The degradation of cellulose-based materials, such as paper and canvas, is exacerbated by the presence of acidity caused by the natural aging process, various sizings, surface coatings, inks, or other papermaking products. Conservators attempt to mitigate this problem by the use of alkaline compounds to deacidify the substrate and impart an alkaline reserve within the fibers to counteract future acidity. In the case of paper-based objects, deacidification is most commonly accomplished by either washing in an alkaline bath or spraying on a solvent-based dispersion solution of micro-particles of magnesium or calcium.
Dr. Poggi’s talk presented research into a new method that can be used to deacidify paper-based objects using an apolar solvent dispersion of alkaline nanoparticles applied topically (an airbrush was used in these experiments), without the need for full immersion. The benefit of using nanoparticles for deacidification is that these particles have a higher surface area which react more readily with acidic compounds, creating a faster neutralization reaction; they are more homogenous in structure; and nanoparticles are able to penetrate further through the paper fibers, surface coatings, and sizing than micron sized particles. This research was conducted as part of the broader Nano for Art project, which seeks to devise new methods for the conservation and preservation of art using nanotechnology. More information can be found at their website: http://www.nanoforart.eu/.
Through the use of solvothermal reactions, Dr. Poggi and her colleagues were able to procure nano-sized particles of a crystallized form of CaOH in ethanol. They discovered that an alcohol based system created a stable, highly concentrated dispersion without the need for further purification and was very effective at deacidification. However, this solution could not be applied to more modern papers containing inks which were sensitive to alcohol. Apolar solvents were explored due to the fact that they would not adversely impact the topography of cellulose substrates. A variety of problematic inks were tested, such as ballpoint pen and felt tip marker, until it was determined that cyclohexane was the most appropriate solvent to use. During experimentation on both mockups and actual works of art, it was found that the cyclohexane dispersion did not adversely affect modern inks nor the topography of the paper substrates. Aging tests were performed on samples and indicated that papers treated with the nanoparticle dispersion discolored less and had an improved degree of polymerization when compared to aged, untreated samples.
Dr. Poggi’s presentation was very interesting and I’m looking forward to learning more about the use of these nanoparticle solutions to achieve a more effective and hopefully long lasting form of deacidification.