Handle Daylight and Ultraviolet Rays in a Museum: Karen Christie \u2026 (p 15)<\/p>\n<p>Gold Threads: Helen Holt \u2026 (p 19)<\/p>\n<p>Blanche Payne Eastern European Costume Collection Reunited \u2026 (p 25)<\/p>\n<p>Fashion in the Court of the Medicis \u2026 (p 26)<\/p>\n<p><strong>SUPPLIES<\/strong> \u2026 (p 28)<\/p>\n<p><strong>CONFERENCES <\/strong>\u2026 (p 28)<\/p>\n<p><strong>TCN SUBSCRIPTION INFORMATION<\/strong> \u2026 (p 29)<\/p>\n<p><strong>TCN SUBMISSIONS<\/strong> <strong>\u2013 NEWSLETTER SUBSCRIPTION <\/strong>\u2026 (p 30)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-26_SPRING-1994.pdf\">Issue 26: SPRING 1994<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>Elegance Restored: Anne Battram \u2026 (p 2)<\/p>\n<p>Treatment of a Military Coat at the Canadian Conservation Institute: Janet L. Wagner \u2026 (p 5)<\/p>\n<p>Stabilizing Needlework Sample Books: Eva Burnham \u2026 (p 7)<\/p>\n<p>Parasols \u2013 the Cover Story: Ruth K. Mills \u2026 (p 9)<\/p>\n<p>Winterthur Opens New Building and Exhibition Gallery: Linda Eaton \u2026 (p 13)<\/p>\n<p>Marsil Museum, St. Lambert, Que: Museum of Costume, Textiles and Fiber: Cynthia Cooper \u2026 (p 15)<\/p>\n<p>More Hangers: Helen Holt \u2026 (p 16)<\/p>\n<p>Inner Supports for Moccasins: An Ingenious Solution: Bruno Pouliot \u2026 (p 18)<\/p>\n<p><strong>QUESTIONS &amp; ANSWERS<\/strong>: Janice Brodie, Ruth K. Mills \u2026 (p 20)<\/p>\n<p>Assistance to Colleagues in Croatia: Barbara 0. Roberts \u2026 (p 22)<\/p>\n<p><strong>TCN SUBSCRIPTION INFORMATION<\/strong> \u2026 (p 23)<\/p>\n<p><strong>TCN SUBMISSIONS \u2013 NEWSLETTER SUBSCRIPTION<\/strong> \u2026 (p 23)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-27_FALL-1994.pdf\">Issue 27: FALL 1994<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 1)<\/p>\n<p>Textile Open Storage at the Musee Acadien Miscouche, Prince Edward Island: Reginald Porter \u2026 (p 2)<\/p>\n<p>Conservation Right Now!: Evelyn Payton Tayler \u2026 (p 5)<\/p>\n<p>Dust Covers: Leslie K. Redman, Helen Holt \u2026 (p 7)<\/p>\n<p>Fiber Identification: Jane Merritt \u2026 (p 9)<\/p>\n<p>The Fancy Work of Godey\u2019s Lady\u2019s Book, 1840-1859 \u2013 Finders\u2019 Aids Now Available on Microfiche: Barbara McIntyre, Ruth K. Mills \u2026 (p 12)<\/p>\n<p>An Investigation into the Current Use and Application of Adhesives in Textile Conservation: Ela Keyserlingk, Lynda Hillyer \u2026 (p 16)<\/p>\n<p>Dyeing Safely \u2026 (p 17)<\/p>\n<p>Master\u2019s Theses Related to Museums and Material Culture at the University of Alberta \u2026 (p 24)<\/p>\n<p>The Textile Conservation Centre: Abstracts of Final Year Projects From the Diploma in Textile Conservation 1993\/94 \u2026 (p 26)<\/p>\n<p><strong>ANNOUNCEMENTS<\/strong> \u2026 (p 33)<\/p>\n<p><strong>TCN SUBSCRIPTION INFORMATION<\/strong> \u2026 (p 34)<\/p>\n<p><strong>TCN SUBMISSIONS<\/strong> \u2013 <strong>NEWSLETTER SUBSCRIPTION<\/strong> \u2026 (p 35)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-28_SPRING-1995.pdf\">Issue 28: SPRING 1995<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong>\u2026 (p 3)<\/p>\n<p>Textiles at War: An Illustration: Karen Graham \u2026 (p 4)<\/p>\n<p>Painting Irgalan Dyes onto Silk Crepeline: Jan Vuori \u2026 (p 5)<\/p>\n<p>TCN Review: Leslie Redman \u2026 (p 8)<\/p>\n<p>Custom Dyers for Long Lengths of Mount Fabric: Ren\u00e9e Dancause \u2026 (p 9)<\/p>\n<p>A Technique of In-Painting Textile Banners: Gaelen Gordon \u2026 (p 10)<\/p>\n<p>A Cleaning Treatment of Gelatin Sequins: Gaelen Gordon \u2026 (p 12)<\/p>\n<p>Mechanical Properties: Preview and Review: Mary W. Ballard \u2026 (p 14)<\/p>\n<p>News From the Museum of British Columbia: Colleen Wilson \u2026 (p 29)<\/p>\n<p>So What&#8217;s Happening at Parks?!!: Lucie Thivierge \u2026 (p 31)<\/p>\n<p>British Exchange: Anna Jakobiec \u2026 (p 33)<\/p>\n<p>A Private Textile Conservator: S. Gail Niinimaa \u2026 (p 35)<\/p>\n<p>Forever Yours Gown Preservation: Jerry Shiner \u2026 (p 37)<\/p>\n<p>The Challenge of the Future: Lesley Wilson \u2026 (p 39)<\/p>\n<p>Textile Paint May Cause Organizing Pneumonia: Monona Rossol \u2026 (p 40)<\/p>\n<p><strong>ANNOUNCEMENTS<\/strong>\u2026 (p 41)<\/p>\n<p><strong>HOW TO REACH US: TCN SUBSCRIPTION FORM<\/strong>\u2026 (p 42)<\/p>\n<p><strong>BACK ISSUES AND SUPPLEMENTS <\/strong>\u2026 (p 43)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-29_FALL-1995.pdf\">Issue 29: FALL 1995<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong> \u2026 (p 3)<\/p>\n<p>Further Notes on Painting with Irgalan Dyes: Helen Holt \u2026 (p 3)<\/p>\n<p>Painted Fabrics \u2013 Painting with Sealing Wax \u2026 (p 4)<\/p>\n<p>Diagrams for Costume Condition Reports: Irene Karsten \u2026 (p 5)<\/p>\n<p>Low-Interventive Upholstery Conservation at LACMA &#8211; A Crash Course: Irena Calinescu, Catherine McLean, Jean Neeman \u2026 (p 10)<\/p>\n<p>Flame Retardant Finishes for Textiles: Bonnie Halvorson \u2026 (p 20)<\/p>\n<p>Textile Conservation on the &#8220;Net&#8221;: Walter Henry \u2026 (p 27)<\/p>\n<p>The Effect on Wool Fabrics of Multiple Freeze\/Thaw Treatments for Insect Control: Leo Holt, Chen Yi, Wendy Dodd \u2026 (p 28)<\/p>\n<p>Recent Activities in Textile Conservation Research at CCI: Season Tse \u2026 (p 36)<\/p>\n<p>Textile Conservation at Glenbow: Heather Dumka \u2026 (p 40)<\/p>\n<p>Not All Mothballs are Created Equal: Monona Rossol \u2026 (p 41)<\/p>\n<p>Thesis Research &#8211; Can You Help?: Shawna Leminksi \u2026 (p 42)<\/p>\n<p><strong>ANNOUNCEMENTS<\/strong> \u2026 (p 43)<\/p>\n<p><strong>HOW TO REACH US: TCN SUBSCRIPTION FORM<\/strong>\u2026 (p 44)<\/p>\n<p><strong>BACK ISSUES AND SUPPLEMENTS<\/strong> \u2026 (p 45)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-30_SPRING-1996.pdf\">Issue 30: SPRING 1996<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong>\u2026 (p 3)<\/p>\n<p>Cigarette \u201cSilks&#8221;: An Illustration \u2026 (p 4)<\/p>\n<p>Storage for Cigarette Silks: Elizabeth Lee \u2026 (p 5)<\/p>\n<p>The Art of the Lacemaker &#8211; An Exhibition: Joyce Dawson Taylor \u2026 (p 7)<\/p>\n<p>On Holy Ground \u2013 Methods for the Repair of Areas of Loss on Historic Military Uniforms: Ren\u00e9e Dancause \u2026 (p 12)<\/p>\n<p>Centre de Conservation du Qu\u00e9bec: Sharon Little \u2026 (p 15)<\/p>\n<p>The Conservation Program in Gothenburg, Sweden: Pia Christensson \u2026 (p 16)<\/p>\n<p>Internship at the Canadian Conservation Institute: Pia Christensson \u2026 (p 17)<\/p>\n<p>The Textile Conservation Centre \u2013 An Anniversary Update: Mary M. Brooks \u2026 (p 18)<\/p>\n<p>News From the University Of Alberta: Linda McKay, Nancy Kerr \u2026 (p 22)<\/p>\n<p>Call for Papers \u2026 (p 24)<\/p>\n<p>Demande de communications \u2026 (p 26)<\/p>\n<p>New Product, Hide-A-Vac: Helen Holt \u2026 (p 28)<\/p>\n<p>Health Warning \u2013 Another Yellow Dye May Cause Cancer: Mona Rossol \u2026 (p 29)<\/p>\n<p>Correction \u2026 (p 29)<\/p>\n<p>Taking a Walk on the Web: Lesley Wilson \u2026 (p 30)<\/p>\n<p><strong>HOW TO REACH US: TCN SUBSCRIPTION FORM<\/strong>\u2026 (p 31)<\/p>\n<p><strong>BACK ISSUES AND SUPPLEMENTS <\/strong>\u2026 (p 32)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-31_FALL-1996.pdf\">Issue 31: FALL 1996<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong>\u2026 (p 3)<\/p>\n<p>Fleet Foot &#8211; Shoes on the Farm \u2026 (p 4)<\/p>\n<p>Summary of Thesis Research on Weighted Silk: Shawna Lemiski \u2026 (p 5)<\/p>\n<p>Installing Flat Textiles on a Curved Surface: Gaby Kienitz \u2026 (p 10)<\/p>\n<p>Observations on the Construction of Intersecting Silhouette Mannequins for Use with Women&#8217;s Fashionable Clothing: Gaby Kienitz \u2026 (p 13)<\/p>\n<p>Laboratory Gadgets: Irene F. Karsten \u2026 (p 16)<\/p>\n<p>Artefacts: An Endangered Species: Julie Hughes \u2026 (p 18)<\/p>\n<p>The Textile Conservation Centre \u2013 Forthcoming and Recent Publications: January 1996 \u2026 (p 20)<\/p>\n<p>Textile Symposium 97 \u2026 (p 25)<\/p>\n<p>Call for Papers \u2026 (p 26)<\/p>\n<p><strong>ANNOUNCEMENTS<\/strong>\u2026 (p 27)<\/p>\n<p>Certain Azo Dyes Banned in Germany: Monona Rossol \u2026 (p 28)<\/p>\n<p>Behind the Mini Blind Curtain: Monona Rossol \u2026 (p 29)<\/p>\n<p>Sweat Shops: Not Only in the Apparel Industry: Monona Rossol \u2026 (p 30)<\/p>\n<p><strong>HOW TO REACH US \u2013 TCN SUBSCRIPTION FORM<\/strong>\u2026 (p 31)<\/p>\n<p><strong>BACK ISSUES AND SUPPLEMENTS <\/strong>\u2026 (p 32)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-32_SPRING-1997.pdf\">Issue 32: SPRING 1997<\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong>\u2026 (p 3)<\/p>\n<p>Cartoon \u2013 Intriguing Crayon Art Work \u2026 (p 4)<\/p>\n<p>More on Moisture: Cohesive, Temporary, or Permanent Set and Hygral Expansion: Mary Ballard \u2026 (p 5)<\/p>\n<p>Textile Conservation Discussion List \u2026 (p 21)<\/p>\n<p>News from the ROM: Esther M\u00e9th\u00e9 \u2026 (p 22)<\/p>\n<p>An Innovative Approach for Mounting the Sixteenth Century Doublet and Trunk Hose Worn by Don Garzia de&#8217;Medici: Janet Arnold, Mary Westerman Bulgarella \u2026 (p 24)<\/p>\n<p>New Product: Mini-Suction Table \u2026 (p 32)<\/p>\n<p>Stain Removal for Textile Conservators &#8211; Theory and Practice #C9710 \u2026 (p 33)<\/p>\n<p>CAC Annual Conference and Workshop: John Grace \u2026 (p 34)<\/p>\n<p><strong>ANNOUNCEMENTS<\/strong>\u2026 (p 36)<\/p>\n<p>Textile Symposium 97 \u2026 (p 37)<\/p>\n<p>Anthraquinone Update: Monona Rossol \u2026 (p 38)<\/p>\n<p>Laxative Ingredients Demoted: Monona Rossol \u2026 (p 39)<\/p>\n<p>Some Benzidine Dyes Regulated: Monona Rossol \u2026 (p 40)<\/p>\n<p>Clairol Asks NTP Not to List Cancer-Causing Dye: Monona Rossol \u2026 (p 42)<\/p>\n<p><strong>HOW TO REACH US \u2013 TCN SUBSCRIPTION FORM<\/strong>\u2026 (p 43)<\/p>\n<p><b>BACK ISSUES AND SUPPLEMENTS<\/b>\u2026 (p 44)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-33_FALL-1997.pdf\"><strong>Issue 33: FALL 1997<\/strong><\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong>\u2026 (p 3)<\/p>\n<p>Historical Reprint \u2013 Needle Drill \u2026 (p 4)<\/p>\n<p>A Fresh Approach to the Problem of Support for Tapestries: Sheila Landi \u2026 (p 5)<\/p>\n<p>Light Fastness of Irgalan and Lanaset Dyed Silk: Immersion vs Direct Application: Jan Vuori, Season Tse \u2026 (p 14)<\/p>\n<p>The Dyes Have It: Mona Rossol \u2026 (p 19)<\/p>\n<p>The Royal Ontario Museum Chinese Collection Project \u2026 (p 20)<\/p>\n<p>Part One: Conservation Treatment of a 17th c Dragon Robe and 18th c Silk Rug: Esther M\u00e9th\u00e9, Bonnie Halvorson \u2026 (p 20)<\/p>\n<p>Part Two: The Storage Upgrade of a Selected Portion of the Chinese Robe Collection:<\/p>\n<p>Shannon Elliott, Bonnie Halvorson \u2026 (p 25)<\/p>\n<p>A Blanket Quest: In Search of the Lowly, Lofty Blanket: Ruth Mills \u2026 (p 33)<\/p>\n<p>Families in the Cotton Mills: Judith Rygiel \u2026 (p 40)<\/p>\n<p>News from the University of Alberta: Shirley Ellis \u2026 (p 46)<\/p>\n<p><strong>HOW TO REACH US \u2013 TCN SUBSCRIPTION FORM<\/strong>\u2026 (p 47)<\/p>\n<p><strong>BACK ISSUES AND SUPPLEMENTS <\/strong>\u2026 (p 48)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-34_SPRING-1998.pdf\"><strong>Issue 34: SPRING 1998<\/strong><\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong>\u2026 (p 3)<\/p>\n<p>Polish Ensis? \u2026 (p 4)<\/p>\n<p>Velcro &#x2122; and Other Hook and Loop Fasteners: A Preliminary Study of Their Stability and Ageing Characteristics: Kim Leath, Mary M. Brooks \u2026 (p 5)<\/p>\n<p>Lant: Gone and Best Forgotten: Herbert T. Pratt \u2026 (p 12)<\/p>\n<p>Mysteries and Speculations: Mary Ballard \u2026 (p 20)<\/p>\n<p>Collection Condition Surveys: How We Use Them and Why: Shannon Elliott \u2026 (p 22)<\/p>\n<p>The Textile Conservation Centre: 1997 Final Year Projects: Mary M. Brooks \u2026 (p 30)<\/p>\n<p>NTP Proposes Listing All Benzidine Dyes: Monona Rossol \u2026 (p 32)<\/p>\n<p>Preprints of Textile Symposium 97 Available \u2026 (p 34)<\/p>\n<p><strong>HOW TO REACH US: SUBSCRIPTION INFORMATION<\/strong>\u2026 (p 35)<\/p>\n<p><strong>BACK ISSUES AND SUPPLEMENTS AVAILABLE<\/strong>\u2026 (p 36)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-35_FALL-1998.pdf\"><strong>Issue 35: FALL 1998<\/strong><\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong>\u2026 (p 3)<\/p>\n<p>Luvisca &#8211; Historic Reprint \u2026 (p 4)<\/p>\n<p>TEXCONS &#8211; An Electronic Discussion List: S. Gail Niinimaa \u2026 (p 5)<\/p>\n<p>Thangkas &#8211; A Mounting Concern: Ann Marra Shaftel \u2026 (p 8)<\/p>\n<p>Measuring Silk Deterioration: Season Tse, Anne-Laurence Dupont \u2026 (p 11)<\/p>\n<p>Good Posture Works: Dr. Mary-Lee Pratt \u2026 (p 16)<\/p>\n<p>Textile Conservation Centre Future Developments \u2026 (p 18)<\/p>\n<p>TCC 1998 Final Year Project Summaries: Mary M. Brooks \u2026 (p 21)<\/p>\n<p>Call for Papers \u2026 (p 29)<\/p>\n<p>The Conservation and Restoration of Upholstered Furniture -A Forum \u2013 Reviewing the Issues \u2026 (p 30)<\/p>\n<p><strong>ANNOUNCEMENTS<\/strong>\u2026 (p 32)<\/p>\n<p>Solvents\/Alcohol Affect Colour Vision: Monona Rossol \u2026 (p 33)<\/p>\n<p><strong>HOW TO REACH US: SUBSCRIPTION INFORMATION<\/strong>\u2026 (p 35)<\/p>\n<p><strong>BACK ISSUES AND SUPPLEMENTS<\/strong> \u2026 (p 36)<\/p>\n<h2><a href=\"http:\/\/: http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-36_SPRING-1999.pdf\" data-wplink-url-error=\"true\"><strong>Issue 36: SPRING 1999<\/strong><\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong>\u2026 (p 3)<\/p>\n<p><strong><u>JUST FOR FUN<\/u><\/strong>\u2026 (p 4)<\/p>\n<p>Ethical Considerations in Private Practice or Does It Match the Curtains?: Gaynor Duff \u2026 (p 5)<\/p>\n<p>Surface Cleaning a Doll&#8217;s Corset Using Eraser Crumbs: Ren\u00e9e Dancause \u2026 (p 9)<\/p>\n<p>Analysis and Treatment of a Woolen Military Tunic: Ren\u00e9e Dancause, Kate Helwig \u2026 (p 14)<\/p>\n<p>In Search of the Ideal Military Mannequin: Stefanie Woodruff \u2026 (p 18)<\/p>\n<p>A Faster and Better Way to Carve Polyethylene Foam: The Arbortech Woodcarver and Mini-Carver: Gina Drummond \u2026 (p 27)<\/p>\n<p>Silk Crepeline Patches: Esther M\u00e9th\u00e9, Tracy Hain \u2026 (p 29)<\/p>\n<p>New Ventures from CCQ: Sharon Little \u2026 (p 31)<\/p>\n<p>Changes in Cancer List Recommended by NTP: Monona Rossol \u2026 (p 33)<\/p>\n<p><strong>ANNOUNCEMENTS<\/strong>\u2026 (p 34)<\/p>\n<p><strong>HOW TO REACH US: SUBSCRIPTION INFORMATION<\/strong>\u2026 (p 35)<\/p>\n<p><strong>BACK ISSUES AND SUPPLEMENTS AVAILABLE<\/strong>\u2026 (p 36)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-37_FALL-1999.pdf\"><strong>Issue 37: FALL 1999<\/strong><\/a><\/h2>\n<p><strong>FROM THE EDITORS<\/strong>\u2026 (p 3)<\/p>\n<p>Preservation Issues Concerning Contemporary Costume: Chris Paulocik \u2026 (p 4)<\/p>\n<p>Speculation on the Effect of Gunshot or Explosive Residue on Silk: Charles S. Tumosa \u2026 (p 10)<\/p>\n<p>The Textile Conservation Centre &#8211; The Diploma in Textile Conservation: Mary M. Brooks \u2026 (p 14)<\/p>\n<p>\u2018Insta\u2019 Hangers: Helen Holt \u2026 (p 20)<\/p>\n<p>Workshop Review \u2013 Adhesives for Textile and Leather Conservation: Research and Application: Candace Sweet (Boyer) \u2026 (p 21)<\/p>\n<p>Conservation Combinations &#8211; North American Textile Conservation Conference \u2026 (p 24)<\/p>\n<p>Birth Defects Linked to Organic Solvents: Monona Rossol \u2026 (p 25)<\/p>\n<p>As Predicted: Anthraquinone is a Carcinogen: Monona Rossol \u2026 (p 26)<\/p>\n<p><strong>HOW TO REACH US<\/strong>\u2026 (p 27)<\/p>\n<p><strong>BACK ISSUES AND SUPPLEMENTS<\/strong>\u2026 (p 28)<\/p>\n<h2><a href=\"http:\/\/29aqcgc1xnh17fykn459grmc.wpengine.netdna-cdn.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/01\/TCN-38_SPRING-2000.pdf\"><strong>Issue 38: SPRING 2000<\/strong><\/a><\/h2>\n<p><strong>OF INTEREST TO CONSERVATORS<\/strong> \u2026 (p 4)<\/p>\n<p><strong>FROM THE EDITORS<\/strong>\u2026 (p 5)<\/p>\n<p>Analysis of Tapestry Techniques: Andre Brutillot, Translation: Gabriel Jones, Judith Rygiel \u2026 (p 6)<\/p>\n<p><strong><u>PROFESSIONAL DEVELOPMENT WORKSHOPS<\/u><\/strong>\u2026 (p 10)<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Adhesives for Textile and Leather Conservation: Research and Application&#8230;(p 10)<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Ancient Peruvian Textiles Course\u2026 (p 11)<\/p>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Focus on Textile Conservation\u2026 (p 12)<\/p>\n<p><strong>TCN AUTHOR INDEX<\/strong>\u2026 (p 14)<em>[Note, this pdf is truncated at &#8220;V&#8221;, p 20. Refer to complete author index <a href=\"http:\/\/29aqcgc1xnh17fykn459grmc-wpengine.netdna-ssl.com\/textile-conservation-newsletter-archives\/wp-content\/uploads\/sites\/17\/2019\/07\/TCN-Author-index-.pdf\">here<\/a>.]<\/em><\/p>\n<p><strong>BACK ISSUES AND SUPPLEMENT LIST \u2013 HOW TO REACH US<\/strong>\u2026 (p 22) <em>[ Note that the pdf for this issue is truncated at p 20.]<\/em><\/p>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Issue 1: SEPTEMBER 1981 NOTES FROM THE EDITORS: S. Little, G. Sundstrom \u2026 (p 1) CURRENT PROJECTS \u2026 (p 1) HEALTH AND SAFETY \u2026 (p 2) SUPPLY SOURCES \u2026 (p 2) PROFESSIONAL SERVICES \u2026 (p 6) RECENT PUBLICATIONS \u2026 (p 7) TEXTILE EXHIBITIONS \u2026 (p 7) PEOPLE \u2026 (p 8) PROBLEMS AND OR QUESTIONS \u2026 &hellip; <a href=\"https:\/\/resources.culturalheritage.org\/textile-conservation-newsletter-archives\/browse-issue-contents\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Browse Issue Contents<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":45,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-202","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/resources.culturalheritage.org\/textile-conservation-newsletter-archives\/wp-json\/wp\/v2\/pages\/202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/resources.culturalheritage.org\/textile-conservation-newsletter-archives\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/resources.culturalheritage.org\/textile-conservation-newsletter-archives\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/textile-conservation-newsletter-archives\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/resources.culturalheritage.org\/textile-conservation-newsletter-archives\/wp-json\/wp\/v2\/comments?post=202"}],"version-history":[{"count":0,"href":"https:\/\/resources.culturalheritage.org\/textile-conservation-newsletter-archives\/wp-json\/wp\/v2\/pages\/202\/revisions"}],"wp:attachment":[{"href":"https:\/\/resources.culturalheritage.org\/textile-conservation-newsletter-archives\/wp-json\/wp\/v2\/media?parent=202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}