ECPN's Follow-Up to the Fall 2016 Webinar on Leadership – Q&A and Further Resources

The importance of leadership in conservation and developing leadership skills throughout one’s career is a rich topic that ECPN explored in the Fall 2016 webinar, Emerging Leaders in Conservation: Developing Leadership Skills as an Early-Career Professional. EPCN received a number of questions in response to the webinar, and speakers Michelle Facini and Molly Gleeson have generously taken the time to answer these questions. This post also provides a bibliography on leadership, including a number of insightful Ted Talks, for those wishing to delve further into this topic. At the end is a list of links to leadership training programs for future reference.
Q&A
Do the speakers have suggestions for how to balance the roles of colleague, friend, and leader in the workplace? Do they have tips for how conservators can step up to a leadership positions while maintaining other facets of their relationships with others?
Molly Gleeson: For the benefit of all work relationships, making space for personal connection is important. No matter what position you are in, you can demonstrate leadership qualities by speaking up with opinions and ideas, but also by making sure to ask others for their input, and being open to different viewpoints. If you are asked to lead a project and to supervise a peer or friend, I believe that taking a collaborative approach is the best course of action – you will need to take responsibility for the decision-making, planning, etc. but much of the work to get there can be collaborative, and recognition of your colleague(s) when presenting decisions and ideas is just as critical. This acknowledgment will help to empower them and make them feel included, respected, and an important part of your team.
How has your leadership style changed/evolved over the years?
Michelle Facini: My ability to recognize project priorities and maximize my time spent on tasks has become more efficient over time. Having good working relationships with colleagues also helps to streamline expectations and makes collaborations effective. As I become more senior in my organization, I am expected to bring clarity and good solutions to tasks because I understand how the organization works. As a result, it is important for me to actively listen, so I can offer good recommendations and ensure success for everyone involved in a project.
How, would you continue to inspire engagement of all colleagues, interns, volunteers, members etc. if the community or team you lead is growing? This question is aligned with making everyone feel included, and the difficulties in generating an intimate collaboration if member size increases.
Michelle Facini: Good colleagues are ones that you trust and respect. Finding a way to build those relationships with your peers is key, and doing so differs greatly from person to person. Leaders who regularly engage with their workforce and recognize their staff for their accomplishments and commitment are generally the most respected. Emotional intelligence is a skill that should continue to be honed throughout our careers so that our work relationships are rooted in kindness and empathy, while still maintaining a supportive and productive work environment.
What can conservation learn from other fields in which management and leadership skills are more explicitly praised, e.g. Business, public policy? Did you look to leadership role models in different disciplines?
Molly Gleeson: There is so much we can learn from other fields about leadership – in fact, most of the recommended reading and resources come from the business world. We can and should look at global trends in leadership, such as the concept of collaborative leadership, which focuses less on top-down management and more on teamwork, transparency, and networks. But we can also look to the museum field for examples of inspirational leaders, even if these leaders are using leadership styles that we may not gravitate toward ourselves. Check out the Leadership Matters book and blog, and forthcoming book, Women & Museums.
With the changing museum field, do you anticipate any changes to your leadership style?
Molly Gleeson: While it is important to think about our “default” leadership styles, it is just as important, as Sarah emphasized in the webinar, to remember that leadership responds to the situations and positions we find ourselves in. Being aware of how the field is changing, current institutional operations and goals, and our individual roles within an organization, will help us all expand and adapt our leadership styles as we grow as professionals.
How did our panelists develop their leadership skills and what resources/opportunities did they find helpful?
Molly Gleeson: Most of my leadership skills were developed by putting myself in positions to lead – by volunteering to organize a conference session, to teach a workshop, run for a committee position, or to take on a new project or role at work. Many of these situations are uncomfortable at first, but I have learned a lot from them and they only empower me to continue to step up into leadership roles. I am currently taking a leadership course offered through my job, and as a part of this we took the Gallup Strengths Assessment, which identified our top 5 strengths. Anyone can take this online for only $15 (there are more expensive options but our course instructor said that they are not worth it and that Gallup actually prices them higher to discourage people from doing them).
What kind of leadership do we need in the field now? What directions should we, as a field, encourage?
Michelle Facini: The availability of digital products to use for outreach is staggering— as information is instantaneously shared and consumed by vast numbers of folks, the preservation field needs to find its voice. This voice should speak humbly of our past while addressing a future that is diverse and inclusive of many skill sets. Inclusiveness allows our community to extend support to those colleagues who yearn for funding, recognition and opportunities for professional growth. Sharing our knowledge via presentations, publications and teaching elevates our standing as a profession and attracts the jobs and financial support necessary for our continued growth.
Is there a way to ask a conservator to be your mentor in a polite way, or should you let the relationship develop naturally?
Molly Gleeson: Either approach works – there are great mentor-mentee relationships that have grown out of the ECPN mentoring program where people are matched often without knowing each other beforehand – but some of the best relationships may end up developing naturally. Most importantly, mentoring works best when expectations and questions are clearly defined – so before approaching someone sit down and think about what you’d like guidance on, and what you’re hoping to get out of that relationship, and prepare to communicate these goals with your potential mentor. It is also important to be respectful of time, availability, and communication styles. Some people prefer emailing while others work better on the phone, and some people may prefer to meet in person – be open to different types of communication.
Do you have any tips for someone transitioning into a promotion and facing changes in one’s role and leadership responsibilities?
Michelle Facini: Make an appointment with yourself to determine your strengths and weaknesses in your new position. Identify ways you can acquire the necessary skills needed for your new responsibilities. Seek out mentors and peers that can assess your progress and help you find ways to rise to all your new challenges. Make sure you set goals for yourself that are attainable to keep your momentum going, but also in the distance so you always know where you are headed.
Bibliography:
This comprehensive bibliography, including both published literature and Ted Talks, was compiled by Courtney Murray for the April 2016 workshop, “Learning to Lead: Training for Heritage Preservation Professionals,” held at the Winterthur Museum. Thank you to Courtney for her willingness to share her work.
The following are addendums to this bibliography:
The Art of Relevance, by Nina Simon
Quiet: The Power of Introverts in a World that Can’t Stop Talking, by Susan Cain
Blog – Leadership Matters: Thoughts on 21st Century Museum Leadership by Anne Ackerson and Joan Baldwin
Opportunities for Formal Leadership Training or Networking:
Applicants for a number of these programs must have previous museum experience or currently hold a leadership position, so they do not apply to emerging conservators; however, you may wish to keep them in mind for the future.
The Getty Leadership Institute’s NextGen Program: Executive Education for the Next Generation of Museum Leaders – designed for mid-level staff with 3-5 years of museum management experience
The Clore Leadership Programme (UK-based, but with International Fellowships available for select countries) – applicants must have worked in the cultural sector for at least five years
The American Alliance of Museums Leadership and Management Network – professional network and repository of articles on leadership and management
Association of Academic Museums and Galleries (AAMG) Leadership Seminar – applications are open to those currently holding leadership positions in academic museums and galleries
 
Thank you to all of the individuals who submitted questions, and thank you once again to our speakers Sarah Staniforth, Michelle Facini, and Molly Gleeson. We are also grateful to Courtney Murray for the bibliography and Debbie Hess Norris for her input on leadership training. If you have additional suggestions for resources to add, or further questions on this topic, please email ECPN.aic.webinar@gmail.com.

TREASURED LANDSCAPES: National Park Service Art Collections Tell America’s Stories launch

NPS Landscape Art
The National Park Service Museum Management Program is pleased announce the publication of TREASURED LANDSCAPES: National Park Service Art Collections Tell America’s Stories (book) and a companion virtual exhibit in celebration of the National Park Service Centennial, 1916–2016.  Artworks from over 50 national parks are featured in the book and the exhibit.
Landscape art played a major role in the establishment of the National Park Service and inspired national leaders to protect and preserve these special places for all Americans. Stunning paintings, watercolors, sketches, and works on paper from National Park Service museum collections are seen together for the first time. They capture America’s treasured landscapes from Yellowstone, Yosemite, Grand Canyon, and Death Valley, to works displayed in the homes of such eminent Americans as Theodore Roosevelt, Franklin Delano Roosevelt, and Laurence Rockefeller. Other works mirror American experiences, from the Revolutionary and Civil Wars, to solitary Southwestern scenes, to wildlife in nature. These works of art convey a visual record of the Nation’s stories and reveal the remarkable diversity and engaging history of the National Park Service.
Book available through Eastern National eParks
National Park Service Virtual Exhibit
2016sep14-flyer-treasured-landscapes_final2
 
 
 

New Getty Course – Managing Collection Environments Initiative

Managing collection environments while providing long-term access to cultural materials requires a complex set of technical, analytical, and social skills. The preservation of collections has evolved into a discipline that takes into account the complexities and uncertainties present at all stages of environmental management. Recent and ongoing debate about appropriate climates has eroded the certainty of prescriptive approaches to reveal that no single field of study holds the solution and no one solution can be applied universally.
This innovative three-phase course brings together different disciplines, emerging knowledge, and the skills required to communicate and build consensus on the most appropriate approaches for climate control. It will provide up-to-date information that puts theory into practice and connects with participants’ working contexts by drawing on their experiences and by fostering continued learning through distance mentoring.

Detail of a chest of drawers from the J. Paul Getty Museum (83.DA.282)
Detail of a chest of drawers from the J. Paul Getty Museum (83.DA.282)

  • Phase 1 – Online Activities, Beginning March 2017 (ten weeks)
  • Phase 2 – Intensive Workshop, June 5–16, 2017 Pennsylvania Academy of Fine Arts, Philadelphia
  • Phase 3 – Distance Mentoring, Beginning July 2017 (six months)

Aim
The course aims to disseminate recent research and thinking on technical aspects of environmental management while enhancing participants’ critical thinking and analysis of different kinds of information, and enhancing their decision making and influence within institutional frameworks.
Objectives
The course seeks to provide participants with:

  • Updated and refreshed technical knowledge to analyze and communicate collection risks
  • Ability to discuss management of collection climates from the perspectives of architects, conservators, curators, facilities managers, scientists, and institutional administrators by blending the experience and knowledge of experts with participants’ own situations
  • Ability to set problems and solutions into institutional frameworks while exploring decision making that balances all issues and stakeholders and builds towards institutional consensus
  • Ability to develop holistic, sustainable solutions based on the needs and capacities of participants’ institutions
  • A network of professionals dedicated to sustainable preservation of historic materials

Benefits to participants

  • Case-based learning and in-practice mentoring that blends learning with participants’ own experience
  • Improved skills to communicate and justify ideas and to understand and respond collaboratively to other perspectives and needs
  • Insight into perspectives and activities of other disciplines connected to collection preservation
  • Enhanced ability to manage and facilitate change
  • Strengthened contacts within and beyond participants’ institutions

Benefits to participants’ institutions

  • Foster cooperation, communication, and understanding within the institution
  • Improved personal and professional competence of staff, to achieve institution’s mission and manage change
  • Demonstrated commitment to sustainable environmental practice
  • Strengthened internal and external networks
  • Prepared staff to undertake future roles at institution

Topics
The course will cover a range of topics including, but not limited to: climates and building envelopes, material response to climate, causes and concepts of damage, monitoring and data analysis, risk-based approaches, sustainable options for control and management practices, long-term strategies, program briefing, strategies for communication and leadership.
Learning Strategy
To support informative classroom discussion and embed learning in practice, the course begins online with tasks, readings, and discussion. All participants are required to complete a number of assignments during this first phase. Some assignments require information-gathering and consultation with other institutional colleagues. Participants should anticipate two to three hours of assigned work each week during this ten-week phase.
The second phase is an intensive two-week interdisciplinary workshop at the Pennsylvania Academy of Fine Arts in Philadelphia. The third and final phase of the course is a six-month distance mentoring program individualized to each participant.
Participants are required to actively participate in all three phases of the course.
Instructors
Vincent Beltran, Getty Conservation Institute
Foekje Boersma, Getty Conservation Institute
Walt Crimm, Walt Crimm Associates
Pamela Hatchfield, Boston Museum of Fine Arts
Michael C. Henry, Watson & Henry Associates
Wendy Jessup, Wendy Jessup Associates
Jeremy Linden, Image Permanence Institute
Michal Lukomski, Getty Conservation Institute
Bob Norris, Magic Hat Consulting
Patricia Silence, Colonial Williamsburg Foundation
Joel Taylor, Getty Conservation Institute
Eligibility
This course is open to eighteen mid- to senior-level professionals whose responsibilities include conservation management, collection management, or facility management for collections in cultural institutions, such as museums, libraries, and archives. Participants should be based at an institution or directly contribute to an institution’s mission through long-term consultancy or support. Participants may act as a focal point for an internal network in their institution or project, especially during the mentoring phase.
Participants should be able to understand and discuss technical and scientific literature dealing with the collection environments.
The working language of the course is English.
Cost
The total cost of the course is US$750, includes all three phases of the course: online activities, workshop and six-month mentoring period. The cost does not include travel to Philadelphia, accommodations, or meals.
To Apply
Application deadline is November 30, 2016.  For application instructions and forms please visit the course page on the Getty website 
Selection
Applicants will be notified of the status of their application by January 13, 2017. If you have questions about the course, the application process or require additional information, please contact mce@getty.edu.

Updated NPS Museum Handbook Collections Environment Chapter Available

National Park Service Logo


The National Park Service Museum Management Program is pleased to announce that the updated NPS Museum Handbook Museum Collections Environment chapter is now available.
The chapter, developed for over 385 National Park museums located throughout the USA, provides guidance on how to achieve an optimal environment for different types of collections located in a broad range of climate zones and housed in various building types, including furnished historic structures.
It includes:

  • Sections on “Collections Environment Basics” and “Building Basics for Collections”
  • Easy-to-follow sequential steps with recommendations on how to manage and control the museum environment.
  • Recommended temperature and relative humidity set points. These set points are expanded slightly from the earlier NPS recommended ranges to accommodate the range of climate zones in which park collections are housed, and that can also allow for greater energy efficiency.
  • Updated light standards.

Checking Datalogger
Other recommendations include :

  • Moderating climate fluctuations by containerizing collections in well-constructed and sealed metal cabinets
  • Rotating objects on exhibit to minimize light exposure
  • Guidance on flash photography and copying
  • Guidance on minimizing air pollution in spaces housing collections

Recap: ECPN's Digital Tips and Tools for Conservators

Back in June we posted a series of tips to the ECPN Facebook page. Now that school is back in full swing we thought we’d post a reminder. We hope you enjoyed this collection of digital resources! Feel free to contribute your own tips in the comments below.
1: Zotero Bibliography management tool (https://www.zotero.org/)
Zotero allows you to make bibliographies easily and keep track of abstracts (it pulls them directly from some sources) or your own notes. It also helps you to keep track of artworks from museum collections, and you can keep all the relevant information (catalog information, dimensions, conservation history notes) in one place. Zotero is free and if you install it as a plug-in to your preferred internet browser you just click and –ta da!– it magically saves all the bibliographic information for you. You can share collected references and notes with other Zotero users through groups as well.
tip1-1
Image 1: Desktop Zotero application.
 
tip1-2
Image 2: Saving an artwork from a museum’s online catalogue using Zotero on an internet browser (Firefox or Chrome).
 
2: Compound Interest has lots of infographics (http://www.compoundchem.com/infographics/) which are great references for chemistry topics. The site has lots of good information on analytical techniques as well as fun chemistry facts and a weekly roundup of chemistry news. Print materials out for your lab!
Some examples of particular interest to conservators:

 
3: With Inkpad Pro or other vector drawing apps, you can make diagrams for condition mapping, mounts, and packing. These apps are generally far less expensive than the PC-based programs they emulate, like Illustrator or Photoshop, and range from free to a few dollars. You can use a stylus on your iPad to trace from photographs and annotate. There are lots of color, line weight, and arrow options, and it’s easy to do overlays. Since the iPad is also smaller and more portable, you can do your condition mapping in the gallery or during installations as well. You can export your final drawings as PDFs and share them through Dropbox or email.
tip3-1     tip3-2
tip3-3     tip3-4
Images 3-6: Creating a vector drawing and condition map from a photograph using the iPad app InkPad Pro.
 
4: Podcasts
We’d like to highlight one of our favorite podcasts, “Chemistry in its Element” by the Royal Society of Chemistry. There are short episodes about all sorts of interesting chemical compounds. Of particular interest to conservators are podcasts on mauveine, carminic acid, citric acid, calcium hydroxide, goethite, vermillion, and PVC, for example. Episodes are about 5 minutes long each.
(link: https://www.chemistryworld.com/podcasts)
 
5: RSS feeds for Cultural Heritage Blogs
Using an RSS feed can help you keep tabs on conservation news reported on blogs. We recommend Old Reader, a free replacement for Google Reader (https://theoldreader.com/), to keep track of the many conservation blogs. AIC has a blogroll list that can help you find conservation blogs: look to the right sidebar here on Conservators Converse.
There are too many great blogs to name, but one favorite is the Penn Museum’s “In the Artifact Lab” (http://www.penn.museum/sites/artifactlab/), which is frequently updated with great photos and stories about conservation treatments underway. Another one you might like is Things Organized Neatly (http://thingsorganizedneatly.tumblr.com/)– not strictly speaking a conservation blog, but definitely has some appeal for conservators!
 
Feel free to add your favorites tips and tools below in the comments!
 
All images courtesy of Jessica Walthew, Professional Education & Training Officer, Emerging Conservation Professionals Network (ECPN).

Health and Safety Survey on Portable Fume Extractors

Conservators frequently rely on filter-based particle and fume extractors to remove or reduce airborne contaminants in their work spaces.  Health and safety professionals often warn about the hazards of using these extractors and even discourage their use for a variety of reasons. However, the Health & Safety Committee recognizes that they may be the only options for conservators working in temporary work sites, studios that are situated inside homes or rented spaces, rooms without windows, or where the building structure cannot be altered. Therefore, the Committee is currently working on a guide to help conservators research, purchase, and safely use portable extractors based on experiences of both conservators and health and safety professionals.

If you have purchased a fume and/or particle extractor, we’d like your feedback on how you rate your particular model and your experiences using an extractor in general. The purpose of the resulting guide is not necessarily to recommend any specific model, but to identify particular features and concerns that will assist conservators in purchasing the correct product for their work and how to use extractors properly.

To contribute to the guide, please complete the following survey: https://www.surveymonkey.com/r/5GWBS6P

ECPN Fall Webinar Announcement – Emerging Leaders in Conservation: Developing Leadership Skills as an Early-Career Professional

The Emerging Conservation Professionals Network (ECPN) is pleased to introduce our next webinar, “Emerging Leaders in Conservation: Developing Leadership Skills as an Early-Career Professional,” which will take place on Thursday, October 27th from 12-1 pm (EST).
We are delighted to welcome three guest speakers to explore this topic. Our presenters have varied backgrounds and represent different career stages, but each has displayed great leadership aptitude: International Institute for Conservation (IIC) President Sarah Staniforth, who recently co-taught the workshop at the Winterthur Museum, “Learning to Lead: Training for Heritage Preservation Professionals,” in April 2016; Paper Conservator Michelle Facini from the National Gallery of Art, Washington, a Fellow of AIC who has formerly chaired the Book and Paper Specialty Group; and Molly Gleeson, a Project Conservator in Objects Conservation at the Penn Museum, Professional Associate of AIC, and former chair of ECPN.
The presenters will briefly introduce theoretical information pertaining to leadership styles, discuss why it can be important to cultivate leadership skills, and consider what it means to be a leader at any stage of your profession. The speakers will also draw from their experiences to discuss specific instances in their careers that have required leadership skills. Finally, we will be discussing strategies for early-career professionals to cultivate leadership skills and provide information on additional resources for individuals who would like to learn more.
Attendance is free and open to all AIC members. To register to watch the webinar, please visit our registration website. If you are unable to view the program on October 27th, or are not a member of AIC, the full video will be recorded and uploaded onto the AIC YouTube Channel.
We would like to hear from you with any questions up until the morning of the webinar. Please feel free to email ecpn.aic.webinar@gmail.com or submit questions as comments to this post. These questions will either be answered during a Q&A session or follow-up blog post or session.
Please read on to learn more about the speakers:
SARAH STANIFORTH was elected President of the International Institute for Conservation (IIC) in January 2013. Sarah is a Fellow of IIC, the Society of Antiquaries and the Royal Society of Arts. From January 2011 – June 2014, Sarah was Museums and Collections Director at the National Trust. She was Historic Properties Director from 2005-2010 and Head Conservator from 2002-2004, and she joined the National Trust in 1985 as Adviser on Paintings Conservation and Environmental Control.  Sarah studied easel paintings conservation at the Courtauld Institute of Art. She has also written and lectured extensively on preventive conservation for collections in museums and historic houses; some of this work is recorded in the National Trust Manual of Housekeeping and Historical Perspectives on Preventive Conservation. Sarah was awarded a CBE (Commander of the Order of the British Empire) in the New Year’s Honours 2015.
MICHELLE FACINI is an American Institute of Conservation Fellow, the former Chair of the Book and Paper Specialty Group, and a paper conservator at the National Gallery of Art in Washington, D.C. She has a forthcoming publication describing Degas pastels on tracing paper and has presented research in the past on the preservation of oversized artworks and the materials and techniques in illuminated manuscripts. Michelle regularly collaborates with curators and conservation scientists, as well as conservation colleagues, globally. She received her Masters of Science in art conservation from the Winterthur/University of Delaware Program and has worked at the National Archives and Records Administration. She participated in fellowships and internships with the British Museum, the California Palace of the Legion of Honor and The Metropolitan Museum of Art.
MOLLY GLEESON is the Schwartz Project Conservator at the Penn Museum. Since 2012, Molly has worked in the museum’s open conservation lab, “In the Artifact Lab: Conserving Egyptian Mummies.” She has worked as conservator for the University of Pennsylvania’s excavations in South Abydos, Egypt since 2015. Prior to joining the Penn Museum Conservation Department, she worked on contract in Southern California and as a Research Associate on the UCLA and Getty Conservation Institute feather research project. She completed her M.A. in 2008 at the UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic Materials. She is an American Institute for Conservation (AIC) Professional Associate and is a co-chair of AIC’s Archaeological Discussion Group (ADG).

Power to Preserve: Creating a Collection Care Culture: AIC’s Collection Care Network Hosts a Session at the American Alliance of Museums Annual Meeting

–By Marianne Weldon, Objects Conservator and Collections Manager of the Art and Artifacts Collection, Bryn Mawr College
On Sunday, May 29, I attended the panel entitled Power to Preserve: Creating a Collection Care Culture moderated by Rebecca Fifield.  This session was developed by AIC’s Collection Care Network (CCN) for the Collection Management track at the Annual Meeting of the American Alliance of Museums in Washington, D.C.  The AAM Annual Meeting Theme for 2016 was Power, Influence, and Responsibility, encouraging exploration of “how the themes of power, influence and responsibility shape the work of museums in the U.S. and around the world”.
A goal of the presentation was to share influencing strategies to support development of collection care, as well as to highlight resources and partnerships available through AIC. The three presenters spoke of ways that they have been working at their institutions to foster relationships with partners within and outside their institution to better enable them to care for their collections.
 Maryanne McCubbin spoke to fostering aligned goals across an institution.  She emphasized the importance in finding common ground among museum staff and that most people working in the museum are collections stewards in some way whether directly or indirectly.  She outlined the importance of fostering that relationship with others that work in the museum in a variety of ways including:

  • Avoiding rhetoric and demystifying what collections staff are doing. Avoid terms that people won’t understand, such as agents of deterioration.
  • Being proactive and available so people don’t feel like they are bothering you or that you are too busy for them.
  • Provide frequent, regular, repeated communications on many levels and in many directions up and down the chain.
  • Make sure to demonstrate that you have the “big picture” in mind and that you understand and present things in an inter-disciplinary way.

Kathy Garrett-Cox spoke to the importance of working with community partners to enable smaller institutions to create a collection care culture beyond their institutions.  At Maymont, an American estate in Richmond Virginia, the staff numbers 3 full-time and 3 part-time, which is small when considering the needs of institutions during emergency response.  Garrett-Cox spoke about the formation of The Museum Emergency Support Team (MEST), which was formed by a group of small local organization in 2006 in response to Hurricane Katrina as an alliance for response to help to share resources, planning and training.  She additionally outlined many specific examples of the way the group grew and changed over the years, introducing challenges associated with volunteer group continuity, what worked, and what didn’t.
Patricia Silence works at Colonial Williamsburg Foundation where she manages the preventive conservation team of 20 members.  She gave numerous examples of ways that demonstrated the power of communication strategies to strengthen staff partnerships in supporting collection care. Overall, these ideas helped create relationships where colleagues in other departments wanted to help further collection care. These strategies included:

  • Meeting with over 150 site interpreters and supervisors in small groups and explaining the reasons for temperature set points. This included a briefing on dew point and how they use temperature to reduce the possibility of having water in the walls. This has helped their facilities department get fewer calls regarding comfort issues.
  • Tracking the number of hours spent cleaning gum off of items and cleaning up soda spills in order to explain why these items should not be allowed in historic buildings with collections.
  • She emphasized the importance of expressing professional “needs and desires” in terms of value. Giving reasons beyond collections value when necessary and aligning the rationale with the goals of colleagues in other departments.

Additionally Patricia spoke of areas for improvement, where things haven’t gone as well as she would like.  One specific example was in the area of excessive lighting, where additional buy-in by leadership and security staff is still needed.
As a result of all the panelists discussing both things that worked well and areas that needed improvement, discussion with the audience then centered around how we respond to hearing “NO” at our institutions and what are the most compelling arguments to win institutional support for preservation programs.  Several  members of the audience responded with ways that they build partnerships with allies within their institution or develop data to support their argument before again attempting to implement change.
The panelists presented a variety of examples, both successful and unsuccessful, to promote collection care cultures at their institutions. It contributed renewed energy to go back to our institutions to continue to forge stronger relationships to support collections care in a variety of creative ways.
Find out more information about the activities of AIC’s Collection Care Network.
 
SPEAKER BIOS:
Rebecca Fifield is Head of Collection Management for the Special Collections at the New York Public Library. She is a graduate of the George Washington University Museum Studies program and a Professional Associate of the American Institute for Conservation. A 25-year veteran of large and small art and history institutions, she is Chair of AIC’s Collection Care Network and an Advisory Council Member of the Association of Registrars and Collections Specialists.
Maryanne McCubbin is Head, Strategic Collection Management at Museum Victoria. Maryanne has worked in archives and museums for close to thirty years. An expert in history and care of heritage collections, her work has centered on the development, care and preservation, use and interpretation of collections. Her current position involves addressing the big, tough issues around managing a major, complex state collection.
Patty Silence is Director of Preventive Conservation at the Colonial Williamsburg Foundation, responsible for preservation in the historic area, museums, storage, and loans. Her focus is on site maintenance, environmental management, emergency preparedness, exhibit preparation, pest control, and safe transport of collections. Patty has over 30 years of experience in encouraging colleagues to gain and use expertise in collections care.Kathy Garrett-Cox is Collection Manager of the Preservation Society of Newport County, Rhode Island and formerly Manager of Historic Collections at Maymont in Richmond, Virginia, where she worked for 11 years. She currently serves as President of the Virginia Conservation Association and as Chair of the Richmond Area Museum Emergency Support Team. Kathy speaks frequently on coordination of conservation projects and writing disaster plans. She recently coordinated the Central Virginia Alliance for Response program.

International Archaeology Day at the Penn Museum

October 15 is International Archaeology Day (IAD), which is sponsored by the Archaeological Institute of America and held each year on the third Saturday of October. AIC is registered as a Collaborating Organization for IAD this year and we are encouraging all AIC members to promote this event, archaeology, and how we as conservation professionals support archaeological projects and collections. You can do this in many ways, including by posting on the AIC and ADG Facebook pages and on the AIC blog, with a tag for International Archaeology Day. The hashtag for social media is #IAD2016.
As ADG co-chair and conservator at the Penn Museum, I will take this opportunity to promote the Penn Museum Symposium, Engaging Conservation: Collaboration Across Disciplines, taking place this week in Philadelphia from 6-8 October 2016. This 3-day symposium is being held to commemorate the 50th anniversary of the establishment of the Penn Museum’s Conservation DepartmentFounded in 1966, it is thought to be the first archaeology and anthropology museum conservation lab in the United States to be staffed by professional conservators. 
Penn Museum Conservation Lab in 1968 (above) and in 2016 (below)
Penn Museum Conservation Lab in 1968 (above) and in 2016 (below)
The Symposium will feature 31 paper presentations by conservators, archaeologists, anthropologists, and specialists in related fields, which will address topics related to the conservation of archaeological and anthropological materials and the development of cross-disciplinary engagement over the past half century. The full schedule and abstracts can be found on the symposium website by following this linkLook for upcoming posts summarizing the events.
The Penn Museum will be hosting a variety of other events on October 15th in celebration of IAD, including offering behind-the-scenes tours of the Museum’s Center for the Analysis of Archaeological Materials (CAAM). CAAM opened in 2014, and encompasses teaching and research labs, staffed by specialists in ceramics, archaeobotany, archaeozoology, human skeletal analysis, archaeometallurgy, digital archaeology, and conservation.
CAAM teaching specialist Dr. Kate Moore working with students (left); view of one of the teaching labs (right)
CAAM teaching specialist Dr. Kate Moore working with students (left); view of one of the teaching labs (right)
We look forward to hearing about other ways in which our colleagues are involved in supporting archaeological projects and collections. Happy International Archaeology Day!

Grant: NPS Announces 2017 Preservation Technology and Training Grant Funding Opportunity

NATIONAL PARK SERVICE ANNOUNCES THE 2017 PRESERVATION TECHNOLOGY AND TRAINING GRANT FUNDING OPPORTUNITY

 WASHINGTON –The National Park Service (NPS) today opened the application period for 2017  Preservation Technology and Training  Grants (PTT Grants) to create better tools, better materials, and better approaches to conserving buildings, landscapes, sites, and collections. The PTT Grants are administered by the National Center for Preservation Technology and Training (NCPTT), the National Park Service’s innovation center for the preservation community. NCPTT has set aside $300,000 for the grant program, pending the availability of funding.

Kirk Cordell, Deputy Associate Director for Science, Technology & Training, said “NCPTT’s grants program supports innovative projects that develop new tools and technologies to improve the preservation of the nation’s historic resources.”

The competitive grants program will provide funding to federal agencies, states, tribes, local governments, and non-profit organizations. PTT Grants will support the following activities:

  • Innovative research that develops new technologies or adapts existing technologies to preserve cultural resources (typically $25,000 to $40,000)
  • Specialized workshops or symposia that identify and address national preservation needs (typically $15,000 to $25,000)
  • How-to videos, mobile applications, podcasts, best practices publications, or webinars that disseminate practical preservation methods or provide better tools for preservation practice (typically $5,000 to $15,000) 

The maximum grant award is $40,000. The actual grant award amount is dependent on the scope of the proposed activity.

NCPTT does not fund “bricks and mortar” grants.

 NCPTT funds projects within several overlapping disciplinary areas.  These include:

  • Archeology
  • Architecture
  • Collections Management
  • Engineering
  • Historic Landscapes
  • Materials Conservation

In order to focus research efforts, NCPTT requests innovative proposals that advance the application of science and technology to historic preservation in the following areas:

  • Climate Change Impacts
  • Disaster Planning and Response
  • Modeling and Managing Big Data
  • Innovative Techniques for Documentation
  • Protective Coatings and Treatments

Other research topics may be considered for funding.

Who may apply?

  • U.S. universities and colleges,
  • U.S. non-profit organizations: museums, research laboratories, professional societies and similar organizations in the U.S. that are directly associated with educational or research activity, and
  • government agencies in the U.S.: National Park Service and other federal, state, territorial and local government agencies, as well as Hawaiian Natives, Native American and Alaska Native tribes and their Tribal Historic Preservation Offices.

Other organizations can participate only as contractors to eligible U.S. partners. Grants funds support only portions of projects that are undertaken or managed directly by U.S. partners and expended in the U.S. and its territories.

How do I apply?

Applications must be submitted using Grants.gov. Search in Grants.gov for Funding Opportunity #P16AS00579, under Catalogue of Federal Domestic Assistance (CFDA) number 15.923 or 2017 Preservation Technology and Training Grants.

When is the deadline for applications?

Applications must be submitted by 11:59pm EDT Thursday, November 3, 2016.  If the project is funded, applicants should expect to be able to begin work no sooner than July 2017.

For questions about the  please contact NCPTT at 318-356-7444.