This talk outlined a treatment that overcame current assumptions and preconceptions regarding the conservation and restoration of Judd’s minimalist sculptures. The presenter, Eleonora Nagy, introduced a newly devised conservation treatment carried out on Untitled 1997, which enabled conservators to retain the original acrylic sheets that are integral to the work. I had no idea that these sheets were so often completely replaced in traditional restoration treatments of Judd’s work. This treatment was elegantly explained from start to finish, illustrated with excellent photographs of all stages of the work. A comprehensive outline is provided in the AIC program abstracts. I really enjoyed the thorough approach that was taken in order to research Judd’s fabrication methods and materials, available sources of replacement materials, and ultimate sensitivity to the authenticity of the original materials.