Fellowship: Postdoctoral Fellow to Develop Global Art History Content, Smarthistory

  • Submission Deadline: January 16, 2017

Smarthistory is seeking applications for an Andrew W. Mellon Foundation Postdoctoral Fellow to develop global art history content. This is a one-year full-time position that may be renewed for one additional year. Applicants will have a Ph.D. in art history (or a closely related field such as archaeology) as well as teaching experience. Applicants with diverse backgrounds are particularly encouraged to apply. Familiarity in one or more of the following areas is ideal: Asian art, African art, Native American art, art of the Pacific Islands, Latin American art, Pre-Columbian art, or twentieth-century architecture.
The successful applicant will have a level of comfort with content management systems (such as WordPress) and experience with audio and video production. He/she will work closely with Smarthistory founders and Executive Directors, Dr. Beth Harris and Dr. Steven Zucker, on a range of activities including: editing, producing, and publishing essays and video content for Smarthistory, working with contributing art historians and Smarthistory Contributing Editors, seeking new contributors, reorganizing content as new material is added, and working to create consistency across the site.
The Fellow will receive professional development mentoring, periodic performance evaluations, and will be supported in developing professional relationships with academic contributors over the course of the year. The Fellow may also be asked to attend meetings of the Smarthistory board of directors. This is a temporary full time position with an annual salary of $50,000. The Andrew W. Mellon Foundation Postdoctoral Fellow can work remotely, although residence in New York is a plus.
Applications must include the following material:

  • cover letter explaining the applicant’s interest in the position and multimedia experience
  • complete curriculum vitae including education, employment, honors, and publications
  • copy of a published paper or writing sample
  • names and contact information for three references

The deadline for submission is January 16, 2017.
To apply, please visit: http://smarthistory.org/andrew-w-mellon-post-doctoral-fellowship-at-smarthistory/

Workshop: The Art Historical Image in the Digital Age, American Academy in Rome (AAR)

  • Dates: June 19-23, 2017
  • Application Deadline: February 10, 2017

The Art Historical Image in the Digital Age at the American Academy in Rome is a five-day, intensive course designed to equip scholars of art from any historical period with the basic skill necessary to excel in the digital humanities: digital image management, organization, and analysis.
Since its inception, art history as a discipline has been based on the collection and reassemblage of images. Just as the ability to reproduce and circulate images through photography revolutionized the study of art in the nineteenth century, so too digital reproduction and online image banks have transformed the field in the twenty-first. The ease and speed with which digital images are now created, using a variety of apparatuses, from cell phones to high-tech digitization rigs, has meant that art historians have access to and create ever-growing numbers of images, from reproductions of artworks to scans of archival documents, books, and other primary sources. This profusion of digital images has transformed research practices in our field and raises several both practical and conceptual questions. How can individual scholars manage their own image data? What constitutes art historical “image data”? How can this data be classified, organized, and analyzed? In what ways can art historical research or publication practices leverage digital imaging tools and methods, while retaining the value of the material object?
This course takes advantage of the unique resources of the American Academy in Rome to prepare scholars to chart new directions in art history in the digital age. Using as a case study a set of art historical image data in Rome, a city Academy founder Charles F. McKim deemed the very best place to study art, the course will familiarize participants with the basics skills necessary to organize and manage digital images. Participants will learn the key concepts and vocabulary to discuss image data and its integral role in the digital humanities. They will also develop skills to manage image data most effectively for art historical research, such as the creation and manipulation of image metadata and digital tools like Mirador. As part of their investigation of digital images, participants will also discuss the impact of digital technology on our experience of art using Rome as an example.
The course is ideal for graduate students and scholars who are eager to develop new methodologies in art history using digital strategies. Participants will be selected on the basis of their ability to formulate compelling research questions about the conjunction of digital humanities and art history. While projects that address issues in art from antiquity to the modern era are welcome, preference will be given to those that would benefit from access to resources in Rome.
2017 Co-Directors

  • Emily Pugh, Digital Humanities Specialist, Getty Research Institute
  • Lindsay Harris, Andrew W. Mellon Professor, School of Classical Studies, American Academy in Rome

Eligibility: The program is intended for graduate students and early career scholars in art history, but those who work in history or visual culture will also be considered. The program is open to candidates of all nationalities with a sufficient command of English.
Required Equipment: Participants are required to bring their own computers and hardware (cables, adapters, etc.). All software used in the course will be open source and thus downloadable free of cost.
Costs:Tuition: 873.76 euro or $968
Housing is available at the American Academy for those who require it:
·  Shared twin room (without bathroom) – € 225 for 6 nights
·  Double room for single use (without bathroom) – € 450 for 6 nights
·  Double room for single use (with bathroom) – € 600 for 6 nights
·  Single Room (without bathroom) – € 385 for 6 nights
·  Single room (with bathroom) – € 520 for 6 nights
Room availability cannot be guaranteed and applicants should indicate their need for housing in their application. Housing at the Academy is recommended as it makes participation easier and adds to the communal experience.
Meals: Meals can be purchased at the Academy (€15 for lunch and €27 for dinner). Meals may also be prepared in the AAR’s communal kitchens.
How to Apply
Please send your CV and a brief description of how this course will enhance your current art historical research (maximum 500 words) to: image-digital-age@aarome.org
Deadline for tuition payments is May 1, 2017.
Accepted participants should send a check in dollars for the TUITION ONLY, made out to the American Academy in Rome, with an indication in memo line of  “Art Historical Image” to:
American Academy in Rome
7 East 60 Street
New York, New York
10022-1001 USA
For those wishing to pay tuition in Euros you can:
·  send a check in euros made out to the American Academy in Rome to the Rome address 
(Via Angelo Masina, 5 – 00153 Roma) to the attention of Francesco Cagnizzi or
·  make a bank transfer to the  American Academy in Rome (Unicredit Bank IBAN IT 50 X 02008 05031 000400543095, BIC SWIFT CODE   UNCRITM1015)  or
·  provide us with your credit card details by phoning  +39 06 5846426
Once we have received all housing requests, accepted participants who have been granted housing at the Academy will be contacted by the institution to pay a housing deposit online via credit card.
For more information, visit: aarome.org/apply/summer-programs/art-historical-image-digital-age

Workshop: APT Documentation Technologies & Vanishing Treasures

The Association for Preservation Technology International (APT) is partnering with the National Park Service Vanishing Treasures Program to bring the Documentation Technologies Workshop to the picturesque and historic Point Reyes National Seashore just north of San Francisco in California!
Originating at the Quebec APT Conference in 2014, this workshop has been formatted for travel in order to be hosted by local chapters across the country. Now, the APT Western Chapter has the unique circumstance to host the workshop at an amazing National Park with special access to the site as well as the NPS staff’s expertise. Presenters are traveling from around the country and the local regional chapter to provide an exceptional workshop focused on documentation technologies from Measured Building Survey (MBS) and NDE tools to photogrammetry and HABS/HAER documentation.
Overview
In rehabilitating important existing structures, it is crucial to begin by fully and accurately gathering data on geometry and current conditions. Documentation data form the platform for condition analysis and the basis for engineers and architects to develop designs, from the planning phase through implementation during construction.
Through a combination of presentations, demonstrations, and panel discussions, participants in this workshop will learn about the latest technologies for obtaining the information and data critical for project planning, analysis, and diagnostics. Participants will also learn how to assemble an effective data gathering strategy to fit differing project needs.
AIA credits will be available! We are applying for HSW credits so stay tuned!
Where?
Point Reyes National Seashore
Headquarters and Lifeboat Station
Point Reyes Station, CA
Nearest hotel lodging is Tomales Bay Resort.
Several other inns and B&B’s are nearby as well.
When?
Mark your calendars for February 8 & 9, 2017!
The 2-day workshop will include classroom presentations, field demonstrations at the Lifeboat Station, tours and discussions.
For more information, visit: www.apti.org/index.php?src=events&srctype=detail&category=Events&refno=207

Workshop: Getting Started – A Shared Responsibility, Caring for Time-Based Media Artworks in Collections (MOMA)

  • Application Deadline: February 1, 2017

This workshop is part of The Museum of Modern Art’s Media Conservation Initiative. This initiative seeks to advance new strategies for the field of time-based media art preservation and restoration. Rethinking the role of the conservator in the museum setting as well as the knowledge and skills that future media conservators should possess, a series of media conservation workshops and peer forums will address these serious challenges, explore best practices, and identify long-term approaches to the care and collection of time-based artworks.
Workshop Dates: May 2 – 5, 2017, from 9:00 a.m. to 5:00 p.m. – participants are expected to attend the full program
Workshop Description: Does your institution have a collection of time-based media works in need of a long-term preservation plan? Are you uncertain where to get started? This four-day hands-on workshop will provide an in-depth overview of the processes and workflows which can be implemented at collections without dedicated time-based media conservators. Participants will leave with the knowledge and tools to design and execute action plans at their institutions.
Caring for time-based media collections is broadly acknowledged as a pan-institutional endeavor requiring direct involvement from curatorial, conservation, audio visual, IT, registrar and collection care staff. This will be reflected throughout the workshop curriculum as well as in the application itself which requires pairs of colleagues from the applying institution.
The 4-day workshop schedule includes:
May 2, Foundations
–Group session: collections and case studies
–Time-based media art: Part 1, a history of art production
–Practical session: Media format history
–Time-based media art: Part 2, a history of technology
–Conducting a media art collection survey
May 3, Acquiring Media Art
–Acquisition, step-by-step workflows and processes. This session will cover pre-acquisition, documentation, budgets, contracts, and rights, deliverables, registration, artist interviews/questionnaires, policies.
–Practical session: Acquisition, four case studies. This exercise will cover a broad range of challenges, including a range of media (analogue to born digital), legacy and dedicated equipment, fixed and variable parameters for installation.
May 4, Exhibition: Treatment and Decision Making
–Practical session: seeing and hearing demonstration of the effects of different display equipment and the material characteristics of film and video.
–Documentation critical to the preservation of media arts. The session will cover exhibition history, artist interviews, curatorial perspective, art historical context, assessment of media elements, and case studies.
–Practical session: preparing an artwork for exhibition 360 degrees.
May 5, Advocacy: Establishing institutional media conservation
–Practical session: Creating exhibition documentation and installation instructions for loaning media artworks.
–Building infrastructure in-house for safe handling. Support network of outside partners and vendors.
–Storing media artworks: physical, digital, and equipment storage, with approaches for small to large collections.
–Roundtable: growing media conservation practice within institutions. This will include advocacy for building capacity, priorities, external collaborators, policy and procedures.
–Growing media conservation practice within your institution: a dialogue with leaders in the field.
Eligibility: This workshop is open to pairs of applicants who are responsible for the care of a time-based media art collection. Applicant teams must include a curator and the person directly responsible for the care of the time-based media. This could be a conservator, audio visual technician, collection specialist or manager, etc.  Priority will be given to those with significant collection needs, a critical need for staff training and demonstrable institutional desire to take action. Enrollment is limited to allow for a collaborative working environment. Participants will be required to conduct basic preparatory work prior to the workshop and provide feedback in the form of a report or survey after attending the workshop.
How to Apply: Applicants should each submit a CV, a joint letter of interest, fill out the online Collection Data Form and submit one letter of institutional support. The applicants’ letter of interest should:
1) describe why participation in this workshop is important to their collection;
2) provide a brief history of the collection;
3) describe the applicants’ work with the collection to date; and
4) show how this workshop directly applies to their day-to-day work. Prior institutional action, and experience with the topic or lack thereof should be noted as well as any relevant conferences or workshops attended on related topics.
Travel and lodging expenses may be reimbursed, based on need. Please submit a basic budget of anticipated travel costs as part of the application. There is no fee for this workshop; English will be the language of instruction. Applications should be submitted to Allison_Spangler@MoMA.org, no later than February 1, 2017, with notifications expected by March 3, 2017.
The Museum of Modern Art’s Media Conservation Initiative is made possible through a generous grant from The Andrew W. Mellon Foundation.

Job Postings: Digest 12/27/2016

  1. Archaeologist I (Archaeological Conservator)
  2. Textile Conservator
  3. Paper Conservation Technician
  4. Collection Care Research Manager
  5. Church Buildings Adviser
  6. Heritage Advisor
  7. Conservation Officer
  8. Conservation Technician
  9. Project Conservator
  10. Directors

1. ARCHAEOLOGIST I (ARCHAEOLOGICAL CONSERVATOR), North Carolina Maritime Museum (Beaufort, NC, USA)

  • Closing Date: December 30, 2016 at 5:00 p.m. Eastern Time

Application details and announcement: http://agency.governmentjobs.com/northcarolina/job_bulletin.cfm?JobID=1610803
The Department of Natural and Cultural Resources (DNCR) vision is to be the leader in using the state’s natural and cultural resources to build the
social, cultural, educational and economic future of North Carolina. Our mission is to improve the quality of life in our state by creating opportunities to experience excellence in the arts, history, libraries and nature in North Carolina by stimulating learning, inspiring creativity, preserving the state’s history, conserving the state’s natural heritage, encouraging recreation and cultural tourism, and promoting economic development.
Division and Position Information
The mission of the North Carolina Maritime Museum is to collect, preserve, research, document, and interpret the maritime history, culture, and environment of coastal North Carolina for diverse, public and specialized audiences to inspire appreciation, encourage discovery, and promote an active, responsible understanding for maritime heritage among present and future generations.
In 1996 an 18th-century shipwreck was discovered adjacent to Beaufort Inlet, North Carolina. Based on its location, date, and analysis of the
artifact assemblage, the wreck is identified as the pirate Blackbeard’s flagship Queen Anne’s Revenge (QAR) (1718). The location of the site is in NC state waters; the wreck belongs to the state of North Carolina. NCR is the parent organization responsible for the management, protection, preservation and development of the Queen Anne’s Revenge (QAR) Shipwreck.
This position’s working title is QAR Conservator (IMLS). The position is a two-year, time-limited, permanent position for an archaeological conservator. It is grant funded and part of an IMLS Collections Stewardship Project (MA-30-16-0501-16) for the QAR.
The purpose of the position, is to:

  • Develop opportunities and undertake activities for the public to engage with conservators and to view the process of archeological conservation in
  • action
  • Assist in implementing and refining the NCMM Beaufort Long Term Care Plan for QAR artifacts, adopted by the QAR Executive Committee in 2011.
  • Contribute to developing the wet storage and wet treatment capacity for QAR artifacts, to help ensure appropriate care of the collection between recovery from the site, and completion of conservation.

Knowledge, Skills and Abilities / Competencies

  • Experience and education in archaeological artifact conservation are essential, preferably of material recovered from underwater environments, including preventive conservation and long term collection care post conservation.
  • Candidates must have knowledge of current best-practice standards for preventive conservation in (marine) archeological collections, and should have demonstrated experience in long-term preventive care of archeological collections in a museum environment.
  • Demonstrated knowledge of laboratory safety procedures and standards and vigilance in complying with safe and proper handling procedures of equipment and materials is essential.
  • Demonstrated knowledge of the types of equipment needed to conduct laboratory data recovery and analysis
  • Familiarity with service and repair schedules
  • Proficiency with personal computer applications is essential, particularly with word-processing, spreadsheet and database management programs
  • Good oral and written communication skills for public, as well as professional education and outreach activities, including training and supervising student and interns.
  • Current and Valid Driver’s license

Management Preferences

  • Knowledge of State purchasing procedures
  • Experience with Microsoft products
  • Ability to work as part of a team, cooperatively with others in the QAR
  • Project, OSA and NCMM

Physical Requirements

  • Ability to lift heavy objects using various mechanical devices and use of
  • industrial shop equipment is required.

Minimum Education and Experience Requirements
Master’s degree in archaeology, anthropology, or a closely related field from an appropriately accredited institution
-OR-
Bachelor’s degree in archaeology, anthropology, or a related field from an appropriately accredited institution and two years of progressive experience in archaeology, or archaeological preservation
-OR-
An equivalent combination of education and experience.
Supplemental and Contact Information
The Department of Natural and Cultural Resources (DNCR) selects applicants for employment based on required education and experience and job-related knowledge, skills, and abilities without regard to race, religion, color, national origin, sex, age, disability, genetic information, political affiliation or political influence.
Please be sure to complete the application in full. Resumes may be uploaded with your application, but will not be accepted in lieu of a fully completed application and will not be considered for qualifying credit. “See Resume” or “See Attachment” will NOT be accepted.
Degrees must be received from appropriately accredited institutions. Transcripts, and degree evaluations may be uploaded with your application.
To obtain veterans preference, you must scan and upload a copy of your DD-214 or discharge orders.
Technical issues submitting your application, please call the NeoGov Help Line at +1 (855) 524-5627.
Applicants requesting and receiving an accommodation under the Americans with Disabilities Act (ADA) are eligible to submit paper applications via mail or by fax.  Please call the human resources office for assistance.
If multiple applications are submitted to an individual posting, only the most recent application received prior to the closing date will be accepted. Applications must be submitted by 5:00 PM on the closing date.
Due to the volume of applications received, we are unable to provide information regarding the status of your application over the phone. To check the status of your application, please log in to your account.  Upon the closing date, applications are “Under Review” and will be screened by Human Resources for the qualified applicants. The hiring process may take an average of 6 – 8 weeks.
It is the policy of the State of North Carolina and the N.C. Department of Natural and Cultural Resources that all employees provide proof of employment eligibility (immigration and naturalization) on the first day of employment. We participate in E-Verify (Employment Eligibility Verification System).
Prospective applicants seeking additional information should contact:
Kim Campbell, HR Manager
DNCR Arts, Administration and Library Divisions
Human Resources
North Carolina Department of Natural and Cultural Resources
Tel: +1 (919) 807-7431
Fax: +1 (919) 715-8724
kim.campbell@ncdcr.gov
109 East Jones Street
4603 Mail Service Center
Raleigh, North Carolina 27699-4603


2. TEXTILE CONSERVATOR, National Museum of African American History and Culture (MD, USA)

  • Closing date: December 30, 2016
  • Full-Time, Two- year Term with possible extension up to four years
  • Salary range: $64,650.00 to $84,044.00 / Per Year
  • Job Announcement No. 17R-YH-302402-DEU-NMAAHC and Announcement No. 17R-YH-302402-MPA-NMAAHC
  • Series and Grade: GS-1001-11
  • Promotion potential: 11
  • Job open to all US citizens
  • You must apply through USAjobs to be considered.

We encourage applicants to apply as soon as possible to ensure their applications are submitted before the announcement closes. We will not consider applications which are late due to the announcement closing once the maximum number of applications is reached.
This position is in the Smithsonian’s National Museum of African American History and Culture (NMAAHC) offsite facility. The National Museum of African American History and Culture is the largest national museum for the study and exhibition of African American history and culture. Its primary purposes are to acquire, maintain and preserve objects which document social, cultural, political, military, technological and scientific developments in the United States related to the African American experience; to conduct scholarly research designed to make significant contributions to the body of knowledge in the field of African American history, to publish findings for both scholarly and general audiences; and to interpret historical developments through public exhibits and programs as well as digital content.
Works under the supervision of the Supervisory Conservator to:

  • design, propose, document, and complete proposed conservation treatments on a wide variety of textile materials within the collection;
  • provide care, preservation and research on all textiles within the Museum’s collections;
  • research textiles within the collection, artist’s materials and generate scientific data on the properties of the materials;
  • provide preventative care measures such as monitoring and evaluating environmental controls, integrated pest management, and emergency preparedness, response and recovery of collections, product testing and quality control; and
  • provide training of staff, allied professionals, interns, fellows, volunteers and the general public.

Agency contact
Yvonne Humphries, Human Resources
Tel: +1 (202) 633-7448
Fax: +1 (571) 258-4052
TDD: 202-633-6409
humphriesy@si.edu
Antje Neumann
National Museum of African American History and Culture
For more details visit: www.usajobs.gov/GetJob/ViewDetails/459869000 and www.usajobs.gov/GetJob/ViewDetails/459866600


3. PAPER CONSERVATION TECHNICIAN, Royal Museums Greenwich (Greenwich, UK)

  • Closing date: 2 January 2017 at 23:59 p.m.
  • Reference NOV20161639
  • Salary: £18,000.00 – £22,000.00 Per Annum

With experience of working with paper based collections, you’ve already gained experience of mounting and framing paper items. Join Royal Museums Greenwich to expand your experience, skills and knowledge as well as having the opportunity to work with a world class collection.
RMG has a significant paper based collection including archive material, rare books, globes, charts, prints and drawings and an exciting temporary exhibition, loans and permanent gallery update program which showcase some of this collection. You will carry out the mounting, framing and re-housing of paper-based collection items for display and storage as well as assisting in the preservation care of this epic collection.
Working independently or collaborating with a team of experienced conservators, you will be designing and making bespoke mounts for our varied collection and will carry out routine conservation treatments. You will have the opportunity to courier objects for loan purposes.
Experience of working with paper based collections is essential; you should be enthusiastic, with a great eye for detail and a pragmatic approach to problem solving. A flexible approach is also important, as is the ability to organize and prioritize your workload. If you are passionate about a career as a Paper Conservation Technician visit www.rmg.co.uk for a full job description and details of how to apply.
Interview date: 12 January 2017
All questions can be directed to: Amy Richmond, HR Officer, Tel: +44 (0) 208 312 6784


4. COLLECTION CARE RESEARCH MANAGER, Tate (London, UK)

  • Closing date: January 9, 2017 at midnight
  • Reference: TG1560
  • Salary: £30,510 per annum

Tate’s vision is to act as a champion for art in society. We do this through activities in our four galleries across the UK (Tate Liverpool, Tate St Ives, Tate Britain and Tate Modern), our digital platforms and collaborations with our national and international partners. Part of the Partnerships and Programs division, Tate Research was established in 2006 following recognition of the museum as an Independent Research Organization by the Arts and Humanities Research Council.?
Working closely with the Head of Collection Care Research, you will manage and support the research that ensures our collections are available and accessible now and in the future. Take this two-and-a-half-year contact, funded by a range of national and European research grant awards, and you will use your project management skills to ensure the successful delivery of leading edge collection care and conservation research, support and contribute to the development of the department and oversee Collection Care research publications.
You’ll come to us with a proven track record of project management and a commitment to accurate and detailed reporting. Committed to high quality research and its communication, you will support staff in developing their research skills and make a positive contribution to building the profile of research at Tate.
This position is offered on a fixed-term contract for 2.5 years.
For more details and to apply online, visit: https://workingat.tate.org.uk/pages/job_search_view.aspx?preview=preview&jobId=3095


5. CHURCH BUILDINGS ADVISER, London Diocesan Fund (London, UK)

  • Deadline for applications: January 12, 2017 at midday
  • Salary: £27,500 – £32,000 (dependent on experience)
  • Full Time Permanent

The Church of England in London is growing, vibrant and at the heart of communities throughout the capital.  At the London Diocesan Fund we seek to do everything we can to support this mission and growth, using our resources to help our parishes and chaplains to serve over 4 million people.
We are now looking to recruit a Church Buildings Adviser who would give specialist advice on matters pertaining to historic (statutorily designated) church buildings and sources of grant funding for repairs to those buildings. The Church Buildings Adviser also takes forward proposals and initiatives aimed at raising the profile of churches and opening up their buildings to the wider community as part of Capital Vision 2020.
The successful applicant will have a knowledge of historic buildings legislation (listed buildings, conservation areas, PPS5, the planning process and the Faculty process).  Practical experience of working with historic buildings, including methods of investigation and specialist conversation work/maintenance are essential. We are looking for a self-starter, with problem solving ability, who can handle a large volume of varied casework effectively. Excellent communication skills (verbal and written), and planning and organizing skills are essential. A relevant degree-level qualification is required.
We are looking for someone who embodies our core values to respect each other and thrive together.  We seek applicants who are inspired to help us achieve our Capital Vision 2020 which incorporates confidence, compassion and creativity.
For further information please apply online using the application form, demonstrating how your skills and experience meet the job description and person specification.
E-mail to recruitment@london.anglican.org.
First interview:  Thursday 19th January 2017
No agencies please.


6. HERITAGE ADVISOR, High Speed 1 (London, UK)

  • Closing date for applications 13 January 2017.

High Speed 1 is the railway between St. Pancras International in London and the Channel Tunnel and connects with the international high speed routes between London and Paris, and London and Brussels. HS1 is a world leading high speed railway.
The Grade 1 listed St Pancras International Station is one of the biggest landmarks in London and serves as a gateway to Europe. The station reopened in 2007 after completion of an £800m redevelopment program and was renamed from St. Pancras to St. Pancras International. The redevelopment plan restored the station to its Victorian-era glory resulting in a building of exceptional quality, and added high-end retail and hospitality areas to develop St. Pancas as a destination experience.
HS1 is an innovative and growing business supported by strongly aligned shareholders. Our teams make a real difference to travel in the UK for our continually growing customer base by providing excellent customer focus and services.
Headline Duties and Responsibilities

  • Working closely with the HS1 Commercial team in the review and acceptance of retail tenant fit out and temporary installation design proposals to ensure compliance with HS1 consents and appropriate to a Grade I listed building.
  • Facilitating and supporting a close collaborative relationship between HS1 and NRHS, the station operator.
  • Preparing listed building and Heritage Deed consent applications and liaison with Historic England and LB Camden. Management of the administration of those meetings and processes.
  • Undertaking external liaison with local authority stakeholders (notably conservation officers), Historic England, academic institutions and other organizations and forums on historic environment matters.
  • Reviewing and responding to proposals for change within the station and management of the administration of these.
  • Helping ensure consistency of approach between designers/ contractors through the implementation of appropriate standards.
  • Reviewing designer/contractor deliverables to ensure adherence to the Heritage Deed Consent.
  • Managing the collation, curation and storage of the historic records relating to St. Pancras including undertaking archival research to identify additional material
  • Assisting with the preparation and presentation of historic material for public and internal use – on the web site, for marketing purposes, training materials etc.

Desired Skills and Experience

  • A relevant first degree or post-graduate or equivalent qualification in a subject such as building conservation, architecture or surveying.
  • Demonstrable years post qualification experience in a relevant environment
  • Appropriate level of membership of the IHBC, RICS or RIBA
  • Good research skills
  • An understanding of UK heritage legislation and policy
  • Knowledge of UK architectural history across a range of building types but with specific interest in 19th century architecture and history
  • Design skills
  • Experience of undertaking historic buildings assessment work
  • Experience of working in a retail related environment – desirable but not essential

Benefits on offer are:

  • Salary £40 – 45,000 per annum DOE for a 37-hour week
  • 26 days’ annual leave per annum
  • Life Assurance at 5 times salary
  • Generous Group Personal Pension with Scottish Widows
  • Group Income Protection
  • Private Medical Insurance (self and family)
  • Discretionary Bonus

Applications consisting of your CV and a brief covering note should be sent to recruitment@highspeed1.co.uk.
For more details, visit: highspeed1.co.uk.


7. CONSERVATION OFFICER, London Borough of Hounslow (London, UK)

  • Application closing date: January 16, 2017
  • Job reference R0002026
  • Salary: £32,307 – £34,935 (PO2)
  • Package: Full-Time, 1 Year Fixed-Term contract- possible extension – 36 hours per week

The London Borough of Hounslow is a forward thinking local authority uniquely placed between the M4 Corridor and City, leading to it being London’s gateway from Heathrow. Its vast axis from Chiswick in the east to Feltham and the borders of Heathrow in the west means that few other London Boroughs contain such a varied slice of the capital.  The Borough has significant potential for growth, with exciting development and regeneration opportunities identified in the Local Plan.  The rich and varied heritage of the Borough includes many very important designated heritage asset including 27 conservation areas and some 885 statutorily listed properties. It also contains some of west London’s remaining Great Estates at Chiswick, Gunnersbury, Boston Manor, Osterley and Syon, a unique and distinct aspect which contributes significantly to the environmental and cultural wealth of the Borough. This post provides a fantastic opportunity to protect and promote these heritage assets in balance with supporting a drive for growth, development and regeneration in the Borough.
The post holder will have an important and high profile role to play for the Council, delivering a range of key work streams working closely with expert advisors such as Historic England including; programs for reviewing and updating the Council’s local list of buildings and other assets of townscape character, and Conservation Area appraisals; producing a Heritage Strategy for the Borough to identity measures and projects to further protect and enhance its heritage assets; undertake bids for funding to deliver heritage and conservation projects; advise key stakeholders and other Council services on heritage matters such as advising on planning applications in Conservation Areas and applications for works to listed buildings.
Please CLICK HERE to view Job Description and Employee Specification.
If you have any queries about this post or would like some further information please contact Alan Hesketh, Interim Head of Regeneration, Spatial Planning, Business Services and Investment and Environmental Strategy at alan.hesketh@hounslow.gov.uk.


8. CONSERVATION TECHNICIAN, Bynon Art Services (Nashville, TN, USA)

  • Hourly rate – $20
  • Hours 30-40 per week
  • Start date: January 2017
  • Six months, renewable up to 20 months

Bynon Art Services is assisting the Tennessee State Museum move to a new venue by leading the conservation program. The whole project is expected to last an estimated 22 months and will include several different phases including artifact assessment, conservation treatments and installation. The Tennessee State Museum is scheduled to move into its new venue in Sept 2018.
Please view link for information on the new museum: www.tnmuseum2018.org/
The collection currently consists of art, history and culture at one of the largest museums in the nation. Interpretive exhibits begin 15,000 years ago with prehistoric people and continue through the early 1900s, with special displays of furniture, silver, weapons, quilts, and paintings. The museum’s Civil War holdings of uniforms, battle flags and weapons are among the finest in the nation. Therefore, we are wanting applicants with a broad interest in cultural studies along with an interest in a diversity of different materials.
Position Summary

  • A conservation technician is required to support the conservation team that will consist of two conservators and four technicians.
  • Assisting in the gathering of artifacts from storage and out on exhibit with the assistance of museum staff.
  • Inputting location and treatment data into a museum database.
  • Under conservator supervision the technician/Intern will complete hands-on conservation treatments.
  • Perform preparatory work to artifacts that need to be moved to the conservation lab for conservation treatments.
  • Assisting external conservators if needed to assess artifacts that require treatment.
  • Provide assistance to mount makers when needed.
  • Carry out condition surveys.

Qualifications

  • Bachelor’s degree in Fine Art, Art History or other field related to art conservation.
  • Ability to handle collection artifacts with care.
  • Experience in conservation and/or technical roles to support the conservation team.
  • The applicant must have a commitment to teamwork and an ability to work successfully with other departments within the museum along with a willingness to take direction and execute accordingly.
  • An excellent manual dexterity and the capacity to perform delicate, demanding tasks with a high level of productivity is essential.

To apply, please send a cover letter, resume and contact information for two job-related references to Mark Bynon at mark@bynonartservices.com.
Co-Principal
Bynon Art Services, LLC
www.bynonartservices.com
+1 (828) 635-3066


9. PROJECT CONSERVATOR, University of Pennsylvania Museum of Archaeology and Anthropology (Philadelphia, PA, USA)
Penn Museum (The University of Pennsylvania Museum of Archaeology and Anthropology) is seeking a Project Conservator with experience and the ability to work relatively independently.
The Project Conservator will be responsible for carrying out conservation treatment of an Egyptian painted limestone Old Kingdom mortuary chapel in preparation for its reinstallation in spaces being renovated. The primary duties include researching appropriate treatment techniques and materials, providing a treatment proposal; carrying out necessary treatment; supervising interns assisting with the treatment; keeping written, photographic, and electronic records of work; and keeping current with developments in the field through readings, conferences, online discussions, and personal contacts. The work is to be carried out in an enclosed space within an open gallery, so the Project Conservator will be on public view during Museum open hours and may be required to interact with the public at specific times. The Project Conservator will also share in the regular duties of the Department. This is a one-year term position.
The candidate must be a graduate of a recognized Masters-level conservation training program with at least three years of professional experience after graduation, preferably in a similar institution. Sound work habits, personal initiative, and organizational skills, excellent written and verbal communication skills, along with the ability to undertake moderate to heavy lifting are essential. Experience with working on elevated work platforms desirable. Candidate will uphold collegial and collaborative working relationships with conservation staff and other departments. This is a one-year term position.
If interested, please apply through the University of Pennsylvania System: https://jobs.hr.upenn.edu/postings/24375
Lynn A Grant
Head Conservator
The University of Pennsylvania Museum of Archaeology and Anthropology
3260 South St
Philadelphia PA 19104
+1 (215) 898-2787


10. DIRECTORS, RPS CgMs Historic Buildings (London & South East, UK)
CgMs is the largest heritage consultancy in the country. Since August 2014 it has been part of the RPS Group, the country’s largest environmental consultancy. Working nationally, the company offers a unique and unparalleled range of development and planning services based upon many years of experience in both the private and public sectors.
Due to an expanding client base and diversity in services offered, RPS CgMs is seeking highly motivated and thoroughly experienced historic buildings professionals to build on the successes and provide leadership in the further development of the London and Southeast England historic buildings teams.
The Historic Buildings team offers a comprehensive heritage planning service. Working with major developers and architects, we have built a strong reputation for our commercially astute advice, which adds value to the development process and helps realize our clients’ objectives. Our clients include the Historic Royal Palaces, the V&A Museum, major retailers and commercial developers, and national house builders.
Our success is based on our ability to negotiate with our professional colleagues in local government and Historic England, establishing a shared understanding of how change can be managed successfully.
We are currently looking to appoint Directors into the London Team; this post holder will be expected to provide an experienced level of advice on all heritage related matters. Applicants will need to have experience of advocating heritage matters at Hearings and Public Inquiries. The post holder will need to work alongside existing colleagues within that office and provide a degree of management, quality control and supervisory support to colleagues on built heritage issues. The post holder will be expected to generate a significant proportion of their work themselves, and help promote and develop the Historic Building Team in London and the SE Regions.
This post provides the ideal opportunity for an experienced individual who wishes to be involved in significant & high profile development schemes, and have commercial aspirations to develop the Historic Building Team.
In exchange for being exceptional historic building professionals, commercially astute, expert negotiators and dedicated team builders, you will be appropriately rewarded with an extensive remuneration package, including a very competitive salary, generous contributory pension, health cover and additional flexible benefits. You will also benefit by working in a supportive and friendly team which provides superb training and development support to allow you to achieve your career aspirations.
For an informal discussion of these opportunities please contact Jonathan Smith, Director of Historic Buildings, on +44 01242 259290 or Duncan Hawkins, Operational Director of Historic Buildings and Archaeology, on +44 020 7280 3424.
To apply for these roles please contact our Recruitment Manager, Geoff Thorpe, at geoff.thorpe@rpsgroup.com.
For more details, visit: www.cgms.co.uk/blogpage/2015_301.html
No agencies.
We are an equal opportunities employer.

Job Postings: Digest 12/15/2016

1. Photograph Conservator, National Museum of African American History and Culture
2. Conservation Maintenance Manager West Territory, English Heritage


1. PHOTOGRAPH CONSERVATOR, National Museum of African American History and Culture (Landover, MD, USA)

  • Deadline: December 21, 2016
  • You must apply through USAjobs to be considered
  • Full-Time, Two- year Term with possible extension up to four years
  • Salary range: $64,650.00 to $84,044.00 / Per Year
  • Job Announcement No.  17R-YH-302361-DEU-NMAAHC
  • Series and Grade: GS-1001-11
  • Promotion potential: 11

We encourage applicants to apply as soon as possible to ensure their applications are submitted before the announcement closes. We will not consider applications which are late due to the announcement closing once the above number of applications is reached.
Smithsonian Institution, and is located at the Pennsy NMAAHC Facility in Landover, MD. The collections and conservation facility supports the new museum located on the National Mall in Washington, DC.  Incumbent reports to the Supervisory Conservator in the Office of Collections Management (OCM).  The museum’s primary purposes are to acquire, maintain and preserve objects that document social, cultural, political, military, technological and scientific developments in the United States; to conduct scholarly research designed to make significant contributions to the body of knowledge in the fields of African American history; to publish findings for both scholarly and general audiences; and to interpret historical developments through public exhibitions and programs.
Works under the supervision of the Supervisory Conservator to:
* Design, propose, document, and complete proposed conservation treatments on a wide variety of photographic materials within the collection;
* Provide care, preservation and research on all photographs within the Museum’s collections;
* Research photographs and negatives within the collection, explore photographic processes, artist’s methods and generate scientific data on the properties of the materials;
* Provide preventative care measures such as monitoring and evaluating environmental controls, integrated pest management, and emergency preparedness, response and recovery of collections, product testing and quality control; and
* Provide training of staff, allied professionals, interns, fellows, volunteers and the general public.
Job open to all US citizens 17R-YH-302361-DEU-NMAAHC www.usajobs.gov/GetJob/ViewDetails/458849900
Agency contact: Yvonne Humphries, Human Resources, humphriesy@si.edu, +1 (202) 633-7448, Fax: +1 (571) 258-4052, TDD: +1 (202) 633-6409.


CONSERVATION MAINTENANCE MANAGER WEST TERRITORY, English Heritage (Bristol, UK)

  • Closing date: January 6, 2017 at 11:59:59 p.m.
  • Salary: 40k
  • Ref 9064

Join us as Conservation Maintenance Manager in the West Territory where you will bring great energy and passion to the role by ensuring our heritage is maintained and enhanced for the next generation.
No matter what they do and where they do it, our people play their part in protecting and presenting some of the greatest places in England for the benefit and enjoyment of our visitors.
The repair, enhancement and conservation of buildings, gardens and landscapes is a vital part of preserving our inspirational settings. As a Conservation Maintenance Manager you will be responsible for delivering high quality maintenance, conservation and repair and project works for English Heritage’s National Collection of Historic Properties in the West Territory.
We are looking for you to show technical expertise as well as proven contract management skills and experience, as well as an excellent ability to both influence and lead a multi-disciplinary professional team. Your commitment to high standards and desire to work collaboratively with colleagues and key stakeholders will shine through.
This is an exciting and challenging role requiring technical knowledge of conservation maintenance, financial management and project delivery. You will have excellent stakeholder management and communication skills.
You will be joining our charity which through our 400 historic monuments, buildings and sites, brings the story of England to life for over 10 million visitors each year.
For further details and to apply, visit: www.english-heritage.org.uk/about-us/our-people/jobs/job-search/job/?ref=9064

Fellowships: Harvard Art Museums – Straus Center for Conservation and Technical Studies

  1. Objects Conservation Fellow, Harvard Art Museums, Straus Center for Conservation and Technical Studies (Cambridge, MA, USA)
  1. Paintings Conservation Fellow, Harvard Art Museums, Straus Center for Conservation and Technical Studies (Cambridge, MA, USA)
  1. Craigen W. Bowen Paper Conservation Fellow, Harvard Art Museums, Straus Center for Conservation and Technical Studies (Cambridge, MA, USA)

1. OBJECTS CONSERVATION FELLOW, Harvard Art Museums, Straus Center for Conservation and Technical Studies (Cambridge, MA, USA)

  • Deadline: January 15, 2017

The Conservation Fellowship Program at the Harvard Art Museums is designed to broaden the experience of conservators embarking on professional careers in museum conservation.
Duties and Responsibilities
The main focus for the objects conservation fellow will be examination and treatment of works of art from the Harvard Art Museum’s collections as driven by exhibition, loans, and research needs. A technical research project focusing on a work(s) of art from the Harvard Art Museum’s collections will comprise approximately 15% of the first year of the fellowship.
Under the supervision of the director of conservation, senior conservator of objects and sculpture, the fellow carries out a broad range of activities, including treating works of art in the collections; preparing accompanying written and photographic documentation, estimates, correspondence, and condition reports for exhibitions, loans, and acquisitions; and presenting research and other projects.
As a member of the Harvard Art Museums community, the fellow is expected to participate as required in activities such as facilitating Art Study Center appointments, hosting classes in the Materials Labs, and program activities planned for their fellow’s cohort.
Fellow will be an active member of the Fellows’ cohort and contribute to a group project; this final project will likely take the form of an exhibition, gallery installation, symposium, or other.
Required Education, Experience, and Skills
Basic Qualifications

  • Master’s degree in conservation or related field or Bachelor’s degree plus post-graduate qualification in conservation.

Additional Qualifications

  • Demonstrated record of treatment and research.
  • Excellent communications skills (listening, verbal and written).
  • Ability to work independently as well as part of a team. Ability and desire to build trusting relationships with colleagues.
  • Flexible team player who thrives in environments requiring ability to effectively prioritize and juggle multiple concurrent projects.
  • Ability to relate to co-workers and inspire others to participate and problem-solve.
  • Familiarity with state-of-the-art imaging tools used for conservation documentation, including digital photography and x-radiography.
  • Proficiency with computer software, including image editing and management software and Adobe Photoshop.

Application Instructions
A complete application includes a curriculum vitae; a statement, not to exceed one page, single-spaced, summarizing the applicant’s interests and intent in the fellowship and their chosen specialization; transcripts of both undergraduate and graduate courses of academic study, with an explanation of the evaluation system if it is not equivalent to that of the United States; and three letters of recommendation. All application materials must be in English.
Please apply online at: http:hr.harvard.edu/search-jobs. Search by School/Unit: Harvard Art Museums.

  1. Please upload curriculum vitae, statement of interest, and transcripts.
  1. Please ask references to send letters of recommendation to: am_straus@harvard.edu. Letters of reference will be verified.
  1. Deadline for receipt of application materials and supporting documents is January 15, 2017. Incomplete applications will not be considered.

We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.


2. PAINTINGS CONSERVATION FELLOW, Harvard Art Museums, Straus Center for Conservation and Technical Studies (Cambridge, MA, USA)

  • Deadline: January 15, 2017

The Conservation Fellowship Program at the Harvard Art Museums is designed to broaden the experience of conservators embarking on professional careers in museum conservation.
Duties and Responsibilities
The main focus for the paintings conservation fellow will be examination and treatment of works of art from the Harvard Art Museum’s collections as driven by exhibition, loans, and research needs. A technical research project focusing on a work(s) of art from the Harvard Art Museum’s collections will comprise approximately 15% of the first year of the fellowship.
Under the supervision of the conservator of paintings, the fellow carries out a broad range of activities, including treating works of art in the collections; preparing accompanying written and photographic documentation, estimates, correspondence, and condition reports for exhibitions, loans, and acquisitions; and presenting research and other projects.
As a member of the Harvard Art Museums community, the fellow is expected to participate as required in activities such as facilitating Art Study Center appointments, hosting classes in the Materials Labs, and program activities planned for their fellow’s cohort.
Fellow will be an active member of the Fellows’ cohort and contribute to a group project; this final project will likely take the form of an exhibition, gallery installation, symposium, or other.
Required Education, Experience, and Skills
Basic Qualifications:

  • Master’s degree in conservation or related field or Bachelor’s degree plus post-graduate qualification in conservation.

Additional Qualifications:

  • Demonstrated record of treatment and research.
  • Excellent communications skills (listening, verbal and written).
  • Ability to work independently as well as part of a team. Ability and desire to build trusting relationships with colleagues.
  • Flexible team player who thrives in environments requiring ability to effectively prioritize and juggle multiple concurrent projects.
  • Ability to relate to co-workers and inspire others to participate and problem-solve.
  • Familiarity with state-of-the-art imaging tools used for conservation documentation, including digital photography and x-radiography, and infrared reflectography (IRR).
  • Proficiency with computer software, including image editing and management software and Adobe Photoshop.

Application Instructions
A complete application includes a curriculum vitae; a statement, not to exceed one page, single-spaced, summarizing the applicant’s interests and intent in the fellowship and their chosen specialization; transcripts of both undergraduate and graduate courses of academic study, with an explanation of the evaluation system if it is not equivalent to that of the United States; and three letters of recommendation. All application materials must be in English.
Please apply online: http://hr.harvard.edu/search-jobs. Search by School/Unit: Harvard Art Museums.

  1. Please upload curriculum vitae, statement of interest, and transcripts.
  1. Please ask references to send letters of recommendation to: am_straus@harvard.edu. Letters of reference will be verified.
  1. Deadline for receipt of application materials and supporting documents is January 15, 2017. Incomplete applications will not be considered.

Additional Note
We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.


3. CRAIGEN W. BOWEN PAPER CONSERVATION FELLOW, Harvard Art Museums, Straus Center for Conservation and Technical Studies (Cambridge, MA, USA)

  • Deadline: January 15, 2017

The Conservation Fellowship Program at the Harvard Art Museums is designed to broaden the experience of conservators embarking on professional careers in museum conservation.
Duties and Responsibilities
The main focus for the Craigen W. Bowen Paper Conservation Fellow will be examination and treatment of works of art from the Harvard Art Museum’s collections as driven by exhibition, loans, and research needs. A technical research project focusing on a work(s) of art from the Harvard Art Museum’s collections will comprise approximately 15% of the fellowship.
Under the supervision of the Philip and Lynn Straus Conservator of Works of Art on Paper, the fellow carries out a broad range of activities, including treating works of art in the collections; preparing accompanying written and photographic documentation, estimates, correspondence, and condition reports for exhibitions, loans, and acquisitions; and presenting research and other projects.
As a member of the Harvard Art Museums community, the fellow is expected to participate as required in activities such as facilitating Art Study Center appointments, hosting classes in the Materials Labs, and program activities planned for their fellows cohort.
Fellow will be an active member of the Fellows’ cohort and contribute to a group project; this final project will likely take the form of an exhibition, gallery installation, symposium, or other.
Required Education, Experience, and Skills
Basic Qualifications:

  • Master’s degree in conservation or related field or Bachelor’s degree plus post-graduate qualification in conservation.

Additional Qualifications:

  • Demonstrated record of treatment and research.
  • Excellent communications skills (listening, verbal and written).
  • Ability to work independently as well as part of a team. Ability and desire to build trusting relationships with colleagues.
  • Flexible team player who thrives in environments requiring ability to effectively prioritize and juggle multiple concurrent projects.
  • Ability to relate to co-workers and inspire others to participate and problem-solve.
  • Familiarity with state-of-the-art imaging tools used for conservation documentation, including digital photography and x-radiography, and infrared reflectography (IRR).
  • Proficiency with computer software, including image editing and management software and Adobe Photoshop.

Application Instructions
A complete application includes a curriculum vitae; a statement, not to exceed one page, single-spaced, summarizing the applicant’s interests and intent in the fellowship and their chosen specialization; transcripts of both undergraduate and graduate courses of academic study, with an explanation of the evaluation system if it is not equivalent to that of the United States; and three letters of recommendation. All application materials must be in English.
Please apply online: http://hr.harvard.edu/search-jobs. Search by School/Unit: Harvard Art Museums.

  1. Please upload curriculum vitae, statement of interest, and transcripts.
  1. Please ask references to send letters of recommendation to: am_straus@harvard.edu. Letters of reference will be verified.
  1. Deadline for receipt of application materials and supporting documents is January 15, 2017. Incomplete applications will not be considered.

We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, disability status, protected veteran status, or any other characteristic protected by law.

Internship & Fellowship – 12/12/2016

1. 2017 Summer Internships (two), Greater Portland Landmarks (Portland, ME)
2. Curator-in-Residence, Ateliê397 – get2gether (São Paulo, Brazil)


1. 2017 SUMMER INTERNSHIPS (TWO), Greater Portland Landmarks (Portland, ME)

  • Application deadline: March 10,2017

Greater Portland Landmarks seeks two Preservation Interns to provide support for our Director of Advocacy in managing Landmarks’ endangered properties program and conducting reconnaissance level surveys in Portland.    The interns will attend Endangered Properties Selection Committee and Advocacy Committee meetings, record meeting notes, research properties and produce written and photographic documentation, and provide assistance with all aspects of the endangered properties selection process and advocacy issues discussions.  In addition, the interns will work on other activities, including the historic resource survey, easement program, and other duties as assigned. Through this internship, the interns will be exposed to the many facets of historic preservation advocacy, architectural survey, and building research and evaluation.
More information about the duties and qualifications, as well as, an official job description is available at www.portlandlandmarks.org/internships.
– Honorarium: $2,750 for 10 weeks
– Service Dates: June 5th–August 11th 2017 (some flexibility to accommodate college schedules)
Interested candidates please send cover letter explaining your background and interest in the project, a resume, writing sample, and three references by March 10, 2017 to: Hilary D. Bassett, Executive Director, Greater Portland Landmarks, hbassett@portlandlandmarks.org, Preservation Intern in subject line. Electronic applications are preferred.


2. CURATOR-IN-RESIDENCE, Ateliê397 – get2gether (São Paulo, Brazil)

  • Deadline: December 16, 2016

This is an opportunity for curators based in New York.
Ateliê397  is an independent space dedicated to the dissemination of actions, works and thoughts in the field of contemporary art. Headquartered in the city of São Paulo, Brazil, the space has established itself as one of the most important spaces in the Brazilian art circuit, hosting exhibitions, video shows, performances, debates, and courses. Thinking of all of its actions as potentially critical interventions is of particular interest to the space.
We understand that independent management is built in a collective way, through the creation of networks. For this reason, about three years ago, we began a process to internationalize our activities, including in our programming the participation of guests from outside Brazil, including space managers, artists, curators, and researchers.
The “get2gether” project is the first international curator-in-residence program offered by Ateliê397. We are looking for curators who are interested in the current production of Latin American art (especially Brazilian art) and who take up a collaborative stance to begin a dialogue and mutual exchange.
Description
Ateliê397’s “get2gether” project is a residency program for a curator based in New York City. With a duration of two months, the program is aimed at curators who are interested in participating in the activities of an independent space and learning more about São Paulo’s contemporary art scene. The selected curator is expected to get involved in the activities of Ateliê397, thinking together with us about the actions, communication, management model and our relationship with the art circuit. The purpose is that the program will encourage a dialogue between both cultures, aiming at possible future exchanges between the two cities.
Registration: From November 24, 2016 to December 16, 2016.
Registration is free and can be done by completing the online form at goo.gl/forms/c9mBQCF8tqIs3Duf1, in which we ask the applicant to send a brief resume and an answer to the question: “Why are you interested in attending a residence program in an independent space in São Paulo? How can this experience add to your research and career?”
Residency
This will be a two-month program running from January 20 to March 20, 2017. The program offers the curator-in-residence transportation (a round-trip airfare –NY/SP/NY), accommodation and a cost allowance in the amount of six thousand reais (R$6,000). The curator is expected to use Ateliê397’s facilities as his or her workplace, and an attendance of at least eight hours/week at the space is required.
Selection
At the end of the registration period, the documents received will be reviewed by a jury composed of artists and curators. The curator selected for the program will be responsible for arranging for and obtaining the visa.
If you have any questions, please send us an email to contato@atelie397.com.

Jobs Posting: 12/12/2016

1. Principal Inspector Of Historic Building And Areas / Principal Inspector Of Ancient Monuments, Historic England (Northampton/Cambridge, UK)
2. Historic Preservation Specialist – Compliance Reviewer, Wisconsin Historical Society (Dane, WI, USA)
3. Heritage Apprenticeships Program Manager, Historic England (Swindon, UK)
4. Chief Curator, Lisbon Architecture Triennale 2019 (Lisbon, Portugal)
5. Assistant Curator, Whitney Museum of American Art (New York, NY, USA)


1. PRINCIPAL INSPECTOR OF HISTORIC BUILDING AND AREAS / PRINCIPAL INSPECTOR OF ANCIENT MONUMENTS, Historic England (Northampton/Cambridge, UK)

  • Final applications due on 22 December 2016
  • Contract type:Permanent
  • Salary:Band B – Starting at £36.000 p.a. (dependent on location & experience)
  • Reference No.7998

We have two permanent vacancies for a Principal Inspector of either Historic Buildings and Areas or Ancient Monuments (either profiles will be considered for the post).
One post will be based in the Cambridge office, and one post will be based in the Northampton Office or home based.
We are looking for an excellent candidate who can demonstrate extensive knowledge and experience of British historic buildings and areas or archaeology and the management of the historic environment. You will need to use our ethos of Constructive Conservation to help manage change to the most significant assets in our regions.
As well as being responsible for supporting, leading, and advising a team of historic specialists with the delivery of pre-application advice and the formal consultation process, you will also manage a caseload with emphasis on the more complex and strategic Development Management cases.
In this role, you will be a constructive member of the local leadership team, and you will be also responsible for maintaining our relationships with key sector partner and working constructively with a wide range of external bodies. Additionally, you will support the local Heritage at Risk and Historic Places team in delivering their objectives. Finally, you must be able to demonstrate your ability to represent Historic England in the public arena and committed to our aims of Championing and protecting our historic environment.
* Interviews are scheduled for 16/17 January, 2017.
To apply, visit: www.historicengland.org.uk/about/jobs/vacancies/job/?ref=7998


2. HISTORIC PRESERVATION SPECIALIST – COMPLIANCE REVIEWER, Wisconsin Historical Society (Dane, WI, USA)

  • Application Deadline: December 26, 2016 by 11:59 p.m.
  • Assesment Informaiton: Preview Assessment
  • Salary: $18.00 to $22.00 per hour ($37,440 to $45,760 annual salary) depending on experience and qualifications plus excellent benefits. This position is in pay schedule/range 13-04.
  • A one year probationary period is required.

The Wisconsin Historical Society is home to the federally-designated state historic preservation office. In partnership with communities, organizations and individuals, the Office works to identify, interpret and preserve historic places for the benefit of present and future generations. Programs administered by the State Historic Preservation Office include: State Register and National Register of Historic Places; state and federal rehabilitation income tax credits; Wisconsin’s burial sites preservation program; and the review of federal, state and local projects for their effect on historic and archaeological properties.
For more information about the state civil service selection process, please visit the General Information Page in WiscJobs.
Job Duties: This position operates under the general supervision of the Deputy State Historic Preservation Officer and the Compliance Team lead worker in the State Historic Preservation Office (SHPO). Work is performed with a great deal of independence; there is minimal direct oversight. For a copy of the position description, please click on Historic Preservation Specialist.
For specific questions about this position, please contact the supervisor: Daina Penkiunas, Deputy State Historic Preservation Officer, Wisconsin Historical Society, daina.penkiunas@wisconsinhistory.org.
Special Notes: A criminal background check will be conducted prior to an offer of employment to determine if the circumstances of any conviction may be related to the job. Verification of academic degrees will be conducted prior to an offer of employment.
Qualifications: This position meets the professional requirements of the US Secretary of Interior Standards and the Code of Federal Regulations relating to State requirements.
Minimally qualified candidates will have:

  • A graduate degree in architectural history, art history, historic preservation, or a closely related field, with coursework in American architectural history. (Degrees granted in December 2016 or January 2017 will fulfill this requirement)

OR

  • A bachelor’s degree in architectural history, art history, historic preservation or a closely related fieldplus two years of relevant experience in the field of historic preservation. (Degrees granted in December 2016 or January 2017 will fulfill this requirement)
  • Education, training, and/or experience with historic preservation policies and procedures.

Well qualified candidates will also have:

  • Education, training, and/or experience with federal and state historic preservation laws
  • Education, training, and/or experience explaining federal and state historic preservation laws

How To Apply: You must apply online and take the assessment to be considered for this position. Click on the “Login to Apply” button at the top of this announcement. If you do not have a WiscJobs account, you will need to create one. Application materials will not be accepted if received in an e-mail, as a hard copy, or a fax.
You will be required to upload a current resume and enter a cover letter. Your cover letter and resume will be considered the civil service assessment and will be used to determine your eligibility for this vacancy. The cover letter should also include a statement explaining why you are interested in this position.
Completed materials must be received electronically by 11:59 p.m. on Monday, December 26, 2016.
If you omit information requested as part of the application process, your application may be rated ineligible. Materials will be evaluated by one or more subject matter experts and qualified applicants will be invited to participate in the next step of the selection process.
Questions may be directed to Brian L. Schroeder, Human Resources Specialist,+1 608-264-6409, BrianL.Schroeder@wisconsinhistory.org.
More details and to apply, go to: wisc.jobs/public/job_view.asp?annoid=89991&jobid=89505&org=245&class=57500&index=true.
The Wisconsin Historical Society is an equal opportunity employer.


3. HERITAGE APPRENTICESHIPS PROGRAM MANAGER, Historic England (Swindon, UK)

  • Final applications due on 2 January 2017
  • Contract type:Permanent
  • Salary: £32,359 plus benefits
  • Reference No:8000

In this new role, you will use your program and project management talents to design and manage a new program to respond to the Government`s Apprenticeship Levy from 2017. Your program will support the heritage sector to develop new heritage skills focused Apprenticeship standards which you will also help to deliver. You will oversee and coordinate Apprenticeships for our heritage and non-heritage workforce.
As our new Heritage Apprenticeships Program Manager, you will commission and interrogate heritage workforce labor market intelligence, to ensure we are using our resources strategically. You will be joining an established and effective Capacity Building Team who coordinate a number of services and support structures for skills development across the heritage sector. You will report to, and be supported by, the Head of Capacity Building. There is a strong emphasis on training and skills development for all members of the team; and you will receive the support and development to enable you to successfully reach the goals you want to achieve.
You will have experience in project and program management roles, with solid relationship building, stakeholder engagement skills, and attention to detail. Working with apprenticeships or other work-based training programs is essential to enable you to design and deliver this complex program. You will be able to demonstrate strong project planning skills and have the tenacity to connect all strands of the program delivery.
We are the public body that looks after England`s historic environment. We champion historic places, helping people understand value and care for them. You will most likely be based at our Grade II listed Swindon office, where our finance and HR services are located, but will need to travel to other locations including London. We offer a wide benefits package including a competitive pension scheme, 28 days holiday, corporate discounts, free entry into English Heritage sites as well as the flexibility in your working day to create a strong work-life balance.
Interviews will be held in London on Wednesday 11th January.
For a full job description and to apply, visit: www.historicengland.org.uk/about/jobs/vacancies/job/?ref=8000


4. CHIEF CURATOR, Lisbon Architecture Triennale 2019 (Lisbon, Portugal)

  • Application Deadline: January 31, 2017, 11:59pm (GMT).

Lisbon Architecture Triennale seeks a Chief Curator or Curatorial Team for its fifth international edition to be held in Lisbon, Portugal from October to December 2019.
Guidelines and submission form here.
Applications from individuals or collectives of any nationality and country of residence are openly invited. Nevertheless, applications must include a resident in mainland Portugal that can interact and respond to the Lisbon Triennale. Although the Triennale’s working and official languages will be Portuguese and English, proposals in Spanish or French are also welcome.
Required materials to be submitted online:
– Conceptual and thematic curatorial proposal (max. 2500 words) including: Structure of the curatorial team; two to three main exhibitions; universities competition concept and exhibition (this being the third or fourth main exhibition); one international conference; a profile of associated projects/extended program; one book.
– Short biography and curriculum vitae of the candidate (individual or as a collective) identifying a minimum of three own works within the scope of this application (max. 1500 words).
– Short biographies of all elements of the curatorial team (max. 300 words each).
The selection will be made by the jury composed by the Board of Directors of the Lisbon Architecture Triennale Association and the Chief Curator of the fourth edition.
The selection criteria will take into account aspects such as relevance of the theme, originality of the proposal, suitability for the Triennial’s goals, structure and nature of the curatorial team and candidate’s experience. In case of doubt in the evaluation of the proposals, one or more candidates may be asked to provide additional clarifications. Lisbon Triennale reserves the right not to select any of the submitted applications. If, after selecting a candidate, it is impossible to reach an agreement on the terms of the contract, Lisbon Triennale reserves the right to negotiate with another candidate.
The Lisbon Triennale will not publicly disclose the names of the applicants nor the applications content, except with the selected candidate.
The Lisbon Architecture Triennale is a non-profit association whose mission is to examine, foster and promote architectural thinking and practice. It holds a major forum every three years for the debate, discussion and dissemination of architecture across geographic and disciplinary boundaries.
The first Triennale, Urban Voids, took place in 2007 presenting a program of international exhibitions, competitions and conferences. In 2010 the second edition, Let’s Talk About Houses, consolidated the Triennale’s presence on the circuit of events devoted to architecture. With its third edition, Close, Closer in 2013, the event consolidated its international projection and recognition. The Form of Form, its fourth edition in 2016, has been widely acclaimed as one of the most important architecture events of the year.
In addition to its main event, the Triennale also organizes an architecture conference cycle entitled Critical Distance, which puts on stage practicing architects or architecture related professionals together with critics, journalists and curators to debate the lecturers work in front of a participating audience. Furthermore, it also organizes Open House Lisboa, opening the doors to the best architecture in the city for one weekend per year. From its headquarters, an 18th century Palace, the Lisbon Triennale organizes and hosts a range of other events that constitute the palace’s cultural programming.
Each edition of the Lisbon Architecture Triennale is distinguished with the High Patronage of His Excellency the President of the Portuguese Republic. The Triennale has enjoyed the status of Public Utility since 2013.
Visit: www.trienaldelisboa.com


5. ASSISTANT CURATOR, Whitney Museum of American Art (New York, NY, USA)

  • Deadline: open

A newly created position is available for an assistant curator at the Whitney Museum with particular expertise in mid-20th century American art.
The incumbent will report directly to the Nancy and Steve Crown Family Chief Curator and work closely with him on the organization of various large-scale monographic and thematic exhibitions from concept to installation. This is an exciting opportunity for a talented candidate with the appropriate art historical background and excellent writing skills.
Responsibilities:
– Extensive scholarly research, including archival work and meetings with artists
– Development of checklists and floor plans
– Negotiation of loans
– Writing didactic texts, with the possibility for contributions to catalogues
– Management of all administrative aspects of exhibitions, including the writing and organization of correspondence; preparing reports and presentations; working with budgets; and other relevant duties
– Act as liaison for the Chief Curator in addition to working independently with other curatorial staff and departments in the museum, including Conservation, Exhibitions, Education, Publications, and Advancement, as well as external contacts such as artists, donors, galleries, and other institutions
Job requirements include: MA in art history; PhD preferred; expertise in mid-20th century American art; at least five years of museum, teaching, or related experience with demonstrated scholarship and organizational skills; experience with TMS, Microsoft Office, Excel, and PowerPoint.
Please send resume, cover letter and salary requirements to hr@whitney.org and state “Assistant Curator” in the subject line.
About the Whitney
As the preeminent institution devoted to the art of the United States, the Whitney Museum of American Art presents the full range of 20th century and contemporary American art, with a special focus on works by living artists. Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the Whitney’s new building vastly increases the Museum’s exhibition and programming space, providing the most expansive view ever of its unsurpassed collection of modern and contemporary American art.
The Whitney Museum of American Art is an Equal Opportunity Employer. The Museum does not discriminate because of age, sex, religion, race, color, creed, national origin, alienage or citizenship, disability, marital status, partnership status, veteran status, gender (including gender identity), sexual orientation, or any other factor prohibited by law. The Museum hires and promotes individuals solely on the basis of their qualifications for the job to be filled. The Museum encourages all qualified candidates to apply for vacant positions at all levels. This description shall not be construed as a contract of any sort for a specific period of employment.

Jobs Posting: Digest 12/07/2016

1. Assistant Conservator, Oriental Institute – The University of Chicago (Chicago, IL, USA)
2. Director of Research, Collections & Exhibits, The Manitoba Museum (Winnipeg, Canada)
3. Curator of Invertebrate Paleontology & Paleobotany, and Assistant Professor in Geological Sciences, The University of Colorado (Boulder, CO, USA)


1. ASSISTANT CONSERVATOR, Oriental Institute – The University of Chicago (Chicago, IL, USA)

  • The review of applications will begin in January 2017

The Oriental Institute of the University of Chicago is seeking an Assistant Conservator of archaeological objects to work in a small laboratory under the supervision of the Head of the Conservation Laboratory. This is a 12-month position with the possibility of renewal for an additional year. The Oriental Institute of the University of Chicago is an internationally recognized research center for studying the archaeological and textual record of the ancient Near East. The Museum is an important unit within the Institute and houses over 300,000 objects from across the Near East.
The primary responsibilities of the Assistant Conservator will support the role of conservation in the Museum’s Gallery Enhancement project, a three-year plan that involves the retrofitting of the Museum’s display cases. The Assistant Conservator will be involved in the treatment and maintenance of the extensive collection of ancient Near Eastern artifacts that will include integrated pest management as well as monitoring of environmental conditions. Responsibilities will also include the testing of display and exhibit case materials as well as material identification of objects within the collection. Experience with handheld x-ray fluorescence and SEM is a plus. The successful candidate must have excellent communication, documentation and practical skills.
Applicants should have a graduate degree in objects conservation from a recognized training program or the equivalent.  Three years’ post-graduate experience in a museum setting is preferred.
The review of applications will begin in January 2017. The salary is commensurate with experience; the position is benefits eligible.
For a detailed description of the announcement and to apply, please visit https://jobopportunities.uchicago.edu/applicants/jsp/shared/search/Search_css.jsp, and search postings for Keyword: Conservator; Requisition: #101781.
Please include a cover letter and a resume with contact information for three professional references.
The University of Chicago is an Affirmative Action/Equal Opportunity/Disabled/Veterans Employer and does not discriminate on the basis of race, color, religion, sex, sexual orientation, gender identity, national or ethnic origin, age, status as an individual with a disability, protected veteran status, genetic information, or other protected classes under the law.


2. DIRECTOR OF RESEARCH, COLLECTIONS & EXHIBITS, The Manitoba Museum (Winnipeg, Canada)

  • Applications Deadline: January 31, 2017

The Manitoba Museum, a not-for-profit and charitable organization, is Manitoba’s largest heritage and science center. We are unique in our combination of human and natural history themes, multi-dimensional interpretation, immersive dioramas, science and astronomy education, with quality school and public programs and exhibits. The Museum is currently embarking on a multi-phased capital campaign, which will see a renewal of 42% of the Museum Galleries over the next three years.
The Museum is recruiting an experienced senior Museum professional for Director of Research, Collections & Exhibits to lead all areas of responsibility including research, collections, conservation and collections management, and exhibits. The successful candidate will have a post-graduate degree in a related discipline, such as history, natural sciences, conservation, museum studies, or collections management and at least six years’ experience in a senior management role, preferably in a museum environment. The successful candidate will also have a strong track record in writing and managing grants. Experience in capital renewal planning and execution is an asset.
JOB DESCRIPTION
General
The Director of Research, Collections & Exhibits reports directly to the Executive Director/CEO. This is a position of senior management responsibility and leadership that includes supervision, co-ordination, evaluation and reporting for the Departments of Human History, Natural History, Collections and Conservation, Library/Archives and Intellectual Property, and Exhibits. The incumbent is a member of the Senior Management Team and fulfills the duties associated with the work of that group.
Key Accountabilities & Typical Duties
Priority 1 – Leadership & Strategic Direction to provide strategic direction and leadership to the Division of Research, Collections & Exhibits, and its various departments and staff, to fulfill the Manitoba Museum’s mandate, mission and vision to its fullest potential.

  • Develops strategic short- and long-term plans for Research, Collections & Conservation, Information Services, Exhibits and Presentation Standards, Publications, and identifies the resources necessary to support these areas.
  • Establishes all goals, priorities, and work schedules for areas of responsibility in relation to the Museum’s annual business planning cycle and capital projects.
  • Works closely with staff to ensure the Manitoba Museum’s collection is safe, secure, documented, preserved, researched, accessible, and used (as appropriate)
  • Develops and implements policies and procedures relevant to the operation of all areas of responsibility. Functions as a member of the Directors’ Team, sharing responsibility for tasks, such as the preparation of institutional policies, strategic and operational plans and budgets, programs and projects.
  • Functions as a member of the Senior Management Team, providing input and monitoring the implementation and evaluation of the annual Business Plan and Budget.

Priority 2 – Research, Collections & Exhibits Oversight to oversee RCE operational activities, maintaining open lines of communication with Management and staff; report to governing bodies; facilitate meetings to promote the useful dissemination of information; and to foster effective teamwork.

  • Responsible for recruitment, selection, termination, performance management with the support of Human Resources, of Divisional staff, including work planning and review, and succession planning for direct reports, within established Museum policy and procedures.
  • Oversees all operational aspects of Research, Collections & Conservation, Exhibits, Information Services, and Publications, including the scheduling and facilitation of divisional, departmental, and project-focused meetings.
  • Oversees the strategic development, use and preservation of the Manitoba Museum’s collections and intellectual property
  • Mentors direct reports in their functions and provides guidance in professional development to ensure departmental objectives are attained.
  • Provides management support to any committees of the Board of Governors, as required; reports annually to The Manitoba Museum Foundation’s Research Advisory Committee and Board of Directors.
  • Reports annually to the HBC History Foundation Board of Directors.
  • Approves and controls the allocation of staff and operating resources and expenditures for the divisional area of responsibility; provides progress reports as required.

Priority 3 – Project Management & Partnerships to work with Manitoba Museum staff to facilitate creative projects and inter-divisional communication; foster partnerships; and advance high standards of professional achievement through sustainable practices.

  • Develops creative, multi-disciplinary projects within Research, Collections & Conservation, Exhibits, Information Services, and Publications that address institutional priorities; ensures their completion within established time frames and budgets; and evaluates their effectiveness.
  • Oversees the development of grant applications, partnership arrangements, and curatorial revenue-generating opportunities for authorization by the Executive Director/CEO.
  • Liaises with other Directors to integrate divisional plans, projects and strategies, and to rotate weekend on-call duties.

Priority 4 – Public Outreach & Networking to advance the Manitoba Museums goals and objectives through interaction with colleagues, partners, stakeholders, and public outreach across multiple fields (culture, heritage, education, science, research, etc.).

  • Fosters collaborative partnerships, memoranda of understanding, and agreements with external stakeholders and organizations.
  • Represents the Manitoba Museum on inter-agency initiatives and at public events relating to areas of responsibility.
  • Perform other duties as reasonably assigned.
  • Rotates with other Directors for weekend on-call duties.
  • Acts on behalf of the Executive Director/CEO when assigned.

MINIMUM REQUIRED QUALIFICATIONS
Skills, Abilities and Knowledge

        • Thorough knowledge in areas of responsibility, including research, collections management, conservation, library/archives, information management, and exhibitions.
        • Well-developed knowledge of management and financial reporting and budgeting processes, as well as human resource concepts, practices, current trends, and ideas.
        • Knowledge of the mission, function, and operational procedures of the institution.
        • Demonstrated leadership ability, including the successful development and implementation of multi-stakeholder projects, and community consultation.
        • Demonstrated ability in consensus-building and conflict resolution.
        • Excellent oral and written communication skills, with the ability to speak effectively in public.
        • Knowledge of evaluation methods.
        • Willingness to adapt to a changing environment.
        • Ability to work independently and in an organized manner with little supervision.
        • Knowledge of software applications, including word processing, spreadsheets (Excel) and databases.

Education, Training and Experience

        • Post-graduate degree in a related discipline, such as history, natural sciences, conservation, library and records management, museum studies, or collections management.
        • General knowledge of Manitoba’s human and natural history, with specialized knowledge in at least one area, is a definite asset.
        • Six to nine years’ experience in a supervisory or management role, preferably in a museum environment.
        • Experience in recruitment and selection, performance management and labour relations, preferably in a union environment.
        • Demonstrated track record in writing and managing grants.
        • Experience in capital renewal planning and execution is an asset.
        • Equivalent combination of education and experience.

This is a full-time position beginning April 2017. The incumbent will report to the Executive Director /CEO.
Please submit your resume, including cover letter with salary expectation, on or before Tuesday, January 31, 2017.
Interested applicants are required to forward a résumé and cover letter with salary expectation to:
Director of Human Resources
The Manitoba Museum
190 Rupert Avenue
Winnipeg, MB R3B 0N2
Fax: (204) 942-3679
E-mail:ladeleyeolusae@manitobamuseum.ca
We are not able to acknowledge receipt of applications submitted via fax or mail. The Manitoba Museum is committed to employment equity and welcomes diversity in the workplace. We thank all applicants for their interest; however, only those being considered for interviews will be contacted.
Info: https://manitobamuseum.ca/main/about-us/careers-volunteer/current-career-opportunities/


3. CURATOR OF INVERTEBRATE PALEONTOLOGY & PALEOBOTANY, AND ASSISTANT PROFESSOR IN GEOLOGICAL SCIENCES, The University of Colorado (Boulder, CO, USA)

          • Closing Date:Ongoing 
          • Job Posting No. 07197
          • Position No.00636007
          • Job Category:Faculty
          • Primary Location:Boulder
          • Department:B0001 — Boulder Campus – 10112 – Museum-Administration
          • Schedule:Full-time
          • Posting Contact Name: Jaelyn Eberle, paleosearch@colorado.edu

The University of Colorado Museum of Natural History and Department of Geological Sciences, University of Colorado – Boulder invite applications for a tenure-track appointment as Curator of Invertebrate Paleontology & Paleobotany in the Museum and Assistant Professor of Geological Sciences. We seek a scientist who will conduct field and collection-based research in one or more of the following areas:  evolutionary studies, systematics, organismal paleobiology, paleoecology, taphonomy, and paleoenvironmental reconstruction. The Museum’s Invertebrate Paleontology and Paleobotany collections house approximately 200,000 catalogued specimens, with strengths in Cenozoic terrestrial arthropods (and associated plants), as well as marine invertebrates and foraminiferans from the Western Interior Seaway.  Most holdings are from the Rocky Mountain region, but the collection includes other US and international materials.  Primary responsibilities will be to develop a research program at the forefront of paleontology; to curate, develop and increase the visibility of the Museum’s Invertebrate Paleontology and Paleobotany collections, including their digital assets; and to teach in the Museum and Field Studies Graduate Program and the Department of Geological Sciences.
QUALIFICATIONS
Applicants must have a doctoral degree in geology, biology, paleontology, or a related field, and express a commitment to research, curation, teaching, and mentoring.  The successful candidate should complement existing expertise in paleontology and related fields in the Department of Geological Sciences.
SPECIAL INSTRUCTIONS TO APPLICANTS
For full consideration, please apply by electronic submission at CU Careers by November 30, 2016. The search is open until filled.
Direct questions to Paleosearch@colorado.edu.
Application materials must be submitted electronically at https://www.cu.edu/cu-careers, job posting 07197.
APPLICATION MATERIALS INSTRUCTIONS
Applicants are asked to please collate the following documents into a single PDF file. Those documents are: Cover letter; Curriculum vita; Names and addresses of four references; Statement of research that clearly outlines to non-specialists how the applicant’s research contributes to the most important scientific problems in his/her discipline; Statement of teaching experience and philosophy; Statement of curatorial experience and vision; and Representative publications.
Please use this naming convention for your file: LAST NAME_PALEO SEARCH. The maximum file size is 2.5 mb. In the event a second file is needed to complete the submission with the required documents, a second upload can be made using this modified name convention: LAST NAME.2_PALEO SEARCH.
For additional information, go to: https://cu.taleo.net/careersection/2/jobdetail.ftl
The University of Colorado is an Equal Opportunity Employer committed to building a diverse workplace. We encourage applications from women, racial and ethnic minorities, individuals with disabilities and veterans.
Alternative formats of this ad can be provided upon request for individuals with disabilities by contacting the ADA Coordinator at adacoodinator@colorado.edu.