Category: Job, Internship, & Fellowship Postings

Scope: Open
Closing Date: Sunday, April 10, 2016
Classification: Program Services 4
Ministry: Culture and Tourism
Role
The Reynolds-Alberta Museum showcases the impact of land transportation, aviation, agriculture and industry on Alberta history.  We currently are seeking a Conservator on a one-year temporary basis.
As Conservator, you will be responsible for ensuring the collections of the Reynolds-Alberta Museum are preserved and displayed according to accepted museum standards for conservation, while finding an accepted balance between the presentation needs of the site and the needs of the collection. You will coordinate the preventive conservation strategy for the Reynolds-Alberta Museum through research, assessment and documentation, collection monitoring and conservation treatment.
As the successful candidate, you will use your research skills and familiarity with the museums’ themes and mandate to help determine the preservation requirements of the collections. You have expertise in undertaking conservation treatments, providing environmental and collection monitoring, implementing an integrated pest management system, delivering training and support for preventative conservation activities, conducting applied research, and completing documentation of conservation activities. You can assess hazards and identify factors involved in the deterioration of historic objects, recognize insect infestation, and implement preventive and remedial techniques to clean and stabilize objects that are at risk. You also have experience in designing and constructing custom mounts and can provide guidelines for exhibit display standards.
Qualifications
A university degree plus graduation from a recognized conservation program is required, as well as a minimum of 2 years practical experience in a conservation lab environment.
Salary
$2,775.64 to $3,638.48 bi-weekly (~$72,444.20 to $94,964.33 annually)
Notes
This position involves the successful candidate to be available to work some evenings, regular weekends and special events. The ability to travel utilizing government vehicles is required. This competition may be used to fill current and future vacancies across government.
The Alberta Public Service is currently utilizing competency evaluation in the recruitment process. Competencies are behaviours that are essential to reach our goals in serving Albertans.  We encourage you to have an in depth understanding of the competencies that are required for this opportunity and to be prepared to demonstrate them during the recruitment process. For more information on the APS Competency Model and how it is used, please visit the CHR Competency page.
How to Apply
Online applications are preferred. If you apply online, please ensure your cover letter and resume are submitted as one file. Ensure you quote the competition number and save using the naming convention of your first then last name (Joe Smith_competition number). Applicants who apply online will be able to track the status of this competition.
If you are unable to submit an electronic version of your resume, please submit your resume, quoting the Job ID, to Human Resources, Culture and Tourism, 7th Floor Standard Life Centre, 10405 Jasper Avenue, Edmonton, Alberta, T5J4R7. Fax: (780) 422-3142. If you require any further information on this job posting, please contact Sara Volpe, HR Consultant, at sara.volpe@gov.ab.ca.
Closing Statement
We thank all candidates for their interest.  All applications will be reviewed to determine which candidates’ education and experience best meets the needs of the position.  Only individuals selected for interviews will be contacted.
It is recommended that applicants who have obtained educational credentials from outside of Canada and have not had them previously assessed, obtain an evaluation of their credentials from the International Qualifications Assessment Service (IQAS). It is recommended that applicants include the assessment certificate from IQAS or any other educational assessment service as part of their application.
 
 

Position:    Architectural Conservator/Restoration Architect
Location:   Building Conservation Associates, Inc.

New England – Newton Centre, Massachusetts

Building Conservation Associates, Inc. (BCA) is a nationally recognized consulting firm specializing in architectural materials conservation and historic preservation. Over the course of 30 years in business, BCA has documented, assessed and assisted in the preservation of hundreds of historic buildings, the majority of which are on the National Register of Historic Places. BCA’s staff includes building and object conservators, preservation architects, historic preservationists, scientists, historians and preservation planners. With its headquarters in New York City and regional offices in New England (Newton Centre, Massachusetts) and Philadelphia, BCA works on projects throughout the United States. The position advertised is in the New England office.
The Architectural Conservator or Restoration Architect will be responsible for providing a full range of services related to the documentation, assessment and conservation of historic buildings. Services will include: historical research, field investigation, materials testing, report writing, preparation of construction documents (drawings and specifications), and construction project monitoring. Prior experience with historic paint analysis is desirable, as is an interest in and experience with historic preservation planning projects (e.g. Historic Structure Reports and Preservation Plans). Willingness to travel within New England essential, as the work of the office spans all of the New England states.
Candidates applying for this position should have a graduate level degree in architecture or historic preservation with a concentration in architectural conservation. They should also have at least 3 years of related experience. Demonstrated proficiency in AutoCAD is required. BCA is an Equal Opportunity Employer.
Interested individuals should email a resume, cover letter, and writing sample to Lisa Howe, Director, at lhowe@bcausa.com.

The Toledo Museum of Art is pleased to announce a 10-week paid summer internship in Objects Conservation with a focus on outdoor sculpture June-August, exact start and end date(s) flexible.  A stipend of $487/week (37.5 hours/week) is available to cover travel, food and lodging.
Working with the museum’s conservator, conservation intern and conservation technician, the intern will focus on the maintenance of outdoor sculpture. Pending work schedules there may be the opportunity to work on other conservation projects.
Activities will focus on condition reporting, examination, cleaning and treatment of outdoor sculpture.  Aspects related to conservation and collection’s care in a museum environment will also be discussed.
Requirements: Ability to work in an outdoor environment especially under summer weather conditions. Must be comfortable handling power tools and equipment and be able to climb ladders, work on scaffolding, and carry equipment ca. 15-20 lbs. Applicants should work well in a collegial team environment focused on learning conservation skills and techniques.  As the work involves the use of tools on artwork the individual must be able to follow directions implicitly, have good hand skills and be detail oriented.
This position is intended for individuals focusing on a career in art conservation and need conservation experience. They should have completed or are in the process of completing their undergraduate conservation requirements for application to a conservation degree program. Prior conservation experience is preferred.
Applicants must be fluent in English both written and spoken. Conservation activities performed will be commensurate with experience.
Candidates should submit the following in English:  Letter of interest, curriculum vitae, and two professional references (including email, telephone and address).
Please submit materials to:  Siccorah Martin, Human Resources Dept., Toledo Museum of Art, PO Box 1013., Toledo, OH 43620.  Electronic submissions are acceptable.  Send to jobs@toledomuseum.org.
Application deadline: Postmarked or emailed by April 22, 2016

CALL FOR FELLOWS
Gilded Age Art & Technology
The Preservation Society of Newport County is now welcoming applications for one-year research fellowships, which will begin on September 1, 2016.  Applications for six-month fellowships and sabbaticals will also be considered.
Interested scholars are invited to submit proposals that will utilize Newport’s  historic and cultural resources to examine the topic of “Gilded Age Art and Technology”, as it relates to history, culture, design, and/or the arts. By the beginning of WWI, new approaches, new technologies, and new philosophies had radically transformed almost every aspect of American life, forever changing the aesthetic, social, scientific, medical and business worlds of the 19^th century. How did Gilded Age developments impact visual culture? The built environment? Textiles? Landscape design? Interiors? Social practices? Approaches towards collecting and museums? What are the lessons and legacies for today?
Topics may include (but are not limited to); architectural history; conservation; horticultural  and landscape history and design; social history; art and literature; preservation issues; and technology. Broad interpretations and interdisciplinary approaches to this theme are encouraged.
Fellowship requirements:
An M.A. or Ph.D. in a relevant academic field such as the history of art, architecture or the decorative arts, landscape design history, historic preservation, material culture, literature, cultural geography, history, and public policy as it relates to cultural heritage. Doctoral candidates conducting dissertation research will also be considered. Proven ability to work independently, organize and manage multiple projects and meet rigorous deadlines is necessary, as are strong research, writing, and public speaking skills.
Fellows receive a stipend of $25,000, and housing is available in our newly renovated Elms Scholars Center. All fellows should be prepared to deliver a public presentation of their project at the conclusion of their fellowship.
Previous Fellowships:
Previous fellowships have explored such diverse subjects as post-civil war development in domestic service spaces, 18^th century woodwork and paneling, public policy, colonial era coastal archaeology, and costume history, to name just a few.
To Apply:
Step 1: Prepare Materials

• Application form: Complete the attached application form (also available at NewportMansions.org).
• Project proposal: Please provide an abstract (250-500 words) describing your project, the work you plan to undertake in Newport and the surrounding area, and identifying specific resources in local institutions and/or repositories that will inform your work.
• Vita: Please provide a copy of your current curriculum vitae.
• References: Please provide two letters of reference from scholars or advisors who are familiar with your work.

Step 2: Submit Materials

• Reference letters: Please instruct your reference writers to submit their letters via email to fellowships@NewportMansions.org. The email subject should include your last name and the word “reference”
• Application: E-mail your complete application, including application form, essay, and vita to fellowships@NewportMansions.org. Please put your name in the subject line.

The deadline for submission of materials is April 1, 2016.  After reviewing all applications, fellowship finalists will be selected for in-person or telephone interviews.
Download Form Here

Denver Art Museum Pre-program Internship in Outdoor Sculpture Conservation
The Denver Art Museum is offering two paid pre-program internships in the conservation of outdoor sculpture for the summer of 2016.  U.S. citizens or legal residents are eligible to apply.
The internships will be 3 days per week, 7 hours per day, for 5 weeks, starting in late June or early July.  Under the supervision of the conservator of modern and contemporary art, interns will learn and practice basic skills for the conservation of outdoor sculpture, including washing and waxing of bronzes and maintenance of painted surfaces, as well as written and photographic documentation techniques.
Qualifications for the internship include:

• An interest in art conservation as a career.
• Successful completion of some academic requirements for entry into a conservation graduate program. Coursework may include but is not limited to chemistry, physics, studio art, and art history classes.
• Ability to handle collection objects with care.
• Ability to exercise critical thinking.
• Willingness to take direction and execute accordingly.
• Proven attendance and follow through of prior job responsibilities.
• Prior experience handling artworks is a plus but not required.

Work will involve some moderate to heavy lifting and use of surfactants, solvents, paint, and wax.  Work will take place outdoors; conditions may be hot and dry.  Interns are expected to follow established safety practices per lifts, ladders, and use of half-face respirators.  Fit testing and training for respirator use will be provided. Internship may include a relevant visit to artist’s studio or foundry.
To apply, please send a cover letter, résumé, a summary of relevant coursework with grades, and contact information for two job-related references to Kate Moomaw at kmoomaw@denverartmuseum.org, by April 15, 2016.

Architectural Historian/Conservator
Garavaglia Architecture Inc. is a dynamic 9-person preservation architecture firm conveniently located in downtown San Francisco. Established in 1986, our range of projects includes civic, commercial, institutional, and residential projects with a specialization in historic preservation and sustainability. While many of our projects are located in the San Francisco Bay Area, we do work throughout California. The firm actively seeks projects that challenge our studio, including a variety of interesting and unusual projects both large and small. We pride ourselves in offering our clients innovative and personalized services for their projects while seamlessly integrating technical expertise with creative design solutions.
As a growing firm, we are currently seeking an Architectural Historian/Conservator with five to seven years of professional experience. We work with a wide variety of clients in a diverse geographic region.
Architectural Historian/Conservator candidates should be able to demonstrate a working knowledge of, and experience with, the following:

• Standard industry reports – HRE, HSR, Conditions Assessments, SISR Reviews and National Register Nominations
• Historic preservation philosophies and current methodologies
• Secretary of the Interior’s Treatment Standards
• Survey methodologies
• CEQA/NAPD environmental review
• Regional development trends/contexts planning requirements
• Conditions Assessment
• Understand both exterior and interior construction materials
• Advising and providing AutoCAD construction document notations
• Some working knowledge of AutoCAD
• Paint Sample Analysis
• Solid client communication skills
• Excellent writing and editing abilities
• Keen sense of project timelines and budgets
• Comfort with a fast-paced, multi-disciplinary team work environment

Minimum Requirements:

• Masters in Preservation Planning, Historic Preservation, Architectural History or related field
• Exceed Secretary of Interior’s Historic Preservation Professional Qualification Standards for Architectural History (http://www.cr.nps.gov/local-law/arch_stnds_9.htm)

Garavaglia Architecture is committed to providing an atmosphere for growth opportunities to its employees including participation in professional organizations and continuing educational opportunities. We offer medical and other benefits and are an Equal Opportunity Employer.
Due to the nature of our work, we are only seeking candidates that fit within the position requirements. Compensation for relocation expenses are not available for this position.
If emailing, send either a .pdf or .doc file or place your resume within the text of the email with a subject heading to read “Architectural Historian/Conservator.”  We regret that the volume of applications does not always permit us to acknowledge each individual application.
Send applications to:
Steven Garavaglia
Garavaglia Architecture, Inc.
582 Market Street #1800
San Francisco, CA 94104
steveg@garavaglia.com

Director of the Bindery and Conservation Studio – Charleston Library Society
 Position:

• Director of the Bindery and Conservation Studio

Description:

• The Charleston Library Society is looking for an enthusiastic and qualified conservator to oversee and expand their conservation program.

Essential Duties:

• Lead, implement, oversee, and expand the long-term collection preservation and bindery operations at the Charleston Library Society in close collaboration with the Executive Director, Library Staff, and appropriate committees.
• Prioritize the conservation and preservation of the collections.
• Supervise daily activities, the Conservation Assistant, and interns in the Bindery and Conservation Studio.
• Organize outreach programs to the membership and community at large through workshops, tours and presentations.
• Document and perform conservation treatments on bound and unbound paper-based materials from the collection and membership/community at large (on a limited basis) in accordance with the Code of Ethics of the American Institute for the Conservation of Historic and Artistic Works.
• Advise and arrange the outsourcing of conservation treatments that cannot be performed in-house.
• Assist in any other Library activities as needed.

Qualifications:

• A master’s degree in Art Conservation plus 1 year professional experience or a similar level of experience.
• Fine binding experience.
• Ability to work pleasantly and effectively with others in a close and collaborative atmosphere.
• Strong writing and public speaking skills.

Salary and Benefits:

• $40,000 (negotiable in accordance with applicant’s experience)
• Generous paid time off, health care, and retirement package (retirement package available after two years)
• Opportunities for professional development

Applications must be received by May 15, 2016. Please submit current Curriculum Vitae, a cover letter discussing how your experience and interests make you a good fit for the Library Society, and professional references to:
Anne W. Cleveland
Executive Director
Charleston Library Society  ∞  164 King St., Charleston, SC   29401  ∞ acleveland@charlestonlibrarysociety.org

Senior Paper Conservator
Graphic Conservation Company in Chicago (www.graphicconservation.com) is experiencing continued growth and seeks to add a new position of Senior Paper Conservator. The ideal candidate will possess the following traits:

• An in-depth appreciation and understanding of AIC ethical guidelines
• A comprehensive knowledge of Conservation Theory and Practice
• Proven knowledge of techniques and materials
• Significant understanding of the attributes of paper and vellum
• Highly-developed hand skills and a significant level of attention to detail
• Demonstrated success in a team-based environment
• Ability to treat varied works on paper whose requirements range from minor repairs to complex restoration

QUALIFICATIONS:
Graduate level degree in art conservation from an accredited institution or, a similar level of expertise developed through career experience.
Proven ability to write detailed condition reports, develop written recommended treatment steps, and identify any potential limitations.  As such, strong written communication skills are very important.
An ability to work in a business environment that presents different challenges each day.
Ability to collaborate with all members of our team.
Graphic Conservation Company will consider both private-practice and institutional conservators for this position.
This is a full-time position. Compensation will be commensurate with qualifications and experience. Please submit Curriculum Vitae, a cover letter that discusses your potential contribution to our growing company, salary history, and professional references in confidence to:
Russ Maki
Graphic Conservation Company
329 West 18^th Street
Suite 701
Chicago IL 60616
rdm@graphicconservation.com
No phone calls, please

ExcavationS of the Baths at Roman Carsulae (ITALY)

June 12 – July 23, 2016

and related programs:

Restoration and Analysis of Archaeological Ceramics

May 30 – June 24, 2016

Athens: Heritage and Modernity

Exploration of the coexistence between historic and modern Athens, Greece

June 26 – July 7, 2016

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ExcavationS of the Baths at Roman Carsulae (ITALY)

June 12 – July 23, 2016

We are now accepting applications from students and volunteers to participate in our tenth season of excavations of the baths at Roman Carsulae. The application deadline is April 15, 2016.

Project and Location  

The Roman city of Carsulae, founded in the third century BCE along the Via Flaminia in modern Umbria, was extensively excavated by the Soprintendente for Umbria, Umberto Ciotti, from the 1950s to the 1970s.  He uncovered a number of its public buildings including the forum, amphitheatre and theatre and transformed the entire area into an archaeological park.  In 2004, our team, under the direction of Jane K. Whitehead and the Soprintendenza per i Beni Archeologici dell’Umbria commenced a long term project to re-excavate the baths, which are located just south of the city limits and were left exposed after Ciotti’s excavation 40 years earlier.

In 2011, we received grants from Italian sources, in particular the Associazione Valorizzazione del Patrimonio Storico, which enabled us to construct a roof over the remains of the baths.  Because it affords greater protection from the elements, during the 2012 and 2013 seasons we were able to open up areas that were more fragile, thus further exposing the structure. 

We plan to dedicate our 2016 season to excavating the remainder of the areas beneath the protective roof.  We will also collaborate with our colleagues with the San Gemini Preservation Studies program and the Soprintendenza on a comprehensive plan for the conservation of the bath building.

Program  

The field program welcomes both students and volunteers. No experience is necessary, only an enthusiasm for archaeology and the ability to work hard in rigorous conditions. Participants are instructed in excavation strategies, techniques and recording, the formulation of research questions and priorities, identification and handling of artifacts, drafting of site plans, and analytical rendering. Throughout the season, participants are given the opportunity to work with our conservators in the lab cleaning and consolidating small finds, or in the field helping to conserve the mosaics we have discovered over the course of the excavations.

Cost   

The program fee is $950.00 per week, which includes a shared room as well as breakfast daily and lunch and dinner five days a week. All equipment and local transportation is also provided. The minimum length of stay is three weeks, however in order to experience all stages of an excavation we strongly encourage participating in the full six-week program.  We offer a discounted rate to those who opt to enroll for the full six weeks.  Contact us for further details.

There are two possible start dates this year: Sunday, June 12 and Sunday, July 3.

Credit

We are not offering credit this season, however we are happy to work with your university.

Accommodations and Meals  

We stay at the Albergo Duomo, three or four people to a room, in the charming hill town of San Gemini, just three kilometers from Carsulae.  All rooms have private baths and air conditioning, and the hotel is equipped with free wireless.  Our meals are eaten in the elegant dining room of the hotel.

Schedule

Participants work in the field Monday through Friday from 6 AM to 1 PM (or an hour earlier, depending on the weather). After lunch and a well-earned siesta, afternoons are spent in the lab processing each day’s finds and attending classes, lectures, or working with our conservators. Weekends are open for travel or relaxation. Group trips to nearby sites of interest are often available.

For further details and to apply please visit our website. 

The application deadline is Friday, April 15, 2016.

Thank you.

Jane Whitehead

Director of the Excavations of the Baths at Roman Carsulae

Professor Emerita, Department of Modern and Classical Languages

Valdosta State University

Related programs:

Restoration and Analysis of Archaeological Ceramics

May 30 – June 24, 2016

Our colleagues at San Gemini Preservation Studies offer a number of programs that also take place during the summer in San Gemini.  We encourage you to look at their website and consider participating in one of their courses before or after your time spent working with us.  Of particular relevance to our project is the Archaeological Ceramics Conservation program, which provides an excellent background in analysis and restoration (very useful when working in the field and lab) and offers a rare opportunity for students to be trained in both disciplines by experienced field archaeologists and conservators while working with original archaeological artifacts.

Athens: Heritage and Modernity

Exploration of the coexistence between historic and modern Athens, Greece

June 26 – July 7, 2016 (check-in Saturday, June 25 – check-out Friday, July 8)

This twelve day trip is a thoughtful exploration of the history, preservation and conservation issues facing the city, organized around a series of lectures and visits led by some of the top Athenian archaeologists, architects, historians, conservators and planners who have been dealing with the problem of surveying, planning, and preserving monuments and cultural heritage in the midst of a growing modern city.

The faculty of this program includes internationally renowned scholars, such as Dr. Manolis Korres, who was Chief Architect on the Acropolis Restoration Project, who will be leading lectures and visits to the Acropolis area, as well as Dr. Fani Mallouchou Tufano, an expert on the history of restoration and was director of the Documentation Office of the Acropolis Restoration Service.

More information can be found at their website.