43rd AIC Annual Meeting – Book and Paper Session, May 15, "Preserving the Spirit Within: Bringing Twenty-Five Tibetan Initiation Cards into the 21st Century by Angela Campbell"

Tsakalis, early 15th Century opaque watercolor on 25 paper cards 16 cm x 14.5 cm (each card) Metropolitan Museum of Art Collection: 2000.282.1-.25
Tsakalis, early 15th Century
opaque watercolor on 25 paper cards
16 cm x 14.5 cm (each card)
Metropolitan Museum of Art Collection: 2000.282.1-.25

Angela Campbell, Assistant Conservator in the Department of Paper Conservation at the Metropolitan Museum of Art, presented the research and treatment of a complete set of Himalayan initiation cards (tsakalis) in their collection.  She focused on the condition, consolidation, and loss-compensation techniques done by herself, Rebecca Capua, and Yana van Dyke for this set. In conjunction with the treatments, there was a social media campaign to increase public outreach using this piece. For a great resource on the full treatment details, background, and purpose of these tsakalis, see the three posts available online through the Met blog:

I appreciated that Campbell addressed concerns of treatment consistency since the twenty-five cards were split among three conservators. Instead of having each conservator just do one treatment step for all the cards, each performed full treatments for 8 to 9 cards in the collection. Discussion was key, particularly in approaching the in-painting, and despite minor personal variations, a cohesive style was achieved.
Other rich questions that came up during the Q&A session focused more on the pre-treatment component of these cards. There was a question regarding the sacred nature impacting treatment decisions, which had only been brought up with the decision to maintain surface residues affiliated with handling. In conjunction with the sacred aspect, another question was raised about outreach and consultation with the surrounding Tibetan community in New York regarding the handling and treatment. While it was unclear if there was any contact before these cards reached the treatment stage, this comes back to a bigger question of who we perceive to be the actual stakeholders of the collections, particularly with cultural properties of living cultures.