Carmina Lamare-Bertrand – Page 2 – AIC Blog Archives: Conservators Converse

Museum conservator (St. Mary’s City, MD, USA)

Historic St. Mary’s City Commission
St. Mary’s City, MD USA

Historic St. Mary’s City is seeking a Conservator to care for its collection of approximately six million archaeological artifacts. Applications are being accepted now. Review of applications will begin August 15th. Salary range is US$55,000-$62,000.

Please send a cover letter and resume with the names and contact information for three professional references to: Porzia Purves: PorziaP@digshistory.org (240) 895-4960

Organization Description
Historic St. Mary’s City (HSMC) is a museum of living history and archaeology located on the site of Maryland’s first capital (1634-1695). Decades of research are the foundation of outdoor exhibits constructed in a beautiful tidewater landscape. Recreated structures in the historic town center, a Woodland Indian hamlet, a tall ship, and a tobacco plantation staffed by costumed or uniformed interpreters help visitors understand the stories of Maryland’s founding. Reconstruction of the Brick Chapel of 1667 stands a symbol of the religious freedom established by the Lords Baltimore in the seventeenth century.

HSMC is one of Southern Maryland’s leading tourism attractions and hosts an active school tour program. The museum’s collections are a resource for professional archaeologists, scholars, and college students. The HSMC colonial archaeology field school, the longest running field school in the nation, attracts students from all over the United States as well as from other countries. The museum is an independent agency of the State of Maryland, within the Office of the Governor.

Job Summary
Reporting to the Director of Research and Collections, the Conservator will undertake the direct treatment and preventive conservation care of objects in consultation with the Curator of Collections. This individual will work closely with other museum personnel to conserve the museum’s archaeological artifacts and archives to prepare them for exhibition and/or long-term storage.

Essential Functions:

The Conservator accomplishes examination, preventive maintenance, and treatment of the Museum collections

Conducts examination, documentation, analysis, and artifact treatment within the collection following established conservation procedures, methodologies, and professional ethics.
When necessary, based on the conservation needs of an artifact, develop new conservation techniques and procedures in consultation with the Curator of Collections and Director of Research and Collections.
Maintains detailed before, during, and after treatment records including both written and photographic documentation. All photography and imagery will be kept in digital format according to professional procedures and standards.
Promotes the importance of conservation within the museum and in an outreach capacity whenever possible.
Responsible for completing associated documentation, analysis, and research as well as working with curatorial and collections staff on handling, storage, exhibition, and loan of the collections.
Contributes to outreach efforts and also mentors and supervises interns and volunteers.
Performs examination of non-archaeological museum objects as required and prepares documentation, including written and photographic reports.
Performs preventive conservation and maintenance in coordination with the Curator of Collections, including Integrated Pest Management, environmental monitoring, and emergency planning for collection galleries, exhibitions on the property of HSMC, and storage areas.
Performs technical study and analysis of materials and methods of manufacture, including imaging and analytical techniques related to research by the collections and archaeological staff.
Collaborates with Curator of Collections on organization and maintenance of storage and objects on display including routine cleaning procedures for objects out of display cases.
Plans exhibition mounting with Exhibition Design as needed.
Ensures maintenance of lab equipment and supplies.
Establishes lab procedures following professional standards
Conducts objects handling training with staff, students, volunteers, etc.
Pursues professional development and maintains participation in professional organizations.
Participates in relevant museum meetings.
Adheres to professional standards for ethical practice in accordance with the American Institute for Conservation.
Identifies and suggests methods to improve standards related to department or museum practices or procedures.
Performs related duties as required.

Desired knowledge, skills, and abilities:

The incumbent should possess

Working knowledge of acceptable practices for conservation and maintenance of objects.
Working knowledge of archaeological methods and practices.
Continuing professional development in the conservation field.
Working knowledge of analytical equipment and methods, including but not limited to FT-IR, SEM, XRF, digital radiography, optical microscopy, chloride analysis, metals sample preparation, and film/digital photography.
Working knowledge of Microsoft Office and Adobe Photoshop.
Development of educational materials/activities for public outreach.
Familiarity with accepted practices for achieving and insuring safety in the laboratory.
Familiarity with a wide variety of materials including metals and organics as well as knowledge of archaeological conservation methods pertaining to excavated finds.
Ability to work productively with senior staff who have highly specialized knowledge of their areas of responsibility; a team builder.

Education and Professional Experience

A master’s degree or the equivalent from an accredited conservation training program in the United States or abroad. A Conservation degree with specialization in objects, particularly archaeological and ethnographic materials, or related field is preferable, and four years of experience beyond internship level.

The candidate must be a good standing member of the American Institute for Conservation, and be able to demonstrate the required professional experience required for this position. The candidate must be able to show that they are working toward or have gained their professional associate status with the AIC in the next few years.

Demonstrated knowledge of established and emerging methods for treatment, preventive care, and analysis of museum objects.

Compensation
Salary will be commensurate with experience and qualifications, and competitive with comparable positions at other regional non-profit organizations of comparable size. The museum offers a generous benefits package as well the opportunity to inspire and enlighten visitors and staff.

Historic St. Mary’s City is an equal opportunity employer and encourages applications from all qualified candidates, including minority candidates.

Internship in Paper Conservation (Amsterdam, Netherlands)

The Rijksmuseum is the largest museum of the Netherlands. The collection contains 1.1 million (art) objects from and relating to the Netherlands from the Middle Ages until the 20th century. The museum receives over two million visitors a year with a stunning building, surprising decor, beautiful exhibitions, lively events and many pleasant facilities for young and old.

The Rijksmuseum’s dynamic and diverse Conservation Department is housed in the Ateliergebouw, or Studio Building, across the street from the main museum. In addition to the six conservation studios and laboratories of the Rijksmuseum, the building hosts the conservation training program of the University of Amsterdam, the Scientific Department of the Cultural Heritage Agency of the Netherlands (RCE) and the newly formed Netherlands Institute of Conservation, Art and Science (NICAS). The strong collaboration between conservators, scientific researchers and art historians in the three institutes makes for an interdisciplinary and inspiring environment.

The department of Paper Conservation consists of a core team of three paper conservators, two photographic materials conservators and three conservation technicians and is supplemented by many other conservators working on different projects, as well as researchers and scientists. Together they are responsible for the conservation of the collection of the Rijksprentenkabinet: the largest museum collection of prints, drawings and photographs of the Netherlands.

The Rijksmuseum is inviting applications for: Internship in Paper Conservation.

The position is full-time (36 hours per week) for the duration of 3 to 6 months, to be scheduled in 2019, in accordance with the interns training program and the department schedule.

The intern will be given the opportunity to carry out conservation treatments on works of art on paper and conduct research on their materials, techniques and condition. The intern will also assist the paper conservators with monitoring the condition and maintenance of the collection, preparing prints and drawings for loans, writing condition reports, (de-) installing exhibitions, and assisting with on-going research projects. The Paper Conservation department works closely with the Curatorial Department, and the intern will be expected to participate in discussions about on-going treatments and research projects. Interns will also have the opportunity to attend regular talks organized by the three institutions mentioned above.

Requirements: For the duration of the entire internship applicants must be students enrolled in an MA-level conservation training program with a specialization in paper conservation. Applicants should possess:

*   Sufficient knowledge and skills to carry out practical conservation treatments
*   Interest in integrating scientific research into conservation practice
*   Basic knowledge of analytical methods useful for research
*   Fluency in Dutch or English, spoken and written
*   The ability to work in a team

Terms: The internship is unpaid. A modest monthly stipend of 250 euros a month based on a 36-hours working week is offered. Special requirements are in place for students coming from outside the European Union.

Information: The application requires a letter of interest, a curriculum vitae and two letters of recommendation, by sending to vacatures@rijksmuseum.nl. For further information, please contact Idelette van Leeuwen, Head of Paper Conservation, tel: +31(0)20-67474113. For questions regarding the application procedure, please contact Lieke Boers, Personnel Officer, tel. +31(0)20-6747304.

The closing date for all applications is August 7, 2018 at 6:00 p.m. (Amsterdam time/CET). No applications will be accepted after the deadline. All applications must be submitted in Dutch or in English by email: vacatures@rijksmuseum.nl. Applications or related materials in any other form will not be accepted. Applicants will be notified by September 1, 2018.

2018/19 Post-Graduate Internship in Conservation (Edmonton, AB, Canada)

The Friends of the Provincial Archives of Alberta Society is pleased to offer one (1) Young Canada Works Internship in archival conservation at the Provincial Archives of Alberta. Based in Edmonton, the Conservator (Intern) will work on a variety of treatment, collections care, and outreach projects designed to expand the intern’s knowledge of preservation and its applications in an archival context. Projects include treatment of paper-based records (bound volumes, textual and photographic), repair of glass plate negatives, off-site collection assessment and environmental monitoring. Treatment projects for this internship are focused on records relating to Indigenous communities in Alberta, in order to enhance access to these important historical resources.

This internship requires a solid background in the conservation of historic materials. The ideal candidate would be a recent graduate of a conservation program with an archival conservation component. Proficiency in Microsoft Office is required, specifically Word, Excel, Outlook and PowerPoint. A willingness to participate in public engagement is also important, as is the enthusiasm to make the most of an excellent practical learning opportunity.

The Friends of the Provincial Archives of Alberta Society is an equal opportunity employer and welcomes applications from all qualified parties (particularly women, persons with disabilities, and members of visible minority and Indigenous communities), subject to the requirements of the Young Canada Works program.

This position is scheduled to run for 24 weeks, between 10 September 2018 – 1 March 2019 with a stipend of $20.20/hour (36 hours per week). Please note: start and end dates are flexible but the term cannot extend beyond 31 March 2019.

Please note that there are two steps to the application process:

Step 1: Register with the Young Canada Works 2018 Program at the following address: https://young-canada-works.canada.ca/Account/Login

Step 2: Forward a letter of interest, resume, and a sample treatment record (attached or include a url) by June 22, 2018 to:

Alison Freake
Conservator
Access and Preservation Services
Provincial Archives of Alberta
8555 Roper Road
Edmonton AB T6E 5W1
Email: alison.freake@gov.ab.ca

The Friends of the Provincial Archives of Alberta Society gratefully acknowledges the contribution of the Canadian Council of Archives and Canadian Heritage in support of this internship opportunity.

Preventive Conservation (Musselburgh, UK)

Icon Internship, Preventive Conservation
National Trust for Scotland supported by the Bute Memorial Fund
12 month internship starting October 2018
Location: Newhailes House, Musselburgh, EH21 6RY
Supervisor: Julie Bon ACR Conservator East
Educational Stipend: GBP17,000, plus dedicated study visit fund

This internship is hosted by the National Trust for Scotland, supported by the Trust’s Bute Memorial Fund and managed in partnership with Icon.

The Bute/Icon internship is an exceptional opportunity for an emerging professional. The Trust is Scotland’s leading conservation charity, with an extensive portfolio of built heritage sites, from castles and country houses to cottages, working historic environments and modern museum facilities. Material culture collections are on open display at more than 50 of these properties, and their care is the responsibility of the Trust’s Curatorial & Conservation Service. Our emphasis is on a collaborative approach rooted in strategy, preventive conservation principles and practice.

The intern will be supervised by the Trust’s Conservator East and will be based at the East Regional Office at Newhailes House. The focus of the internship will be assisting with a number of projects due to happen at Newhailes over the next year, including a large-scale moth eradication project and the development of a plan for the conservation, display and interpretation of the house and its collections.

Alongside this the intern will have the opportunity to be involved with the delivery of preventive conservation activities (environmental monitoring and control, light management, IPM and housekeeping) to further embed and raise standards at this and other Trust properties. An important and stimulating part of the internship will be to help deliver conservation training events for Trust staff and volunteers.

The intern will also get to experience and contribute to conservation projects and activities throughout the Trust according to a mutually agreed work plan. Overnight stays in various parts of Scotland should be anticipated, and will be funded separately by the Trust.

The successful applicant will have a recognized conservation qualification and will actively be seeking a career in preventive conservation. S/he will relish working in Scotland, and be a highly-motivated, reliable and resourceful individual with outstanding interpersonal skills. Strong IT and organisational skills are essential, as well as an ability to work at heights. A full UK / EU driving licence and a willingness to drive are essential.

Please apply using the application form on the Icon website only. https://icon.org.uk/what-is-conservation/internships.

Closing date: Midday on July 23, 2018
Interviews will be held on August 22, 2018 starting in early October 2018

Questions: pwhife@icon.org.uk.

Painting Conservation Internship (London, UK)

Guildhall Art Gallery, London, UK
Funded by City of London Corporation City Educational Trust
Duration – 6 months, October 2018 to April 2019 (tbc)
Stipend – GBP8,500
Deadline for applications – Friday, July 6, 2018
Interviews – Friday, July 20, 2018

Guildhall Art Gallery houses the City of London’s art collection. It is an accredited art gallery offering a lively exhibitions program to the public. The collection comprises over 4,500 oil paintings, works on paper and sculptures. Highlights include London topographical subjects from the 17th century to the present, Victorian paintings, civic and royal portraits from the 17th century onwards and the Sir Matthew Smith studio collection.

Guildhall Art Gallery is committed to supporting the professional development of recently graduated conservators and is pleased to have offered conservation internships since 2007. In this internship you will gain invaluable experience of working in a major art institution, learn about gallery practice and contribute to the daily activities of the conservation team. Over six months, you will have the opportunity – under appropriate supervision – to carry out the examination, documentation and treatment of a painting or paintings from the collection required for exhibition or loan.

Our conservation team consists of a Senior Conservator (paintings), a Conservator (paintings) and a Lead Conservator (frames). You will be supervised by the Conservator (paintings) but will have the opportunity to work closely with all members of the conservation team.

The placement requires a strong practical ability to carry out conservation and restoration treatments of paintings and good problem-solving skills. You should have good learning skills, the ability to work effectively as part of a team and on your own, and be motivated to developing your career in paintings conservation.

Applicants should have recently obtained a recognised postgraduate qualification in paintings conservation. Preference will be given to graduates from UK training courses. Guildhall Art Gallery and the funders of this internship are obliged to confirm that every applicant has a right to work in the United Kingdom. This internship cannot be carried out on a student visa and requires the intern to hold the appropriate work visa for the duration of the placement.

Application forms are supplied upon request to nancy.wade@cityoflondon.gov.uk.

Please state ‘Painting Conservation Internship Application Request’ as the email subject.

Celestial Sphere Restoration Project (Geneva, Switzerland)

Closing Date for Receipt of EOI: June 26, 2018
EOI Number: EOIUNOG15188
Address EOI response by e-mail to the Attention of: Jonathan Morgan
E-mail Address: jonathan.morgan@un.org
UNSPSC Code: 93141707, 72000000, 72102902

Description of requirements

Art conservation / restoration of the sculpture “Celestial Sphere Woodrow Wilson Memorial” (by Paul H. Manship) at the Palais des Nations, Geneva, Switzerland;
Site Civil Works and Landscaping Works related to the construction of the foundation to support the Celestial Sphere and reflecting pool and landscaping works in the area of the Celestial Sphere.

Background
The United Nations Office in Geneva (UN Geneva), Switzerland, located at the Palais des Nations, is the largest United Nations Office in Europe, providing conference support and facilitating the multi-lateral international diplomacy of the worldwide community.

Services are required by the United Nation Geneva, for the Celestial Sphere Restoration Project, to restore the Celestial Sphere sculpture itself, to replace the mechanism that rotates the sculpture, to light the sculpture, to re-build the foundation and reflecting pool surrounding the sculpture, and to landscape immediately around the sculpture.

Description of the “Celestial Sphere”
The “Celestial Sphere Woodrow Wilson Memorial” is a large outdoor sculpture installed at the Palais des Nations in 1939. The sculpture was donated to commemorate the twentieth anniversary of the 1919 founding of the League of Nations and to honor the leadership of American President Woodrow Wilson in establishing the League. The Celestial Sphere is a world-class work of art and a masterwork of the American sculptor Paul Manship.

The Celestial Sphere is in the shape of an armillary sphere about 4 meters in diameter with axes made of steel clad in bronze. The sculpture depicts the constellations of the heavens as seen from Earth and weighs over six tons. Attached to the axes are cast bronze figures, including about 64 statuettes representing the constellations as described in classical mythology (Scorpio, Orion, Pisces, etc.) and nearly 1,000 silver stars. Under the project, the sculpture will be disassembled, its parts conserved, and the restored sculpture reassembled. The artist intended the sculpture to rotate, and the project includes restoring that capability with modern technology. The Celestial Sphere currently rests on a base in a reflecting pool located on the Cour d’honneur in the center of the Palais des Nations. Under the project, the original reflecting pool and base will be demolished, the site regraded, and a similar reflecting pool and base constructed. The project calls for a new lighting and landscaping plan to be implemented in the area around the Celestial Sphere.

The Celestial Sphere is a well-known symbol of the United Nations and of “International Geneva.” After nearly 80 years, the sculpture needs significant restoration. Previous restoration efforts have been limited by a lack of resources. The rules of the United Nations do not allow general funds to be spent for art or art restoration. The current project is possible due to a generous private donation. The plan is to have the restoration project completed by the end of August 2019 so that the restored Celestial Sphere may be unveiled as part of a celebration of the centennial of the founding of the League of Nations.

Description of Requirements
This art preservation and historic preservation project will call upon many diverse skills, trades and crafts. In recognition of this, the bidding exercise for the Restoration Project will have the option to allow vendors to bid for discrete lots, or for the entire scope of work. Therefore UNOG wants to encourage contractors with specific relevant skills to respond individually to this Request for Expression of Interest, as well as companies that might be interested in taking on the whole scope of works. The following specific tasks, among others, will be part of the project:

SPECIFIC REQUIREMENTS / INFORMATION (IF ANY)

(a) Art conservation / preservation works (a) Disassemble the sculpture, weighing over six tons; (b) Replace the original steel supporting structure with modern stainless steel, in collaboration with civil engineering contractor; (c) Remove, clean, gild and reinstall over 60 cast bronze statuettes; (d) Remove, clean, plate and reinstall approximately 1,000 cast bronze stars; (e) Recreate and cast in bronze one constellation statuette (missing from the sculpture); (f) Recreate and cast in bronze and plate four (4) different sizes of stars (exact number to be determined); (g) Carefully replace historic patination on sculptural elements; (h) Cast and replace letters, numbers and other missing features of original sculpture; (i) Repair cracks in original bronze socle or base of the sculpture; Site civil works and landscaping works (j) Construction of a new cement sculpture foundation with vertical steel support columns for a 6-ton sculpture; (k) Examine the original 1939 mechanical rotating mechanism and devise a modern day replacement that will slowly rotate the sculpture on an existing axis, at a speed of about one rotation every five (5) minutes; (l) Design and install modern rotating mechanism (including any needed modifications to the sculpture and its base); (m) Design and install lighting for the sculpture, reflecting pool and surrounding landscaping; (n) Demolish and remove reflecting pool basin and cement sculpture pedestal, both with asbestos containing material; (o) Re-build the reflecting pool using the existing historic limestone (travertine) coping; (p) Design and install hardscape landscaping features (steps, curbs, benches, pavers); (q) Regrade the soil in the area adjacent to the Celestial Sphere; (r) Design and install landscape plantings (flower beds, hedges, ground cover);

Specific Requirements / Information
1. EOI should be expressed from firms / entities with:

Art conservation / preservation works a. Minimum of five (5) years of proven experience in providing art conservation / preservation of outdoor metal sculptures, including experience with conservation and repatination of gilded bronze outdoor sculpture.
Member in good standing of relevant art preservation professional organization. Site civil works and landscaping works
Minimum of five (5) years of proven experience in providing site civil works, including experience with restoration of historic stone and masonry, landscaping and soil re-grading works
Knowledge of local regulations and industry practices for similar work in the area of Geneva, Switzerland.

Note
Information on tendering for the UN Procurement System is available free of charge at the following address: https://www.ungm.org/Public/Notice.

Only the United Nations Global Marketplace (UNGM) has been authorized to collect a nominal fee from vendors that wish to receive automatically Procurement Notices or Requests for Expression Of Interest. Vendors interested in this Tender Alert Service are invited to subscribe on www.ungm.org.

Vendors interested in participating in the planned solicitation process should complete/submit the Vendor Response Form of this EOI electronically at jonathan.morgan@un.org t o the United Nations Office at Geneva (UNOG) before the closing date.

For a full description and vendor response form, visit: www.un.org/depts/ptd/pdf/eoi15188.pdf.

NEH Fellowship in Painting Conservation (Norfolk, VA, USA)

The Chrysler Museum of Art in Norfolk, Virginia (http://www.chrysler.org) is offering a fellowship in the conservation of paintings.

The Fellowship will focus on the study, examination and treatment of paintings. The successful candidate will gain experience working on a wide range of paintings from ancient to contemporary in the museum’s conservation laboratory. They will participate in all departmental activities including documentation, analysis and research on the Chrysler’s extensive collection. The conservation fellow will also be involved in planning installations, changing exhibitions, assessments and loans as well as interacting with the public through gallery talks and demonstrations.

Fellowship will be available beginning in the fall of 2018, and will include a $33,000 stipend plus benefits, including health insurance and up to $1500 travel allowance for research and conferences. The fellowship runs for one year and may be extended for an additional year. The deadline for applications is June 30, 2018.

Eligibility

Candidates will be considered who are currently enrolled in or have recently graduated from a recognized conservation training program, or who have similar training or experience. The individual selected must be legally entitled to work in the United States. No visa assistance is available.

Interested candidates should submit their resume, two professional references as well as a cover letter. Finalists will be contacted and asked to submit examples from their portfolio of selected treatments. Send application materials to:

Mark Lewis

Chrysler Museum of Art

One Memorial Place

Norfolk, VA 23510

Fax: 757-664-6201

mlewis@chrysler.org

Book and Paper Conservator (Evanston, IL, USA)

Position: Book and Paper Conservator
Work Group: Preservation
Reports to: Chief Conservator

Summary
Northwestern University Libraries seek a skilled, creative and collaborative Book and Paper Conservator to work in a comprehensive conservation program. The position balances treatment with project management responsibilities. The Book and Paper Conservator has a keen understanding of the functions and responsibilities of a research library conservation lab working with special collections, circulating collections materials, and the wide-ranging material found in archival collections.

Under the supervision of the Chief Conservator, the Book and Paper Conservator will assist in the management of the Libraries’ conservation program, including responsibility for circulating-collection workflows and active participation in special-collections treatments, housings, exhibits, and other activities. Excellent communication skills and the ability to collaboratively set priorities are essential to these endeavors. A planned major building renovation creates further opportunities to help shape how collections are housed, managed, and made available to patrons.

Key responsibilities

Performs conservation treatments on a wide-range of library and archival materials, including circulating and special library materials. Provides full written and photographic documentation in accordance with the AIC Code of Ethics and Guidelines for Practice. Works with private conservators and contract staff as needed for special projects.
Manages the activities of the circulating collections repair workflow, including setting priorities, treatment methods, and procedures; and training staff and students. Assists in the development and implementation of workflow for conservation projects which may include exhibits, loans, digitization, or collection moves.

Assists in coordinating the work of temporary and/or full time support staff and student workers.
Provides technical advice on the housing, storage, handling and repair of both general and special collections. Advises library staff on conservation principles and practices.
Maintains lab statistics. Maintains treatment records and reporting systems. Tracks and maintains supplies; evaluates and recommends tools and equipment.
Participates and supports outreach and education initiatives. Participates in local and national professional activities.
Participates in disaster response planning and recovery initiatives.

Participates in collection surveys and multi-divisional and multi-institutional grant-funded projects.
Assists with preventive programs such as environmental monitoring and pest management as needed.
Stays current with developments in the field of library conservation; engages in appropriate professional development, continuing education, professional service, and research activities.
Performs other related duties as assigned.

Qualifications

Master’s degree in conservation or related field.
Extensive knowledge of current conservation principles and practices, materials science, and the history of bookbinding.
Demonstrated ability to perform high-quality conservation treatments on general and special collections materials, primarily book and paper.
Ability to communicate effectively about treatment options and decisions.
A strong service orientation is also required.

Applicants invited for an interview will be asked to present a portfolio of recent conservation treatments.

Preferred qualifications

One year of post-graduate work in a library, archive, or museum preservation department.
Membership in the AIC, Professional Associate membership preferred.
Experience working with photographs.

Environment
Northwestern University, established in 1851, is one of the leading private research universities in the United States with an enrollment of approximately 19,000 students. Northwestern University’s libraries hold over 5 million volumes. With collections of international standing in Music, Transportation, and African Studies. Northwestern’s libraries are at the forefront of innovation in library technology and advanced user services. One of the top-ranked universities in the country, Northwestern combines innovative teaching and pioneering research in a highly collaborative environment that transcends traditional academic boundaries. Northwestern provides students, faculty and staff with exceptional opportunities for intellectual, personal, and professional growth. Northwestern is a member of the Association of Research Libraries (ARL) and the Big Ten Academic Alliance (BTAA). See more information about University Libraries at: http://www.library.northwestern.edu.

Northwestern University is an Equal Opportunity, Affirmative Action Employer of all protected classes, including veterans and individuals with disabilities. Women, racial and ethnic minorities, individuals with disabilities, and veterans are encouraged to apply. Hiring is contingent upon eligibility to work in the United States.

To Apply
Please apply http://www.library.northwestern.edu/about/library-jobs/staff-jobs/index.html#Librarian.

Applications received by June 15, 2018 will receive first consideration.

PI102490996

Post Graduate Fellowship in Objects Conservation (Minneapolis, MN, USA)

The Midwest Art Conservation Center (MACC) in Minneapolis, Minnesota seeks applicants for a one-year post-graduate fellowship in Objects Conservation beginning in the fall of 2018.

MACC is a nonprofit regional center providing comprehensive conservation services in Paintings, Objects, Paper, and Textiles. The staff of nine conservators and two Preservation Services staff are collaborative, very collegial, and work innovatively with the curatorial and collection professionals at hundreds of non-profit collecting institutions including fine art museums, historical societies, universities, Native cultural centers, city governments, libraries, archives, and the public. MACC laboratories are located within the Minneapolis Institute of Art.

As an active member of the Objects Lab, the fellow will work alongside conservators to design and complete in-depth assessments and conservation treatments for three-dimensional objects of various material types. The focus of work is highly variable at MACC, providing the fellow opportunities to work with historical and mixed collections, ethnographic objects, decorative arts, large-scale outdoor sculpture, and modern and contemporary artworks. S/he will travel as needed to assist with off-site survey and treatment projects in the Midwest. In addition, the fellow will develop protocols and operating procedures for new analytical equipment at MACC including x-radiography, photo microscopy, and infrared photography.

Preventive conservation is integral to the work of MACC conservators. The fellow will provide preventive recommendations for objects, assisting with client consultations via phone, email and in-person. S/he will carry out loan examinations and will assist with exhibition-related activities, laboratory maintenance, and public outreach.

The fellowship includes a $40,000 stipend with benefits (medical, dental, continuing education). The fall start and end dates are flexible and can be discussed at the time of an interview. The position is open to US citizens (or with legal eligibility to work in the US) that are recent graduates of a recognized conservation training program.

Application materials must be received by July 8, 2018. After a preliminary selection, final candidates may be invited for an interview. A portfolio and presentation of conservation treatments and research should be presented by the candidate at the interview.

For consideration, please submit a cover letter, curriculum vitae, and three references to:

Colin Turner, Executive Director
Midwest Art Conservation Center
2400 3^rd Avenue South
Minneapolis, MN 55404
cturner@preserveart.org
Tel: 612.870.3148

Head of Objects Conservation (Cleveland, OH, USA)

Full time, Exempt, Benefits Eligible Position

ICA seeks a mid to senior level objects conservator to head its objects conservation laboratory, located in Cleveland’s revitalized, lakeside, near-west neighborhood of Ohio City. The conservator will examine and treat of a wide variety of objects both at the ICA facility and off site. S/he will participate in the implementation and oversight of conservation projects which involve staff colleagues and subcontractors and will manage departmental affairs, an assistant objects conservator, and several technicians. The conservator will interact professionally with board members, all ICA staff, clients, and the public and will agree to abide by current AIC standards. The Head of Objects Conservation will report directly to the Executive Director of ICA.

Carry out examinations and conservation treatments on works from the collections of public institutions, corporations, government agencies, and private collectors

Conduct research to gain an understanding of objects to inform recommended treatment and care
Prepare time and cost quotes for conservation projects
Perform consulting, examination, and treatment on and off site
Participate in and/or act as lead in interdepartmental projects
Supervise staff (assistant conservator, technicians, preparators, interns, volunteers)
Manage and oversee subcontractors for commercial and industrial processes
Assemble bids for Request for Proposals (RFPs) and materials for grant applications
Coordinate with the Registrar to communicate with clients
Stay current with theoretical discourse and best practice through literature review and attendance at presentations and conferences

Education and outreach duties and responsibilities:

Interact professionally with a range of individuals concerning conservation and preservation in person, over the phone, and in writing
Collaborate in the creation of education materials and programs
Participate in ICA’s educational programs, teaching learners of all ages and levels.
Represent ICA in meetings with potential clients, donors, collection stewards, and others

Qualifications duties and responsibilities:

A Masters’ degree from a conservation training program or equivalent experience
Significant experience working in the field either in an institutional or private practice setting.
Experience leading a conservation lab and supervising others
Proficiency in Microsoft Office Suite required, Adobe Photoshop preferred
Travel to onsite projects in surrounding region is required

The salary will be commensurate with experience; there is an excellent benefits package. The position will remain open until filled. Interviews will begin in early June 2018.

Please send a cover letter and CV to: info@ica-artconservation.org or ICA-Art Conservation, 2915 Detroit Road, Cleveland, OH 44113. To discuss the position, contact Julie A. Reilly at 216-658-8700, at the email address above, or at the 46th Annual AIC Meeting in Houston May 30th to June 3rd.