RE-ORG Crowdsourcing Project Launch

“We re-used large wooden crates. We fixed secured chains on the crates to hang the masks. Now it is off the floor, so we will no longer risk stepping on them.”
“We re-used large wooden crates. We fixed secured chains on the crates to hang the masks. Now it is off the floor, so we will no longer risk stepping on them.”

Collection Storage Tips and Tricks – “#reorgtips”
RE-ORG International is an initiative to assist small museums, libraries and archives reorganize their collections in storage for better access and long-term conservation. RE-ORG encourages the reuse and re-purposing of existing equipment and space. Ideas are out there; sometimes all you need is a little inspiration.
If you work with collections show us your tips and tricks!
Storing collections is not a simple task, and you know first-hand the challenge of having to strike a balance between conservation, institutional and financial concerns. Storage solutions must adapt to the needs of the object but at the same time optimize space usage and costs.
 “We adapted a shelving unit to store our collection of oars and spears. We are able to use up less shelf space than before. We gain more room for other objects.”
“We adapted a shelving unit to store our collection of oars and spears. We are able to use up less shelf space than before. We gain more room for other objects.”

The good news is that it is often possible to repurpose or adapt already-existing equipment or materials, making sensible use of resources.
Many museums – through the years and at present – have found many inventive solutions:
ICCROM and the Canadian Conservation Institute (CCI) want to hear about all of them. Be part of a global solution!
Send us one or two photos of your storage solution with a short descriptive sentence that tells us:

  • The type of object
  • The materials used or re-used to create your storage solution
  • Why this system is better than before

There are several options for sharing your photos:

"We created compartments in a box with cardboard folded in zigzags. Now we can take each pen easily. Also, they don't rubbing against each other"
“We created compartments in a box with cardboard folded in zigzags. Now we can take each pen easily. Also, they don’t rubbing against each other”

You have until 31 January 2016 to send us your submission. The results will be posted on a Tumblr blog and hosted on the ICCROM website.
Important notice: By sending your images, you acknowledge that they are yours and that you have the permission to send them, but that you’re willing share them under a Creative Commons Attribution-NonCommercial 4.0 International licence.

Call for Submissions – 2016 STASH Flash session on storage

STASH_logoDevising storage solutions that mitigate damage to collections from both threats small and expected, and large and catastrophic is a core task for preservation professionals. Doing so in a way that makes use of an institution’s human, financial and material resources makes this task an even bigger challenge.
The third annual STASH Flash session on storage solutions for all collection types has been scheduled as a late afternoon pre-session to the meeting Saturday, May 14.  The program will utilize a lightening round or “Tips” format as well as guided, audience participatory discussion.  We are calling for contributions of short (5 minute) tips on the following themes:

  • Building on the conference theme, presentations will be solicited on storage mounts or support systems that were either specifically designed to mitigate against the threat of a disaster or inappropriate environment, or presentations that assess how rehousing solutions performed in protecting (or not protecting) collections in a disaster or emergency event.
  • Building on a topic that came out of the 2015 STASH Flash discussion session and the TSG Tips session, the second proposed theme focuses on multi-function supports, with functions serving more than one purpose, such as storage, storage, travel and/or exhibition purposes.
  • Innovative storage solutions for individual or collection groups that do not conform to either theme will be accepted if space allows.

Presenters will be asked to show up with their solution in a ready format for uploading to the STASH website after the conference.
To submit your ideas please send a short abstract including the following information to Rachael Arenstein (rachael@amartconservation.com) by January 11, 2016.
Name:
Institution/Affiliation/Title:
Email:
Object/collection type:
And a description of approx. 150 words on the project

Job Posting: Senior Conservator – Organic Material/Ethnographic Objects

SENIOR CONSERVATOR
ORGANIC MATERIALS/ ETHNOGRAPHIC OBJECTS

Permanent, Full time

The Royal Ontario Museum is seeking a skilled and experienced Senior Conservator specializing in the treatment of organic materials, particularly ethnographic objects, to join the museum’s multi-disciplinary conservation team.
The ROM’s ethnology collection is comprised of more than 50,000 artifacts representing indigenous communities around the world including from Africa, North and South America, Asia, and Oceania. The diverse organic and composite materials and techniques presented are broad in scope with artifacts ranging from early 20th century canoes; to feathered Kayapo headdresses; to Tuareg leathers; to beadwork from the Blackfoot Nation.
Conservation care of the collections at the ROM is largely program driven and includes conservation assessment and treatment, research, documentation, and work with curators and collections technicians on preventive conservation measures.
Participation in the full range of Museum activities including public consultation, programming, the training of interns and engagement in social media are also important aspects of the job.

Qualifications

  • Master’s degree in Conservation and a minimum of eight years of experience with organic materials, including ethnographic objects conservation OR an acceptable equivalent in education and experience. At least three years work in a museum setting is preferred. The ability to work in Canada must be secured by the commencement of the contract.
  • Proven knowledge of and experience with the wide range of organic materials, including ethnographic materials and techniques as outlined above; their physical, chemical and biological deterioration; and current practices in their examination, treatment and preservation in storage and on display.   Awareness of the significance of cultural and historical contexts and sensitivities.  Extensive experience in assessment and treatment of these materials.
  • Knowledge of “Code of Ethics and Guidance for Practice” of the Canadian Association for Conservation (CAC) and the Canadian Association of Professional Conservators (CAPC).
  • Good judgement, initiative, creativity, analytical and problem solving skills.
  • Demonstrably excellent hand skills in ethnographic conservation treatment techniques.
  • Demonstrated ability to work independently and as a member of a team, to enlist the cooperation and involvement of others, and to
  • provide supervision when required.
  • Excellent leadership and interpersonal skills.
  • Excellent oral and written communication skills.
  • Proven time and resource planning management abilities.
  • Photographic and computer skills are required.

How To Apply

For full information on deadlines, salary and how to apply visit the ROM website.

Survey on methods for cleaning and protecting historical lead

A research team from the National Center for Metallurgical Research (CENIM-CSIC) is carrying out a study about the methods of cleaning and protection of historical lead. As part of this study, the investigators hope to learn about the methods applied by professionals and their personal experience with them. The survey should take 10-15 minutes and it is available until July 15th at: http://goo.gl/forms/80sJsl3Nx9  Please feel free to forward the link to interested colleagues.
The results will be published afterwards, and will be sent to interested participants. To receive results, please leave your email in the contact details section of the survey. For more information about this study, please contact t.palomar@csic.es. Thank you in advance for your collaboration.
Dr. Teresa Palomar Sanz
Centro Nacional de Investigaciones Metalurgicas (CENIM) Consejo Superior de Investigaciones Cientificas (CSIC) Avenida Gregorio del Amo, 8.
28040 Madrid
Spain

Job Posting: New Positions at the Collection Management Division of the Naval History and Heritage Command (NHHC)

The Collection Management Division of the Naval History and Heritage Command (NHHC) is advertising vacancies in its new four-person Conservation Branch. The first announcement can be found at https://www.usajobs.gov/GetJob/ViewDetails/407819500
The closing date of the announcement is June 29, 2015.
NHHC_logo_Web_low-resNHHC, headquartered at the Washington Navy Yard, is responsible for the preservation, analysis, and dissemination of U.S. naval history and heritage. NHHC activities include the Navy art and artifact collections, underwater archeology, Navy histories, the Navy Department Library, the Navy Operational Archives, nine museums, USS Constitution’s repair facility and the historic ship Nautilus.
In the past year, NHHC has consolidated its historic artifact collection into a single Collection Management Facility at the Defense Supply Center, Richmond VA, and has brought on staff to manage the collection there. This summer we are establishing a four-person Conservation Branch at the Richmond facility to undertake conservation of selected artifacts from across the NHHC enterprise, conduct site visits to Navy museums around the country, and provide care guidelines for artifacts on Navy installations but not in NHHC’s custody – for example, outdoor ordnance displays. We are in the early stages of fitting out a laboratory for the branch’s use.
The branch will be staffed by a GS-1015-13 Branch Head (this announcement), a GS-1015-12 Lead Conservator, and two GS-1015-11 Conservators. All applicants should understand that this is a new operation, with all of the opportunities and uncertainties that implies.
To view photos of some of the historic naval artifacts in the NHHC collection, please visit some of the command’s Flickr page at https://www.flickr.com/photos/navalhistory/sets/   For more information on NHHC, visit www.history.navy.mil or its Facebook page at https://www.facebook.com/navalhistory.

Education Assistant Position with FAIC

FAICFoundation of the American Institute for Conservation, Washington, DC
Vibrant national cultural organization seeks an assistant to support education activities. The successful candidate will be a detailed-oriented team player who can provide logistic and customer support for our program of workshops, symposia, and online courses as well as support for an array of scholarship programs.
The Education Assistant works to advance the goals of the Foundation of the American Institute for Conservation of Historic and Artistic Works (FAIC) by assisting with the presentation, marketing, and evaluation of a diverse array of professional development activities, materials, and scholarships for conservation professionals, allied professions, the general public, and AIC and FAIC staff and volunteers. The Education Assistant reports to the FAIC Development and Education Coordinator.
Responsibilities include:

  • Assist in scheduling workshops and other professional development events
  • Manage logistics for all events, such as arranging for supplies, equipment, catering, hotel arrangements, local coordinator, etc.
  • Develop and disseminate promotional and registration materials for events
  • Manage selection, admission, and records of attendees
  • Prepare and distribute advance information, handouts, name tags, and other materials in support of events
  • Conduct, compile, and report evaluations for each event
  • Prepare event and budget summaries
  • Maintain FAIC web resources in support of professional development
  • Assist in identifying and developing ideas and plans for future professional development activities
  • Track and prepare scholarship and grant applications for review
  • Communicate with grant applicants about award status
  • Track and compile grant and scholarship reports
  • Create and maintain web resources and application materials for grants and scholarships
  • Other duties as assigned

The ideal candidate:

  • Has at least 2 years of experience working with education or similar programs
  • Possesses an undergraduate college degree
  • Exhibits excellent attention to detail
  • Exhibits excellent interpersonal, oral, and written communication skills
  • Is proficient in MS Office Suite
  • Is dependable, punctual, and flexible
  • Can work with multiple priorities and deadlines with accuracy
  • Can work with minimal supervision
  • Works well independently and as part of a team
  • Is able to travel to AIC Annual meeting

To apply, send resume and cover letter as an email attachment to: courses@conservation-us.org

CALL FOR PAPERS – HISTORIC AND MODERN ASSEMBLAGES: TREATMENTS OF WOOD BASED MULTIMEDIA ARTWORKS / INTERIORS IN CONTEXT

Joint Interim Conference of the ICOM-CC Working Groups: Wood, Furniture, and Lacquer and Sculpture, Polychromy, and Architectural Decoration, in association with the German Association of Conservator-Restorers (VDR) Specialty Group: Furniture and Wooden Artifacts.
Call for Papers and Posters - Modern and Historic Assemblages - cropped imageHosted in collaboration with the University of Applied Sciences Potsdam
8-10 April, 2016
Location: University of Applied Sciences Potsdam, Potsdam, Germany
Set within the historic gardens and palaces of Potsdam, this conference will focus on site-specific wooden works of art of a composite nature. Included in this broad theme are the exploration of the purpose and the complex means used to create these works consisting of multiple elements and mixed materials as well as the conservation strategies designed to preserve and display them. Relevant topics include, but are not limited to, secular and religious interiors or assemblages (in situ or removed from their original setting), composite works of art, architectural elements, and historic and modern artist installations.
Subjects could include:

  • Case studies related to the challenges of conserving in situ architectural interiors,
  • and of installing architectural interiors removed from their original settings
  • The disarticulated Gesamtkunstwerk: case studies related to the presentation of religious and secular works of art removed from their original architectural settings
  • Case studies of treatments involving discussion with stakeholders and special consideration of intangible heritage that these complex works and spaces represent
  • Construction and manufacturing techniques
  • Reconstruction of lost elements; loss compensation
  • Preventive Care (climate, display, access, storage, transportation, “green” solutions)
  • Case studies exploring the juxtaposition or combination of traditional and modern conservation methods
  • Working in situ versus the conservation studio – methodology, challenges (health and safety issues) and advantages
  • Contamination and alteration of artworks through the application of insecticides, preservatives, and conservation materials
  • Innovative techniques for analysis and documentation

This three-day conference will bring together an international roster of conservators, art historians, conservation scientists, and artists to share new research, past experiences, and their specific and varied expertise. Submissions related to completed and in-progress treatments, newly developed treatments and preventive conservation are especially encouraged. Authors interested in presenting a paper or poster, please submit an abstract (400-600 words, 1-2 images) by August 1st, 2015 to assemblage.potsdam.2016@gmail.com
All work submitted must be original and may not have been published elsewhere. Abstracts should be in English and must include a short biography and contact information for the corresponding author (affiliation, address, telephone, fax and e-mail). Abstracts will be reviewed by the Conference Organizing Committee and invited experts. In September 2015 authors will be informed whether their submissions were accepted. It is the intention of the organizers to publish all accepted papers, and authors are required to submit a first draft of their papers no later than one week prior to the start of the conference.
For a downloadable PDF of the call for papers visit the ICOM-CC website.
The Conference Organizing Committee

Blog at AIC's 2015 Annual Meeting and win!

Each year we receive feedback from colleagues who couldn’t make it to the annual meeting that write-ups of the talks posted here on www.conservators-converse.org were interesting and informative.  For the past few years we had so many fabulous concurrent session that even those present at the meeting couldn’t attend all the talks they were interested in and found that they could get a taste of what they missed using the blog.  Our blog sees a huge increase in traffic due to annual meeting posts with almost 600 unique visits per day.  We know that many colleagues are looking forward to hearing more about the conference and hope that some of you will volunteer and share your thoughts from the meeting.miami

How To Sign-up:

Signing up is easy.  Just click on the link below to access the signup spreadsheet:
https://docs.google.com/spreadsheets/d/1pNEluroUP6aP_Degsdvy0Ns7PMpximU2XDYUkGHia-A/edit?usp=sharing
There is a separate tab down at the bottom for each SG or session.  Next, input your name and email next to the talk you are interested in covering.  Easy!  The limit for signup is two talks so that nobody feels overwhelmed.

What’s In It For Me?

Many people take notes at the talks and writing them up is a great way to organize your notes and thoughts while doing something great for your colleagues and the field.  Speakers are often grateful for the feedback.  And, yes there is something in it for you…all volunteers who complete two posts will be entered into a drawing to win a FREE 2016 ANNUAL MEETING REGISTRATION!

What do I need to know about Blogging?

Not much!  All volunteers will be sent AIC’s Guidelines and Blogging Tip Sheets.  Writing a good blog post can take some time but covering a just two talks is very manageable.  Here are a few things to know:

  • You do not blog in real time so you don’t need a laptop or internet access at the conference– the best way is to take notes and then write up your thoughts later (ideally by the end of the conference or shortly thereafter).
  • You need not be an experienced blogger nor particularly tech savvy.  The WordPress blog format is extremely easy to use and any necessary hand-holding will happily be provided to make you feel comfortable online.  If you can send an email – you can create a blog post.
  • There is no pressure to be particularly witty.  Active tense, first-person and personal style are all encouraged in blog posts – this is a chance to free yourself from the writing constraints of condition reports!  While all posts should be professional overall, the tone is somewhat between reporting and “what I did over my summer vacation”.  The best posts tell why you were interested in the topic and what you learned, you aren’t expected to be writing the speaker’s postprint so you don’t need to capture every detail.  The goal is for readers to learn more about the talk than they would gain from the abstract.  Tips and Guidelines will be provided for all volunteers.
  • In addition to the talks we also value reviews of the workshop, tours, receptions and other associated events and sessions.

I Have Some Questions Before Signing Up – Who Do I Talk To?

Contact Rachael Arenstein, AIC’s e-Editor either via email or using the Email AIC’s e-Editor box in the footer of this blog.
 
 

Preview of STASH Storage Tips session in Miami

STASH_logoSafe storage for collections is one of the primary goals of preventive care for collecting institutions, and individuals charged with collections care and cultural institutions often face challenges in designing storage and support systems for individual items or collections. There are few tasks more concrete and practical than devising a storage mount that preserves an object while making efficient use of an institution’s human, financial and material resources. Constructing a successful storage solution requires numerous choices regarding materials, techniques, time and skill.
In May 2014, FAIC, with funding from the Samuel H. Kress Foundation, launched STASH (Storage Techniques for Art, Science and History collections), a web-based resource to share well-designed storage solutions. The site contains the original entries from the printed text, Storage of Natural History Collections: Ideas and Practical Solutions, originally published by the Society for the Preservation of Natural History Collections (SPNHC), and has begun receiving new submissions, including storage projects that were presented last year at the first STASH Flash session as part of AIC’s 42nd Annual Meeting. The website project is interdisciplinary and the site’s editorial board is composed of representatives from a range of allied organizations
The 2015 STASH Flash session to be held at the Miami meeting on May 13, 4:30 – has an exciting lightening round of tips lined up.  Tips presented at the session will be formatted and appear on the www.stashc.com website after the meeting.  We hope that you will join us to kick of the meeting with a practical take on storage and rehousing.  Read on to see what is in store….
OVERSIZE OBJECTS
Contributor(s): Angela Andres & Laura McCann
Institution: New York University Libraries, Barbara Goldsmith Preservation and Conservation Department
Collection Type: Rolled Archival Materials
This hanging housing system is designed for oversize low-use rolled items. Objects too large for flat files or unlikely to be accessed often can be rolled around an archival tube and suspended with S-hooks from cage in stack areas (or eye-hooks may be secured into wall if cage is not available). Pressure-mounted Ethafoam bumpers support the tubes and protect the rolled objects from pressure against wall or cage. S-hooks and bumpers can be easily shifted or removed as necessary.
 
Contributor(s):Andrew Hare
Institution: Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery
Collection type: East Asian Paintings/Scrolls
Of great concern for the preservation of East Asian paintings is the damage caused by rolling scrolls around small diameter roller rods, a problem that typically results in severe creasing and pigment loss. This inherent vice in the design of Chinese and Japanese hanging and handscrolls can be greatly alleviated with the addition of a roller clamp, known in Japanese as a futomaki soejiku or simply futomaki. This roller clamp is closed around the roller rod of the scroll to at least double the diameter of the scroll when rolled. This simple and functional solution has the disadvantages of being made from an acidic, off-gassing l wood, can be quite heavy and is usually difficult and expensive to obtain in the West. Two alternative options are preservation rollers, developed within the Freer and Sackler Galleries’ East Asian Painting Conservation Studio. They are made from folded Mylar (polyester sheeting) or Ethafoam tubing covered with Stockinet. The Mylar preservation roller is best for handscrolls and smaller hanging scrolls. The Ethafoam preservation roller works best for larger scrolls. Both preservation rollers are made from inert, lightweight materials that are readily available in the West. With the instructions provided, conservators, volunteers, interns and fellows can easily produce these preservation rollers at a relatively low cost and greatly improve storage conditions for East Asian scrolls.
 
Contributor(s): William Bennett
Institution: Smithsonian Institution Archives, Conservation Specialist
Collection type: rolled oversize graphic recordings placed in a custom housing
Items of an unusual shape or size perpetually pose problems of storage and access for archives. One recent example from the Smithsonian Institution Archives is a collection of six rolls of oversize drawings—a set of graphic recordings of planning sessions, which ultimately resulted in the formation of the current strategic vision of the Smithsonian. Neither flat nor offsite storage was possible due to the unusual dimensions, necessitating a custom housing that would remain in the Archives’ onsite storage. The drawings were wrapped around archival cores fitted with corrugated board feet to increase stability and protect the bottom edges; these rolls were placed into a custom two-piece box, made from more corrugated board. Both the lower portion and the lid are composed of two pieces attached with mitered flaps, with each piece pre-scored to ensure clean folds. Time will tell whether this housing solution functions as well as hoped. While this solution was not ideal, it is effective and was an excellent opportunity to experiment with custom enclosures.


BOXES & SHELVES
Contributor(s):Jennifer Lewis & Nancy Lev-Alexander
Institution: Library of Congress/ Conservation Division / Head, Collections Stabilization Section
Collection type: Pre-Columbian inorganic ethnographic items
The Library of Congress holds relatively small but highly significant collections of 3-dimensional artifacts from the J.I. Kislak Collection that present challenges for storage and research use. Unlike museums which often have customized furnishings and specialized staff required for safe storage and handling, the Library must accommodate these objects among its standard shelving and provide housings that protect the object when handled by curators or researchers with a wide range of object-handling experience and skill. Staff from the Collection Stabilization Section have designed a storage solution based on customized inner fittings applied within paperboard boxes that were made either by hand or on automated equipment depending on size. The inner fittings created of safe materials such as alkaline board, polyester batting, Ethafoam planking, polypropylene fabric, and Tyvek, provide support and cushioning around the object while creating malleable cavities or drop or removable walls that allow easy viewing and access to the object. This presentation will demonstrate how this housing solution has been customized to provide protection for a wide range of Library objects. Additional information will demonstrate strategies for protecting larger pre-Columbian ceramic objects without full boxing within gasketed cabinets. The same housing solution has also been applied to artifacts from the Alan Lomax collection including sound recording equipment and other tools of his ethnographic sound recording work.
 
Contributor(s): Stephanie Gowler & Susan Russick
Institution: Northwestern University Library
Collection Type: Housing objects on library shelving
As a purpose-built library, Northwestern’s shelves are integrated into the structure of the building.  This means we can never adjust the position of the shelving units. Irregularly sized or shaped materials still need to fit in sequence in the collection. Examples include letters written on petri dishes which must fit into a document box with other correspondence, a scroll that needs to be stored vertically on the bookshelf, and puppets from a 1960s television show.  Our protocol begins with compiling a reference sheet of shelf sizes and the maximum sizes of boxes that can fit on those shelves. Labeling preferences for each curator are also recorded.   The exterior of boxes are standardized while the interior is customized. Curatorial and use patterns also influence housing decisions.  This presentation will show housings used for books, papers and objects at Northwestern.
Contributor(s):Angela Yvarra McGrew
Institution: Cantor Arts Center, Stanford University, Contract Conservator
Collection type: Archaeological and ethnographic art, from Africa and the Americas
The goal of the project is to re-house all of the African and Ancient American Collection to create layers of visibility with researchers in mind so that direct handling is only necessary in special cases. Open shelving requires that each box will have a lid. A window is provided to prevent packing being taken apart to confirm the contents. The boxes take into account the potential for earthquakes in this region but are not meant for travel/shipping.
 
Contributor(s): Rebecca Newberry
Institution: Science Museum of Minnesota
Collection type: Drop-front boxes for Natural History objects and specimens
Custom made drop front boxes are ideal for housing fragile objects stored on open shelves. The front of the box is designed to fold open from the bottom, allowing free access to the object stored within. The drop front has flaps which are fastened to the side of the box with envelope-style string and button closures. This system is more reliable than adhesive hook and loop (Velcro) fasteners commonly used. The boxes can be made from either corrugated cardboard or corrugated plastic.
 
Contributor(s): Rebecca Newberry
Institution: Science Museum of Minnesota/Conservator
Collection type: boxes for natural history
Double scored folds in corrugated plastic boxes with attached lids: Corrugated plastic boxes with attached lids are useful for frequently accessed objects. Since the lid cannot be separated from the box, it cannot be misplaced. It is important to allow the attached lid to fold back completely for best access. The lid fold is scored along the interior and the exterior flutes. This double scored fold allows the lid to fold back, leaving the top of the box clear for object access.
 
Contributor(s):Gretchen E. Anderson & Deborah G. Harding
Institution: Carnegie Museum of Natural
Collection type: Microclimate storage for archaeological metals
The CMNH Anthropology Department is in the beginning phase of a major NEH funded reorganization of collections storage. One of the first projects is to improve storage conditions for small archaeological metals. Thirty years ago these had been placed in plastic bags and Rubbermaid™ containers with silica gel (which had not been reconditioned since the original storage was developed). Plastic bags and polyethylene foam padding were all that protected these fragile objects. Some were stored in Masonite™ and wood drawers, with only a thin layer of foam between them and the wood. The new storage project was the perfect opportunity to apply new methods. The new system had to provide better physical support and organization for the collection, as well as buffering fluctuating relative humidity and protecting the sensitive collection from contamination. The new storage solution is compact, simple and cost effective.
 
DRAWER SOLUTIONS
Contributor(s): Alison Reppert Gerber
Institution: Smithsonian Institution, National Museum of African American History and Culture
Collection type: 16” lacquer transcription audio discs
In the fall of 2014, the National Museum of African American History and Culture prepared 24 audio discs of varying formats for travel in order to digitize their rare audio content. Five of these discs exhibited varying degrees of delamination and required innovative packing and long-term storage solutions. First, we created a simple clamshell-style box from archival blue board. Using Volara® polyethylene foam cut into circles (6” in diameter) and wooden dowels wrapped in Teflon® tape, we were able to secure the disc in the box while suspending the grooved portion of the disc, which was the primary area suffering from delamination of the nitrocellulose lacquer coating. By adding Velcro® closures to the exterior of the box, it could safely be transported vertically to reduce surface tension on the disc. All five discs were given their own enclosure and then placed into one large box for stability and transport.
 
Contributor(s): Angela Andres & Laura McCann
Institution: New York University Libraries, Barbara Goldsmith Preservation and Conservation Department
Collection Type: Panorama photographs and/or maps
A simple-to-construct modular system for dividing flat file drawers to house panorama photographs (or other long/narrow items such as maps or broadsides). Dividers of E-flute board or 20-point board are held in place by panels of the same type of board and can be fitted to either x or y orientation. Easy to remove, add, and alter divider sections, this is an easy and low-cost solution to the difficulty of housing these odd-shaped items.
 
Contributor(s): Angela Andres & Laura McCann
Institution: New York University Libraries, Barbara Goldsmith Preservation and Conservation Department
Collection Type: ephemera
Housing for a collection of political buttons using stacked placards of Volara-lined B-flute board. B-flute board is lined on both sides with thin Volara (tacked at corners with linen thread, eliminating the need for) and buttons are affixed to the placards with their own fasteners or, when fasteners are missing or damaged, placed in small poly zipper bags and tacked to placards with linen thread. Placards are stacked inside standard archival document boxes that integrate well in existing shelf space.
 
Contributor(s): Allison Rabent & Jane Klinger
Institution: United States Holocaust Memorial Museum
Collection Type: Drawer Grid, textiles
As in many other museums, much of the textile collection at the United States Holocaust Memorial Museum is stored in flat-file drawers. In preparation for moving the collection to a new facility in 2017, current storage methods are being re-evaluated.  A new housing system was needed to organize and provide stability and protection for armbands and badges of various shapes and sizes. Part of the challenge was to ensure the artifacts could also be housed and organized by accession number. In order to address these issues, an adjustable grid system was created. Dividers made of corrugated blue board were cut to size and modified to create a stable grid that could be placed within the drawer, allowing the textiles to rest safely within individual squares. By adjusting the size and number of dividers, this system can be easily modified to accommodate for storage of a variety of flat media.
 
DOCUMENTATION
Contributor(s): Stephanie Gowler & Susan Russick
Institution: Northwestern University Library
Collection Type: Library and Archival Materials
This presentation will describe the use of the smartphone/tablet app Notability to facilitate documentation and labeling during a large-scale paintings collection survey. Each painting was photographed with the smartphone/tablet camera, imported into Notability, and annotated with a color-coded key to indicate major types and levels of damage. These annotated images were then incorporated into an existing documentation database. Print-outs of the annotated images were attached to wrapped paintings as caution labels, alerting anyone handling the paintings to the most vulnerable areas. This proved to be an efficient way to create on-the-fly condition notes and produce a quick visual reference for future conservators. This method could easily be adapted for triage in disaster response situations, large-scale surveys across multiple storage locations, or anytime there is a need for labels cautioning handlers about an object’s condition.

Summer Conservation Internship with NPS – Lowell, MA

THREE MONTH SUMMER INTERNSHIPS IN OBJECTS CONSERVATION AT COLLECTIONS CONSERVATION BRANCH, NATIONAL PARK SERVICE, LOWELL, MA
The Collections Conservation Branch (CCB) of the Historic Architecture, Conservation, and Engineering Center (HACE) located in Lowell, MA is pleased to offer two full-time internships in objects conservation for summer 2015. Beginning and end dates are flexible.
The internships are designed for students currently enrolled in graduate level conservation programs and recent conservation program graduates. The CCB is responsible for the conservation and preservation of collections in the Nation’s national parks and historic homes in the Northeast Region from Maine to Virginia.
Interns would work closely with CCB conservators receiving hands-on conservation training and gaining experience with a wide variety of materials. Some of the planned 2015 summer projects include: treatment of decorative art objects (silver, lacquer, ceramics, gilt wood) from Hampton National Historic Site (NHS), cleaning and stabilization of Tonagan Tapa cloths from Rockefeller Mansion at Marshbillings NHS, cleaning and re-waxing of trail markers at Minute Man National Historic Park (NHP), coatings removal and hot wax application of large outdoor bronze monument at Saint Gaudens NHS.
Internship benefits include:

  • Living Allowance: $165/wk
  • Housing stipend: $1000/mo
  • Travel stipend: $650
  • AmeriCorps Education Tuition Award: $1,493

Application Process:
The internship positions are supported through a partnership between the National Parks Service (NPS) and Student Conservation Association (SCA).  Consequently, applicants will be required to complete an SCA Conservation Internship application.  To obtain an application, please send an email to Kerri Weeks,Conservation Program Coordinator- Northeast Student Conservation Association (SCA), at kweeks@thesca.org letting her know that you are interested in applying for the Collections Conservation Internship with the NPS in Lowell, MA and referencing internship position PO-00651273 (5/31/14-8/22/14) in your email.