The National Gallery Technical Bulletin is a unique record of research carried out at the National Gallery. Drawing on the combined expertise of curators, conservators, and scientists, it brings together a wealth of information about artists’ materials,
practices, and techniques.
Volume 32 of the Technical Bulletin is a special issue devoted to the work of Leonardo da Vinci, his training in the workshop of Verrocchio, and his followers and associates. Its publication in print coincides with the National Gallery exhibition Leonardo da Vinci: Painter at the Court of Milan (9 November 2011 – 5 February 2012).
Series Editor: Ashok Roy
Contents:
Leonardo in Verrocchio’s Workshop: Re-examining the Technical
Evidence
Jill Dunkerton
Leonardo da Vinci’s Virgin of the Rocks: Treatment, Technique
and Display
Larry Keith, Ashok Roy, Rachel Morrison and Peter Schade
Painting Practice in Milan in the 1490s: The Influence of Leonardo
Marika Spring, Antonio Mazzotta, Ashok Roy, Rachel Billinge and
David Peggie
Altered Angels: Two Panels from the Immaculate Conception
Altarpiece once in San Francesco Grande, Milan
Rachel Billinge, Luke Syson and Marika Spring
To purchase and for more information, go to www.nationalgallery.co.uk/products/p_1032030