Category: Job, Internship, & Fellowship Postings

• Review of applications will begin as of September 15, 2017 and continue until the position is filled
• Scheduled days/hours: Full Time- 35 hours/week
• Department: Conservation

Winterthur Museum, Garden & Library in Winterthur, DE seeks candidates for the position of Assistant/Associate Conservator of Furniture in a dynamic furniture conservation laboratory whose mission is the preservation and enhanced understanding of wooden objects through collection preservation (documentation, treatment, and implementing storage strategies), exhibition, education and outreach, and object-based research and analysis. This position offers a unique and exciting opportunity for a highly motivated individual to engage the history, craft, conservation, and material science of nearly 15,000 examples of early American furniture and architectural elements in a world-class museum and library comprising 89,000 objects made and used in America from 1630 -1860; 20th century Winterthur Estate materials; and 500,000 documents, books, manuscripts, and images. The successful candidate will collaborate with colleagues across the institution to exhibit furniture in both gallery settings and furnished rooms of the former du Pont home. In addition to the above, responsibilities will include teaching and advising in the Winterthur/University of Delaware Program in Art Conservation (WUDPAC) and engaging in public and professional outreach.

In addition to furniture, the Conservation Department includes eight other laboratories staffed by leading professionals in: paper, textiles, objects, library and archival materials, preventive and collection care, and paintings conservation; conservation photography; and scientific research and analysis.

 Job Requirements: A Master’s degree in conservation combined with a minimum of two/seven years conservation experience is required. Applicant must possess strong hand skills applicable to furniture making and wood manipulation. The successful candidate will undertake the care, treatment and study of furniture and wooden objects in the Winterthur collection. Familiarity and facility with allied materials as they relate to furniture is a preferred. Experience with power and hand tools required. The applicant must demonstrate treatment achievement, teaching and scholarly potential, and evidence of professional engagement. Support of the museum’s overall conservation efforts are an integral component of the position and the candidate must be committed to extensive collaboration with museum conservators and scientists; curators; exhibition, registration, development and other related staff; and WUDPAC faculty and students. In addition to care of the Winterthur Collections, the Furniture Conservator may also supervise documentation and treatment of archaeological, ethnographic, modern and contemporary artwork/objects through WUDPAC student projects. The successful candidate will demonstrate (1) excellent interpersonal and communication skills with staff, students, museum and university colleagues, donors, and the general public (2) creative thinking and solutions-based problem-solving, and (3) superior organizational abilities with a high attention to detail. A proven ability to work both collaboratively and independently while managing multiple tasks simultaneously is required.

This position reports to the Senior Conservator of Furniture.

Salary will be commensurate with experience. To apply, send a letter of interest, curriculum vitae, writing sample, and contact information for three professional references familiar with your furniture conservation experience to: jobs@winterthur.org. Please reference Job #1135 – Furniture Conservator in the subject line. Review of applications will begin as of September 15, 2017 and continue until the position is filled.

1. Senior Photographer, Digitization Project, Department of Parliamentary Services
2. Archivist (Part Time), Anglican Church SQ, Corporate Services
3. Studio Manager: Frames, Royal Museums Greenwich, Kidbrooke
4. History and Heritage Coordinator, Glen Eira City Council
5. Principal Heritage Officer (Archaeology), Heritage, Environmental Policy & Planning
6. Senior Digital Archivist, National Library of New Zealand
7. Conservation Internship, National Library of Ireland
8. Academic Associate in Paper Conservation, State Academy of Art and Design Stuttgart
9. Research Assistant, Non-Invasive Analysis of Illuminated Manuscripts, Fitzwilliam Museum, University of Cambridge
10. Conservation and Restoration Coordinator, Museu de Arte De São Paulo
11. Painting Conservator, Q Art Conservation

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1. SENIOR PHOTOGRAPHER, DIGITIZATION PROJECT, Department of Parliamentary Services (Australia)

• Applications deadline: August 20, 2017 by 11:30 p.m. AEST
• Salary: salary range for this position is $80,020 – $89,937
• Required ID 19121
• Classification: Parliamentary Service Level 6
• Employment Type: Non-Ongoing (Specified Term)
• Branch: Parliamentary Experience
• Section: Art Collection & Exhibitions
• Immediate supervisor:  Assistant Director, Art Collections and Exhibitions
• Security assessment:  Baseline Vetting (Protected/Restricted)

The Department of Parliamentary Services (DPS) is recruiting for a PSL6 Senior Photographer within the Art Collection and Exhibitions section, Parliamentary Experience Branch.

Australian Parliament House (APH) is the meeting place of our nation and is one of our nation’s most important buildings. The Department of Parliamentary Services (DPS) supports the functions of the Australian Parliament and the work of parliamentarians through the provision of professional services, advice and facilities. The digitization project reflects the new and evolving technologies used to control and access collections and will introduce new means in which to share and protect the Parliament House Art Collection (PHAC). The PHAC contains over 6,500 works across a broad range of media and includes several sub collections of historic works, gifts; commissioned art, craft, and photography; significant constitutional documents and contemporary Australian art and craft.

The successful candidate will work within Art Collection and Exhibitions managing the photography program ensuring innovative, best practice museum digital capture standards for the entire collection and associated activities. The role requires a highly motivated, creative and professional individual with extensive experience working in a museum and/or gallery environment.  The successful candidate will have excellent communication skills and the ability to work collaboratively in a small team.  Demonstrated knowledge and experience of professional photographic equipment and software is a key requirement of the position. This non-ongoing position will be offered for a specified term of up to 18 months, with the possibility of extension up to 3 years.

Eligibility and/or Job Specific Requirements: Professional qualifications in the field of Digital Photography and/or extensive experience in a museum environment. A high level of expertise with Photoshop is required. Candidates selected for interview will be asked to submit a portfolio of recent work and undertake a practical exercise as part of the selection process.

The successful applicant will be required to obtain and maintain a Baseline Vetting (Protected/Restricted) security clearance.

DPS welcomes applications from Aboriginal and Torres Strait Islander people, mature age people, people from diverse backgrounds and people with a disability.

How to apply: Based on the duties, qualities, and selection criteria outlined, please tell us in no more than 800 words how your skills, knowledge and experience make you the best person for this job.

Your application is a chance to tell us why you are the right person for the job. We want to know why you want to work at DPS, why you are interested in the role, what you can offer us, and how your skills, knowledge, experience, and qualifications are applicable to the role.

If proof of qualifications, licenses or certificates are required as part of the application process, please incorporate these documents into your resume or within your applicant response before you submit your application.

Contact Person: Samantha Pollock, +61 (02) 6277 5329, samantha.pollock@aph.gov.au.

2. ARCHIVIST (PART TIME), Anglican Church SQ, Corporate Services – ICT (Brisbane, QLD, Australia)

• Applications close on August 20, 2017
• Job No: S2985
• Fixed Term

The Anglican Church Southern Queensland provides much needed services for the community, including parishes, schools, theological education and financial services, and residential aged care facilities, community care and social service programs through Anglicare SQ.

All services within Anglican Church SQ are strengthened by our ICT team who support over 2500 users across 75 sites and are currently looking for a part time Archivist to manage the Records and Archives Centre, based in Brisbane’s CBD for a contract period of three months.  This may be extended.

The role of the Archivist encompasses the management of the Archives of the Anglican Church SQ, including the appraisal, transfer, retention, disposal, accessioning, storage, arrangement and description, preservation and conservation, and reference and access, of records created by the Anglican Church SQ. The position supervises one-part time Archives Assistant, reports to the ICT Director and is supported by a Records and Archive Committee in an advisory capacity.

About you: With a well-established career in records management, your previous experience will include:

• High level competencies in archiving, record-keeping and document management in all formats
• Robust understanding of current legislation requirements
• Previous experience in the development, maintenance and implementation of policies and procedures, particularly in relation to digital records
• Demonstrated knowledge of risk management, cost-effectiveness and efficiency practices
• Capabilities in the provision of both strategic and operational advice and guidance to staff
• Writing and editing skills and maintenance of Archives web pages
• Experience in budget and resource management, including annual reviews

Offering a high level of integrity and the ability to maintain confidentiality, you will also be:

• Organised with excellent time management and the ability to prioritise effectively
• A problem-solver who offers innovative solutions within organisational frameworks
• Able to develop and maintain positive working relationships with both internal and external stakeholders
• Experienced in a leadership role and comfortable with the supervision and training of staff and volunteers
• Good at listening and interpreting the needs of clients while supporting their learning

You will be required to hold relevant tertiary qualifications, a National Police Certificate and current membership with the Australian Society of Archivists (or be eligible to join).

What we offer: Anglican Church SQ is committed to building a highly skilled workforce, assisted by a dedicated management team. We also offer:

• Working within a team of dedicated professionals in an environment of continuous improvement
• A chance to support one of Queensland’s largest and well-respected non-profit organizations
• Part time hours, in a short-term contract, enabling work/life balance
• A centralized location, next to St John’s Cathedral in Ann Street
• Easily accessible public transport options, including bus, train and ferry
• Plenty of choice for coffee and lunch with numerous cafes, restaurants and a local Woolies

Show your interest: Apply now and be rewarded with a position that directly and positively influences the quality of life for our clients; working with an organization that values your professional contribution and personal well-being.  People of Aboriginal and Torres Strait Island heritage are strongly encouraged to apply.

To submit an application and to view a copy of the Position Description, visit www.anglicanchurchsq.applynow.net.au/  and refer to job number S2985.

For further information please contact Mathew Tibbett on +61 07 3838 7780.

Shortlisted applicants will be asked to complete a Pre-Employment Assessment that requires disclosure of pre-existing injuries, illnesses or conditions that could reasonably be aggravated by performing the duties of this position.

3. STUDIO MANAGER: FRAMES, Royal Museums Greenwich, Kidbrooke (London, UK)

• Applications closing date: August 20, 2017
• Interview date: August 29, 2017
• Salary: GBP30,000 – 37,000 per year

With sound frames conservation experience, you’ve a proven track record of managing and motivating teams working on complex conservation projects as well as undertaking challenging treatments yourself.

Bring your talents to Royal Museums Greenwich and get hands on with our frames collection, which includes historic carved and gilded frames as well as modern ones. All of which house one of the most significant art collections in Britain telling fascinating stories of the sea, ships, astronomy and time.

As well as an inspiring new role, you’ll enjoy working in a brand-new conservation studio at the Prince Philip Maritime Collections Centre. This purpose-built studio will provide unique opportunities to work alongside the collection and enhanced potential to develop and grow staff expertise.

Leading all aspects of the conservation and preservation of our frame collections, you’ll plan and allocate the work of the studio to undertake treatments and support the Museum’s busy exhibition program. Your role will be to provide leadership for the studio for staff and volunteers, provide expert advice across the museum, carry out high-level conservation treatment alongside developing an understanding and knowledge of the collections.

With considerable experience in frame conservation, you should have wood working machine qualifications and a strong awareness of H&S. The ability to delegate and prioritize across multiple projects is also essential and you should be able to work collaboratively with colleagues across the museum. A flexible approach and a good knowledge of collections management systems is also key.

For a full job description and details of how to apply, please visit www.rmg.co.uk/jobs.

4. HISTORY AND HERITAGE COORDINATOR, Glen Eira City Council (Australia)

• Applications close on August 27, 2017 
• 12 Month Term Appointment until 1 October 2018 (Parental leave replacement)
• Full Time
• $80K + super

We are seeking an enthusiastic and experience person for a 12-month parental leave replacement to join our Arts & Culture team.

The role includes strategically developing and managing significant Council material to enhance the preservation and promotion of the history of Glen Eira.

You will have:

• Tertiary qualification in history, museum studies, archives management or relevant related discipline
• Experience in reviewing and managing historical material, including its preservation, access and promotion
• Experience in historical collection development, assessment and recording, together with knowledge of archival principles and practices, including digital and hard copy practices
• Demonstrated strong writing skills for documentation of research, preparation of reports, correspondence, and project documentation

For further enquiries please call Tori on +61 9524 3371.  For a copy of the position description please click here: History and Heritage Coordinator Position Description.DOCX.

All applications must quote “Ref 17/128” and address the key selection criteria. Applications are preferred online via www.gleneira.vic.gov.au/careers, or mail to People and Culture, PO Box 42 Caulfield South 3162.

 Glen Eira City Council is an equal opportunity employer and encourages applications from all sectors of the community. 

5. PRINCIPAL HERITAGE OFFICER (ARCHAEOLOGY), Heritage, Environmental Policy & Planning (Brisbane Inner City, Australia)

• Application closing date: August 28, 2017
• Job reference: QLD/250463/17
• Classification PO4
• Yearly salary: $89321 – $96230

This position in the Heritage Branch provides high-level professional advice implementing the state’s strategic approach to identify, conserve and protect significant historic heritage places, shipwrecks and aircraft throughout Queensland. The position is located within the Strategy Heritage Projects team – a highly-skilled, multidisciplinary team responsible for administering the assessment of Queensland Heritage Act 1992 including the discovery and protection of archaeological artefacts and underwater cultural heritage artefacts in Queensland.

Responsibilities – Specifically, you will:

• Lead & manage the development & coordination of strategic programs and protocols to promote the appropriate management of the state’s historic archaeological heritage.
• Assess & advise on potential archaeological issues with development on State heritage-listed places including reported discoveries & development within Priority Development Areas.
• Lead the delivery of the Historic Shipwreck Program for the whole of Queensland.
• Represent EHP at forums & in negotiations creating strategic links within the department, with other government agencies, local government, universities, communities & the private sector.
• Contribute to the recording & management of data relating to heritage places in Queensland including archaeological state heritage places.
• Provide strategic support & advice to the registration team on the archaeological potential of places nominated to the Queensland Heritage Register.
• Provide advice to the Queensland Heritage Council, other Government agencies, local governments, industry & the community on heritage policy, conservation procedures & the legislation governing heritage, particularly historical heritage.
• Build the capacity of the community & local government in the identification, understanding and conservation of places of historical heritage significance.
• Lead & manage highly qualified, multi-disciplinary & innovative teams in the delivery of heritage projects (maritime & terrestrial archaeology).
• Oversee all permitting, maintenance & contract management associated with the management of departmental maritime mooring infrastructure.
• Prepare Ministerial & other correspondence, reports, submissions, presentations & briefing papers relating to the management & protection of heritage places.
• Develop & maintain constructive working relationships with clients, stakeholders & multi-agency/disciplinary project teams & represent the Department when required.

The person we are looking for – Within the context of the duties described above, the ideal applicant will be someone who has:

• High level knowledge of the Queensland Heritage Act 1992, the Historic Shipwrecks Act 1976, the Planning Act 2016, Economic Development Act 2012 & other relevant Acts, & of technical requirements and assessment procedures for the development of places in the Queensland Heritage Register.
• High level ability to analyze development documentation & assess the impact of changes cultural heritage significance of State heritage places, particularly those with archaeological values.
• Knowledge of or the ability to acquire the knowledge of Heritage Branch operations, practices & procedures relating to the administration & management of historic archaeological heritage values.
• High level ability to manage complex heritage projects, business processes & lead and manage multi-disciplinary teams.
• Please refer to role description for further information.
• Applications to remain current for 12 months.

Before applying for this vacancy please ensure you read the documents below:

• 250463 17 – Role Description (Word, 269KB)
• 250463 17 – Role Profile (PDF, 189KB)
• Off line Application form (PDF, 739KB)

Contact person: Nicole Mulholland, +61 (07) 3330 5856.

6. SENIOR DIGITAL ARCHIVIST, National Library of New Zealand (New Zealand)

• Applications close at 5:00 p.m. on Thursday, August 31, 2017
• Type: Permanent
• Hours: Full time
• Location: Wellington
• Business Group: National Library
• Branch: Information and Knowledge Services
• Salary: $70,661 – $95,600

The Senior Digital Archivist is a significant role that supports and improves the Library’s efforts to collect and manage the born digital documentary heritage and taonga that is important to research in New Zealand.

In this role, you will act as subject matter expert for the systems and processes used to acquire and manage born digital collections. You’ll lead efforts to assess, test, and improve workflows, processes, access and use of born digital collections. You will also manage the work of the Digital Archivist, perform ingest and technical appraisal, and lead or coordinate efforts to resolve complex born digital ingests. You will work collaboratively with the curatorial, arrangement and description, and digital preservation teams within the Library on issues relating to born digital collecting, preservation, and access.

To succeed in this role, you will need to have:

• Post graduate qualification in the field of library and information science, archival studies, or related field or demonstrated relevant experience
• Strong command of archival theory and practices
• At least 5 years’ experience in a research library, archive, or cultural heritage organization
• Experience processing and working with analogue and born digital or electronic archives and records

For this role, you will be:

• An excellent communicator and influencer, with the ability to work independently, as a team member, and across organisational boundaries
• A problem solver and critical thinker
• Highly organised and able to manage multiple projects and deadlines

If this sounds like you, we would like to hear from you!

For more information please contact: Jessica Moran on +64 04 460 2862 or jessica.moran@dia.govt.nz.

7. CONSERVATION INTERNSHIP, National Library of Ireland (Dublin, Ireland)

• Applications deadline: 3:00 p.m. on Friday, September 1, 2017
• Stipend: €27,000 (subject to normal statutory deductions)
• Applicants should ensure that they are eligible to live and work in Ireland
• Applications from non-conservation graduates will not be considered

The National Library of Ireland offers a one-year Conservation Internship, jointly funded with the Heritage Council of Ireland. The internship is part of the Heritage Council’s commitment to the promotion of best practice for conservation in Ireland. The intern will work alongside experienced conservators in the NLI’s busy conservation studio. The internship will combine studio practice and research and preservation, and will develop and broaden the intern’s knowledge and experience. He/she will work on a variety of collections from the manuscript, printed and visual collections of the National Library of Ireland, as well as assisting in the preparation and installation of exhibitions and loans. The intern will be encouraged to publish and present their work to different and diverse audiences.

Requirements:

• Recent graduates of a recognized book &/or paper conservation training program (2015-2017)
• Theoretical understanding and practical experience of conservation treatments (paper and/or book or parchment)
• Experience in surveying/ dealing with large collections
• Ability to work independently and as part of a team
• Excellent written, verbal & IT communication skills

To apply, post 3 hardcopies of completed application form to Human Resources, National Library of Ireland, 4 Kildare Street, Dublin 2, Ireland.

Deadline for receipt of completed applications is 3:00 p.m. on Friday, September 1, 2017.

8. ACADEMIC ASSOCIATE IN PAPER CONSERVATION, State Academy of Art and Design Stuttgart (Stuttgart, Germany)

• Application deadline: September 28, 2017

The State Academy of Art and Design Stuttgart is seeking to fill the permanent position of academic associate for the conservation of works of art on paper, archives, and library materials (pay scale 13TV-L) optimally by January 1, 2018.

Responsibilities: The BA and MA study program is focused on the conservation of works of art on paper and includes archives- and library materials. The academic associate will support students in practical and theoretical education modules, guide them towards independent scholarly work, contribute in the guidance of students in BA-, semester- and MA-projects and contribute in projects of the study program. An interest in cooperating also within the institute for conservation sciences of the Academy and external partners is expected.

Prerequisites: successful completion of a diploma- or masters-level education in paper conservation and specialized skills in conservation practice and didactics, creative initiative, willingness for team work, planning and organizational talent, participation in events, contribution to internal administration of the academy, fluent German language proficiency, good IT- and English language knowledge.

The equal opportunity act requires the Academy to increase the employment of women in artistic/scientific positions. The university therefore welcomes respective applications.

Individuals with disabilities are treated preferentially providing equivalent qualifications.

Applications including CV and information illustrating the professional career (e.g. professional projects, focus areas, etc.) must be received by postal service at the Akademie der Bildenden Künste Stuttgart, Sachgebiet Personal, Am Weißenhof 1, D-70191 Stuttgart, Germany; or by email at bewerbung@abk-stuttgart.de by September 28, 2017. If you have any questions, please use this email.

Further information about the study program can be found at: www.abk-stuttgart.de, and www.papierrestaurierung.abk-stuttgart.de.

 9. RESEARCH ASSISTANT, NON-INVASIVE ANALYSIS OF ILLUMINATED MANUSCRIPTS, Fitzwilliam Museum, University of Cambridge (Cambridge, UK)

• Applications closing date: October 20, 2017 at midnight
• Planned interviews: w/c 13 November 2017
• Zeno Karl Schindler Foundation, MINIARE Fellow
• GBP 25,298 – 29,301
• Twelve-month contract starting January 2018

The Fitzwilliam Museum houses the principal collections of art and antiquities of the University of Cambridge, and holds over half a million objects in its care. The Department of Manuscripts and Printed Books (MSSPB) preserves one of the finest collections of illuminated manuscripts in the world, dating from the tenth to the sixteenth century.

The successful candidate, supported by the MINIARE Fellowship of the Zeno Karl Schindler Foundation, will join the cross-disciplinary team of the research project MINIARE (Manuscript Illumination: Non-Invasive Analysis, Research and Expertise, www.miniare.org). Based at the Fitzwilliam Museum, University of Cambridge, MINIARE focuses on the non-invasive analyses of the materials and techniques used in medieval and Renaissance illuminated manuscripts.

Under the supervision of the Fitzwilliam Museum’s Research Scientist and the Keeper of Manuscripts and Printed Books, the Zeno Karl Schindler / MINIARE Fellow will analyze medieval and Renaissance illuminated manuscripts with a combination of non-invasive analytical tools. He/she will be trained in the combined, mutually complementary use of different imaging and analytical methods. He/she will become fully aware of the conservation needs of unique and exceptionally fragile manuscripts, as well as of the broader cultural and historical questions that the Museum’s cross-disciplinary research endeavors to clarify.

Candidates should hold a Bachelor’s or Master’s Degree in physics, chemistry, materials science or cultural heritage science. Those who have recently completed a PhD in any of these fields will also be considered. They should be familiar with a range of analytical and technical imaging methods.

A collaborative, supportive and flexible team working style is essential. The ability to deal with people at all levels and in a professional manner is crucial. A high degree of IT literacy, preferably including the use of software for data acquisition and analysis and image processing, is required. A strong interest in art and art conservation would be an advantage.

To submit an application for this vacancy, please click on the link in the “Apply online” section of the advert published on the University’s Job Opportunities pages www.jobs.cam.ac.uk/. This will route you to the University’s Web Recruitment System, where you will need to register an account (if you have not already) and log in before completing the online application form.

Any queries should be directed to recruitment@fitzmuseum.cam.ac.uk or Tel: +44 01223 764840.

Offers of employment will be conditional upon the satisfactory outcome of a Security check. Whether an outcome is satisfactory will be determined by the University

10. CONSERVATION AND RESTORATION COORDINATOR, Museu de Arte de São Paulo (São Paulo, Brazil)

The Conservation and Restoration coordinator will be responsible for the preservation, conservation, and restoration of artworks belonging to the MASP collection.

Main assignments:

• Conservation and care of the museum collection.
• Perform restoration treatments, keeping proper documentation.
• Evaluate artworks utilizing stereo-microscope, infrared reflectography, X-ray fluorescence analyses, among other techniques.
• Write condition reports of the collection.
• Design and execute micro-climate vitrines for display of paintings and sculptures.
• Travel as a courier accompanying works of art nationally and internationally.
• Support the loan department regarding conservation topics.
• Evaluate and record the condition of paintings being considered for acquisition.
• Develop conservation projects in partnership with other international museums.
• Consult with and oversee the shipping companies regarding the proper packing requirements and safe shipping of artworks.
• Support temporary exhibitions: check incoming and outgoing artworks, write condition reports when necessary, work with the collection and exhibition staff regarding safety of exhibiting works, lighting, temperature, and relative humidity requirements.
• Oversee the preventative conservation of the collection, advising colleagues on the care, storage, and conservation of the collection.
• Provide assistance to the staff regarding the fragility of artworks when handling the works for framing, mounting, attaching backing boards, etc.
• Periodically monitoring the condition of the collection.
• Collaborate with other museum staff and curators, offering orientation regarding the condition, conservation and care of the collection.
• Carry out anoxic treatment of insect infested artworks.
• Monitor and control insect infestation and problems with mold, when necessary.

Background, Knowledge, And Previous Experience Required

• Postgraduate degree in arts conservation with specialization in paintings conservation from an internationally recognized institution.
• Five years minimum previous practical experience in painting conservation, preferably in art museums;
• Experience in examination and treatment of paintings;
• Basic knowledge of imaging techniques for record keeping: digital photography including UV, infrared reflectography, X-ray, etc.
• Experience in both the treatment of old masters and modern paintings is desirable.
• Digital photography for making condition reports. Basic knowledge of chemical and technical methods of analyses of art works
• Basic knowledge of biology of microorganisms found in museum collections.
• Fluency in writing, speaking, and reading Portuguese and English; knowledge of other languages desirable.
• Availability for frequent domestic and international travels.
• Professionalism, management and teamwork experience, proactivity

Write to rh@masp.org.br, adriano.pedrosa@masp.org.br

11. PAINTING CONSERVATOR, Q Art Conservation Pte Ltd (Singapore)

Q Art Conservation Pte Ltd is part of Q Framing Group in Singapore. Q Framing Group provides Fine Art Framing and Conservation Services to Singapore’s Museums, Galleries and Private Collections.

We provide local transportation, crating and packing, installation, Fine Art Custom Framing, and conservation services to museums, galleries, auction houses, private and corporate collections.

As part of our growth, we now have a vacancy for the position of Conservator of Paintings. Qualified candidates will have academic credentials from a recognized conservation training program and specialized experience beyond the degree in the study, care, and treatment of paintings. This position is responsible for carrying out the examination, documentation, and treatment of paintings on behalf of Q Art Conservation Pte Ltd. This position requires experience in the typical range of conservation activities involved in optimal preservation and presentation of a large and varied range of paintings originating in South East Asia.

The Conservator of Paintings has direct responsibility for conservation of paintings spanning many cultures across South East Asia. Candidates must possess outstanding visual and manual aptitudes, strong written and oral communication skills, a sound art-historical and technical knowledge of painting, and demonstrates ability to deal with the complexities and dynamic pace of a private conservation studio.

Duties include:

1. Carry out physical examination and documentation of paintings on behalf of Q Art Conservation by:

• carrying out surveys of the physical condition of paintings to assist in the planning of treatment proposals
• performing detailed examination of the materials, structure, and condition of paintings;
• prepares written reports on the materials, structure, and condition of paintings, and on treatments proposed for those works and estimated costs
• performing slide and digital photography as well as image processing
• adhering to accepted professional standards in all aspects of examination and documentation

2. Carry out complete conservation and restoration procedures of minor to major complexity on paintings, by:

• performing such treatments as solubility testing, consolidation, reduction of deformation, facing, lining, lining removal, surface cleaning, varnish removal, overpaint removal, infilling, inpainting, and surface coating application
• implementing preventive conservation measures, provide feedback and assist in frame modification, re-framing, and others, to prepare paintings for display, exhibition, loan, photography, or storage
• operating specialized equipment such as the heated suction table during paintings conservation treatment
• recording photographically the various stages of treatment to create a permanent documentary record
• maintaining accurate records and preparing written final reports of the treatments carried out
• maintaining an awareness of hazardous materials and performing duties in accordance with accepted standards of health and safety; ensuring that junior staff and interns follow safe procedures
• adhering to accepted professional standards in all aspects of conservation treatment

3. Contribute to the safe display, storage, and movement of paintings, by:

• recommending framing and hanging systems to ensure the physical safety of paintings
• recommending safe environmental levels of light, temperature, and relative humidity
• recommending safe packing methods for art works being stored or transported
• advising on safe handling procedures

4. Perform other related duties, as required, including but not restricted to:

participating in periodic inspections of works of art

• collaboration on projects with other conservators, proposal writing, and site-visits
• assisting other conservators in the examination and/or treatment of works of art
• assembling specialized equipment such as humidity chambers, temporary stretchers, work surfaces, and maintaining laboratory equipment and tools as required

The ideal candidate will possess the following as minimum qualifications:

• Master’s degree in Art Conservation, or equivalent combination of conservation training and experience.
• Three or more years’ experience in the examination and treatment of paintings,
• Advanced skills in: examining paintings to establish their physical condition; distinguishing between original materials and later additions, recommending conservation measures and carrying through to completion restoration operations of minor to major complexity.
• Comprehensive knowledge and understanding of the materials and techniques of traditional easel paintings on canvas, wood, and related supports.
• Thorough understanding of the mechanisms of physical, chemical, and biological deterioration of materials making up paintings
• Sound knowledge of the principles, processes, and practices involved in the preservation and treatment of paintings, both traditional and the most recent developments
• Understanding of safe handling, framing, crating, and shipping practices
• Ability to adhere to deadlines.
• Ability to perform the physical labor as required for specific treatments.
• Previous experience in private practice is an advantage.

If you feel that you possess the experience and qualifications outlined, please submit your cover letter, resume and salary history/requirements to our HR department at qframing@qframing.com.sg for consideration.

This is a full-time salaried position, which requires relocation to Singapore. Compensation will commensurate with qualifications and experience – benefits include medical insurance and annual paid leave.

 

1. Time-Based Media Conservation Fellow, The Art Institute of Chicago
2. Conservation Officer (Planning Policy), Cheltenham Council
3. Assistant Conservation Officer (2 Positions), Warwick District Council
4. Conservator of Works of Art on Paper, Philadelphia Museum of Art
5. Senior Conservator of Paper, The Balboa Art Conservation Center
6. Professional Fellow: Managing Collection Environments Initiative, The Getty Conservation Institute
7. Collections Assistant, Baylor University
8. Assistant Conservator, Los Angeles County Museum of Art
9. Objects Conservator, Academy Museum of Motion Pictures

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1. TIME-BASED MEDIA CONSERVATION FELLOW, The Art Institute of Chicago (Chicago, IL, USA)

• Application deadline: August 11, 2017
• Start date: Fall 2017
• Apply here: www.artic.edu/employment
• Job No. 9821

For the first time at the Art Institute of Chicago, the Conservation and Science Department is pleased to offer a two-year fellowship (may be renewable for an additional year) for a dedicated time-based media conservation fellow.

An encyclopedic museum committed to the art of all time, the Art Institute has long made a practice of collecting, exhibiting, and preserving film, video, and time-based media art, with acquisitions in this area going back five decades and spanning three main curatorial departments (Architecture and Design, Modern and Contemporary Art, and Photography). The museum has a dedicated gallery, the Donna and Howard Stone Film, Video, and New Media Gallery in the Modern Wing, and more than fifty moving image installations have been presented to the public in recent years throughout the museum.

The full-time time-based media (TBM) conservation fellow will have the opportunity to assist in setting up conservation strategies, workflows, and procedures for the preservation and documentation of the museum collection.

The fellow will work as part of a cross-departmental team under the leadership of the Grainger Executive Director of Conservation and Science and the Deputy Director and Chair and Curator of Modern and Contemporary Art. External consultants will also be brought in as needed for additional mentorship.

Specifically, the fellow will:

• Assist with the development and implementation of institutional policies and best practices for preservation of TBM works with the goal of achieving a sustainable cross-departmental approach to managing, storing, accessing, and preserving them.
• Engage the expertise and coordinate the activities of various constituents both inside and outside the museum, including conservation, registration, curatorial, information technology, and others, with the goal of preserving TBM works.
• Establish and execute acquisition protocols and collection management workflows for TBM works across departments.
• Perform technical examination and document TBM works, including film, video, multimedia software, html interactives, and any digital formats that may emerge.
• Assist with collection care activities, such as proper documentation for new acquisitions and installation, collecting information from artists and other authorities on TBM works, and cataloging equipment to develop plans for their maintenance, replacement, stockpiling, and updating.
• Develop individualized preservation plans for TBM works.
• Employ digital preservation methods, including migration, encapsulation, emulation, software archiving, and hardware archiving.
• Review digital files and enter files into the museum’s digital asset management system.

The incumbent will be encouraged to share findings with colleagues pursuing similar endeavors in Chicago, the Midwest, and the broader conservation field. The fellow will also assist with efforts to secure additional funding to establish a Time-Based Media Conservation Lab Initiative.

While the fellow’s home department will be Conservation and Science, fellowship activities will be performed in collaboration with many departments at the museum, including curatorial departments (Modern and Contemporary Art, Architecture and Design, and Photography), Exhibitions, Registration, Information Services, Digital Experience, and Academic Engagement and Research.

Qualifications:

• A Master’s degree from an accredited institution in time-based media, fine arts conservation, or a related discipline, such as audiovisual archiving and preservation, computer science, film/television production, or information science.
• Some experience working with TBM collections required; as well as knowledge of the best practices for condition assessment, documentation, installation, and preservation of TBM works in a range of analog and digital formats. The incumbent must be familiar with the AIC code of ethics and standards of practice, and possess good IT skills, including experience with digital asset management systems.
• Given the diffuse nature of preserving time-based media art, excellent project management, problem-solving, and communication skills are required.

Candidates should submit their resume, two letters of recommendations, and a cover letter detailing the candidate’s interest in applying for the fellowship and what skill set the candidate would bring to the position, along with a portfolio with two or three examples of projects (please attach all as one document). Apply here: www.artic.edu/employment.

Fellowship start date: September 18, 2017, or at earliest convenience.

For inquiries about the position, please contact Francesca Casadio, A.W. Mellon Sr. Conservation Scientist, fcasadio@artic.edu.

This is a temporary special projects position.

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2. CONSERVATION OFFICER (PLANNING POLICY), Cheltenham Council (Cheltenham, UK)

• Application closing date: August 20, 2017
• Interview date:  TBC
• Minicom: 01242 264264
• Fixed term for 1.5 years
• Salary: Grade F (£23,398 – £25,591 pa)

Cheltenham has a wide range of heritage assets ranging from formal Regency terraces to an interwar garden suburb. It has 2,600 listed buildings and seven conservation areas, one of which is the largest conservation area in Europe at just over 600 hectares. It is an exciting place for heritage professionals.

We are looking for a conservation officer to fill a vacancy in a small but busy team to help with the re-appraise of the town’s conservation areas and development of conservation policy.

The town is currently a thriving place to work, with a number of urban growth proposals, emerging local and strategic plans and a significant town center transport and public realm project.

You will be based right in the heart of the conservation area on in a Grade II* Regency Terrace located on Cheltenham’s Promenade, with its bustling retail offer and open spaces.

You will be skilled and self-motivated, ideally with experience in offering advice to the community, planners and the council generally on conservation area, listed building and related planning work.

You will be keen, knowledgeable and able to fit easily into the team. If you think you can help, we are interested to hear from you.

For an informal discussion call Philip Stephenson on +44 01242 264379.

To apply download the application form and job description and person specification. Please email completed applications to jobs@cheltenham.gov.uk and please quote reference PED006 after the post title.

We are working towards equal opportunities

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 3. ASSISTANT CONSERVATION OFFICER (2 POSITIONS), Warwick District Council (Warwick, UK)

• Closing Date: August 28, 2017
• £21,268 – £23,398 per annum
• 37 hours per week

Warwick District Council is looking for two enthusiastic and self-motivated team players, committed to heritage protection, good design, and excellent customer service.

With over 30 conservation areas, around 2000 listed buildings, and national treasures such as Warwick Castle, Kenilworth Castle, and Stoneleigh Abbey, we can provide you with a unique opportunity to work in an exciting heritage environment.

a) Assistant Conservation Officer – Permanent Post: The successful candidate will provide advice and guidance on heritage matters to a wide range of customers, advise on applications, compile a local list of historic buildings, and co-ordinate the annual Heritage Open Days event.

b) Assistant Conservation Officer – 12 Month-Fixed Term Contract: Project Manager for a New Canal Conservation Area: the successful candidate will manage a major conservation project to establish a new canal conservation area. This will require the assessment of the district’s canal network and its setting, the identification of potential development sites, public consultation and production of a management plan.

For both positions, you will need to have some knowledge of historic building and conservation area principles, practice and law, along with work experience in protecting the historic built environment.

For further information about either post, please contact Nick Corbett, Principal Conservation and Design Officer, on +44 01926 456545.

To apply for this vacancy please complete all sections of the application form located at the bottom of the job vacancies page and return your completed application to vacancies@warwickdc.gov.uk.

• Assistant Conservation Officer – Job Description and Person Specification
• Assistant Conservation Officer (Canals) – Job Description and Person Specification

Job application form and guidance notes:

• Application form (Word doc) – email to vacancies@warwickdc.gov.uk
• Application form – postal applications (PDF)
• Guidance notes for applicants (PDF)
• Equality – what we aim to do (PDF)
• Recruitment guidance for people with a disability (PDF)
• Recruitment guidance for ex-offenders (PDF)

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4. CONSERVATOR OF WORKS OF ART ON PAPER, Philadelphia Museum of Art (Philadelphia, PA, USA)

• Application Deadline: August 31, 2017

As a member of the Paper Conservation Department of the Museum’s Conservation Division, the Conservator reports to the Senior Conservator of Works of Art on Paper and shares responsibility for conservation of a major and growing collection of works on paper spanning many cultures and curatorial departments. Candidates must possess outstanding visual and manual aptitudes, strong written and oral communication skills, a sound art-historical and technical knowledge of art on paper, and demonstrated ability to deal with the complexities and dynamic pace of a large cultural institution.

Specifically, you will:

• Examine, perform technical and historical study, document, and treat works of art on paper in the collection
• Assess the condition of works requested for loan or being considered for acquisition, and document the condition of incoming or
• outgoing loans
• Advise on installations, storage, handling, packing, and transport of works on paper
• Work with conservation scientists in chemical and instrumental analysis and characterization of materials and construction of works
• of art
• Supervise and instruct conservation junior staff, post-graduate fellows, interns, and technicians
• Promote awareness of the role and work of the museum’s Conservation Division, in part through developing content for public
• outreach

Your diverse background includes:

• Academic credentials from a recognized conservation training program and five or more years of experience beyond the degree in the
• study, care, and treatment of works on paper
• Significant museum experience in the typical range of conservation activities involved in optimal preservation and presentation of
• a large and varied collection
• Involvement in the support of active loan and exhibition programs
• Experience working cooperatively with staff at large to meet departmental and institutional goals

Apply at: www.philamuseum.org/jobs/.

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5. SENIOR CONSERVATOR OF PAPER, The Balboa Art Conservation Center (San Diego, CA, USA)

• Applications deadline: September 25, 2017

The Balboa Art Conservation Center (BACC) seeks a senior conservator to head the Center’s paper conservation department. In addition, the department is staffed by an Assistant Conservator of Paper, is supported by BACC administrative staff, and shares a conservation technician with the Paintings Conservation Department.

BACC is an active, nonprofit, regional conservation center located in the heart of the beautiful and historic Balboa Park in San Diego, California. The Park is home to a campus of cultural institutions such as the San Diego Museum of Art, Timken Museum of Art, and San Diego History Center. Since its founding in 1975, BACC has been devoted to the preservation of material culture held in both public and private collections. The Center’s services cover a wide spectrum including the formulation and implementation of treatments for paintings, frames, and paper artifacts, technical examinations using microscopy, infrared reflectography, and x-radiography, preventive conservation assistance, and environmental, general, and collection specific surveys. Types of paper artifacts treated by BACC reflect the broad range of collections served and are of all periods and constructed with a broad array of materials.  As the Center offers internships and fellowships on a regular basis, the working environment emphasizes an atmosphere of learning, collegiality, and cooperation.

The ideal candidate will have an excellent background in paper conservation with a minimum of 7 years of post-graduate experience. They will have highly developed practical skills with ability to accurately assess deterioration and damage, formulate appropriate treatment protocols, and undertake treatments not only independently but as a team leader.  Other characteristics of the ideal candidate are that they are collaboratively-minded, conservation treatment-oriented, and prepared to be an integral part of the Center’s conservation staff.

Innovative thinking is required for challenging projects as are good analytical and problem solving capabilities. Strong attention to detail while working to project deadlines and sound project management experience are essential strengths sought. As the Senior Conservator will head the paper conservation department, they must have solid experience managing workflow, overseeing conservation treatments, managing and supervising staff, and supervising fellows or interns.

Position requirements include a Master’s Degree from an accredited conservation program or its equivalent in paper conservation, excellent writing ability, and good communication and interpersonal skills. Compensation is commensurate with experience while benefits are excellent and comprehensive. Interested applicants should apply in writing with a letter of interest, resume, three letters of professional reference, and three examples of treatment experience.

Please submit applications by Monday, September 25, 2017 to: Janet Ruggles, Executive Director, Balboa Art Conservation Center, PO Box 3755, San Diego, CA 92163.

Digital applications should be submitted to info@bacc.org with the title “Senior Conservator of Paper Application.”

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6. PROFESSIONAL FELLOW: MANAGING COLLECTION ENVIRONMENTS INITIATIVE, The Getty Conservation Institute (Los Angeles, CA, USA)

• Application deadline: September 29, 2017

The Getty Conservation Institute (GCI) Professional Fellowship is a three-year program designed to provide in-depth opportunities for practitioners to build and strengthen their skills and experience as conservation professionals, while working under the guidance of experienced GCI staff. For additional information about the GCI: www.getty.edu/conservation/index.html.

The GCI Professional Fellow for the Managing Collection Environments Initiative (MCE) will work closely with both the MCE project team of conservators and scientists as well as external consultants and partners who include architects, engineers, conservators, scientists and other museum personnel. MCE is a collaboration of the Collections and Science departments and currently organized around two core areas of work: scientific research that aims for a better understanding of the response of hygroscopic materials to climatic fluctuations at both the micro and macro scale, and a program of educational activities for conservators and related professionals. In the next year, the initiative will also be embarking on a number of field activities that will allow the testing of new research and/or practical methodologies in museum settings.

While the fellow will be assigned to the Collections department and will be engaged primarily in education and field activities, he/she will be exposed to all areas of initiative’s work and may participate in aspects of research. The fellow will also join with other members of the team in producing and disseminating articles and didactic resources that present MCE’s work to the profession. For additional

Information about MCE: www.getty.edu/conservation/our_projects/education/managing/index.html.

Major Job Responsibilities: The fellow will assist the MCE project manager in a variety of activities including: design and implementation of field activities, courses and short workshops. This will require carrying out background research pertaining to a particular issue or venue, assisting in planning activities, applying expertise in carrying out conservation projects in the field, and writing internal reports and other documents related to the projects.

The fellow will have the opportunity to serve as co-author on MCE-related articles and conference presentations. Professional development will be encouraged and assisted through participation in professional meetings, conferences or workshops.

Qualifications: Applicants should have a graduate degree in conservation, and 3–5 years of work experience relating to the conservation of museum collections. Candidate should have a strong interest and experience in preventive conservation and managing museum environments.

Knowledge, Skills and Abilities: Must be able to demonstrate technical knowledge and past experience working in the area of preventive conservation in museums, historic houses, or related cultural organizations. Candidate should be familiar with current research and issues relating to the management of collection environments and should have some knowledge of the concepts of risk assessment and management. Candidate must be familiar with sound conservation methodology in general and with ethical practice.

Good interpersonal and verbal skills and the ability to work in small interdisciplinary groups are required. Excellent writing skills and the ability to contribute to and to write reports and papers for both professional and more general audiences are needed. Good organizational and time management skills are required. Must be available for international and national travel; some trips may be of several weeks’ duration. Fluency in English is required and an additional language, particularly Spanish, is preferred.

The fellowship is for a three-year period that begins from the starting date. An excellent benefits package and salary commensurate with qualifications and experience will be provided.

All interested applicants must apply for this job online (when prompted, select “Create with Resume” or “Create with Online Form”) and upload the following documents in one PDF file (when prompted to “Upload Resume”/”Submit Resume”).

Required Documents:

• Statement of Interest: Each application must include a statement of interest (not to exceed two pages, typed and double-spaced).
• Curriculum Vitae
• Writing Sample: Each applicant must submit one writing sample of not more than 15 pages.
• Confirmation Letter: Applicants must submit confirmation from their academic institution that their graduate degrees have been awarded (please do not send by mail).

To apply, please visit: https://jobs-getty.icims.com/jobs/2882/gci-professional-fellow%2c-managing-collection-environments-initiative/job. Completed application materials must be received on or before September 29, 2017.

If you have specific questions about the GCI Professional Fellowship, please email gcistaffing@getty.edu.

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7. COLLECTIONS ASSISTANT, Baylor University (Waco, TX, USA)

Baylor University is seeking a Collections Assistant with deep appreciation for art and its cultural & educational value. This position is responsible for assisting the assisting the Collection Manager with conducting inventories of the collection, arranging and organizing collection items to facilitate care and management, and input collection data to keep computerized records up-to-date.

The successful candidate for this position will:

• Possess a love for artwork and thrives in a quiet work environment
• Experience working with cultural and natural history collections
• A strong interested & understanding of natural science
• Possess good computer and interpersonal skills
• Ability to work independently
• Is detail oriented and strives for accuracy in their work
• Have excellent oral and written communication skills
• Have an interest in and understanding of cultural history as well as natural science

Qualifications: A Bachelor’s Degree, one year of relevant work experience, and a Christian faith are required.  A Bachelor’s Degree and two years of direct work experience are preferred.  Prior art museum experience is desirable.

Working at Baylor is so much more than simply having a job!  As part of the Baylor family, employees not only receive a comprehensive benefits package that includes medical and dental insurance, generous time off, and fantastic automatic retirement contributions*, they also get to experience Baylor.

• Experience the culture of working for an institution consistently ranked as a “Great College to Work For” by The Chronicle of Higher Education
• Experience a mission driven organization based on a strong Christian commitment (edu/about)
• Experience Baylor academics with outstanding tuition remission for staff and qualified dependents*
• Experience our beautiful campus with access to libraries, museums, and recreational facilities such as our fitness center, athletic courts, an indoor swimming pool, and the Baylor marina to name a few
• Experience our great dining facilities and enjoy an employee discount
• Experience Baylor athletics with reduced admission or free access to athletic events
• Experience Baylor through many more wonderful events and programs that take place on campus each year

*For more details and eligibility requirements, please visit www.baylor.edu/hr.

To apply view the full position description: Collections Assistant. Please submit an on-line application at https://jobs.baylor.edu along with a cover letter and resume.

Baylor University is a private Christian university and a nationally ranked research institution, consistently listed with highest honors among The Chronicle of Higher Education’s “Great Colleges to Work For.” Chartered in 1845 by the Republic of Texas through the efforts of Baptist pioneers, Baylor is the oldest continuously operating university in Texas. The university provides a vibrant campus community for over 16,000 students from all 50 states and more than 80 countries by blending interdisciplinary research with an international reputation for educational excellence and a faculty commitment to teaching and scholarship. Baylor is actively recruiting staff who support our mission as we pursue our bold vision, Pro Futuris.

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8. ASSISTANT CONSERVATOR, Los Angeles County Museum of Art (Los Angeles, CA, USA)

Reporting to the Project Manager, Watts Towers, the Assistant Conservator participates in the conservation of Watts Towers of Simon Rodia -a national historic monument located in South Los Angeles consisting of seventeen interconnected structures, two of which reach heights of over 99 feet. Watts Towers was built by Sabato Rodia, in his spare time over a period of thirty-three years. The armatures of the structures are constructed from steel pipes and rods, wrapped with wire mesh, coated with mortar that is embedded with pieces of glass, tile, porcelain, and sea shells.

Some duties include: assists with condition assessment and photographic documentation of the sculptures; performs treatments using techniques and procedures previously developed and tested by LACMA staff for the repair of cracks and spalls in the cement mortar and the securing of loose decorative elements; collects data for various monitoring programs; provides administrative tasks including (but not limited to) office organization and supply sourcing.

The qualified candidate must have a Master’s degree in art/architectural conservation from a recognized training program, and three to five years of related experience/employment in conservation. Experience with working on building materials (architecture) or large-scale sculpture constructed from reinforced masonry is desirable.  Familiarity with the use of power tools and ability to work at high elevations (100 feet) on scaffolding is essential. The successful candidate must be conversant with standard software for writing reports and processing images such as Adobe Photoshop, MS Excel, and FileMaker Pro.

An Equal Opportunity Employer: It is the policy of the Los Angeles County Museum of Art to provide all persons with equal employment practices and opportunities without regard to race, color, religion, ancestry, sex, sexual orientation, national origin, disability, age, veteran or marital status or any other characteristic protected by federal, state or local law.

Please follow this link to apply: https://workforcenow.adp.com/jobs/apply/posting.html?client=museasstes&jobId=126737&lang=en_US&source=CC3.

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9. OBJECTS CONSERVATOR, Academy Museum of Motion Pictures (Los Angeles, CA, USA)

The Objects Conservator for the Academy Museum of Motion Pictures will be primarily responsible for the treatment of objects in the Museum’s permanent collection. The ideal candidate must have experience with examination and treatment of a wide variety of contemporary and modern art objects. Experience with contemporary and historic film-related objects including historic film technology equipment is desirable. This is a permanent full-time position.

Reports to the Head of Registration and Collections Management.

Responsibilities:

• Examines and treats a broad range of objects, often composed of unorthodox or unusual materials with appropriate photographic and written documentation, adhering to the AIC’s Code of Ethics. This includes but is not limited to: identifying structure and components, classifying condition issues and determining treatment plans. These processes may include cleaning, structural consolidation and compensation procedures, and recommendations for appropriate preventative conservation measures as well as storage solutions.
• Assists with the development of preservation policies and helps establish appropriate conservation methods for storage, handling, technical examination, identification, display, and transport for all artifacts in the Museum’s collections or care.
• Advises other staff as necessary including curators, collection processors, registrars, preparators and installation crew on the safe care, handling and storage of artifacts.
• Examines collection material and makes recommendations regarding condition of the material for display and travel. Collaborates with other departments to safely prepare, install, and exhibit objects for internal or external museum exhibitions.
• Ensures environmental conditions of collection vaults and exhibition galleries are monitored and recorded. Works with the department head, facilities, security and building managers to troubleshoot issues as needed.
• Other duties may include condition checks for objects from incoming and outgoing loans, technical examination of objects considered for purchase, de-installation, transport, unpacking and packing of crates and other movement requiring proper handling. May act as courier of collection objects when necessary.
• Supervises fellows, assistants and other contract conservators.
• Collaborates with conservators in other Academy departments. May also collaborate with film industry experts.
• Manages and maintains the conservation laboratory in the Museum building as well as organizes and sustains supply inventories for the laboratory in accordance with appropriate health and safety guidelines.
• Determines need for new and additional equipment and recommends their purchase.
• Maintains awareness of current conservation techniques by reading current literature, attending lectures/workshops, etc. Contributes to the field by publishing research. Regularly networks with professional colleagues and actively participates in professional organizations concerning the conservation of art and archives.
• Other duties as assigned.

Education and experience:

• Master’s degree in art conservation or equivalent with a specialization in object conservation. A minimum of 5 years of object conservation experience is required, additional education, training and experience in conservation highly desirable. A portfolio of relevant work is required.
• Knowledge of and experience with the care and maintenance of a variety of modern and contemporary art objects that may include painted and unpainted objects made of metal, wood, stone, ceramic, plastic, rubber, wax, mixed media, or other unique materials and installations that include electrical components and that are both small and oversized.
• Experience with the use of various examination aids such as ultra violet light, I-R reflectography and beta-radiography and knowledge of analytical instrumentation and its applications.
• The position requires work performed in the galleries and in a normal laboratory environment, including long periods of standing, recurring bending, stopping, stretching, reaching or similar activities.
• Physical strength and manual dexterity in handling and treating objects is a requirement.
• The incumbent works in a laboratory environment containing moderately hazardous to hazardous chemicals and flammable solvents, and is required to be aware of and to use special safety precautions to prevent exposure to such agents.
• Must have a valid passport and driver’s license and be willing to travel domestically and internationally as necessary. Travel between local Academy buildings is required.
• The incumbent will have strong project management, organizational, interpersonal, and communication skills and will collaborate with contract conservation staff when necessary.
• Demonstrated computer and related technology skills; proficiency with library/museum databases, word processing, spreadsheets, and digital photo editing.
• Must possess excellent written and oral communication skills and work collaboratively with other Academy staffs.
• Membership and participation in major conservation associations such as AIC or IIC.

To apply please visit, www.oscars.org/careers.

Any questions about the position may be directed to Sonja Wong Leaon, Head of Registration and Collections Management, swongleaon@oscars.org.

1. Historic Preservation Specialist, FEMA Region III
2. Head of Library Conservation, Emory Libraries & Information Technology
3. New Studentship at UCL: Science and Engineering in Arts, Heritage, And Archaeology on Church Heating Systems
4. Textile Conservator, Jeff R. Bridgman American Antiques, Inc
5. Historic Preservation Officer, City of Evansville
6. Senior Conservator/Project Manager, Conservation Solutions Inc.
7. Assistant Conservator/Project Manager, Conservation Solutions Inc.
8. Conservator/Project Manager, Conservation Solutions Inc.
9. Collections Management Assistant, Metropolitan Museum of Art
10. Conservator, Judd Foundation

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1. HISTORIC PRESERVATION SPECIALIST, FEMA Region III (Philadelphia, PA, USA)

• Application deadline: August 4, 2017
• Salary: $53,575 to $84,263

FEMA Region III Environmental/Historic Preservation (EHP) is hiring one Environmental Protection Specialist. The position is within the Environmental/Historic Preservation group in the regional office in Philadelphia, PA. The primary duties of the positions are as follows:

• Acting as a subject matter expert in historic preservation compliance, to include performing compliance responsibilities under Section 106 of the National Historic Preservation Act.
• Performing environmental and/or historic preservation compliance activities for FEMA projects, to include project review and writing consultation letters.
• Consulting with internal and external stakeholders, to include State Historic Preservation Office staff, consulting parties, applicants, tribes, and state agencies.
• Providing historic preservation technical assistance to stakeholders.
• Working on a small, collaborative team to produce high-quality products in an environment with shifting priorities.
• Deploying to disaster locations, as needed, to serve as environmental or historic preservation staff in the field.
• Candidates should possess excellent written and oral communication skills.

Every FEMA employee has regular and recurring emergency management responsibilities, though not every position requires routine deployment to disaster sites. All positions are subject to recall around the clock for emergency management operations, which may require irregular work hours, work at locations other than the official duty station, and may include duties other than those specified in the employee’s official position description. Travel requirements in support of emergency operations may be extensive in nature (weeks to months), with little advance notice, and may require employees to relocate to emergency sites with physically austere and operationally challenging conditions.

The position is a full-time, temporary four-year position at the GS 9 ($53,575 to $69,651) or GS 11 ($64,820 to $84,263) level. This includes access to federal benefits such as: health, dental, vision, life, and long-term care insurance; Thrift Savings Plan [similar to a 401(k)]; paid personal leave, sick leave and federal holidays; and if applicable public transportation subsidies.

Prior federal service is not necessary, but applicants must be United States citizens capable of successfully passing an entry level Public Trust background investigation and capable of responsibly maintaining a government credit card.

This position is currently open and accepting applications. The application period will close on 8.4.17, or once 200 applications are received. All applications must be submitted online via USAJobs. The link to the job announcement is here: https://www.usajobs.gov/GetJob/ViewDetails/475327300. Applications will be reviewed for supporting documentation to ensure applicants meet the basic qualification requirements. If an applicant is found qualified, he or she may then be referred to the hiring manager for consideration and may be called for an interview.

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2. HEAD OF LIBRARY CONSERVATION, Emory Libraries & Information Technology (Atlanta, GA, USA)

• Candidates applying by August 11, 2017 will receive priority consideration
• requisition/job posting # 73276BR
• Salary: Commensurate with qualifications and experience
• Position Availability: Immediately

The Emory Libraries seek an Assistant Librarian/Associate Librarian/Librarian to serve as the Head of Library Conservation. The ideal candidate will provide leadership in planning and managing library conservation services for all materials in special and circulating collections in all of Emory’s libraries. The incumbent will oversee a team that manages a broad range of conservation and preservation activities which include book and manuscript treatment, exhibition and loan support, disaster relief, environmental monitoring, and facilities planning support. The position reports to the Director of the Content Division.

Position duties:

• With a focus on special collections, plan, perform and document basic and complex conservation treatments for a broad range of materials including books, manuscripts, maps, prints, drawings and works on paper from throughout the libraries at Emory.
• Collaborate with special collections curators, librarians, and archivists as well as exhibits liaisons to establish annual priorities for conservation.
• Prepare condition assessments of items and collections. Advise on conservation needs and options.
• Manage 3 FTE and students; may mentor interns and volunteers.
• Coordinate workflow of conservation lab.
• Oversee health and safety practices.
• Coordinate preventative care, including disaster preparedness and response, pest management, and environmental monitoring programs. Participate in disaster response.
• Serve as a resource for advising on exhibits and loans.
• Serve as a resource for facilities construction projects involving storage and presentation spaces.
• Coordinate equipment maintenance and manage equipment and supply budget.
• Negotiate with vendors and suppliers.
• Present to a wide range of audiences on the work of the conservation lab and conservation topics.
• Serve as a member of the management team within the Content Division.
• Serve on committees throughout Libraries at Emory related to primary job assignment in addition to voluntary campus service and participation in Search Committees as requested.
• Serve on professional and scholarly association committees, task forces, work groups, and other entities at the local, state, regional, national, and international level as appropriate to position and area of expertise.
• Maintain up-to-date professional knowledge and skills in areas related to conservation. Comply with professional standards and practices. Maintain general knowledge of current trends in higher education, academic libraries, and information and educational technology.

Professional responsibilities:

• Participates in appropriate professional and scholarly associations and organizations including maintaining membership and/or accreditation; attending meetings, conferences, workshops; and serving in appointed or elected positions.
• Maintains up-to-date professional knowledge and skills in areas related to primary job assignment as well as maintains general knowledge of current trends in higher education, academic libraries, and information and educational technology.
• Provides reference assistance to Emory students and faculty, visiting scholars, and the public as needed and assigned.
• Adheres to guidelines outlined in the Handbook Governing the Librarian series for Faculty-Equivalent Librarians to ensure appointment, appointment renewal and promotion-in-rank
• Participates in library and campus committees as appropriate for service purposes.

Required qualifications:

• ALA-accredited master’s degree in Library and Information Science OR equivalent education and experience (subject expertise combined with appropriate experience and or library experience).
• Minimum five years’ conservation experience.
• Demonstrated proficiency and capabilities with personal computers and software, the Web, and library-relevant information technology applications. Working knowledge of standard computer office applications such as Microsoft Outlook, Word, Excel, Access, PowerPoint or other productivity software.
• Experience and demonstrated skill in supervision, including hiring, orienting, training and development, organizing workloads, delegating responsibility, providing guidance and direction, monitoring and evaluating performance, coaching and counseling, and taking disciplinary action as necessary. Ability to be proactive, flexible, and collaborative as a supervisor in order to accomplish departmental, library, and institutional goals.
• Portfolio demonstrating complex conservation treatments on a wide range of bound and unbound library materials.
• Demonstrated knowledge of conservation theory and practice and adherence to professional ethical practice in conservation.
• Knowledge of chemistry as it applies to the conservation of library and museum collections.
• Knowledge of the history of the book, the history and techniques of bookbinding and papermaking, and the history of manufacture of other library materials.
• Evidence of analytical, organizational, communication, project, and time management skills and demonstrated ability to set priorities, meet deadlines, and complete tasks and projects on time and within budget and in accordance with task/project parameters.
• Commitment to fostering a diverse educational environment and workplace and an ability to work effectively with a diverse faculty, staff, and student population.
• Capacity to thrive in an ambiguous, future-oriented environment of a major research institution and to respond effectively to changing needs and priorities.
• Demonstrated willingness to respond to new opportunities with initiative, creative energy, and leadership.
• Evidence of active participation, involvement, and leadership in local, state, regional, national, or international professional or scholarly associations.

Preferred qualifications:

• Experience and demonstrated skill in supervision, including hiring, orienting, training and development, organizing workloads, delegating responsibility, providing guidance and direction, monitoring and evaluating performance, coaching and counseling, and taking disciplinary action as necessary.
• Knowledge or experience with photographic materials.
• Familiarity with funding agencies and writing grant proposals.
• Knowledge of one or more foreign languages.

Interested candidates should review the applications requirements and apply online at: https://sjobs.brassring.com/1033/ASP/TG/cim_jobdetail.asp?partnerid=25066&siteid=5449&areq=73276br, requisition/job posting # 73276BR

Applications may be submitted as Word or PDF attachments and must include:

1) Cover letter of application describing qualifications and experience;
2) Current resume/vita detailing education and relevant experience; and
3) On a separate document list the names, email addresses, and telephone numbers of 3 professional references including a current or previous supervisor.

Candidates applying by August 11, 2017 will receive priority consideration. Review of applications will continue until position is successfully filled. Emory is an Equal Opportunity/Affirmative Action Employer that welcomes and encourages diversity and seeks applications and nominations from women and minorities.

General Information: Professional librarians at Emory Libraries are 12-month faculty-equivalent positions evaluated annually with assigned ranks renewable for 3 or 5 years based on experience and background. Appropriate professional leave and funding is provided. Depending on educational credentials and position, librarians may be considered for a shared/dual appointment between the library and academic department as a faculty member.

Librarian appointees at Emory generally have educational credentials and professional backgrounds with academic library experience and/or disciplinary knowledge and demonstrate a commitment to continuous learning, professional engagement and involvement, research and scholarship, creativity, innovation, and flexibility. Such backgrounds will normally include a graduate degree from an ALA-accredited library and information science program AND/OR a discipline-specific master’s OR doctoral degree. In addition to professional competence and service within the library in the primary job assignment, advancement and/or appointment renewal requires professional involvement and contributions outside of the library and scholarly activities. Candidates must show evidence or promise of such contributions.

Emory provides an extremely competitive fringe benefit plan that includes personal leave, holiday pay, medical and dental plans, life insurance, courtesy scholarships, and tuition reimbursement just to name a few. For a full list of benefit programs, please go to http://www.hr.emory.edu/eu/benefits/.

Description of Institution and Library: Emory University is internationally recognized for its outstanding liberal arts college, superb professional schools, and one of the South’s leading health care systems. Emory’s beautiful, leafy main campus is located in Atlanta’s historic Druid Hills suburb and is home to 7,591 undergraduates and 7,103 graduate and professional students. As the third largest private employer in Atlanta, Emory University and Emory Healthcare have a combined workforce of approximately, 29,931 and an annual operating budget of $4.8 billion. Emory University received $574.6 million in research funding in 2016.

Ranked among the top 25 Association of Research Libraries (ARL) in North America, Emory University Libraries in Atlanta and Oxford, Georgia are an intellectual common for Emory University. Comprised of 9 libraries, the holdings include more than 3.9 million print and electronic volumes, 83,000-plus electronic journals, and internationally renowned special collections. Emory is well known in a number of collection areas including modern literature, African-American history and culture, U.S. Southern history and culture, and U.S. civil rights. Emory Libraries staff number approximately 137 and the overall library budget is approximately $25.3 million. The Emory Libraries is a member of the Association of Research Libraries (ARL), the Coalition for Networked Information (CNI), the Center for Research Libraries (CRL), the Council on Library and Information Resources (CLIR), the Digital Library Federation (DLF), International Federation of Library Associations and Institutions (IFLA), and the Scholarly Publishing & Academic Resources Coalition (SPARC) as well as regional associations including the Association of Southeastern Research Libraries (ASERL), Georgia Library Learning Online (GALILEO), and the GETSM Consortium (a consortium of the University of Georgia, Emory, Georgia Tech, Georgia State University, and Georgia Regents University).

The Emory Libraries include the Robert W. Woodruff Library, which is also home to the Stewart A. Rose Manuscripts, Archives & Rare Book Library. Other campus libraries, which serve the specialized and professional schools, include the Goizueta Business Library, the Woodruff Health Sciences Library, the Pitts Theology Library and the Hugh F. MacMillan Law Library in addition to the Oxford College Library located on the Oxford Campus approximately 30 miles from Atlanta.

EEO/AA/Disability/Veteran Employer

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3. NEW STUDENTSHIP AT UCL: SCIENCE AND ENGINEERING IN ARTS, HERITAGE, AND ARCHAEOLOGY ON CHURCH HEATING SYSTEMS, Science and Engineering in Arts, Heritage and Archaeology (SEAHA)

• Application deadline: August 29, 2017 at 5:00 p.m.

Historic churches are facing significant challenges in recent years in meeting increasingly demanding “quality of life” standards whilst they are used in broadening and hosting social engagements within the community. To put this in context, the Church of England owns over 15,000 churches. Of these, 78% are listed (45% of the Grade I listed buildings in England), of which over half actively host some form of community activity. The environmental thermal requirements of modern activities in historic churches are often in conflict with the original nature of these buildings, their historic connotation, the building materials, and in meeting user comfort while at the same time presenting and aligning to the concepts of a sustainable society. The demand for solutions becomes even more critical when such buildings are faced with renovating their building services, usually due to a need to either preserve the building or achieve required comfort conditions to continue to sustain its occupation. This research aims to address this challenge by generating new knowledge to enable the evaluation and implementation of space heating technologies in historic churches, thereby increasing the environmental and social sustainability of the building while taking into consideration relevant constraints such as the preservation of the structure and artefacts as well the anticipated community activities.

For more information on this project, supervisors and how to apply, please visit the SEAHA studentships page: www.seaha-cdt.ac.uk/study-with-us/studentships/.

The UK EPSRC Centre for Doctoral Training in Science and Engineering in Arts, Heritage and Archaeology (SEAHA) is an 8-year initiative (2014-2022) to establish an infrastructure to meet challenges set by the heritage sector, industry and government. Working with heritage and industry partners, SEAHA students will create, innovate or use sensors, instrumentation, imaging, digital and creative technologies to improve our understanding of heritage, to develop science and engineering capabilities and to benefit the economy.

For more information on SEAHA, please visit the SEAHA website: www.seaha-cdt.ac.uk.

Studentship enquiries should be emailed to the project supervisor: Dr. Kenneth Ip, K.Ip@brighton.ac.uk.

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4. TEXTILE CONSERVATOR, Jeff R. Bridgman American Antiques, INC (York County, PA, USA)

Leading authority in antique American flags, political textiles, and American folk art, who also operates a very busy textile conservation business, seeks full-time, on-site conservator. Applicants should have an advanced degree in art conservation with an emphasis in textiles and should be highly skilled at sewing and exceptional at color matching. Persons with a strong background in painting preferred for creating underlay patches behind printed textiles with loss. This is an on-site position with daytime hours, but with a limited amount of occasional overtime and weekends

We are the largest dealers in antique flags and for going on 18 years have run a full-time textile conservation business where we have conserved and framed literally thousands of examples. Because flags are so large by nature, there may be no one nation-wide who has handled so many pieces that are so large in scale. We take great care and expense in the preservation of what we sell. We stock about 2,500 flags, mostly 19th century, so much of our work is to conserve and frame our own material, but we also take on outside work for private collectors, museums and various non-profit organizations.

While not precisely in the museum field, we do bridge into it with some regularity. Jeff sells to museums and performs pro-bono appraisals for museum-to-museum loans. Most recently he has assisted the Museum of the American Revolution with fundraising efforts and contributed monetarily to the restoration of the Pewterer’s Society Flag at the NY Historical Society. We also manage extensive private collections and as a part of this have curated several museum exhibitions. In our own work, with regards to selling, we have exhibited at more than 1,200 antique shows.

This position offers competitive pay, based upon experience, health insurance, paid vacation time (after 6 months) and paid holidays. We are not interested in off-site contract work. This is an on-site position. Located in the greater Gettysburg/Harrisburg area of South-Central Pennsylvania (USA). Contact Jeff Bridgman at (717) 502-1281 or email us at info@jeffbridgman.com. ​

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5. HISTORIC PRESERVATION OFFICER, City of Evansville (The City of Evansville, IN, USA)

 Position open until filled

• FT-17-44
• Department of Metropolitan Development
• Department managing city planning, projects, federal funding and historic preservation
• Salary: $47,500

Master’s degree in art, architecture, preservation, or related field or Bachelors in architecture, preservation, art, or related field with minimum 2 years’ experience with preservation, section 106, and significant contribution to preservation through published writing, publication etc. Knowledge of managing historic preservation district, experience working with state SHPO, other government units dealing with preservation and/or environmental review/archeology.

To apply, and for more details, visit the city website, complete application and attach resume: http://evansville.in.gov/index.aspx?page=3806.

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6. SENIOR CONSERVATOR/PROJECT MANAGER, Conservation Solutions Inc. (Washington DC, USA)

• Position open until filled

We have an immediate opening for a career-oriented, full time Senior Conservator/Project Manager to join our exceptional team based out of our Washington, DC area studio. The Senior Conservator must provide leadership to project teams and our clients, as well as expertise for all technical aspects relating to conservation work. S/he will manage and develop client relationships and represent CSI at industry events through technical presentations and workshops which may also be published.

The Senior Conservator will bear responsibility for all project management aspects of the delivery of historic preservation design and implementation services by a team of conservation professionals under the guidance and direction of a VP Operations. Responsibilities include scope, schedule, & budget development and management, staffing, directing, and controlling the delivery of assignments. S/he will supervise subordinate staff and sub-contractors assigned to their projects and ensure strict adherence to accepted professional standards and ensure Quality Control throughout the project.

Our ideal candidate will possess an extensive knowledge of conservation and restoration principals, critical thinking abilities and a thorough understanding of construction project management techniques. A positive, motivational leadership style will be key in leading and directing a group of professionals in a challenging and competitive business environment. Candidates must be able to communicate effectively and resolve conflicts both orally and in writing. Excellent verbal, phone and written skills are required. Previous experience with government contracts and projects is a plus.

The preferred candidate will have at least seven to ten years of experience with increasing responsibility at a senior conservator/project management level, as well as an appropriate professional designation. An advanced University degree in historic preservation, objects conservation or architecture is required, although candidates with an architecture or engineering degree with a focus on historic preservation will be considered.

This position will be based in our Washington DC area studio with expected travel throughout North America. The candidate must have a valid driver’s license and passport, be able to pass government security badging and clearance processes, and be legal to work in the US.

Only qualified candidates may submit their resume and cover letter via email to careers@conservationsolutionsinc.com. No telephone calls please.

Conservation Solutions Inc. (CSI) is a leading international heritage preservation firm located in the capital cities of Washington, DC and Ottawa, ON with satellite offices throughout North America. CSI and its team are dedicated to the preservation and conservation of the US and Canadian heritage with specific focus on the assessment, testing and treatment of significant works of art, architecture and artifacts. CSI’s extensive project portfolio includes iconic buildings, objects, sculptures and artifacts for a broad range of private, federal and municipal clients across the continent. Founded in 1999, CSI’s premier Conservation team is comprised of highly skilled conservators and trained technicians. CSI actively provides for the professional growth of its team members, strives for a healthy work life balance for all and offers a competitive compensation and benefits package.

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 7. ASSISTANT CONSERVATOR/PROJECT MANAGER, Conservation Solutions Inc. (Washington DC, USA)

• Position open until filled

The Assistant Conservator will participate in all aspects of our varied historic preservation and conservation projects. This position requires experience with historic preservation theory and practice; experience with project management and the Architecture/Engineering/Construction industry is not required but desirable. The Assistant Conservator will work closely with a Senior Conservator/Vice President but may also be responsible for monitoring Conservation Technicians and/or subcontractors.

Candidates must have a graduate or college degree in historic preservation, architecture, engineering or a related field. Other combinations of work experience and education will be considered and a familiarity with performing or directing conservation treatments is advantageous but not required. Candidates must be able to communicate effectively and resolve conflicts both orally and in writing. Excellent verbal, phone and written skills are required.

Although the position will be located out of our Washington DC area office, the successful candidate will be expected to travel to various job-sites throughout North America. The candidate must have a valid driver’s license, be able to pass government security badging processes, and be legal to work in the US.

Only qualified candidates may submit their resume and cover letter via email to careers@conservationsolutionsinc.com. No telephone calls please.

Conservation Solutions Inc. (CSI) is a leading international heritage preservation firm located in the capital cities of Washington, DC and Ottawa, ON with satellite offices throughout North America. CSI and its team are dedicated to the preservation and conservation of the US and Canadian heritage with specific focus on the assessment, testing and treatment of significant works of art, architecture and artifacts. CSI’s extensive project portfolio includes iconic buildings, objects, sculptures and artifacts for a broad range of private, federal and municipal clients across the continent. Founded in 1999, CSI’s premier Conservation team is comprised of highly skilled conservators and trained technicians. CSI actively provides for the professional growth of its team members, strives for a healthy work life balance for all and offers a competitive compensation and benefits package.

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8. CONSERVATOR/PROJECT MANAGER, Conservation Solutions Inc. (Washington DC, USA) 

• Position open until filled

The Conservator will bear responsibility for all project management aspects of the delivery of historic preservation design and implementation services by a team of conservation professionals under the guidance and direction of a Senior Conservator. Responsibilities include planning, organizing, staffing, directing, and controlling the delivery of assignments. The incumbent will supervise subordinate staff and sub-contractors assigned to their projects and ensure Quality Control throughout the project.

This position requires knowledge of conservation and restoration principals as well as a general understanding of construction project management techniques. Candidates must be able to communicate effectively and resolve conflicts both orally and in writing. Excellent verbal, phone and written skills are required. Previous experience with government contracts is a plus.

Our ideal candidate will have at least three years of experience with increasing responsibility at a conservator/project management level, as well as an appropriate professional designation. An advanced University degree in historic preservation or objects conservation is required, although candidates with an architecture or engineering degree with a focus on historic preservation will be considered.

Although the position will be located out of our Washington DC area office, the successful candidate will be expected to travel to various job-sites throughout North America. The candidate must have a valid driver’s license and passport, be able to pass government security badging processes, and be legal to work in the US.

Only qualified candidates may submit their resume and cover letter via email to careers@conservationsolutionsinc.com. No telephone calls please.

Conservation Solutions Inc. (CSI) is a leading international heritage preservation firm located in the capital cities of Washington, DC and Ottawa, ON with satellite offices throughout North America. CSI and its team are dedicated to the preservation and conservation of the US and Canadian heritage with specific focus on the assessment, testing and treatment of significant works of art, architecture and artifacts. CSI’s extensive project portfolio includes iconic buildings, objects, sculptures and artifacts for a broad range of private, federal and municipal clients across the continent. Founded in 1999, CSI’s premier Conservation team is comprised of highly skilled conservators and trained technicians. CSI actively provides for the professional growth of its team members, strives for a healthy work life balance for all and offers a competitive compensation and benefits package.

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9. COLLECTIONS MANAGEMENT ASSISTANT, Metropolitan Museum of Art (New York, NY, USA)

• Position Level: Experienced (Non-Manager)
• Education: Master’s Degree
• Position Type: Full Time Temporary

General statement of responsibilities & duties: The Costume Institute’s collection represents over 35,000 examples of fashionable dress and accessories for women, men, and children, from the fifteenth century to the present. The goals of The Costume Institute’s collection are to represent and maintain a comprehensive timeline of costume from the eighteenth century forward, and to be a collection of “masterworks,” examples of dress of the highest technical artistry with an exemplary aesthetic, and, if after 1850, by a designer of lasting significance. The Collections Management Assistant’s (CMA) primary function is to provide essential support in all Collections functions particularly in the production of storage mounts for preventive care of the headwear collection. The CMA is responsible for object tracking, organization, and overall maintenance under the direct guidance of the Associate Collections Manager.

Primary responsibilities & duties:

• Work directly to sort, prepare, pack, and place objects in both on and offsite storage following preventive storage principles
• Main support function is to create optimized storage mounts for headwear and miscellaneous objects as assigned
• Secondary support function is to participate as needed in the ongoing assessment initiative directed by the assessment Associate Collections Manager including research, organization, and object packing
• Maintain and monitor accurate object locations in TMS through regular object inventory and auditing
• General collection handling and maintenance
• Participate in ongoing Collections initiatives including object labeling, collection organization, and object vacuuming as required
• Object pulls and put backs for exhibition, loan, study, or photography
• Other duties as assigned

Requirements & qualifications:

Experience and Skills

• Minimum 1 year of experience working in a collection containing costume and textile artifacts
• Experience with costume handling, packing, transport and storage
• Demonstrated hand skills through storage mount creation or similar; sewing
• Object organization and tracking skills
• Close attention to detail
• Familiarity with The Museum System or similar object databases
• Strong computer skills with familiarity of Microsoft Excel
• Excellent communication and interpersonal skills
• Exemplary teamwork skills
• Ability to lift 30-40 pounds

Knowledge and Education:

• MA degree in Museum Studies, Costume History, or a related degree
• Thorough comprehension of preventive collection maintenance and care
• Strong understanding of conservation guidelines for costume
• Comprehensive knowledge of costume history and research practices

Send resumes and Cover letter to careers@metmuseum.org with “Dept – The Costume Institute-Collections Management Assistant ” in the subject line.

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10. CONSERVATOR, Judd Foundation (Marfa, TX, USA)

• Position open until filled

Judd Foundation was created in 1996 with the mission to maintain and preserve Donald Judd’s permanently installed living and working spaces, libraries, and archives in Marfa Texas and New York. The Foundation promotes a wider understanding of Judd’s artistic legacy by providing access to these spaces and resources and by developing scholarly and educational programs. The Foundation is a 501 (c)(3) non-profit organization.

Position and Responsibilities: The Conservator, based in Marfa, Texas, will manage the long-term preservation of the Foundation’s collection of art and objects permanently installed and stored in properties in Marfa and at 101 Spring Street in New York.  The collection is comprised of a wide range of organic and inorganic materials, including sculpture, paintings, works on paper, furniture, books, photographs, textiles, and ethnographic objects. The Conservator will report to the Director of Operations and Co-Presidents, and will work closely with Collections and Facilities staff and the Archives and Research departments of the Foundation.

Responsibilities include:

Collection Preservation and Conservation

• Manage and conduct the preventative conservation program of the Foundation and routine maintenance and cleaning of the installed collection.
• Supervise the Collections Assistant and manage specialist conservation consultants.
• Advise Foundation staff on the proper care and maintenance of the collection.
• Conduct treatments on artworks, continue research, and develop guidance on best practices for the preservation and conservation of the collection and Judd artworks.
• Oversee environmental monitoring of the installed spaces and provide conservation expertise to the architectural preservation and restoration of the Foundation’s Marfa properties.
• Advise and assist with the installation of Judd artworks in conjunction with Foundation staff.
• Advise and assist with the preservation and conservation of archival materials including photographic and film materials in conjunction with the Archivist.
• Manage the conservation and collection budgets and conservation studio in Marfa Texas.

Loans and Exhibitions

• Oversee the loan and movement of artworks between Foundation properties and to national and international museum and gallery exhibitions including: assessment of venues, condition reporting, organization of appropriate transport and storage and the preparation of loan documentation.

Qualifications: Candidates will have a master’s degree / Ph.D. from a recognized art conservation program and a minimum of 5 years practical experience of collection care and conservation. Demonstrated experience of the treatment of modern and contemporary art is required.

Additional qualifications include:

• Knowledge of a wide range of materials and conservation techniques
• Excellent writing and verbal skills
• Strong interpersonal and organizational skills
• Ability to manage budgets

• Experience with Filemaker Pro databases, and MS Office and Adobe software

Location: The Conservator will be based in Marfa, Texas with annual travel to 101 Spring Street, New York; and national and international travel as required.

Salary: Competitive and commensurate with experience.  Competitive benefits package offered.

Procedure for application: Applicants should submit a resume and cover letter. Recommendations for candidates are also welcome.  No phone calls please. Send applications or recommendations to: human.resources@juddfoundation.org. Please write: “Conservator” in the subject line.

Judd Foundation is an equal opportunity employer.

1. Conservator (Frames), Guildhall Art Gallery
2. Studentships in Science and Engineering in Arts, Heritage, And Archaeology, University of Oxford and University of Brighton
3. Studentships in Science and Engineering in Arts, Heritage, and Archaeology, University of Oxford and University of Brighton
4. Trust Fully Funded PhD Studentship, University of Glasgow, College of Arts
5. Assistant Conservator for Archival Materials, American Philosophical Society
6. Assistant Media Conservator, The Museum of Modern Art
7. Research Assistant, Fitzwilliam Museum
8. Preservation Services Manager, Center for Jewish History
9. Senior Objects Conservator, The Conservation Center
10. Object Conservator, The Mariners’ Museum and Park
11. Grants for Emergency Preservation of Documentary Cultural Heritage, The Prince Claus Fund, Through Its Cultural Emergency Response Programme, And the Whiting Foundation

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1. CONSERVATOR (FRAMES), Guildhall Art Gallery (London, UK)

• Closing Date: July 28, 2017 at midday
• 12-month contract, part time (17.5 hours per week)
• Salary: GBP32,760, pro rata inclusive of London weighting
• Maternity cover

Established in 1886 as ‘a Collection of Art Treasures worthy of the capital city’, Guildhall Art Gallery houses the City Corporation’s permanent collections with works dating from 1670 to the present, including 17th-century portraits, Pre-Raphaelite masterpieces and a range of paintings documenting London’s dramatic history. It hosts a number of small to large-scale temporary exhibitions and interventions year-on-year.

Beneath the gallery is London’s Roman Amphitheatre. Together, the gallery and amphitheater deliver a significant and highly-regarded education and outreach program and play an essential role in the City cultural and heritage offer.

This post is responsible for the care and conservation of frames from the City of London’s Permanent Collection of Works of Art. Our conservation team currently consists of a part-time Senior Conservator (paintings) and a part-time Conservator (paintings). The successful candidate will work with our Conservators to monitor and advise on the condition of works, prepare condition reports, and conserve and prepare items for loans, amongst other tasks.

We are seeking an experienced individual with a proven track record in frames conservation. The successful applicant will have a degree in a relevant subject and/or recognized conservation training, and relevant practical experience. You will have the ability to understand relevant scientific and technical procedures and the use of technical equipment. Also required is the ability to work independently as well as part of a team and good organizational and time management skills including the ability to manage multiple priorities to tight deadlines.

Normal working hours are 17.5 hours per week. However, the successful applicant may also be required to work occasional weekends and bank holidays depending on business requirements.

Interviews will take place August 11, 2017. It is hoped that the successful post-holder will commence work in September 2017.

To apply, please visit www.cityoflondon.gov.uk/jobs.

Alternatively, please contact +44 020 7332 3978 (24-hours answerphone) quoting the reference number TC506. A minicom service for the hearing impaired is available on +44 020 7332 3732.

The City of London Corporation is committed to Equal Opportunities and welcomes applications from all sections of the community.

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2. STUDENTSHIPS IN SCIENCE AND ENGINEERING IN ARTS, HERITAGE, AND ARCHAEOLOGY, University of Oxford and University of Brighton (UK)

• Application deadline: July 31, 2017 by 6:00 p.m.

The Centre for Doctoral Training Science and Engineering in Arts, Heritage and Archaeology at UCL, University of Oxford and University of Brighton is delighted to be offering the following exciting doctoral studentship: “Modelling the chemical and physical degradation of plastic objects in museum collections using a System Dynamics approach.”

Many famous works of modern art and design in museums are made of plastics. However, despite being relatively “young,” plastics can be among the most fragile artefacts, with material degradation sometimes reported within a few years of acquisition by a museum. Degradation of plastic objects is complex, involving multiple processes such as diffusion of substances through the material and chemical responses to environmental parameters such as temperature and light. The way such processes interact as a complex system within a single object is not well understood. This project, based at UCL and in partnership with Tate and Conservation by Design will address this problem. The proposed approach uses system dynamics and will model multiple degradation processes as a single system of partial differential equations, which can then be solved and validated. This research will thus both develop a new method of modelling material degradation applicable in many fields, such as medicine or defense, and provide practical solutions for heritage professionals, such as providing guidance on controlling museum storage environments.

For more information on this project, supervisors and how to apply, please visit the SEAHA studentships page.

The UK EPSRC Centre for Doctoral Training in Science and Engineering in Arts, Heritage and Archaeology (SEAHA) is an 8-year initiative (2014-2022) to establish an infrastructure to meet challenges set by the heritage sector, industry and government. Working with heritage and industry partners, SEAHA students will create, innovate or use sensors, instrumentation, imaging, digital and creative technologies to improve our understanding of heritage, to develop science and engineering capabilities and to benefit the economy.

For more information on SEAHA, please visit the SEAHA website.

Studentship enquiries should be emailed to the project supervisor (k.curran@ucl.ac.uk), or the Centre Manager (manager@seaha-cdt.ac.uk).

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 3. STUDENTSHIPS IN SCIENCE AND ENGINEERING IN ARTS, HERITAGE, AND ARCHAEOLOGY, University of Oxford and University of Brighton (UK)

• Application deadline: August 7, 2017

The Centre for Doctoral Training Science and Engineering in Arts, Heritage and Archaeology at UCL, University of Oxford and University of Brighton is delighted to be offering the following exciting doctoral studentship: “What lies beneath? High resolution imaging of lichen-covered surfaces at Stonehenge?”

Recent research at Stonehenge has centered on understanding the archaeology of the wider “Stonehenge Landscape.” This has been complemented by surveys of the monument, using high-resolution laser scanning, photogrammetry and digital imaging to three-dimensionally record the standing and fallen stones. These surveys revealed unexpected insights into the surface features of the stones, including the identification of Early Bronze Age axe-head carvings, and variations in the stone dressing techniques used in different parts of the monument. They also highlighted a limitation of the imaging approaches used, since the laser beam-width struggled to penetrate many of the denser species of lichen that colonize the stones. This project aims to evaluate available technologies for the high-resolution imaging of lichen-covered surfaces, using Stonehenge as a case study, and assess the potential of these technologies for revealing new archaeological information at the monument and other heritage structures.

For further inquiries, contact the academic supervisor at m.brolly@brighton.ac.uk.

For more information on this project, supervisors and how to apply, please visit the SEAHA studentships page.

The UK EPSRC Centre for Doctoral Training in Science and Engineering in Arts, Heritage and Archaeology (SEAHA) is an 8-year initiative (2014-2022) to establish an infrastructure to meet challenges set by the heritage sector, industry and government. Working with heritage and industry partners, SEAHA students will create, innovate or use sensors, instrumentation, imaging, digital and creative technologies to improve our understanding of heritage, to develop science and engineering capabilities and to benefit the economy.

For more information on SEAHA, please visit the SEAHA website.

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4. TRUST FULLY FUNDED PhD STUDENTSHIP, University of Glasgow, UK, College of Arts (UK)

• Closing date: August 14, 2017

 From the Golden Age to the Digital Age: Modelling and Monitoring Historic Tapestries

Leverhulme Trust Fully Funded Studentship

We are recruiting a highly motivated PhD student to take part in an exciting interdisciplinary project between the Centre for Textile Conservation and Technical Art History and the School of Engineering at the University of Glasgow, funded by the Leverhulme Trust with additional funding from the Textile Conservation Foundation and the University of Glasgow.

• Start Date: It is hoped that the three-year studentship will start in September/October 2017.
• Funding: The Leverhulme Trust Scholarship will cover
• Home tuition fees for UK and EU applicants, and will provide maintenance costs for three years at GBP14,553 per year.

This studentship is open to international, home and EU applicants, but will only cover tuition fees to the home & EU level.

Project context: Many rich collections of tapestries survive and are displayed in museums and historic houses but they are often in poor condition and in need of extensive conservation treatment. The selection of tapestry support and display techniques is still largely based on experience and intuition. This study will enable conservators, curators, and conservation scientists to base decisions in a more complete understanding of material properties when treating these complex objects, using computational modelling and strain monitoring techniques to gain data on tapestry properties and behavior. The project offers exciting opportunities to work on site in a world-class museum environment at the Burrell Collection, and at one of Scotland’s most popular historic sites, Stirling Castle. The project has already started and initial results look very exciting.

Research tasks: The student will focus on the strain monitoring research using digital image correlation to test different conservation stitching techniques and different display scenarios. (S)he will create physical models of tapestries which will be subjected to loading tests using tensile testing equipment before moving to test conserved samples of historic tapestry from the Centre for Textile Conservation Reference Collection. This element of the research will also focus on historic tapestries from the Burrell Collection and a newly woven tapestry at Stirling Castle.

Supervision:

• Principal Investigator: Prof. Frances Lennard, Centre for Textile Conservation
• Project Co-Investigator: Dr. Philip Harrison, School of Engineering

The student will be based at the Centre for Textile Conservation.

Entry Requirements: This is an opportunity for either a conservation graduate or an engineering graduate; the project will require an ability to cross discipline boundaries. Over the course of the project the student will be thoroughly immersed in both the theory and practice of tapestry conservation, while also developing skills in strain measurement, using digital image correlation, and mechanical testing. (S)he will ultimately gain a comprehensive understanding of the application of engineering techniques to conservation challenges; a valuable skill-set allowing the successful candidate to continue with a career in the heritage sector, the industrial textiles/composites field or in academia.

For further information or an informal discussion about the project and the studentship please contact Frances Lennard (frances.lennard@glasgow.ac.uk), or Philip Harrison (philip.harrison@glasgow.ac.uk).

To apply, please send your application to: jeanette.berrie@glasgow.ac.uk. Your application should include:

• A statement of no more than 1,000 words describing in detail your interest in and suitability for undertaking this project
• A current CV
• Degree transcripts (this may be an interim transcript if you are still studying)
• An example of scholarly work up to 3000 words in length (e.g. coursework essay, or a dissertation chapter)
• 2 academic references (these may be sent directly from your referees if they would prefer)

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5. ASSISTANT CONSERVATOR FOR ARCHIVAL MATERIALS, American Philosophical Society (Philadelphia, PA, USA)

• Application deadline: August 14, 2017

The Conservation Department at the American Philosophical Society is responsible for the preventive care as well as conservation treatment for items found in its diverse special collections library. This growing collection currently includes over 13 million manuscript leaves, 275,000 volumes and bound periodicals, thousands of prints and maps, and large audio, video, and digital holdings. The department is currently composed of two full-time conservators, an annual grant-funded intern, and occasional volunteers.

As a junior member of the department, under the direction of the Head of Conservation, the Assistant Conservator for Archival Materials aids in the preservation/ preventive conservation of the collections. This care includes treatment and documentation of individual items for a variety of materials such as manuscripts on paper, maps, ephemera, photographic materials, graphic works on paper, and manuscripts on parchment.

Responsibilities:

• Performs conservation treatment on primarily non-bound materials owned by the Library.
• Provides written and photographic documentation in accordance with the AIC Code of Ethics (including examination, condition and treatment reports, and photographic documentation).
• Participates and assists in a wide range of preservation/ preventive conservation activities including disaster preparedness and recovery, pest management, minor mold remediation, examination and preparation of materials for loan, and environmental monitoring.
• Helps develop and manage treatment strategies for collections.
• Closely collaborates with APS staff to optimize collection care.
• Assists in the general maintenance and organization of the conservation laboratory.
• Assists in the preparation and display of materials for exhibition.
• Keeps abreast of current developments in the conservation field.
• Performs other duties as assigned.

Qualifications:

• Master’s degree from an accredited graduate training program in conservation.
• Demonstrated working knowledge of conservation theory and practice.
• Ability to wear a respirator and other personal protective equipment.
• Ability to lift 40 pounds.
• Demonstrated computer skills including use of Microsoft Office Suite and Adobe Bridge/Photoshop.
• Demonstrated mastery of written and oral communication.
• Demonstrated success in a wide range of conservation treatment procedures and techniques.

The ideal candidate will have these additional qualities:

• The desire to conduct scholarly research, and to share research results with APS staff and the conservation community through presentations and publications.
• An interest in developing relationships across disciplines/ institutions to support the care of Library collections.
• Undertakes projects on his or her own initiative.
• Is highly organized.
• An interest in outreach and education through lab tours and use of social media.
• A willingness to help teach the interns and volunteers in the conservation department.
• Knowledge of Aeon and Mimsy XG.

The Society offers a competitive benefits package, including exceptional health insurance options and generous fringe benefits, including a TIAA-CREF retirement plan, dental insurance, life insurance, and paid days off.

The American Philosophical Society is an EOE. Applications will be accepted through August 14, 2017.

To apply upload CV or resume, a cover letter explaining qualifications for and interest in the position and three references (not letters of reference, please) to http://apply.interfolio.com/43099.

About the Library: Founded in 1743, The American Philosophical Society’s library, located near Independence Hall in Philadelphia, is a leading international center for research in the history of American science and technology and its European roots, as well as early American history and culture. The Library houses over 13 million manuscript leaves, 275,000 volumes and bound periodicals, thousands of prints and maps, and large audio, video, and digital holdings. Outstanding historical collections and subject areas include the papers of Benjamin Franklin (14,000 letters and documents); Jefferson’s holograph of the Declaration of Independence; the American Revolution; the papers of Thomas Paine; 18th and 19th-century natural history; western scientific expeditions and travel including the original journals of Lewis and Clark; polar exploration; the papers of Charles Willson Peale, his family and descendants; American Indian languages; anthropology including the papers of Franz Boas; the papers of Charles Darwin and his forerunners, colleagues, critics, and successors; history of genetics, eugenics, and evolution; history of biochemistry, physiology, and biophysics; 20th-century medical research; and history of physics. The Library does not hold materials on philosophy in the modern sense. More information about the Society and the APS Library can be found at www.amphilsoc.org.

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6. ASSISTANT MEDIA CONSERVATOR, The Museum of Modern Art (New York, NY, USA)

• Application deadline: August 15, 2017

The Museum of Modern Art is currently accepting applications for the position of Assistant Media Conservator to work within the Media Conservation section of the David Booth Conservation Department and Center. This role involves working collaboratively on a wide-range of modern and contemporary works across all curatorial departments and participating in all departmental activities, including examination, documentation, treatment, and research of collection materials, as well as exhibition, collection care, loan, and courier responsibilities.

Reporting to the Associate Conservator and the Agnes Gund Chief Conservator, the incumbent will have the following specific responsibilities:

• Examines, documents, and treats media artworks in the collection that include audio, film, video, performance, and software-based artworks.
• Participates in all departmental activities, including acquisition, preparation of works for exhibition, collection care, loans, and research.
• Condition-assesses all forms of media works, including, but not limited to, audio, film, video, and software.
• Assists with the maintenance of the media conservation lab, including researching, maintaining, and updating both equipment and software.
• Works collaboratively across departments at the Museum, including Conservation, curatorial, Audio Visual, Exhibition Planning and Design, and Collection Management and Exhibition Registration.
• Assists with the daily operation of the Museum’s digital repository, including ingesting of digital artwork material, collaborating with the ongoing development, and other repository related tasks.
• Conducts research centering on media conservation protocols, new tools, and technologies related to artists’ practice and methods.
• Participates in training and supervision of interns and fellows.

Qualified candidates will possess a graduate degree in conservation or equivalent training. Two years’ experience in the conservation of media works in a museum setting or equivalent. Experience performing all aspects of the treatment of media works, with adherence to the Code of Ethics and Standards of Practice of the American Institute for Conservation. Understanding of the theory and practice of conservation documentation related to media, installation, and performance art is expected as is a firm grounding in artist interview practice. Knowledge and experience of condition assessment and installation of current and historic media technologies in audio, video, film, and software/computer-based art. Strong interpersonal and written communication skills. Ability to work cooperatively on projects and to work independently on treatments. Ability to travel as required. Experience engaging with artists and their studios is desirable. Familiarity with the Museum’s collection management system, The Museum System, is desirable.

Candidates must submit a detailed letter of interest stating education, work history, involvement with modern and/or contemporary art, and research interests. The inclusion of a writing sample, either published work or work-related documentation or research, is strongly recommended. The application should include the names of three references, but letters from references are not requested. No treatment reports are requested and should not be included. Candidates invited for interviews will be asked to supply treatment reports at that time. All material, in digital form, should be sent to jobs@moma.org by no later than August 15, 2017.

If hired, the individual must successfully complete a security threat assessment through the Department of Homeland Security.

The Museum of Modern Art is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation or political affiliation.

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7. RESEARCH ASSISTANT, Fitzwilliam Museum (Cambridge, UK)

• Application closing date: October 20, 2017 by midnight
• Research Assistant, non-invasive analysis of illuminated manuscripts Zeno Karl Schindler, MINIARE Fellow
• GBP 25,298 – 29,301
• Twelve-month contract starting January 2018

The Fitzwilliam Museum houses the principal collections of art and antiquities of the University of Cambridge, and holds over half a million objects in its care. The Department of Manuscripts and Printed Books (MSSPB) preserves one of the finest collections of illuminated manuscripts in the world, dating from the tenth to the sixteenth century.

The successful candidate, supported by the MINIARE Fellowship of the Zeno Karl Schindler Foundation, will join the cross-disciplinary team of the research project MINIARE (Manuscript Illumination: Non-Invasive Analysis, Research and Expertise, www.miniare.org). Based at the Fitzwilliam Museum, University of Cambridge, MINIARE focuses on the non-invasive analyses of the materials and techniques used in medieval and Renaissance illuminated manuscripts.

Under the supervision of the Fitzwilliam Museum’s Research Scientist and the Keeper of Manuscripts and Printed Books, the Zeno Karl Schindler / MINIARE Fellow will analyze medieval and Renaissance illuminated manuscripts with a combination of non-invasive analytical tools. He/she will be trained in the combined, mutually complementary use of different imaging and analytical methods. He/she will become fully aware of the conservation needs of unique and exceptionally fragile manuscripts, as well as of the broader cultural and historical questions that the Museum’s cross-disciplinary research endeavors to clarify.

Candidates should hold a Bachelor’s or Master’s Degree in physics, chemistry, materials science or cultural heritage science. Those who have recently completed a PhD in any of these fields will also be considered. They should be familiar with a range of analytical and technical imaging methods.

A collaborative, supportive and flexible team working style is essential. The ability to deal with people at all levels and in a professional manner is crucial. A high degree of IT literacy, preferably including the use of software for data acquisition and analysis and image processing, is required. A strong interest in art and art conservation would be an advantage.

To submit an application for this vacancy, please click on the link in the “Apply online” section of the advert published on the University’s Job Opportunities pages www.jobs.cam.ac.uk/. This will route you to the University’s Web Recruitment System, where you will need to register an account (if you have not already) and log in before completing the online application form.

• Closing date for applications is midnight October 20, 2017
• Planned interviews: w/c November 13, 2017

Any queries should be directed to recruitment@fitzmuseum.cam.ac.uk, or Tel: +44 01223 764840.

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8. PRESERVATION SERVICES MANAGER, Center for Jewish History (New York, NY, USA)

• Applications will be accepted until the position is filled

The Center for Jewish History (NYC | cjh.org) is home to five in-house partners—American Jewish Historical Society, American Sephardi Federation, Leo Baeck Institute, Yeshiva University Museum, and YIVO Institute for Jewish Research. When the Center opened its doors sixteen years ago, it made a commitment to preserve the collections housed within its walls and make them accessible to scholars, students, and diverse audiences by implementing a unique, shared services model across all five partners.

In keeping with this mission, the Center for Jewish History seeks a Preservation Services Manager to join a dynamic team of colleagues dedicated to preserving and providing access to the collections. These collections total more than 30,000 linear feet of archival materials, 500,000 volumes, and thousands of artworks and artifacts.

The Preservation Services Manager will report to the Senior Manager for Collection Services and manage all activities in the Preservation Services department which offers conservation treatment and re-housing of archival, library and photographic materials, exhibition consultation, and preventive conservation services for the partners’ collections.

Responsibilities:

• Plan and manage workflows through the conservation lab and determine priorities for conservation treatment, re-housing, exhibitions, and preventive conservation.
• Develop, maintain, and implement procedures and training manuals; evaluate processes and outputs, ensuring that treatment standards are met and implement modifications to improve quality and effectiveness; and train and supervise lab staff, volunteers and interns.
• Collaborate with the Archival Services Manager and Digital Services Manager around joint processing, digitization, and conservation projects.
• Direct and carry out environmental monitoring and preventive conservation activities.
• Direct condition surveys on both item and collection level as appropriate, devising and implementing short and long-term preservation strategies based on assessment.
• Advise on exhibition and loan of collection material to ensure its safety and care, including condition reporting, packaging for transport, security, length of display, mounting, lighting and environmental conditions.
• Provide emergency preparedness and disaster recovery leadership.
• Examine, document, and conduct complex conservation treatment of a wide range of paper-based archival, library and photographic material.
• Follow best practices and standards for treatments, and keep current about the latest conservation techniques and practices through research and training.
• Build and track budgets, maintain department statistics, prepare reports, and maintain treatment records.
• Assist in identifying grant opportunities and in the preparation of grant applications and funding proposals for collection-related needs.
• Support staff, patron, and community engagement through outreach activities, including workshops, seminars, and other training for Center and/or external audiences, and social media.

Required Qualifications:

• Master’s degree from a recognized conservation training program with a specialization in paper or book conservation.
• Minimum three years’ experience conserving library, archive and museum materials with a focus on paper-based materials.
• Experience and interest in preventive conservation and collections care.
• Experience supervising and managing collaborative teams.
• Experience managing projects from planning to completion.
• Knowledge of preservation theory and standards of conservation practice.
• Excellent communication and writing skills.
• Ability to work independently and as part of a team.
• Ability to work with diverse constituencies, including collection managers, archivists, librarians, Building Operations staff, and administration.

Preferred qualifications:

• Experience with budget development and tracking budgets and expenditures.

The Center for Jewish History is committed to diversity and inclusion. Qualified individuals who bring diverse perspectives to the workplace are especially encouraged to apply.

Review of applications will begin immediately. Applications will be accepted until the position is filled. Send cover letter and resume to Rachel Miller, Director of Archive and Library Services, at rcmiller@cjh.org. Candidates invited for an interview will be required to provide in advance a conservation portfolio of projects and treatments. No phone calls, please.

For more details, visit: www.cjh.org/about/employment-opportunities.

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9. SENIOR OBJECTS CONSERVATOR, The Conservation Center (Chicago, IL, USA)

The Conservation Center is soliciting applicants to join the company’s Objects Department as a Senior Objects Conservator. This department provides conservation treatments on different types of artifacts ranging from decorative arts, archaeological and ethnographic objects, and modern and contemporary art. The ideal candidate should have the following: working knowledge of materials, techniques, and ethics of object conservation; extremely fine manual skills; the ability to carry out treatments of minor to major complexity; sound judgment; the ability to meet scheduled deadlines; and the ability to work effectively with colleagues and clients as a positive and productive team member.

Qualifications:

• An advanced degree in art conservation with a specialization in object conservation preferred; or an advanced degree with comparable training, and a minimum two years of relevant post-graduate experience.
• Thorough understanding of conservation theory and practice.
• Strong grasp of the methods and materials utilized in object conservation.
• Ability to provide written condition reports, treatment recommendations, and post-treatment reports for a wide range of objects.
• Ability to perform highly skilled conservation treatments on different types of materials including, but not limited to the following: ceramics, glass, wood, lacquered surfaces, ivory, leather, metal, plastic, and stone.
• Strong communication skills, and the ability to collaborate with other departments to execute treatments.
• Ability to adhere to strict deadlines.
• Ability to work in disaster recovery and triage situations.
• Exhibits skills necessary to complete all aspects of projects, throughout the treatment process.
• Previous experience in private practice strongly preferred.

This is a full-time salaried position, which requires occasional travel. Compensation will be commensurate with qualifications and experience – benefits include medical insurance, vacation pay, and a 401 (k) retirement plan. The Conservation Center is an equal opportunity and affirmative action employer. All qualified candidates are encouraged to contact Heather Becker at heather.b@theconservationcenter.com. Please submit a cover letter, resume, salary history, and three professional references which illustrate qualifications. If applying from outside the US, a US work visa is required before applying.

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10. OBJECT CONSERVATOR, The Mariners’ Museum and Park (Newport News, VA, USA)

The Mariners’ Museum and Park is looking for a full-time object conservator to work on the conservation and collection care of over 18,000three-dimensional objects within the Museum’s collection. The collection includes ship models and decorative art objects as well as navigation, communication, and scientific equipment. In addition, the collection contains the handiwork and belongings of sailors, whaling and fishing equipment, and over 150 small craft from around the world.

The conservator will undertake the direct treatment and preventive conservation care of objects within the three-dimensional collection of The Mariners’ Museum and Park. This individual will work closely with conservation staff and other museum personnel to conserve objects and to prepare them for exhibition, long-term storage, loan, photography, etc.

Familiarity with a wide variety of inorganic and organic materials is required.

To view the full position description and apply online, please visit: https://marinersmuseum.atsondemand.com/index.cfm?fuseaction=512466.viewjobdetail&CID=512466&JID=582693.

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11. GRANTS FOR EMERGENCY PRESERVATION OF DOCUMENTARY CULTURAL HERITAGE, The Prince Claus Fund, through its Cultural Emergency Response programme (CER), and the Whiting Foundation

New grant opportunity for projects to preserve acutely threatened documentary cultural heritage. The Prince Claus Fund’s Cultural Emergency Response programme and the Whiting Foundation are co-funding this new initiative, which supports work to conserve urgently-threatened manuscripts, tablets, archives, and the like, in Africa, Asia, Latin America, and the Caribbean.

Applications will be accepted on a rolling basis until the end of the year. We expect that the average grant made will be in the range of 15,000 Euros.

For details on Eligibility, Selection Criteria, and how to apply, please click here.

More information is available on the Prince Claus Fund website at: www.princeclausfund.org/en/activities/open-call-first-aid-to-documentary-heritage-under-threat.html.