Internship: Anthropology Conservation Intern, American Museum of Natural History (New York, NY, USA)

  • Application Deadline: December 1, 2016
  • Requisition No. 92401
  • Category: Part Time- Term
  • Total No. of Scheduled Hours Per Pay Period(for full-timers only): 40
  • Union Status: Non-Union
  • Department: Anthropology – 010

Position Summary: Anthropology conservation intern will assist conservators in daily objects conservation projects.
Required Qualifications: background in conservation
Required Applicant Documents:

  • Resume
  • Cover Letter
  • Letter of Reference 1
  • Letter of Reference 2

Special Instructions to Applicants: please provide contact information for two references
For more information and to apply, visit: https://careers.amnh.org/applicants/jsp/shared/position/JobDetails_css.jsp?postingId=146134.
The American Museum of Natural History is an Equal Opportunity/Affirmative Action and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.  

Job Postings: Digest 11/29/2016

JOB: CONSERVATION COORDINATOR – EROSION CONTROL, Cumberland County (Carlisle, PA, USA)

  • Job Application Deadline: 4:30 p.m. on December 2, 2016

The Conservation Coordinator – Erosion Control will administer programs delegated to the Conservation District by DEP relating to Chapter 102 erosion and sediment pollution control and the NPDES Program.
RESPONSIBILITIES

  • Implement PA Code Title 25 Chapter 102 program. Erosion and Sediment (E&S) Control, by performing technical review of E&S control plans, conducting construction inspections of active earth moving sites, investigating complaints related to E&S and conducting enforcement proceedings for sites in violation of the regulations.
  • Implement PA Code Title 25 Chapter 92 program, National Pollutant Discharge Elimination System (NPDES) through review of permit applications, including erosion control and post construction storm water management plans, to authorize the discharge of storm water during regulated construction activities.
  • Support agriculture staff in the Chesapeake Bay Agricultural Inspections Program.
  • Assist the Chesapeake Bay Technician in implementing the Ag best management practices special projects program.
  • Education and Outreach.
  • Conduct trainings for the regulated community.
  • Assists with annual seedling sale and other community projects.
  • Prepares reports as required.
  • Conducts education programs for schools, other community agencies.
  • Performs other job related duties as required.
  • Subject to working outdoors at work sites and being subjected to heavy and/or dangerous equipment, poor water, odors and natural elements.
  • Travels to work sites or other locations as required.

QUALIFICATIONS

  • Bachelor’s degree in resource management, civil engineering or natural resource or agriculture related field.
  • Computer training required.
  • One – two years working experience in field of public or private soil conservation.
  • Certification – National Institute for Certification in Engineering Technologies (NICET) Level II/CPESC preferred.
  • Must possess a valid Pennsylvania driver’s license and a willingness to travel as needed.
  • Must possess ability to work on large projects and to interact effectively with DEP, County or local officials.
  • Must possess thorough knowledge of engineering skills, practice and methods needed to carry out quality conservation programs.
  • Must possess the knowledge of current federal, state and local laws affecting conservation and agricultural areas.
  • Must possess the ability to train others in management of soil and erosion control and other conservation programs.
  • Knowledge of agricultural best management practices and general farming procedures for raising crops and animals is helpful.

For more information and to apply, visit: https://ccpa.hyrell.com/UI/Views/Applicant/VirtualStepPositionDetails.aspx?TemplateId=164610&r=glassdoor&tzi=Eastern%20Standard%20Time


JOB: OBJECTS CONSERVATOR, Australian War Memorial (Campbell, Australia)

  • Closing Date:December 7, 2016 at 11:55 p.m.
  • Level: Broadband 3, $59,194 – $70,108
  • Superannuation 15.4% additional to salary
  • Note: we are currently negotiating our new Enterprise Agreement (EA) and the salary range may increase if our EA is accepted.

The Objects Conservator performs and documents remedial and preventive conservation work on a wide variety of materials in the National Collection, including objects made of metals, ceramics, wood, plastics, glass and stone. The work includes: condition survey, treatment and preventive conservation; participation in multi-disciplinary teams; and the implementation of new or improved conservation techniques to prepare objects for preservation, access and display.
To apply, please email your application to employment@awm.gov.au by 11:55 p.m. on December 7, 2016. Your email must include:

  • Application Pack including two page statement of claims against the selection criteria
  • Current Curriculum Vitae

Please submit your application in WORD format only. Applications submitted in PDF or other formats may not be able to be processed and may therefore, be excluded.
For further information on this position, please call the Contact Officer George Bailey on +61 02 6243 4490.
Application pack and job documentation is available at https://www.awm.gov.au/employment/objects-conservator-0/.


JOB: SPECIALIST TECHNICIAN (L&T) CONSERVATION, Camberwell College of the Arts University of the Arts (London, UK)

  • Closing Date: December 8, 2016 at midnight

University of the Arts London is a vibrant world center for innovation, drawing together six Colleges with international reputations in art, conservation, design, fashion, communication and performing arts. Camberwell College of Arts is a prestigious establishment with a track record of teaching conservation.  Much of its success is down to its dedicated employees, and you will play an important role in shaping future conservators, and impact on the future of the conservation profession.
The Role:

  • To provide professional technical expertise, guidance and advice in the conservation studios and lab and to contribute to the delivery of academic learning activities within Camberwell College of the Arts.
  • To provide support for student learning, informal and formal training and instruction, and the development of proficiency with specialist techniques, methods and technology related to the use of conservation processes.
  • To manage the efficient running of the studios and manage the system of incoming and outgoing loans of all cultural heritage material.

Your profile:

  • You will have a degree with a specialist knowledge in paper including a knowledge of material science. You will have a knowledge of contemporary issues facing conservation.
  • You will have experience in working with a range of conservation processes including scientific processes. You will be confident in working with students to communicate these processes effectively.
  • You will have excellent time management, communication skills and technical knowledge to enable the efficient running of the studios ensuring that health and safety compliance is met.

Interviews will be held on 16 December 2016.
For more information and to apply, please go to: https://ual.tal.net/vx/lang-en-GB/mobile-0/appcentre-1/brand-1/candidate/so/pm/6/pl/1/opp/2773-Specialist-Technician-L-T-Conservation/en-GB


JOB: CURATOR – MILITARY HERALDRY AND TECHNOLOGY, Australian War Memorial (Campbell, Australia)

  • Closing Date:December 8, 2016 at 11:55 p.m.
  • Level: APS Level 6, $73,315 – $82,030
  • Superannuation 15.4% additional to salary
  • Note: we are currently negotiating our new Enterprise Agreement (EA) and the salary range may increase if our EA is accepted.

Under general direction provide curatorial services and advice relating to a broad range of categories of objects in the National Collection.  The work involves: collection and staff management; documentation of the collection, undertaking research to contribute to the development of knowledge and understanding of the historical significance of the National Collection and providing interpretation through effective cataloguing, articles, books, web material, and exhibition development.
To apply, please email your application to employment@awm.gov.au by 11:55 p.m. on December 8, 2016. Your email must include:

  • Application Pack including two-page statement of claims against the selection criteria
  • Current Curriculum Vitae

Please submit your application in WORD format only. Applications submitted in PDF or other formats may not be able to be processed and may therefore, be excluded.
For further information on this position, please call the Contact Officer Shane Casey on +61 02 6263 6608.
Application pack and job documentation is available at https://www.awm.gov.au/employment/curator-military-heraldry-and-technology/.


JOB: CONSERVATOR – LOANS AND EXHIBITIONS, The National Archives (London, UK)

  • Application closing date: December 11, 2016 at midnight
  • Reference number 1519018
  • Salary: £26,075
  • Length of employment: 6 Months maternity cover with the possibility of extension
  • Location: Kew, Richmond, London TW9 4DU

We are the official archive and publisher for the UK government and guardians of over 1,000 years of iconic national documents. Our collection is one of the largest in the world, containing over 11 million historical government and public records in both physical and digital form.
As Conservator – Loans and Exhibitions you will be part of a team of conservation professionals responsible for the preservation of The National Archives’ physical collection through interventive and preventive means. The primary purpose of this role is to support the delivery of The National Archives’ extensive loans and exhibitions program within TNA, nationally, and internationally.
About you: You will have an extensive knowledge of paper conservation practice, and a specialist in preparing records for loans and exhibitions. You will have excellent practical and organizational skills and an informed approach to conservation treatments and document display in line with current professional standards.
Join us here in beautiful Kew, just 10 minutes’ walk from the Overground and Underground stations, and you can expect an excellent range of benefits. They include a pension, flexible working and childcare vouchers, as well as discounts with local businesses (e.g. beauty salons and bars). We also offer wellbeing resources (e.g. on-site therapists) and have an on-site gym, restaurant, shop and staff bar.
Contact point for applicants at careers@nationalarchives.gsi.gov.uk, Tel: +44 020 8392 5359.
To apply, please visit: https://www.civilservicejobs.service.gov.uk/csr/jobs.cgi?jcode=1519018
Sift/interview dates and location: Interviews will be held on the 19th and 20th December.


JOB: BOOK CONSERVATOR, Austrian National Library (Vienna, Austria)

  • Application Deadline: December 11, 2016

The Conservation Department of the Austrian National Library seeks a book conservator for the digitization project Austrian Books Online. The conservator will be responsible to prepare books for digitization, to manage workflows with other departments and to control books before and after digitization. The full-time position is limited with 31 October 2018. Excellent knowledge of German is requested.
Job and application information can be found at: http://jobs.onb.ac.at/Jobs/Job?Job=59299


JOB: CONSERVATOR, National Trust (Wisley, UK)

  • Closing Date: December 14, 2016
  • Job Ref: IRC41813
  • Salary: 34,673 per annum
  • Contract: Permanent, full time (37.5 hours per week)
  • Interviews will be held on the first week of January 2017

Since the devastating fire at Clandon Park in 2015 our team have been working tirelessly to protect this grade 1 listed house and salvage collections and architectural material. We are now looking for a permanent project Conservator to support the major and complex project of conserving the collection and the restoration and reconstruction of Clandon Park.
Clandon Park, an 18th-century mansion, originally built by a Venetian architect for Lord Onslow in the 1720s, was hit by a devastating fire in April 2015. The fire caused extensive damage but luckily some of its significant features and items survived the blaze. Our plans for Clandon are ambitious, but they will honor its history as well as breathing new life into it. This is a fantastic opportunity to be involved in this property to share the story of with the thousands of people who have supported Clandon, both before and since the fire.
About the role:  As a key member of the project team, you will be working with a large team of specialists, internal and external, all collaborating closely to bring about this unprecedented and highly planned project. Working alongside the Project Manager, Project Curator, and visitor engagement specialists, you will advise on treatment options and prioritization primarily of collection objects. Commissioning of specialist reports and feasibility studies from conservation consultants and contractors and the monitoring of their work on and off site. The work will also involve the writing of some specifications and the reviewing of tenders.
Our project aims to deliver the highest standards of conservation, protection, care and advice for not only the paintings and decorative art collection at Clandon, but also the historic fabric of the building. You will work with others to deliver this aim to the highest standards, such as the Arts Council England Museum Accreditation to ensure we are working to the highest level possible.
You will need to work as part of a team of multi-disciplinary specialists, managing internal and external communications to ensure the project is collaborative. You will  need to ensure we reach wider than the National Trust, so you will share your passion and work with our visitors and wider heritage community in a variety of engaging and inspiring ways.
About you: It is a big challenge, and in order to be successful in this role you will need to have the right attitude, skills and experience. In order to be considered, we would like you to be:

  • An enthusiastic, experienced, and knowledgeable conservator of cultural heritage with up-to-date understanding of innovations in preventive and remedial conservation
  • Professionally qualified, with knowledge and experience of conservation philosophy and in the conservation of historic collections and building fabric
  • Aligned to our aims and ambitions, understanding the balance of conservation and access
  • Comfortable challenging conventional thinking and be proactive in championing bold ideas
  • Passionate about making our properties, places and collections – with a particular focus on Clandon – ever more relevant and engaging for our diverse audience
  • Experienced in treatment conservation of objects and furnishings, particularly interiors
  • Experience of working collaboratively on a large-scale project, or within a multi-disciplinary team with varied stakeholders
  • Management skills relating to contractors, staff and volunteers
  • Excellent organizational skills with an ability to balance conflicting priorities and demands
  • Excellent communication skills and the ability to engage with a wide variety of audiences, making use of different channels / media, including online publication.

The package
Looking after you:

  • Health cash plan – from as little as ?2.81 per month for you and your dependents
  • Pension contribution match up to 10%
  • EAP and proactive Health and Wellbeing
  • Discounted gym membership.

Looking after your career:

  • Grow your career through professional training courses across the Trust
  • Develop your skills with an internal secondment
  • Pay review linked to values and behaviours, commitment to progression
  • Income protection due to illness.

Unique to us:

  • Work in some of the most beautiful, iconic and unique locations in the UK
  • Free entry to NT properties for you, a guest and your children (under 18)
  • 20% off in our retail and catering outlets
  • Discount up to 35% off a National Trust holiday cottage booking.

For more information or to apply please follow: https://careers.nationaltrust.org.uk/OA_HTML/a/#/vacancy-detail/41813


JOB: ADVANCED BOOK CONSERVATION INTERNSHIP, Library of Congress (Washington DC, USA)

  • Application Schedule: December 1-31: Applications accepted
  • January: Qualified applicants will be scheduled for a phone interview and must submit written and photographic treatment documentation
  • February: Interviews conducted
  • March 1: Letters posted to applicants
  • September: Internship begins

The Library of Congress welcomes applications for its 2017-2018 internships in book, paper, and photograph conservation. The Library will accept one student in each specialty for the academic year to fulfil the final-year internship requirement of the U.S. conservation graduate schools.
The Library of Congress conservation lab is the largest in the country, with more than 20 book, paper, and photograph conservators and preservation specialists dedicated to the care of the Library’s enormous special collection holdings. Internship work is coordinated by a senior conservator in the student’s specialty, but throughout the year the intern works closely with the other conservators as well – including opportunities for cross-training with conservators in the other specialties and collaborating with the other interns. Recent past interns have named the wide range of experience, both in projects and in working with several different senior conservators, as the most cherished, exciting, and valuable aspect of their internship. Interns also have the opportunity to visit other area labs, give talks (at the Library or through the DC-based conservation interns group), and publish a favorite project online.
The goal of the Advanced Book Conservation Internship is to enable conservation graduate students or emerging conservators with similar experience to broaden and refine decision-making, manual, and technical abilities, and function as a cooperative and productive staff member in the special collections conservation laboratories (Conservation Division) of the Library of Congress. Interns focus on conservation problems in the context of a large research library and are challenged to develop solutions for a broad range of formats and collections.
Responsibilities include: documentation, examination, treatment, housing, collection surveys, environmental monitoring, emergency preparedness and recovery, and research. Advanced Conservation Interns are expected to work in the Conservation Division for 11-12 months, contribute to the annual treatment and housing actions performed by the Division, further the expertise in the conservation of cultural heritage materials through research, and to share these research results with Library staff and with the broader community.
The Advanced Book Conservation Internship is hosted by the Conservation Division of the Preservation Directorate at the Library of Congress. The Conservation Division includes staff specializing in book, paper, photograph, and preventive conservation. The Preservation Directorate has a Research Resource Center with an expansive collection of conservation literature that is available to Interns for their research.
For more information and application instructions, please visit: http://www.loc.gov/preservation/outreach/intern/int_book.html


JOB: PART-TIME PREVENTIVE CONSERVATION TECHNICIAN, Bodleian Libraries – University of Oxford (Oxford, UK)

  • Closing Date: January 9, 2017 before 12:00 midday
  • Grade 5: £24,565 – £29,301 p.a. (pro rata)
  • Vacancy 125132

The Bodleian Libraries, University of Oxford, are looking for a part-time Preventive Conservation Technician to work with the Preventive Conservation team as part of the wider Conservation and Collection Care (C&CC) Department. C&CC safeguards the world-class collections of the Bodleian Libraries through preventive programs, interventive treatments, and research. It also aims to improve access to the collections by supporting an ongoing exhibitions program. The department is based in the recently renovated Weston Library in the center of Oxford, which holds the Bodleian’s special collections and exhibition galleries.
You will manage the equipment database – overseeing maintenance and calibration schedules with guidance from the Preventive Conservator. You will work to deliver a full program of preventive conservation activities, including troubleshooting the environmental monitoring system, integrated pest management, volunteer program and emergency salvage response. You will have the opportunity work with a number of different library stakeholders across the wider Bodleian Libraries, including the Book Storage Facility in Swindon.
You will have a recognized professional qualification in conservation, with an emphasis on preventive conservation and/or experience of collections care and preventive conservation in a library or similar context. You will have experience using environmental monitoring equipment, Hanwell monitoring software and a good knowledge of Microsoft Office packages. Good interpersonal skills are essential and you will be able to communicate clearly and professionally with a wide range of people.
This is a permanent, part-time post working 21.9 hours per week (0.6FTE), hours are anticipated to be worked over Wednesday, Thursday and Friday.
For more information and to apply please visit: https://www.recruit.ox.ac.uk/pls/hrisliverecruit/erq_jobspec_version_4.display_form?p_company=10&p_internal_external=E&p_display_in_irish=N&p_process_type=&p_applicant_no=&p_form_profile_detail=&p_display_apply_ind=Y&p_refresh_search=Y&p_recruitment_id=125132
Interviews are expected to take place on during the week commencing January 16, 2017.
Contact Person: HR Administrator, Tel +44 01865 287140, personnel@bodleian.ox.ac.uk


JOB: BAKER FELLOWSHIP IN PAPER AND BOOK CONSERVATION, University of Michigan (Ann Arbor, MI, USA)

  • Deadline for applications is January 31, 2017
  • Projects must be completed between May 1, 2017, and August 31, 2018

The Department of Preservation and Conservation at the University of Michigan Library is now accepting proposals for the Cathleen A. Baker Fellowship in Paper and Book Conservation.
Established by a gift from conservator, teacher, and paper historian Cathleen A. Baker, the Baker Fellowship provides financial support for conservators at various levels in their careers to enable them to spend time working on a research or practical project at the University of Michigan Library’s Conservation Lab. While projects focused on conservation of paper-based collections are typical, proposals on related non-paper materials, such as papyrus or parchment/vellum, will also be considered.
Most fellows will work with U-M Library conservators to develop their own knowledge and skills, but a fellow may also join the lab primarily to pass on her/his expertise to the U-M conservators. Building and sharing knowledge are the primary goals of this fellowship. The fellowship is offered annually.
Applicants propose a project, the length of time they wish to spend at the U-M Library Conservation Lab (up to 12 months), and a budget. Proposals for 2017-2018 may request up to $10,000 for the project.
More information about the Fellowship and how to apply is available at: http://www.lib.umich.edu/cathleen-baker-fellowship-conservation.
This fellowship is limited to United States citizens or residents with U.S. work permits only.

Job Posting: Director of Conservation Services, ARTEX Conservation Laboratory (Washington DC, USA)

  • Job Posting: 0054-16
  • Department: Conservation
  • FLSA Status: Exempt

The essential functions of this position are directing the operations of the conservation laboratory and managing the activities of the staff conservators, interns and contractors in providing conservation care, treatment and advice for clients.
ARTEX Conservation Laboratory, based in the greater Washington, DC metropolitan area, is seeking a full-time Director of Conservation with a specialty in paintings.
The ARTEX Conservation Laboratory is housed in a spacious, modern studio space in the Washington, DC area. ARTEX provides museum standard environmental controls, security system, and fire protection, in addition to excellent storage capabilities, professional art handling, and an art crating workshop on site. The Conservation staff consists of 4 full time painting conservators, 1 part time objects conservator, and a conservation technician/administrator.
If you are interested in this position, please forward a cover letter, resume, available start date, and salary history/requirements to our HR department at jobs_dc@artexfas.com for immediate review/consideration.
ESSENTIAL DUTIES AND RESPONSIBILITIES
Client Account and Project Management
– Lead and/or coordinate examination, documentation, conservation and restoration procedures on behalf of ARTEX Fine Art Services.
– Conduct and/or coordinate technical research relating to ARTEX conservation projects.
– Oversee the department’s strict adherence to accepted professional standards, inclusive of the AIC Code of Ethics and Guidelines for Practice, in all aspects of examination, documentation, treatment, and client care.
– Establish operational budgets and ensure accurate reporting on all project costs.
– Ensure that accepted health and safety procedures are communicated, monitored, and evaluated.
– Plan and assign work based on the skillset, area of expertise and workload of individual team members.
– Ensure client requirements are met in a responsive and efficient manner while maintaining the highest standards of client service.
– Oversee the design, implementation and analysis of reports and key metrics to set and monitor service standards and identify areas of improvement.
Leadership, Staffing and Team Management
– Establish a staffing structure with clearly defined roles and responsibilities and the necessary headcount complement to fulfill both current and anticipated client work, research projects and other departmental objectives.
– Oversee the recruitment and selection of qualified staff.
– Manage the activities of staff conservators, interns and contractors in providing conservation care, treatment, and advice for museums, art galleries, government agencies, private collectors, corporate collectors, and others with custodial responsibilities for works of art and historical or heritage objects.
– Provide leadership and expertise for all technical aspects relating to conservation work.
– Meet with team members regularly to provide ongoing mentoring based on clearly defined performance expectations in support of job satisfaction, employee retention and increased employee engagement levels.
– Design a comprehensive training and development program focused on employee professional development; supporting individual skill development, work requirements and career aspirations.
Business Development and Marketing
– Build the department’s business development strategy to support growth and optimize opportunities with existing and prospective clients.
– Provide leadership and support for the design, development and implementation of marketing collateral that draws awareness to the Conservation team’s area of expertise and service offerings.
– Ensure all marketing efforts are well coordinated, support clearly defined marketing plan objectives and are an effective expenditure of resources inclusive of participation in national conferences, symposia, and other targeted events.
– Promote ARTEX conservation practices and projects to the greater conservation community to build greater awareness of the department.
– Support the integration of the department’s services and abilities within the larger scope of the company’s service offerings.
PREFERRED QUALIFICATIONS
– 18+ years post graduate experience including extensive experience in the examination and treatment of paintings, particularly modern and contemporary paintings as well as murals and architectural paintings.
– Knowledge of modern museum practices and care of collections, including environmental control and monitoring, and safe handling.
– Demonstrated experience in the creation and management of conservation service contracts as well as estimation and monitoring of actual costs for the examination/treatment of paintings.
– Experience with the preparation and presentation of grants, contract proposals, reports, lectures, publications, and seminars relating to conservation.
– Prior experience in private practice and management of a conservation practice including safety, environmental and regulatory compliance.
– Demonstrated ability to set clear and measurable team goals and objectives and hold staff accountable to meet/exceed goals.
– Proven track record in generating and growing new business and driving client relationships.
– Solid computer skills (including Microsoft Word, Excel, PowerPoint, FileMaker and Adobe Photoshop) and a thorough understanding of how technology can be used as an effective resource.
– Capable of working well under pressure and able to meet deadlines.
EDUCATION/PROFESSIONAL STATUS
– Master’s degree in Art Conservation, or equivalent combination of conservation training and experience.
– Periodic professional development through attendance of conservation workshops, seminars, or professional conferences.
– Professional Associate status within AIC or higher.
LANGUAGE SKILLS
Ability to communicate effectively and resolve conflicts both orally and in writing with both internal and external customers. Excellent verbal, telephone and written communication skills.
HOW TO APPLY
If you feel that you possess the experience and qualifications outlined, please submit your cover letter, resume and salary requirements to our HR department at jobs_dc@artexfas.com for immediate review/consideration.
Consideration will be granted ONLY to those who possess the minimum requirements as stipulated. Protected Veterans are encouraged to apply. Artex, Inc. is a federal contractor and an EOE AA M/F/VET/DISABLED employer. All qualified applicants will receive consideration for employment without regard to race, color, religion, gender, national origin, medical condition or disability or protected veteran status. If you need reasonable accommodation for any part of the application and hiring process, please contact the Human Resources Department at (301) 350-5500.

Job Postings: Digest 11/28/2016

JOB: DIRECTOR OF FACILITIES & CAPITAL IMPROVEMENT PROJECTS, State of New Mexico – Department of Cultural Affairs (Santa Fe, NM, USA)

  • Applications Closing: December 2, 2016 at 11:59 p.m. Mountain
  • DCA #4742
  • Salary: $44,782.40 – $77,916.80 Annually$21.53 – $37.46 Hourly $44,782.40 – $77,916.80 Annually
  • Job Type: Permanent Position
  • Job Number: 2016-04268

Job Description: NEOGOV is currently working on a system update for applicants who use screen readers. If you are applying with a screen reader and need assistance, please contact Andrea Rivera-Smith @ (505) 695-5606.
IMPORTANT NOTICE: Attached resumes will not be reviewed or considered. You are required to include your work experience in the Work Experience section of your application. If you have previously included work history on a resume you must transfer your work history into the Work Experience section prior to submitting your application. For more information please visit: Employment with the State of New Mexico.
Purpose of Position: This position is located in Santa Fe, New Mexico at the Museum Resources Division. The Director of Facilities and Capital Improvement Projects is a key strategic position at the Department of Cultural Affairs (DCA). The position is responsible for the administration and oversight of all state-wide facility maintenance, repairs, planning, design, and construction for the department. The position manages the agency’s Capital Improvements Program by coordinating all facility improvement projects, including facilities assessment; planning; construction management; procurement of architectural, engineering and construction services; collection of facilities documents; and assessment of facilities and equipment conditions to enable planning for repairs and replacement. The position ensures the general physical and operating systems condition of the agency properties for the safety of the public, structures, equipment and collections within the facilities; develops and addresses critical facility needs in alignment with agency priorities; and is responsible for the timely and appropriate expenditures of capital outlay funds. In addition, the position is responsible for the management and supervision of the state-wide facilities staff, and works with agency leadership to provide guidance for utilization and training of on-site facilities physical plant personnel. This position will be required to travel throughout the state, and to maintain a flexible work schedule. Preference will be given to candidates with experience working on historical facilities and/or historic preservation. This position requires a degree in Architecture, Civil Engineering, Project Management or Construction Management.
This position is a Pay Band 80.
Classification Description: Administrative Operations Manager I
Minimum Qualifications: A Bachelor’s Degree in any field of study from an accredited college or university and six (6) years of professional level experience with a tactical impact directly related to the purpose of the position defined by the agency at the time of recruitment.  Any combination of education from an accredited college or university and/or direct experience in this occupation totaling ten (10) years may substitute for the required education and experience.  A hiring agency will designate a portion of the required experience to include supervisory and/or specialized experience.  Any required licensure, certification or registration shall be defined at the time of recruitment and will be in addition to the above requirements.
Employment Requirements: Must obtain and maintain a valid New Mexico Driver’s License. Must possess and maintain a current Defensive Driving Course Certificate from the State of New Mexico.
Statutory Requirements: If a Statutory Requirement is associated with a position in this Manager Category, it will apply.
Supplemental Information
Benefits: Do you know what Total Compensation is? http://www.spo.state.nm.us/total-compensation.aspx
Working Conditions: This position uses basic office equipment including computer, telephone, cell phone, and printer on a daily basis. Position will be required to travel throughout the state, and to maintain a flexible work schedule. Must be able to lift up to 40 pounds. Use of power tools, hand tools for facility assessment, maintenance, inspection, etc.
Conditions of Employment: Working Conditions for individual positions in this Manager Category Level will vary based on each agency’s utilization, essential functions, and the recruitment needs at the time a vacancy is posted. All requirements are subject to possible modification to reasonably accommodate individuals with disabilities.
Default FLSA Status: Exempt. FLSA status may be determined to be different at the agency level based on the agency’s utilization of the position.
Bargaining Unit: Not Represented
Agency Contact Information: Anne Green-Romig, +1 (505) 827-8440.
Link to Agency: http://www.newmexicoculture.org/welcome.html
Applicant Help/How to Apply: http://www.spo.state.nm.us/State_Employment.aspx  |  Facebook  | LinkedIn
Agency: State of New Mexico, 2600 Cerrillos Road, Santa Fe, New Mexico, 87505.
Website: http://www.spo.state.nm.us.


JOB: ADMINISTRATIVE LIBRARIAN (DIRECTOR FOR PRESERVATION), Library of Congress (Washington, DC, USA)

  • Application Deadline: December 20, 2016
  • Vacancy #: 160248
  • Salary Range: (ST-1410-00/00) $123,175.00 to $185,100.00 per year

 Brief Description: The Director for Preservation works under the general direction and supervision of the Associate Librarian and Deputy Associate Librarian for Library Services. The Director coordinates and oversees, within established Library policies and priorities, activities throughout the Library relating to the preservation and physical protection of Library materials, through binding, repairing, conserving, de-acidifying, reformatting, and environmental monitoring of collections or by other means depending on the nature of the material and its intended use.
For a full description of the position and to apply, go to:  https://www.usajobs.gov/GetJob/ViewDetails/457070000


JOB: EXPERIENCED SENIOR CONSERVATION ARCHITECT, Stephen Levrant Heritage Architecture Ltd (London, UK)

  • Excellent salary offered
  • Fixed term contract or permanent basis

Heritage Architecture is the continuation of a specialist practice originally founded in 1948. We carry out selective conservation projects to the highest standards. We have an office in London and an office in Manchester. Our West London office is in a large, former wood carver’s studio workshop built in 1910. We have been involved in many exciting projects; restoration and redesigning a new setting for the Cenotaph in the center of Manchester, ongoing work at Camden Market in North London, Chester Terrace project in Regents Park, Hayle Harbour World Heritage site in Cornwall amongst many. The practice philosophy is based upon the SPAB principles of conservation and repair rather than replacement and renewal. We work on a diverse, stimulating range of projects within the field of conservation throughout the UK.
We are looking for an enthusiastic experienced architect who is able to mentor our expanding team and who possesses a comprehensive knowledge of historic buildings, is familiar with current planning legislation, and has first rate report writing skills. RIBA qualifications and AutoCAD essential.
Please contact sfreud@heritagearchitecture.co.uk for further details.

A constant and unpredictable challenge

In the Fall 2016 issue of “Distillations” (a publication of the Chemical Heritage Foundation), Roksana Filipowska writes about Richard Hamilton’s use of consumer synthetic materials in the art works he created during the later 1950s and the failings of those materials within a few years of the works’ creation. Over the decades, these works have undergone more and more sophisticated conservation treatments. But, as Filipowska reminds us, “Despite the gains made in art conservation, the variety of plastics incorporated into artwork over the past 50 years makes caring for contemporary art a constant and unpredictable challenge.”

THE RINCON CENTER HISTORIC MURALS: A Conservator's Notes on the Spirit and Significance of Public Art

portue-rincon-center-muralsAs the conservator and ongoing custodian of the historic murals at Rincon Center, 55 Mission St. in San Francisco, I have often been asked to render my opinion on the significance of these important artworks. In September of 1986, The San Francisco Business Journal wrote that Iportue-rincon-center-murals

“withheld my personal opinion on the art and preferred to talk about the restoration process itself .”

Due to the highly charged political content of these murals, I felt that it was not my position as a professional art conservator to render such an opinion. I have never experienced a need to comment on them from an artistic, historic or political vantage point until now in our current political climate.
These 27 panels represent the largest and most expensive single mural project ever awarded under the Depression era programs established to put artists to work. Many refer to these various projects as part the WPA program or Work Progress Administration.  The Rincon Center murals specifically, were commissioned under a program directed by the U.S. Treasury Department, the last of President Franklin Roosevelt’s New Deal art projects of the mid 20th Century. More importantly, they represent a moment in American history when art and history itself were put on trial.portue-rincon-center-murals-4
The Rincon Annex Post Office murals were painted by Russian born artist Anton Refrieger in the post-World War II era between 1946 and 1948. It was a time when tensions revolved around the cold war and suspected subversions on the Homefront. Conservative and patriotic values ran high in the U.S. and America stood at the forefront of a new world order.
Refregier’s preliminary designs were envisioned and drafted in the late 30’s and early 40’s near the end of the Great Depression. World War II interrupted the completion of the commission and work was resumed in 1946 at the end of the war.  In contrast to the political landscape after World War II, the artist painted California’s history in a frank, honest and judgmental interpretation that was inspired by the hardships of an earlier and depressed era. He was not preoccupied with the aggrandizement of our state and nation’s past. For many, his works were perceived as dark passages from regional history that questioned the nobility and grandeur of early settlers. Many considered the character and themes of these paintings “un-American”.rinconcentercommunitymuralimage
Significant attempts were made by conservative political forces to remove these murals.  The artist is said to have worried that conservative “thugs” would come along in the middle of the night to destroy his masterpiece.  However, San Franciscans rallied and the murals were saved. But the controversies surrounding this now preserved landmark continue to be an indelible part of San Francisco’s famous and infamous history.
Politics have always played a major role in attempts to record or destroy history. Art and history have been repeatedly put on trial throughout the ages. It’s happened many times before the McCarthy era challenges to the Rincon murals and it has happened many times since. That’s the inherent nature of art, particularly as it exists in the public realm.
rinconcentercommunitymuralimage2Long before the Rincon Murals were challenged, Hitler’s vigorous attempts to eradicate the art, the history and the memory of all that displeased him were among the many atrocities associated with Germany’s Third Reich. More recently, the world was shocked in 2001 when the Taliban destroyed important monuments in the Bamiyan Valley of Afghanistan because they were inconsistent with the Taliban’s own religious views and ideology.  And in even more recent times, the scourge of ISIS has devastated the art world. Historians, preservationists and the world public at large are equally appalled by the destruction of long treasured antiquities in the Palmyra Valley and elsewhere throughout the Middle East The impact is best described by William Webber of the UK based Art Loss Registry. “If you’re going to eradicate someone’s identity, the best way is to eradicate their art”
It’s been said that censoring history is an act of cowardice It can come from the left as well as the right.  In 2014, a feminist group in France rallied to have the iconic VJ Day statue of “The Kiss” destroyed because they found it offensive to the feminist agenda. And there are many in this country that still rally to destroy any vestiges of what remain of the Judeo-Christian heritage that has played a significant role in the development of our nation, as we know it today.portue-rincon-center-murals-3
Almost thirty years have past since I restored the murals at Rincon Center.  Irrespective of my own political inclinations, I’ve come to further appreciate Refregier’s honest attempts at conveying the darker sides of history. I view such attempts as something requisite in the achievement of a more enlightened society.  His work remains as yet one more reminder that, “those who fail to learn from the past are doomed to repeat it.”
In this understanding, I feel that the artist Anton Refregier and I are more alike than different, with a convergence of minds and ideologies from two polar ends of the political spectrum. As a politically conservative art conservator, I am as determined to honor and preserve the past as the socialist artist was to paint it. Any attempt to alter history is an affront on truth however it may be perceived and interpreted.portue-rincon-center-murals-6
In the historic lobby of Rincon Center, stark and sometimes unpleasant truths associated with the American journey are displayed front and center. A corridor adjacent to the historic lobby leads to the newer atrium area where the more recent 1980’s paintings by artist Richard Hass adorn the walls. These newer additions to the old Rincon Annex Post Office were once referred to as “a monument to capitalism.” The Hass paintings depict the abundance and sense of well being often associated with the accomplishments of free enterprise and the American Dream. There are obvious contrasts and a distinct irony associated with the juxtaposition of these two very different works of art.  But I believe that standing between them gives one a great sense of what it means to be uniquely American.portue-rincon-center-murals-1
As conservators, historians and preservationists, we must adhere to our own distinct and unique version of the “Hippocratic” oath.  Aside from our own personal and political proclivities, we are bound by obligation to honor the past and the truths associated with it. I would like to believe that Anton Refregier would agree.

Job/Internship Postings: Digest 11/23/2016

JOB: HEAD OF OBJECTS CONSERVATION, Fine Arts Museums of San Francisco (San Francisco, CA, USA)

  • Application Deadline: Open until filled

The Fine Arts Museums of San Francisco are seeking a Head of Objects Conservation. The Head of Objects Conservation performs highly skilled work in connection with the conservation of various works of art. The primary responsibility of this position is the long-term preservation, conservation, and technical study of over 12,000 objects in the permanent collection of the Fine Arts Museums of San Francisco, as well as duties related to temporary exhibitions and the lending of objects to other institutions.
FAMSF offers a competitive salary and generous benefits package.
For more information and to apply online, please visit: http://famsf.snaphire.com/home.


JOB: ASSISTANT PROFESSOR, University of Maryland (College Park, MD, USA)

  • Application deadline: December 31, 2016
  • Posting No. F0004677
  • Position 103798
  • Category Status: 02-Faculty Non-Tenured, On Track
  • Unit: ARCH-Historic Preservation Program

The University of Maryland, College Park is the flagship campus of the University System of Maryland. With an enrollment of over 30,000 students, Maryland is the largest university in the state and the largest in the Washington Metropolitan area. The University is committed to achieving excellence as the State’s primary center of research and graduate education. The campus benefits from the close proximity and networked connections with the broader Washington and Baltimore metropolitan communities, and this position is designed to strengthen and expand on these ongoing relationships and activities.
Housed within the School of Architecture, Planning, and Preservation, the Graduate Program in Historic Preservation offers a 2-year Master of Historic Preservation degree, a Graduate certificate, and dual degrees with architecture, planning, real estate development, and applied anthropology. The program is known for its focus on the social and cultural dimensions of preservation, and interpreting and preserving a broadly defined range of heritage resources. Our faculty work with and make connections between communities and local governments, state and federal government agencies, non-governmental organizations (NGOs), and academic institutions. We have a strong commitment to community engagement and in facilitating discussions of the past and its impact on the present, as well as to increasing the diversity of the campus community and contributing to the climate of inclusivity in the School and at the University.
The Historic Preservation Program, University of Maryland, anticipates hiring a tenure track advanced assistant professor for August 2017. Qualifications include a Ph.D. (obtained prior to May 2015) in a related discipline such as Anthropology, American Studies, Urban/Regional/ Environmental/Economic Planning, History, Cultural Geography, or Architectural History, and a research focus in the preservation and conservation of urban environments and heritage in the U.S. Candidates must demonstrate an active research agenda with publications, field and community engagement experience, and teaching; success in external funding preferred.
The successful candidate should be willing to develop an active research program in Washington, Baltimore or other cities in the Mid-Atlantic region that can connect to and enhance their studio teaching assignments.
The candidate will be expected to teach traditional and online courses at the undergraduate to graduate levels, including required courses (studio and final project class) and courses in their specialty; courses could be offered at both the main and satellite campuses (such as Shady Grove). Candidates who have demonstrated a commitment to working with women and underrepresented minority students through teaching, mentoring, or administration are especially encouraged to identify their experience in these areas.
Minimum Qualifications:
Qualifications include a Ph.D. (obtained prior to May 2015) in a related discipline such as Anthropology, American Studies, Urban/Regional/ Environmental/Economic Planning, History, Cultural Geography, or Architectural History, and a research focus in the preservation and conservation of urban environments and heritage in the U.S. Candidates must demonstrate an active research agenda with publications, field and community engagement experience, and teaching.
Geographic research area is open, but experience and research connected to U.S. urban centers is required.
Preferences:
Demonstrated success in external funding is preferred.
Candidates are encouraged to apply whose research in historic preservation focuses on preserving urban places and spaces, including both tangible and intangible resources. Examples might include work in cultural sustainability, cultural resource management, social and environmental justice, and community engagement.
For more information about this position and to apply, visit: ejobs.umd.edu/postings/47333.
About Campus/College
Founded in 1856, University of Maryland, College Park is the flagship institution in the University System of Maryland. Our 1,250-acre College Park campus is just minutes away from Washington, D.C., and the nexus of the nation’s legislative, executive, and judicial centers of power. This unique proximity to business and technology leaders, federal departments and agencies, and a myriad of research entities, embassies, think tanks, cultural centers, and non-profit organizations is simply unparalleled. Synergistic opportunities for our faculty and students abound and are virtually limitless in the nation’s capital and surrounding areas. The University is committed to attracting and retaining outstanding and diverse faculty and staff that will enhance our stature of preeminence in our three missions of teaching, scholarship, and full engagement in our community, the state of Maryland, and in the world.
The University of Maryland, College Park, an equal opportunity/affirmative action employer, complies with all applicable federal and state laws and regulations regarding nondiscrimination and affirmative action; all qualified applicants will receive consideration for employment. The University is committed to a policy of equal opportunity for all persons and does not discriminate on the basis of race, color, religion, sex, national origin, physical or mental disability, protected veteran status, age, gender identity or expression, sexual orientation, creed, marital status, political affiliation, personal appearance, or on the basis of rights secured by the First Amendment, in all aspects of employment, educational programs and activities, and admissions.


JOB: CURATOR OF COLLECTIONS AND EXHIBITIONS, Harbor History Museum Collections (Gig Harbor, WA, USA)

  • Applications deadline: December 31, 2016

The Harbor History Museum seeks a creative, scholarly, team-oriented and audience-minded Curator of Collections and Exhibitions, who will thrive in a fast-paced, vibrant environment. The Curator will envision a curatorial program, based in traditional methodologies for a 7,000 object collection along with a substantial archival collection and research library. In close collaboration with the Executive Director, the Curator organizes collection-based exhibitions, non-collection exhibitions and exhibition-specific programs; Produces adventurous public programming, scholarly presentation and gallery texts, and interacts comfortably with various audiences. The Curator conducts original research on the collections, recommends acquisitions, develops relationships with donors and collectors, and coordinates HHMs collections planning; Works with HHMs staff to produce meaningful and exceptional programming.
Key Responsibilities:
50% Collection Stewardship
Conduct original research related to HHMs collections and related exhibitions. Encourage and facilitate the use of Museum resources and collaborative programming with staff, committees, and general public, as well as community partners. Assist staff, docents, and members of the community in research of the Museum’s collections and exhibitions. In collaboration with the Director, assist in the redevelopment of an effective Collections Plan and lead/participate in the Collections Committee. Cultivate gift funds to support acquisitions and direct donations of relevant historical artifacts and archival material. Work with HHM staff and Collections Committee to make recommendations on new acquisitions for permanent collection, including undertaking research for attribution, provenance, interpretation, conservation, etc., and manage deaccessioning process.
30% Exhibitions
Provide curatorial leadership and work collaboratively with others at the Museum and in the community to develop and curate rigorous exhibitions (large and small) using holdings from HHMs collection, as well as loaned objects that will engage existing and targeted audiences. Secure foundation, corporate, and private funding for ambitious exhibitions. Under the direction of the Executive Director, develop curatorial budget and multi-year exhibition schedule.
Will lead, facilitate, curate, and fabricate Museum exhibitions (art and historical).
20% Outreach and Education
Collaborate with HHM staff in the creation and management of interpretive strategies, publicity materials, and public programs for a variety of audiences. Maintain active relationships with artists, community members, lenders, donors, and professional colleagues. Represent HHM at regional cultural initiatives and events. Lecture on and lead tours of HHMs exhibitions and collections. With Volunteer Coordinator, help train interns and docents in specific content areas and museum best practices. Assist in the oversight of the collections intern program. Motivate others in experimenting with new curatorial and museum practices to support a culture of innovation and collaboration to maximize audience engagement. Collaborate with Education Coordinator to link meaningful ancillary programs to upcoming and current exhibitions. Contribute writings for the publication of the Museums quarterly newsletter.
This position reports directly to the Executive Director and will be subject to regular performance evaluations.
General: Part-Time, Non-Exempt, 30 hrs/week. Starting salary range of $30,000-$35,000 based on experience. Will be subject to transition into Full-Time, Exempt with a generous benefits package.
Job requirements:
* Bachelor’s degree in History, Museum Studies, Art History, or equivalent field; Master’s degree preferred; A minimum of two years related professional experience required
* Knowledge of history, historical methodologies and museum practices
* Demonstrated knowledge of budget applications required
* Exceptional computer skills
* Practical experience using museum and archival based software (Past/Perfect, Star Museum/Archives, Stellant, etc.)
* Proven ability to conduct in-depth, scholarly research and present in various formats *Ability to lift 45lbs, climb ladders, sit/stand for long periods of time
* Valid driver’s license
Additional Desired Skills:
* Ability to practice history broadly with a specialization in an area of strength of HHMs collection, including and not limited to, expertise in Washington State history, Native American history, Scandinavian and Croatian history, and Pacific Northwest history
* Organizational skills as well as demonstrated human relations and effective communication skills
* Public speaking skills
* Ability to work independently and as a team collaborative
* Flexibility in working evening, weekends, and after hours are required by the position
* Enthusiasm toward your career
No phone calls please. To apply, please submit the following materials to the Executive Director, Katharine Hensler at katharineh@harborhistoryuseum.org:

  • A cover letter that specifically addresses the job requirements and outlines qualifications
  • A current resume
  • A current CV (if applicable)
  • A short writing sample no longer than 200 words (optional)

Please Note: Degree verification will be required for final applicants if a completed degree was used to fulfill a minimum requirement for this position. Reference checking is a standard step in our hiring process. You will be asked to provide contact information, including email addresses, for up to five references as part of the search process for this position.
The Museum
The mission of the Harbor History Museum is to create opportunities to experience the heritage of the greater Gig Harbor communities. We do this by collecting, preserving, and sharing the rich history of this area. Our vision is to be the cornerstone that provides a gathering place and a sense of identity for our community. Established in 1964, the Gig Harbor Peninsula Historical Society dba the Harbor History Museum was awarded a 501 (c) 3 status by the IRS, and began operating a Museum in 1976. In the summer of 2007, the Society underwent a re-branding to create the name that communicates the essence of our mission. “Harbor History Museum,” was established at that time. The Museum fulfills its mission and vision by providing a museum to the community and educational programs serving residents, visitors, researchers, and students. The Museum re-opened to the public on September 18, 2010 after conducting a capital campaign to build a new facility. The facility includes an 1893 fully restored one-room school house, a 65 foot fishing vessel currently under restoration, 7,800 square feet of exhibition space, and a 900 square foot library, research and meeting room. The Museum provides a variety of public education programs. Our core educational program is the Pioneer School Experience (PSE), which serves over 1,500 students every year. Led by a trained “school marm,” the children experience a pioneer school classroom complete with lessons, recitations, music, recess, and lunch. Children are encouraged to dress in period costume, and are provided with pioneer identities to support their learning experience. For our full-day programs, students also tour the Museum galleries and participate in “history mystery,” exploration stations. Our permanent exhibit features professionally designed exhibitions, larger than life experiences, and opportunities for hands on exploration of our region’s rich history and unique heritage. Artifacts, video kiosks, hands on exhibits, computer interactives, and a small theater bring Peninsula history to life in our permanent galleries. In addition, the Museum provides 3-5 special exhibits throughout the year so there is always something new to see and experience for our members and visitors. We also provide monthly Third Thursday concerts, lectures, book readings, workshops, and film presentations.


JOB: HISTORIC PRESERVATION PROGRAM, University of Oregon (Portland, OR, USA)
Position ID UOHPASST [#8498, 16250]
The University of Oregon (UO) Historic Preservation Program (HP) invites applications for a full-time tenure-track position as the Art DeMuro Assistant Professor in Historic Preservation, to begin in September 2017. This position will be based in UO’s Portland campus and will provide instruction and student mentoring in this nationally-recognized professional master’s degree program. The successful candidate for this position will demonstrate progress toward a record of relevant and innovative research and professional practice.
University Context: The University of Oregon is an AAU research university with roughly 25,000 students. The UO Historic Preservation Program resides within the School of Architecture & Allied Arts (A&AA). The school consists of five departments and four programs: the Departments of Architecture; Art (which includes digital arts); History of Art and Architecture; Landscape Architecture; and Planning Public Policy and Management; and the Programs in Arts and Administration, Historic Preservation, Interior Architecture, and Product Design.
The UO Historic Preservation Program, which works collaboratively within the interdisciplinary context of A&AA, stresses building technology, cultural resource management, building documentation, and sociocultural analysis as part of a rigorous research agenda. The UO Historic Preservation Program emphasizes (a) experiential learning – the hands-on experience of doing preservation in the field, and (b) innovative research in the cultural, technological, and environmental factors that shape the built environment. Courses are augmented by fieldwork in the urban, suburban, and rural areas of the region, with frequent involvement with the area’s professionals, officials, and agencies concerned with historic resources.
With the support of a major individual gift, the HP Program recently relocated from the University’s main campus in Eugene to its new headquarters in the 1883 cast iron front White Stag Building in the Old Town district of Portland. The Program joins other School of Architecture & Allied Arts activities in Portland, including architecture and product design. The new facility houses spaces and state-of-the-art facilities – library, classrooms, studios, offices, conference facilities, and woodshop/lab – that will elevate the educational experience for the Historic Preservation Program. The city of Portland offers HP faculty and students a vast laboratory of physical and cultural landmarks, a strong network of professional practitioners, and significant resources for research, including the Oregon Historical Society archives and the Architectural Heritage Center’s collection of historic building components.
For more information about the Program, please refer to http://hp.uoregon.edu.
Position: The Program particularly seeks candidates with specialized strengths and teaching experience in any or all of these areas:

  • Cultural Resource Management: Includes instruction in the planning and management of historic resources. Courses will explore methods of surveying and documenting sites; domestic and/or international regulatory processes that govern preservation practice; and political and legal frameworks for preservation planning.
  • Building Sciences: Includes instruction in evaluation and treatment of historic structures. Courses encompass building condition assessment and material pathology (wood, masonry, metal, etc.); conservation methods; building recordation (i.e., HABS/HAER); and the history of construction.
  • Heritage Conservation: Includes instruction in the identification and conservation of both tangible and non-tangible representations of cultural value, particularly among minority groups within a larger cultural framework (such as race/ethnicity, class, gender, sexual orientation, etc.). Courses will explore cultural values in different contexts and explore various means of protecting and interpreting varied cultural practices.

Additional considerations for this position include the following:
– The successful candidate will demonstrate an understanding of the role of preservation in addressing issues of cultural diversity and will have an interest in broadening the field to incorporate underrepresented constituencies. A record of research and teaching that considers the heritage of minority cultures is desirable. – Preference will be given to candidates who can offer courses in the history of American architecture and culture. – Preference will also be given for candidates who possess the skills and interests necessary to oversee the Pacific Northwest Field School. The Field School is a summer field experience aimed at students and professionals in fields related to historic preservation with little experience in building conservation. A successful candidate selected to oversee the Field School would be expected to teach only 4 courses during the academic year. More information on the Field School is available at: hp.uoregon.edu/pnwfs.
The University of Oregon is organized into three terms during the academic year in addition to summer programs and the expected annual teaching load for this position is 5 courses.
Qualifications:
A terminal graduate degree from an accredited institution must be attained before September 15, 2017 (doctoral degree or master’s degree as expected in the candidate’s academic field), preferably in historic preservation or a closely related field. A demonstrated commitment to building a scholarly profile in historic preservation is required. Accordingly, the candidate should demonstrate a deep commitment to intellectual inquiry in teaching activities, in scholarly research and publication, and in professional practice. Applicants should demonstrate evidence of university-level teaching excellence.
A strong regional interest in the West or Pacific Northwest is desirable, as is significant scholarly interest in vernacular architecture, cultural landscapes, urban historic buildings, historic building technology, cultural heritage studies in historic preservation, or another specialization closely related to the field.
The successful candidate will possess excellent communication and collaboration skills and the ability to establish, maintain, and grow relationships with preservation professionals and stakeholders in the community. The UO is committed to creating a more inclusive and diverse institution and seeks candidates with demonstrated potential to contribute positively to its diverse community. The successful candidate will have the ability to work effectively with faculty, staff, students, and local communities of diverse backgrounds.
Responsibilities:
Maintain an active research agenda related to professional practice. Teach graduate and undergraduate courses in the field of historic preservation, direct Master’s theses and projects, and provide academic and career advising to students seeking a degree in Historic Preservation. Support the Director and other faculty in enhancing the curriculum of the Historic Preservation Program, plan and participate in activities outside of the classroom, and forge alliances and productive partnerships with units across the University, academic institutions in Portland, and the professional field of historic preservation –- in the Pacific Northwest, nationally, and internationally. Committee service to the program, school, and University is expected.
Salary: Commensurate with qualifications. The University of Oregon offers an excellent benefits package.
Application Procedures: Please submit (upload) only the following; additional items will not be considered in the first review of applications.

  • A letter of application explaining your interest in this position and addresses your specific qualifications. Please include a discussion of your approach to field training and related activities, if appropriate.
  • Your comprehensive curriculum vitae.
  • A one-page statement of your scholarly approach to historic preservation.
  • A one-page statement of your teaching philosophy and approach toward mentoring students.
  • A copy of one article-length, peer-reviewed submittal in the historic preservation field or a related professional field addressing historic resources. You may substitute a portfolio item of an applied preservation project (e.g., National Register nomination, HABS drawing, or professional report) for this submittal.
  • The names and contact information for three referees. Referees will not be contacted unless the applicant advances forward to the semifinal round of review.

The position will be open until filled. Review of applications will begin in January 2017. Semi-finalists will be interviewed by telephone or Skype. Semi-finalists and finalists may be asked to submit additional information, such as additional publications, course syllabi, and evidence of academic program leadership. Finalists will be interviewed on campus in winter term 2017.
The University of Oregon is an equal opportunity, affirmative-action institution committed to cultural diversity and compliance with the Americans with Disabilities Act. The University encourages all qualified individuals to apply, and does not discriminate on the basis of any protected status, including veteran and disability status.
Direct inquiries to: James M. Buckley, Associate Professor HP Search Committee Chair Historic Preservation Program School of Architecture & Allied Arts, University of Oregon 70 NW Couch St, Portland, OR 92709, e-mail: jbuckley@uoregon.edu.
For more information about this announcement and to apply, visit: academicjobsonline.org/ajo/jobs/8498


JOB: HISTORIC SITE SPECIALIST, Carlyle House Historic Park (Alexandria, VA, USA)

  • Opportunity Announcement #16-11-14
  • Annual Starting Salary: $43,045.73
  • Grade:13

For a complete job description, go to www.novaparks.com. Please reference Opportunity Announcement #16-11-14 when applying.
The Historic Site Specialist is responsible for assisting the Historic Site Manager in planning, developing, coordinating, and supervising all aspects of a historic facility with an emphasis on the museum’s interpretive and educational functions. Work is performed under the general supervision of the Historic Site Manager and is reviewed for consistency with NOVA Parks’ policies and standards and for results obtained. Annual performance goals will be set for the Historic Site Specialist. This position will supervise part time staff and volunteers.
ESSENTIAL FUNCTIONS (with illustrative examples of work)
Assist with development, implementation and maintenance of comprehensive program for the collection of historic properties and artifacts:
– Maintains knowledge of Carlyle House Historic Furnishings Plan and recommends amendments; assists with identifying items for
research; researches, and interprets results and recommends purchase.
– Assists with maintaining knowledge of period furnishings and arranges for appropriate display.
– Assists with the proper care, cataloging and registration of artifacts.
– Conducts yearly inventory of collections items.
Assist with management of personnel:
– Plans, directs and controls the work of employees and volunteers.
– Oversees scheduling of docents and maintains records documenting volunteer hours.
– Determines workload, assigns priorities, schedules employees and allocates resources.
– Assists with developing and implementing training programs for employees and volunteers.
– Interviews and selects applicants for part-time employment.
– Recruits, trains and supervises volunteers.
– Oversees internship program.
Establish, oversee and participate in educational and interpretive programs:
– Develops and implements innovative programs and guidelines for interpretive tours.
– Develops and oversees a robust programming schedule, including collaborating with other museums and historic sites.
– Develops and coordinates a calendar of events.
– Develops and implements exhibits and other interpretive materials.
– Implements, and evaluates special tours for school groups.
– Develops marketing materials for educational programs in conjunction with the Marketing Manager.
Assist with management of facilities and budget:
– Recommends operations, maintenance and development items for budget.
– Interprets and adapts NOVA Parks’ policies, regulations, and procedures to meet personnel, budget, property management, and
general service needs of the park.
– Enforces rules, regulations, and policies of NOVA Parks.
– Assists with management of the gift shop.
– Ensures proper maintenance of facility grounds and gardens.
– Performs related work as required including physical labor.
Establish and maintain positive public relations program:
– Assists with fostering a positive public image for a historic park and the NOVA Parks
– Provides information to the public and special interest groups through presentations and other means through accurate, courteous and
diplomatic communications.
– Maintains effective relationships with groups such as vendors, local law enforcement, and special user groups.
– Encourages visitor comments; investigates and responds to complaints.
– Maintains professional contacts with other historic properties and museums.
REQUIRED QUALIFICATIONS (minimum)
Education: Graduation from an accredited college or university in museum studies or closely related field.
Physical: Non-manual and manual work with strength and dexterity necessary to perform all required tasks, including lifting, stooping, bending and working in tiring and uncomfortable positions in office and outdoor settings; will lift and move furniture; will climb ladders; will use tools and operate equipment.
Experience: Two years of experience in museum collections work with emphasis on 18th- century decorative arts, or any equivalent combination of education, training, or experience which provides:
– Considerable knowledge of the principles, methods, and practices of museum education and interpretation.
– Knowledge of historical period concerning facility.
– Knowledge and experience in personnel management.
– Ability to identify and isolate problems, and to initiate appropriate actions.
– Considerable ability to deal effectively with the public and special interest groups, and to provide a strong, positive public relations
program; with considerable ability to interpret and explain NOVA Parks policies, rules, and procedures to employees and to the public.
– Considerable ability to communicate clearly and effectively with ability to prepare and present accurate reports.
– Ability to manage and prioritize several projects simultaneously.
– Ability to gain a working knowledge of NOVA Parks, its development, traditions, and policies.
– Knowledge of computers with ability to use software such as Microsoft Office Programs.
– Possession of or ability to obtain a driver’s license; must maintain safe driving record.
– Availability for call in emergency situations and to work additional hours during peak operating times including shift work and
weekends.
– Regular and predictable attendance is an essential function of the position.
– Certification or ability to obtain certification in CPR and first aid.
Job duties and responsibilities are designed to be the essential elements of the job. They do not preclude the performance of related, or even unrelated, jobs which may be necessary to properly and efficiently complete all work assignments. NOVA Parks reserves the right to amend job specifications to meet current needs.
HOW TO APPLY
– Online at www.novaparks.com/about/employment/historic-site-specialist-carlyle-house; or
– Via email: send your resume to resumes@nvrpa.org; or
– By post mail:
NOVA Parks Headquarters
Attn: HR Administrator
5400 Ox Road
Fairfax Station, VA 22039
For more details about this announcement, visit: www.novaparks.com/about/employment/historic-site-specialist-carlyle-house


INTERNSHIP: PRESERVATION ARCHITECT, Historic Building Architects, LLC (Trenton, NJ, USA)
Join Historic Building Architects LLC, an award-winning firm as an intern architect.  At HBA we work closely with our interns to make sure they get a well-rounded experience to meet their IDP requirements. You will learn about historic preservation architecture as you strengthen your skills in AutoCAD, Sketch-up, In-Design, Illustrator, and Photoshop.  As a small firm you will have opportunities to experience working on projects from Schematic Design through to participating in Construction Administration.
We are looking for a recently (within the past 3 years) graduate student, who has completed a professional degree in architecture, with a focus on historic preservation or a Master’s Degree in Historic Preservation. Material Conservation skills are a plus. Your resume and work samples must demonstrate relevant job experience, self-motivation, excellent graphic skills, and strong communication skills.
How to apply: Please email info@hba-llc.com and attach your resume, two references, and work samples from your portfolio.
For more information, you can contact: Susan Clark, svc@hba-llc.com, Tel: +1 (609) 393-3999, Fax: +1 (609) 393-3999.
Info: http://hba-llc.com/contact_employment.html.


JOB: HISTORIC RESTORATION INSPECTOR, Vega Solutions, Inc. (Philadelphia, PA, USA)
We are looking for two experienced and knowledgeable Historic Restoration Inspectors to be part of an owners Construction Management team for a large building restoration project.
Responsibilities include:

  • Perform inspections according to complete plans, specifications and instructions.
  • Inspect various facets of work on the construction site.
  • Read and interprets drawings and specifications.
  • Observes general job safety practices.
  • Provides daily reports listing work performed, conditions and issues.
  • Comply with client policies and procedures for inspection of work under contract.

Minimum Qualifications:
A degree in Historic Preservation or Architecture and two years of experience as a construction inspector with a understanding of construction practices, safety and quality control.
Must have excellent written and oral communication skills.
Specific Qualifications:

  • Inspector 1 must have a thorough understanding of metal refinishing methods and high performance coating systems and be able to monitor Quality Control for these processes.
  • Inspector 2 must have a thorough understanding of stone and brick masonry restoration and be able to monitor Quality Control for this type of work.

Project conditions: The positions are Full Time. The project is primarily exterior and will involve work from mid-rise scaffolding. Project is expected to be active year-round with a duration of two years. The work will be carried out during the day.
Base Salary: Based upon experience.
Benefits: Medical coverage and 15 days of annual PTO plus holidays.
To apply: send a cover letter and resume with references via email to George Bryant at george.bryant@vegasolutions.net.
The company is an equal opportunity employer and a woman owned business.


JOB: CONSULTANT/ URBAN ARCHAEOLOGIST, NYC Archaeological Repository: The Nan A. Rothschild Research Center (New York, NY, USA)

  • Full time for 9-month contract

Under the supervision of the Director of Archaeology, the Urban Archaeologist/Curators will help to incorporate historic artifacts from two archaeological collections, the Stadt Huys and 7 Hanover Square excavations. Work will include: verifying, rehousing, and cataloging The work will occur at 114 W 47th Street.
Qualification Requirements:
1. A Master’s degree from an accredited university in Anthropology, American History or American Studies, with a minimum of 24 graduate credits in anthropological archaeology plus a minimum of 16 weeks supervised training in basic archaeological field research. All candidates must also have at least one year of full-time paid experience directly related to the duties of the position; or
2. Education and/or experience which is equivalent to “1” above.
Preferred Qualifications

  • Curation experience
  • Expertise with New York City archaeological artifacts
  • Ability to work independently
  • Experience with database maintenance and management
  • Excellent writing and oral communication skills
  • Excellent organizational skills
  • Cultural Resource Management experience

To apply: Please submit resume and cover letter electronically to Amanda Sutphin at asutphin@lpc.nyc.gov.
While we appreciate every applicant’s interest, only those under consideration will be contacted.

ECPN's Follow-Up to the Fall 2016 Webinar on Leadership – Q&A and Further Resources

The importance of leadership in conservation and developing leadership skills throughout one’s career is a rich topic that ECPN explored in the Fall 2016 webinar, Emerging Leaders in Conservation: Developing Leadership Skills as an Early-Career Professional. EPCN received a number of questions in response to the webinar, and speakers Michelle Facini and Molly Gleeson have generously taken the time to answer these questions. This post also provides a bibliography on leadership, including a number of insightful Ted Talks, for those wishing to delve further into this topic. At the end is a list of links to leadership training programs for future reference.
Q&A
Do the speakers have suggestions for how to balance the roles of colleague, friend, and leader in the workplace? Do they have tips for how conservators can step up to a leadership positions while maintaining other facets of their relationships with others?
Molly Gleeson: For the benefit of all work relationships, making space for personal connection is important. No matter what position you are in, you can demonstrate leadership qualities by speaking up with opinions and ideas, but also by making sure to ask others for their input, and being open to different viewpoints. If you are asked to lead a project and to supervise a peer or friend, I believe that taking a collaborative approach is the best course of action – you will need to take responsibility for the decision-making, planning, etc. but much of the work to get there can be collaborative, and recognition of your colleague(s) when presenting decisions and ideas is just as critical. This acknowledgment will help to empower them and make them feel included, respected, and an important part of your team.
How has your leadership style changed/evolved over the years?
Michelle Facini: My ability to recognize project priorities and maximize my time spent on tasks has become more efficient over time. Having good working relationships with colleagues also helps to streamline expectations and makes collaborations effective. As I become more senior in my organization, I am expected to bring clarity and good solutions to tasks because I understand how the organization works. As a result, it is important for me to actively listen, so I can offer good recommendations and ensure success for everyone involved in a project.
How, would you continue to inspire engagement of all colleagues, interns, volunteers, members etc. if the community or team you lead is growing? This question is aligned with making everyone feel included, and the difficulties in generating an intimate collaboration if member size increases.
Michelle Facini: Good colleagues are ones that you trust and respect. Finding a way to build those relationships with your peers is key, and doing so differs greatly from person to person. Leaders who regularly engage with their workforce and recognize their staff for their accomplishments and commitment are generally the most respected. Emotional intelligence is a skill that should continue to be honed throughout our careers so that our work relationships are rooted in kindness and empathy, while still maintaining a supportive and productive work environment.
What can conservation learn from other fields in which management and leadership skills are more explicitly praised, e.g. Business, public policy? Did you look to leadership role models in different disciplines?
Molly Gleeson: There is so much we can learn from other fields about leadership – in fact, most of the recommended reading and resources come from the business world. We can and should look at global trends in leadership, such as the concept of collaborative leadership, which focuses less on top-down management and more on teamwork, transparency, and networks. But we can also look to the museum field for examples of inspirational leaders, even if these leaders are using leadership styles that we may not gravitate toward ourselves. Check out the Leadership Matters book and blog, and forthcoming book, Women & Museums.
With the changing museum field, do you anticipate any changes to your leadership style?
Molly Gleeson: While it is important to think about our “default” leadership styles, it is just as important, as Sarah emphasized in the webinar, to remember that leadership responds to the situations and positions we find ourselves in. Being aware of how the field is changing, current institutional operations and goals, and our individual roles within an organization, will help us all expand and adapt our leadership styles as we grow as professionals.
How did our panelists develop their leadership skills and what resources/opportunities did they find helpful?
Molly Gleeson: Most of my leadership skills were developed by putting myself in positions to lead – by volunteering to organize a conference session, to teach a workshop, run for a committee position, or to take on a new project or role at work. Many of these situations are uncomfortable at first, but I have learned a lot from them and they only empower me to continue to step up into leadership roles. I am currently taking a leadership course offered through my job, and as a part of this we took the Gallup Strengths Assessment, which identified our top 5 strengths. Anyone can take this online for only $15 (there are more expensive options but our course instructor said that they are not worth it and that Gallup actually prices them higher to discourage people from doing them).
What kind of leadership do we need in the field now? What directions should we, as a field, encourage?
Michelle Facini: The availability of digital products to use for outreach is staggering— as information is instantaneously shared and consumed by vast numbers of folks, the preservation field needs to find its voice. This voice should speak humbly of our past while addressing a future that is diverse and inclusive of many skill sets. Inclusiveness allows our community to extend support to those colleagues who yearn for funding, recognition and opportunities for professional growth. Sharing our knowledge via presentations, publications and teaching elevates our standing as a profession and attracts the jobs and financial support necessary for our continued growth.
Is there a way to ask a conservator to be your mentor in a polite way, or should you let the relationship develop naturally?
Molly Gleeson: Either approach works – there are great mentor-mentee relationships that have grown out of the ECPN mentoring program where people are matched often without knowing each other beforehand – but some of the best relationships may end up developing naturally. Most importantly, mentoring works best when expectations and questions are clearly defined – so before approaching someone sit down and think about what you’d like guidance on, and what you’re hoping to get out of that relationship, and prepare to communicate these goals with your potential mentor. It is also important to be respectful of time, availability, and communication styles. Some people prefer emailing while others work better on the phone, and some people may prefer to meet in person – be open to different types of communication.
Do you have any tips for someone transitioning into a promotion and facing changes in one’s role and leadership responsibilities?
Michelle Facini: Make an appointment with yourself to determine your strengths and weaknesses in your new position. Identify ways you can acquire the necessary skills needed for your new responsibilities. Seek out mentors and peers that can assess your progress and help you find ways to rise to all your new challenges. Make sure you set goals for yourself that are attainable to keep your momentum going, but also in the distance so you always know where you are headed.
Bibliography:
This comprehensive bibliography, including both published literature and Ted Talks, was compiled by Courtney Murray for the April 2016 workshop, “Learning to Lead: Training for Heritage Preservation Professionals,” held at the Winterthur Museum. Thank you to Courtney for her willingness to share her work.
The following are addendums to this bibliography:
The Art of Relevance, by Nina Simon
Quiet: The Power of Introverts in a World that Can’t Stop Talking, by Susan Cain
Blog – Leadership Matters: Thoughts on 21st Century Museum Leadership by Anne Ackerson and Joan Baldwin
Opportunities for Formal Leadership Training or Networking:
Applicants for a number of these programs must have previous museum experience or currently hold a leadership position, so they do not apply to emerging conservators; however, you may wish to keep them in mind for the future.
The Getty Leadership Institute’s NextGen Program: Executive Education for the Next Generation of Museum Leaders – designed for mid-level staff with 3-5 years of museum management experience
The Clore Leadership Programme (UK-based, but with International Fellowships available for select countries) – applicants must have worked in the cultural sector for at least five years
The American Alliance of Museums Leadership and Management Network – professional network and repository of articles on leadership and management
Association of Academic Museums and Galleries (AAMG) Leadership Seminar – applications are open to those currently holding leadership positions in academic museums and galleries
 
Thank you to all of the individuals who submitted questions, and thank you once again to our speakers Sarah Staniforth, Michelle Facini, and Molly Gleeson. We are also grateful to Courtney Murray for the bibliography and Debbie Hess Norris for her input on leadership training. If you have additional suggestions for resources to add, or further questions on this topic, please email ECPN.aic.webinar@gmail.com.

Fellowships: GCI Professional Fellowships, Getty Conservation Institute (Los Angeles, CA, USA)

  • Completed application materials must be received on or before January 31, 2017.

The Getty Conservation Institute (GCI), works internationally to advance conservation practice in the visual arts, broadly interpreted to include objects, collections, architecture, and sites. It serves the conservation community through scientific research, education and training, model field projects, and the broad dissemination of the results of both its own work and the work of others in the field.
The GCI is pleased to announce a new employment opportunity for emerging conservation professionals: GCI Professional Fellowships. Made possible through onetime funding, the GCI is making available three Professional Fellowships, each of three-year duration, from June 2017 to May 2020. The successful candidates will work at the Getty Center in Los Angeles, California.
The GCI Professional Fellowships are designed to provide emerging practitioners with in-depth opportunities to build and strengthen their skills and experience as conservation professionals, while working under the guidance of experienced GCI staff. GCI Professional Fellows will participate in the ongoing work of the GCI as full members of the Getty’s professional community. Professional development will be encouraged and assisted through participation in professional meetings, conferences, or workshops. Fellows’ research outcomes will be disseminated through publications and conference presentations.
Fellowships Available:
– Managing Collection Environments Initiative (Job# 2016-2882)
– Asian and European Lacquer Analysis project (Job # 2016-2884)
– Conserving Modern Architecture Initiative (Job# 2016-2885)
Applications are accepted via the Getty’s Job Opportunities site. Please consult the links above to read full position descriptions and requirements for each fellowship and to submit an application and supporting materials.
Candidates will be selected on a competitive basis. An excellent benefits package and salary commensurate with qualifications and experience will be provided.
If you have specific questions about the Professional Fellowships, please email gcistaffing@getty.edu.