Anton “Tony” Rajer Obituary

Full text of Tony’s obituary is available online on the greenbaypressgazette website

Anton (Tony) William Rajer, art conservator, teacher, humanitarian, from Green Bay and Madison, Wis., passed away suddenly of a heart attack on Friday, Nov. 18, 2011, at 2:30 p.m. in Cedar Rapids, Iowa, where he was restoring a 4’8″ x 22′ WPA mural for Harrison Elementary School. Tony was born in Sheboygan, Wis., in 1952 to Mr. and Mrs. Anton Rajer (both now deceased).

He received a certificate in French studies at the University of Paris-Sorbonne, Paris (1974) and then completed his BA in art history and chemistry at UW-Milwaukee (1977).  Tony then went to the Churubusco Regional Conservation Center, in Mexico City, Mexico for a Certificate in Art Conservation and then was awarded a funded advanced internship for another Certificate in Conservation from Harvard University Art Museums in Cambridge, MA (1987).  He then completed another Certificate in Mural Conservation at the ICCROM, in Rome, Italy (1992).  Through his international studies and travels Tony spoke five languages fluently – French, Spanish, Italian, Portuguese, and English. He was an Associate Conservator for the Nelson-Atkins Museum of Art in Kansas City, MO, an Art Conservator for the Texas Conservation Center in West Texas, Project Conservator to the restoration of the Wisconsin State Capitol, Madison, WI and Project Director for SOS! (Save Outdoor Sculpture) Wisconsin Chapter, a grant program supported by the Smithsonian Institution.  The SOS! position resulted in Tony co-authoring the book, ‘Public Sculpture in Wisconsin: An Atlas of Outdoor Monuments, Memorials, and Masterpieces in the Badger State’ in 1999.  In 1987 Tony began his own art conservation business for museums and private clients and he managed Fine Arts Conservation for 24 years.

Tony also taught throughout his career at UW-Madison in Continuing Education, teaching Introduction Art Conservation, The Business of Art, and Latin American History.  Tony was a multi-year Fulbright Professor at the University of Panama in Art Conservation in 2002-2004 for the restoration of the National Opera House in Panama City, Panama.   In 2005 Tony received a U.S. State Department grant for teaching in Malaysia.  Tony volunteered at Ground Zero after the 9/11 attacks where he worked with the Red Cross and FEMA as he was working on the installation of a folk art mural at the Folk Art Museum in NYC at the time of the attack.  Additional service to disaster communities includes New Orleans, Malaysia, and Haiti.  Tony was a member of the AIC (American Institute of Conservation) and ICOM (International Council of Museums) as well as Wisconsin Visual Artists.  He conducted a multitude of conservation assessments and worked with CAP-Heritage Preservation at various sites including Ten Chimneys in Milwaukee, The Wisconsin Veterans Museum in Madison and the Wriston Art Center at Lawrence University.  Tony’s most recent book is ‘Museums, Zoos, and Botanical Gardens of Wisconsin’ through University of Wisconsin Press.

Tony married Christine Style in 2000 and was a loving stepfather to Sarah and Victoria Davitt. Tony referred to himself as the ‘art doctor,’ You ignore, I restore it.’ ‘You tear it I repair it.’  Tony was most active in his dedication to the preservation of Nek Chand’s ‘Rock Garden’ in Chandigarh, Northern India where he traveled at least once a year for well over a decade and was an active volunteer for the Nek Chand Foundation. Tony’s accomplishments throughout his career touched so many different communities in the States and abroad.  His command of language made for rich and meaningful relationships. His love of humor, history and folk art developed through being a Roman reenactor, as a folk art auctioneer in tux and turban, and his numerous art history, conservation and disaster relief lectures to groups of all ages throughout the world   His philosophy was to “look, listen, observe and recommend, always with an eye towards practical solutions that a team approach can implement.”

Anton (Tony) Rajer is survived by his sister Judy Meier (Ron), wife, Christine Style and her two daughters, Sarah and Victoria Davitt, Ruth and Peyton Muehlmeier, Pam, Steve Kitt, Cody, and Cassidy Doucette, Scot, Jill, Courtney, Lizzy and Christine Muehlmeier, Lyndsey and Jeff Glasner, and Daniel Muehlmeier.  Tony was a registered tissue donor, allowing him to continue to generously extend life to others – through the Iowa Organ Donor Network.  He will be greatly missed.

Online condolences may be expressed at www.prokowall.com.  In lieu of other expressions of sympathy, a memorial fund is being established.

 

Another tale of love and loss and art conservation

Fugitive Blue, by Claire Thomas
Allen and Unwin
2009
A young painting conservator working in a studio in Melbourne, Austalia comes to treat a fifteenth-century panel painted with large quanitities of ultramarine pigment (which makes the title quite bewildering as ultramarine is not a fugitive pigment). As she restores the painting, her fascination with it and its history grows and we learn the story of the painting from its creation until its arrival in Australia after World War II as one of the possessions of a Greek family.
As with many similar novels, there is a love story involving the conservator who has more trouble taking care of her life than works of art.
A sample quote: “I spent so much of time restoring things, trying to reclaim their original beauty. All day, I looked at deteriorating objects with their parts exposed like a person with her heart on the outside. I could touch these paintings, make a decision and watch them transform. Done. But then there was us.”

About the Officers

About the ECPN Committee Officers

A while back, the names of the new ECPN committee officers were announced on the blog. Now, we thought you might like to know a little more about them:

Molly Gleeson, Chair

Molly Gleeson completed her BA in Art Conservation from the University of Delaware in 2002 and her MA from the UCLA/Getty Program in the Conservation of Archaeological and Ethnographic Materials in 2008. She is now living and working in San Diego, CA, devoting part of her time to assist on a joint research project between UCLA and the Getty Conservation Institute, focused on Native California featherwork. In addition to her recent election to the ECPN committee, she also serves as a Member-at-Large on the board of the Western Association for Art Conservation (WAAC).

Eliza Spaulding (Vice Chair)

Eliza Spaulding is currently an Andrew W. Mellon Fellow in Paper Conservation at the Philadelphia Museum of Art. In 2010, she graduated from the Conservation Center, Institute of Fine Arts, New York University with an Advanced Certificate in Conservation and a Master’s Degree in Art History. In addition to working with ECPN, she also is involved in establishing the Philadelphia Area Conservation Association, a regional network for preservation and conservation professionals in the greater Philadelphia area.

Anisha Gupta, co-Outreach Coordinator

Anisha is an undergraduate senior majoring in Art History and Chemistry at the University of Illinois, Urbana-Champaign. She has worked at the Smithsonian’s National Museum of African Art as a conservation intern and currently works at the Oak Street Library Facility doing book and paper conservation. She graduates in May 2012 and hopes to have a conservation internship for a year and then apply to graduate school.

Megan Salazar-Walsh (co-Outreach Coordinator)

Megan was born and grew up in southern Spain. In 2007 she received a BA in Art History from Whitman College. She interned with several conservators in private practice in Seattle, WA and in Seville, Spain. She also volunteered at the Seattle Art Museum, working with the conservation department on objects, paintings and outdoor sculpture. Last summer she was an intern at the Shelburne Museum, VT. She is currently a first year student at Buffalo State College.

Amy Brost, Communications Coordinator

Amy is a pre-program intern at The Library of The Jewish Theological Seminary (paper), Wilson Conservation, LLC (objects) and The Metropolitan Museum of Art (photographs) as well as a chemistry student at New York City College of Technology. Over the summer, she worked for the Research Foundation at CUNY, assisting chemistry faculty with research pertaining to the development of solid oxide fuel cells. She came to conservation after 10 years working in advertising and communications. She has a BA in Art History and a BS in Art from the University of Wisconsin-Madison.

Carrie Roberts (Professional Education and Training)

Carrie is a recent graduate of the Winterthur / University of Delaware Program in Art Conservation, where she majored in objects conservation with a preventive minor. Her areas of interest include the conservation of stone and archaeological materials, and the impact of environments on the stability of art objects. She has interned at the Phoebe Hearst Museum of Anthropology, English Heritage, the Worcester Art Museum, and the Kaman-Kalehoyuk archaeological excavation in Turkey. She currently works as a Samuel H. Kress Conservation Fellow at the Kelsey Museum of Archaeology at the University of Michigan.

Amber Kerr-Allison, who has been serving as co-Professional Education & Training, is a Paintings Conservator at the Smithsonian American Art Museum Lunder Conservation Center. She will complete her ECPN term in December. She has made a great contribution to growing ECPN over the past four years. The committee is deeply grateful for her sustained commitment to ECPN.


We are holding our committee calls on the third Monday of each month at 1 pm ET. The call-in information is on the ECPN page of the AIC website. Any member of ECPN is welcome to join those calls. Alternatively, keep up with our activities through the minutes from our calls that are posted to the blog each month, and feel free to reach out to any of us with your ideas and feedback.

October 31st Meeting Minutes

ECPN MEETING MINUTES

Monday, October 31, 2011

Conference Call Attendees:

Ryan Winfield (Staff Liaison)

Stephanie Lussier (Board Liaison)

Molly Gleeson (Chair)

Eliza Spaulding (Vice Chair)

Anisha Gupta (co-Outreach Coordinator)

Megan Salazar-Walsh (co-Outreach Coordinator)

Amber Kerr-Allison (co-Professional Education and Training)

Caroline Roberts (co-Professional Education and Training)

Rachael Perkins Arenstein (AIC e-Editor)

Rebecca Rushfield (ETC Liaison)

1. Basecamp orientation and training (Rachael) – Rachael conducted training on Basecamp and did an overview of the basic features.

a. General notes – Everyone controls their own username and password, not Ryan or Rachael. In order to change this information or your email address, go to account information settings. If you use Basecamp for projects outside of ECPN, you should have only one login username and password but have access to all your different groups through one account.

b. Uploading Files — You can upload different versions of the same file to Basecamp. These versions will appear as different files and be nested on top of each other. You can email people to alert them that you have uploaded a file. Other people can edit files and their versions will appear as separate versions of the file. If more than one person is editing a file, both of their versions will appear as two separate documents.

c. Writeboards —This is a useful tool when a project is in its early stages and formatting is not crucial. The Writeboard can be used to compare different versions of an idea and keep it all in one place. More than one person can edit the Writeboard simultaneously. Rachael suggested that this was a good place to put the meeting minutes so anyone can go in and add to the minutes.

d. Messages —A good place to brainstorm ideas and also archive ideas so people within ECPN in later years can come back and see our ideas. Files can also be attached to the message. These files can be found in the file list under that particular project. Important note: the author of the message can include anyone on the message, but if other people want to be added onto the thread later, only the author can add more people to the recipient list.

e. Calendars —Basecamp calendar can be synced with iCalendar (Apple calendars). Two different types of things can be created on the calendar: events and milestones. An event is of short-duration and had a set beginning and end time. Our monthly conference calls would be examples of events. A milestone is a bigger project that requires different tasks leading up to the milestone that need to be accomplished. A milestone can be assigned to the whole group or just one person; multiple people cannot be assigned with a milestone.

f. To-Dos—To-Do lists can be created to organize projects. A full description can be given for what the to-list pertains to. To-Dos can be added to milestones. One can comment on a To-Do list and have multiple To-Do lists going at once.

2. Minutes – 13 October 2011 meeting minutes were approved (Molly)—Molly suggested that we start putting the agenda on the Writeboard for everyone to look over before the next meeting.

3. Student Research Database (Carrie and Amber)—Carrie and Amber have been working on creating an online platform for student work to be accessed. Right now, they are trying to gauge interest in this project from graduate schools. They are still discussing whether it will be a database or website. When talking to contacts at the graduate schools, some issues were raised, such as how it would be supported financially and who would contribute the up-front costs. In order to gauge interest, they have put together a questionnaire of what they would like to ask grad school programs. This document has been uploaded to Basecamp. They plan that the responses to this survey will inform a budget and a second proposal. Reaching out to Abby Aldrich was also discussed because she expressed interest in getting involved. She can help with the continuation of the project when Amber steps down.

4. Allied Professionals List (Eliza)—The list of Allied Professionals is being updated and expanded and is currently on Basecamp. The pre-existing list on AIC was checked and updated. Carrie and Amber are getting together more organizations we can call our allies and those have been added to the Writeboard. Eliza said some doubts had come up about some of the organizations. She will send out an email with further details.

5. Outreach Coordinators’ Questions (Anisha)—Anisha asked about how we would like to proceed with forum calls. Molly suggested putting ideas about the subject of future forum calls on Basecamp. Anisha also asked about moving to the AIC blog. Ryan said we can move whenever we want to. ECPN will get authors’ privileges and will post on the blog with the tag “Emerging Conservator.” When we want to move is something that the group needs to discuss more. When we decide when to move, Rachael Perkins Arenstein can give us all a tutorial about using the new blog. In general, Ryan does not need to be informed of blog ideas but it may be a good idea to run administrative issues by him. Stephanie would like to be cc’d on emails about blog ideas and posts.

6. Email Blasts (Molly)—Ryan said it would not be wise to do email blasts too frequently so people are not annoyed by too many emails. He can do email blasts before forum calls or if we would like to really advertise a particular initiative. For most other things, continue advertising through the blog or Facebook page.

The next meeting was confirmed to be on Monday, November 21 at 1pm EST.

Respectfully submitted,

Anisha Gupta

Recognize Your Colleagues – Nominate them for an Award by December 15th

Please remember that if you would like to nominate a colleague for an AIC award, the deadline is December 15, 2011.Every year, AIC gives out seven different awards to exemplary conservators and other professionals for outstanding and distinguished contributions to the field of conserva­tion, in addition to two awards for organizations that have shown a strong commitment to conservation.  AIC members nominate the candidates for each award, and the winners are selected by the AIC Awards Committee. The Awards are:

Robert L. Feller Lifetime Achievement Award for exceptional contributions to the conservation profession over the course of one’s career

Sheldon and Caroline Keck Award for excellence in the education and training of conservation professionals

Rutherford John Gettens Merit Award for outstanding service to the American Institute for Conservation

Honorary Membership for outstanding contributions to the field of conservation

Conservation Advocacy Award for accomplishments and contributions of conserva­tion professionals who, through substantial efforts in outreach and advocacy, have advanced the field of conservation

AIC Publications Award for excellence in an article, e-publication, or book on conservation

Special Recognition for Allied Professionals for contributions by professionals in other fields in the advancement of the conservation profession

AIC/Heritage Preservation Ross Merrill Award for Outstanding Commitment to the Preservation and Care of Collectionsfor organizations that have been exemplary in the importance and priority they have given to conservation concerns and in the commitment they have shown to the preservation and care of their cultural property

Distinguished Award for Advancement of the Field of Conservation for institutions for vital and long-standing support of professional development activities of conservators

AIC awards are truly special and meaningful to their recipients, especially because they represent peer recognition and distinction. Please take a few minutes to let us know about the colleagues and institutions that deserve recognition for making significant contributions to our field. For more information and application forms, please visit AIC’s website.

AIC Action Needed – Transportation Museums Targeted in U.S. Senate

The Senate Environment and Public Works Committee is scheduled to consider a transportation reauthorization bill, the “Moving Ahead for Progress in the 21st Century Act (MAP-21),” that would eliminate the current authorization category specifically dedicated to supporting transportation museums within the Transportation Enhancements (TE) program.

“Targeting transportation museums in this way represents a fundamental misunderstanding about the role that museums play in our communities,” said AAM President Ford W. Bell. “This is a misguided effort, especially if the goal of the legislation is to increase states’ flexibility in administering TE funds.”

Since 1992, the Transportation Enhancements Program has provided more than $110 million to support programs in transportation-related museums, and has allowed states and communities to rehabilitate bridges and tunnels, restore historic structures and revitalize local historic districts.

The Committee is scheduled to take up the bill for consideration on November 9 and AAM is continuing to monitor ongoing developments.

Please consider taking 5 minutes to send an email to your Senators today. You can use the email generating tool on the AAM website.

Appetite for Art: Restoring Ancient Works With Hungry Bacteria

The frescoes in the Church of Santos Juanes in Valencia, Spain, have been damaged by fire (the Spanish Civil War), glue (botched restoration attempts in the ’60s), and salt blooms (a side effect of pigeon nests). But the 17th-century masterpieces aren’t lost yet. The Polytechnic University of Valencia’s Institute of Heritage Restoration and Centre for Advanced Food Microbiology have joined forces to rejuvenate the priceless works. Tool of choice: bacteria.

The idea is to use the harmless Pseudomonas stutzeri microorganism to clean the works in lieu of toxic chemicals or the jittery hands of restorers. “We grow the bacteria in a culture that has the substrate we want to eliminate,” says Pilar Bosch, a biologist who helped refine the method after studying with the team that cleaned Italy’s Campo Santo di Pisa (neighbor of the Leaning Tower). Effectively trained to eat salt and glue, the bacteria are brushed onto the frescoes and covered with a gel that, when heated with lights, creates humid conditions (perfect for nibbling) and aids cleanup. Just 90 minutes later, the surface is rinsed with water and dried, killing the bacteria. For the Pseudomonas, every masterpiece is the Last Supper.

Bosch and her colleagues have restored a third of Santos Juanes’ frescoes so far. When that’s done, they’ll team with startup Restaura BioTech to explore what other surfaces can be scrubbed by these hungry little technicians. They plan to offer their services to private clients, too—bacteria car wash, anyone?

Reposted from http://www.wired.com/magazine/2011/11/st_artrestoremicro/

Grant Funds Conservation of Painting at Hartwick’s Yager Museum

The Yager Museum of Art & Culture at Hartwick College recently received a $7,500 grant from the Conservation Treatment Grant Program of the Greater Hudson Heritage Network to fund the restoration of one important painting.

The Conservation Treatment Grant Program of the Greater Hudson Heritage Network is made possible with public funds from the New York State Council on the Arts, a state agency. Fewer than 50 percent of applicants received funding. The grant will allow the museum to restore the one-panel painting titled “The Madonna of the Meadow.”

Read more: http://www.hartwick.edu/news-and-events/yager-grant-madonna-11-17-11

Haiti heritage rescue could stall

Project boss stresses need for continuity of funding after handover to local authorities

By Emily Sharpe. From Conservation, Issue 229, November 2011
Published online: 15 November 2011

 George Nader and works rescued from the rubble of the Nader Museum, which housed the collector’s vast assemblage of Haitian art

In the 22 months since a catastrophic 7.0 magnitude earthquake rocked Haiti, heritage professionals from the US, Canada and Europe have worked non-stop with their Haitian colleagues, through cho­lera epidemics and political up­heavals, to salvage the country’s fragile heritage. Among the many initiatives re­sulting from the disaster was the Smithsonian’s creation of a new conservation centre where foreign conservators could assess and conserve works pulled from the rubble as well as train a new generation of native conservators. But before handing over the centre to the Haitian government on 1 November, the project’s supervisor expressed concerns about its future should the necessary funding not be raised to sustain the project.

Read more: http://www.theartnewspaper.com/articles/Haiti+heritage+rescue+could+stall/25000