Help Conservation by Taking Part in AAM and NHA Advocacy Days!

Consider helping to ensure the future prosperity of the field of conservation by taking part in one or both of the following advocacy day events:

American Alliance of Museums: Feb. 25-26, 2013, Washington, DC

Work to make a unified case to Congress in support of museums.

Take part in a day of programming geared toward your level of advocacy experience, then visit Congressional offices with colleagues from your community. AAM will set up your Capitol Hill meetings for you, and give you talking points and pointers on how to make the best case.

Representatives from throughout the entire museum field are encouraged to take part–and please note there is NO registration fee if you are an AAM member!

For more information, click here.

National Humanities Alliance Annual Meeting & Humanities Advocacy Day: March 17-19, Washington, DC

Connect with a growing network of humanities leaders, communicate the value of the humanities to Members of Congress, and become a year-round advocate for the humanities.

Sessions and events will be held at the One Washington Circle Hotel, George Washington University, and Capitol Hill.

For more information, click here.

Thank you for all your efforts!

Call for proposals in Heritage Science for Conservation

Andrew W. Mellon Postdoctoral Fellowship
Heritage Science for Conservation
Call for Proposals
Johns Hopkins University
Sheridan Libraries and Museums

Johns Hopkins University is pleased to announce that it is now accepting proposals under its 2013 call for proposals in Heritage Science for Conservation (HSC).  Supported by a grant from the Andrew W. Mellon Foundation, HSC is an interdisciplinary program based in the Department of Conservation and Preservation of the Sheridan Libraries and Museums which partners with the Whiting School of Engineering’s Department of Materials Science and Engineering at JHU.

Heritage Science for Conservation provides a bridge between the work of scientists and conservators by bringing them together in one lab in order to conduct research, to engage in collaborations with conservators, scientists, students, and industry; and to explore various topics in the preservation and conservation of book and paper collections found in cultural institutions.   By attracting outstanding scientists to the discipline of conservation and uniting scientists into the larger conversations of the heritage community, HSC advances knowledge of conservation of cultural heritage materials and develops the next generation of conservation scientists.

Proposals should seek to combine different scientific and engineering concepts and/or technologies in order to yield new understanding or practical results helpful to conservators. HSC accepts proposals based on the six Research Areas and the corresponding Project Topic. Applicants should refer to the Research Area chart via the following link: http://www.library.jhu.edu/bin/m/h/HSCResearchAreas.pdf

Any research topic from the six Research Areas will be considered. Areas with particular emphasis for HSC include paper strengthening, permanence of coatings and paper sizing, leather consolidants, modeling and forecasting for book and paper aging and degradation, and proof of concept for technology benefiting book and paper conservators, sufficient for commercialization.  In addition to the primary research proposal, fellows will participate in other small avenues of research exploration or develop smaller research initiatives as may be revealed through the course of the primary research project or in the course of working alongside scientists, conservators, curators and industry partners.

Candidates must hold a PhD in a scientific discipline and have a high level of scientific achievement combined with a strong interest in cultural heritage collections.  Experimental research experience and an ability to plan and execute research are required. Salary for the position is $56,000.00 and includes fringe benefits and the health insurance premium.

Please visit our website for further information on the postdoctoral fellowship, the Proposal Guidelines, and the Submission Form:
http://www.library.jhu.edu/departments/preservation/hsc/application.html

Johns Hopkins University is an equal opportunity/affirmative action employer committed to recruiting, supporting, and fostering a diverse community of outstanding faculty, staff, and students.  All applicants who share this goal are encouraged to apply.

Deadlines
·        Submission Deadline:  February 15, 2013
·        Phone Interviews:  March 15, 2013
·        Award Notification:  April 15, 2013
·        Start Date:  August 15, 2013

FAIC Cultural Recovery Center to Open in Brooklyn

The Foundation of the American Institute for Conservation of Historic and Artistic Works (FAIC) announces a temporary facility to provide volunteer assistance and work space to museums, libraries, archives, historic sites, galleries, collectors, and artists to open in Brooklyn the week of December 10.

The Cultural Recovery Center will be operated by The Foundation of the American Institute for Conservation of Historic and Artistic Works (FAIC), in cooperation with a consortium of organizations:

Alliance for Response New York City
Heritage Preservation
New York City Department of Cultural Affairs
New York Regional Association for Conservation
Industry City at Bush Terminal
Smithsonian Institution

Funding for the Center has been provided by a leadership gift to FAIC from Sotheby’s.  The Smithsonian Institution and a grant to Heritage Preservation from the New York Community Trust, as well as support from TALAS, have enabled purchase of supplies.  The Center has also been outfitted with supplies from Materials for the Arts, a creative reuse program managed by the New York City Department of Cultural Affairs. Additional donations to FAIC have come from PINTA, The Modern & Contemporary Latin American Art Show; Tru Vue; members of the American Institute for Conservation; and others. The American Museum of Natural History and the Museum of Modern Art have also provided key support for recovery efforts.

FAIC and its partners have been offering crucial disaster response assistance to cultural organizations and artists in need in the wake of Superstorm Sandy. In the first 10 days after the storm struck, FAIC’s Collection Emergency Response Team’s (AIC-CERT) 24-hour hotline (202-661-8068) fielded over 55 calls from collectors, artists, and museums. AIC-CERT and New York area volunteers are working with approximately 120 small collections, galleries, and artists in New York and New Jersey to recover collections.  In addition, AIC member conservators in private practices throughout the New York City region are helping owners preserve their collections.

Access to some collections, including those of individual artists, is only now becoming possible.  Even artwork that has been dried still may need rinsing and cleaning to remove residues and mold spores.  The Cultural Recovery Center will offer space and expertise to help owners stabilize their collections.

More information about these volunteer services can be found at www.conservation-us.org/cert

Information for owners of cultural materials can be found at: http://www.moma.org/explore/collection/conservation/recovery

Free Seminar & Demonstration on Caring for Paintings Damaged by Hurricane Sandy

On Friday, December 14, conservator Rustin Levenson will give two free seminar/demonstrations on caring for paintings damaged by Hurricane Sandy. Artists and collectors can bring one (preferably small) wet/moldy painting on canvas or wood. Limited supplies will be available, along with a supply list, website list, and printed instructions. The first seminar will be in Manhattan from 10-12 PM on Friday, December 14 at Parsons New School for Design, The location is Room 1618, 79 Fifth Avenue. The second will be from 3-5 at Pratt Institute in Brooklyn. It will be classroom 001 in the basement of South Hall.

To sign up, or with questions about the seminar, contact Rustin at rustinfl [at] aol [dot] com or through her website artcarenyc.com.

Rustin Levenson graduated with a degree in Art History from Wellesley College and was trained in conservation at Harvard University’s Fogg Art Museum. She worked on the conservation staff of the National Gallery of Canada and the Metropolitan Museum of Art before opening Rustin Levenson Art Conservation, with studios in Miami, Florida and New York, New York. After Hurricane Andrew in Miami she rescued over 5000 works of art.

The seminars are sponsored by the Foundation for the American Institute for Conservation

ECPN Webinar: “Considering your future career path: working in private practice”

On November 30, 2012, the Emerging Conservation Professionals Network (ECPN) held its second webinar – “Considering your future career path: working in private practice.” 80  registered participants called in to learn valuable insight into the world of private practice from Paul Messier, President and Head Conservator of Paul Messier LLC, Conservation of Photographs & Works on Paper (http://paulmessier.com/); Rosa Lowinger, Principal and Chief Conservator of Rosa Lowinger & Associates (http:// www.rlaconservation.com/), which specializes in the conservation of objects, sculpture, and architecture; and Julia Brennan, Owner and Chief Conservator of Textile Conservation Services (http://www.caringfortextiles.com/).

The program began with a brief introduction from each speaker on their practice. Messier, who studied at the Buffalo State College Art Conservation Program, established his Boston-based practice 18 years ago and employs three full-time workers and two part-time interns. Lowinger, who is a graduate of New York University’s Conservation Program, has been in private practice since 1986. She employs three graduate-trained conservators and three full-time technicians in a practice with offices in Miami and Los Angeles. Brennan, who completed her training through apprenticeships, has been in private practice for 20 years and has a small, home-based practice, which employs one to three people depending on the project, as well as an apprentice and interns. Each speaker explained why they decided to establish their own practice – generally for personal reasons and a desire for greater independence – and how their businesses have grown and evolved over the years.

The speakers also discussed their work beyond treatment projects and how they balance various initiatives, emphasizing the importance of playing an active role in the field and not becoming isolated. Messier is focused on research, particularly on 20th-century photography, and has amassed an incomparable reference collection over the years, an aspect of his work which private practice has given him the freedom to take on. He is committed to educating the next generations of conservators through internships, and he is involved in a project at the Hermitage Museum in St. Petersburg, where a photograph conservation department is being set up. Messier is also dedicated to working with AIC as a volunteer and has served as chair on various committees. Lowinger’s greatest interest is in working with artists and contributing to the discussion on conservation of modern and contemporary art and architecture. She also is involved in outreach initiatives throughout Latin America and the Caribbean and is particularly devoted to outreach in her home country of Cuba. Finally, she is an active writer on conservation for various publications and blogs and feels strongly that there is a need for conservators to tell our own story, rather than have it told by reporters. Brennan is involved in several local groups, as well as groups of related fields, such as conservation care and preventive conservation. A major part of her work is her outreach to Thailand and Laos and other countries throughout Southeast Asia and Africa, where she leads training workshops on preventive conservation and textile conservation, and has established a regional forum for the care of textiles. She, too, dedicates time to writing articles, being available to others as a mentor, and to getting involved in the broader family of cultural heritage.

The final discussion question asked for one piece of advice from each speaker for those considering going into private practice. Messier spoke on self-confidence, patience, and the importance of networking and building long-term relationships. Lowinger emphasized the importance of collaborating with and learning from others in private practice, even if from afar. Brennan advised taking a course in project management and learning to balance large with small projects, being passionate about your work, and investing time in your clients.

The next part of the webinar consisted of an audience Q&A and again the speakers shared great practical information and advice. Responding to a question on whether they ever worry about having too much competition in the private practice world due to the scarcity of jobs in institutions, all three speakers agreed that, while competition is always a concern in life in general, what is important is trusting your own experience and knowledge, as well as acknowledging your limitations and being willing to work with others. Other questions centered on establishing a client base at the start of your practice, as well as justifying the price of your work to your clients when you are new to the field. Each speaker emphasized that communication with clients is critical to establishing a loyal client base. Never delay in answering messages and always be calm and professional. Brennan suggested doing pro bono and outreach work – more work will come back to you as a result, she explained.

All three speakers also stressed that even emerging conservators must be scrupulous about what they charge and should try not to undercut to gain work. Not only does this have a negative impact on your own practice, but it also undermines the value of our profession. Rather than charging less than their worth, emerging conservators should limit their scope and recognize their capabilities in the beginning of their practice, and must be willing to work with others.

Responses to unanswered questions will be available soon. ECPN will keep you informed on where this can be accessed once it has been posted.

ECPN would also like to emphasize that Conservators in Private Practice (CIPP) is a specialty group of AIC that exists to provide its members a forum to exchange information, suggestions, and tips on running private practice conservation businesses. CIPP has a discounted $5 student rate. You can find more information about CIPP and how to join it, along with useful resources and links, by following this link: www.conservation-us.org/privatepractice.

For more information on ECPN’s webinar series, please visit www.conservation-us.org/ecpnforum.

Some call us superheroes

According to Pia Catton in “Conservators Take Up Fight” (November 19, 2012), one of the many articles which The Wall Street Journal has published about the effect of Hurricane Sandy on the visual arts in New York City, conservators are now “art world superheroes” to the galleries and artists whose works were destroyed by the flooding. The widespread dissemination of information about the conservation profession –including its emergency response capability– may be the one good thing to come out of this terrible event.

AIC-CERT and AIC Members to appear on Leonard Lopate, 12/5/2012

Tomorrow afternoon, from 1:20-2:00pm (EST), Lisa Elkin, Jim Coddington, and Cindy Albertson will be guests on The Leonard Lopate Show, a major New York radio talk show on WNYC. The three conservators will be discussing the efforts of AIC-CERT, Alliance for Response New York City, and MoMA after Superstorm Sandy, focusing on a new Cultural Recovery Center opening in Brooklyn.

Lisa Elkin, Chief Registrar and Director of Conservation at the American Museum of Natural History, is an AIC-CERT member, and has been very active in organizing aid to affected cultural institutions. Cindy Albertson, Assistant Conservator at the Museum of Modern Art, is serving in the important role as FAIC NYC Volunteer Coordinator. Jim Coddington is Chief Conservator at the Museum of Modern Art and a Professional Associate member of AIC.

Please tune into this program, and perhaps even call in to join the conversation, on Wednesday, Dec. 5, 2012, from 1:20 – 2:00pm (ET). Stream the show live at www.wnyc.org, or New York-area locals can listen in at 93.9 FM.

AIC CERT Responds to Hurricane Sandy

On Monday, October 29, New York City was hit by Hurricane Sandy, leading to mass blackouts and flooding in Brooklyn and most of lower Manhattan. Among the areas that were particularly hard hit was Chelsea, home to many of the city’s art galleries and artist studios. A week later, the AIC Collections Emergency Response Teams (CERT) held two back-to-back sessions of the Consortium on Recovery of Works of Art Damaged by Flooding at the Museum of Modern Art. The meeting was filled to overflowing with museum, gallery, and conservation professionals and artists who were still reeling from the disaster they had witnessed.

The Consortium served as a means for conservators to guide recovery efforts across New York City. Lisa Elkin, Director of Conservation at the American Museum of Natural History (AMNH), started off by reminding attendees of the resources open to them, not least of which were the conservators around them. Then Kala Harinarayanan, Director of Environmental Health and Safety at the AMNH, reminded those present that however concerned they may be for collections, their health and safety must remain paramount. She pointed out that surge waters could contain all kinds of hazardous materials, while buildings may have become unstable after the storm. These are important things to keep in mind as we begin recovery efforts. She advised having a companion when re-entering a disaster site, using communication devices, and using personal protective equipment as advisable.

At this point, Beth Nunan, Associate Conservator at the AMNH took over. She covered the nuts and bolts of actually running a successful recovery, stressing the importance of planning prior to beginning the effort. She reminded everyone that documentation was key – not just of the damage to the site and objects, but also of the priorities, logic, and work-flow of the recovery effort. Beth also discussed ways to prioritize damaged objects, which could include business records that could be critical to the continued functioning of a business; storage, and inexpensive sources for needed materials. Caitlin O’Grady, Conservation Fellow at the University of Delaware, concluded the session by discussing various recovery techniques and their suitability to different scenarios, taking us through the merits and drawbacks of freezing versus air drying material, and discussing issues of mold and treatment. The entire presentation can be viewed here.

At the end of the meeting, attendees adjourned to a separate room to discuss more specific problems faced by those in the audience. This was where the true magnitude of the problem became clear. One attendee was dealing with forty-five different insurance companies, none of which had given permission to move the artworks to a stable area. Another had soaked canvases and no space to dry them flat. As questions arose, the conservators in the room worked together to find solutions to common problems. Eventually the room broke up into the various specialties, with paper conservators in one corner, paintings conservators in another, and so on, each dealing directly with attendee concerns.

The Consortium equipped all those dealing with recovery with a broad base of knowledge relating to the differe issues involved. In addition, it served as a gateway to getting involved with recovery efforts throughout New York, as among other things, attendees had the chance to sign up to volunteer their conservation services.

 

Additional Resources:

Museum of Modern Art – Hurricane Sandy: Conservation Resources

AIC CERT – Hurricane Response Google Group

 

Author’s note: A version of this post has also be posted to the NYU Conservation Center blog.

 

 

Reminder: ECPN Webinar Friday – “Considering your future career path: working in private practice”

The Emerging Conservation Professionals Network (ECPN) is looking forward to our second webinar  “Considering your future career path: working in private practice”  which will take place Friday, November 30, 2012, from 1-2pm EST.

The program will feature Paul Messier, President and Head Conservator of Paul Messier LLC, Conservation of Photographs & Works on Paper; Rosa Lowinger, Principal and Chief Conservator of Rosa Lowinger & Associates, which specializes in the conservation of objects, sculpture, and architecture; and Julia Brennan, Owner and Chief Conservator of Textile Conservation Services.

The webinar will include a moderated discussion and Q&A session, where we will learn about our speakers’ experiences establishing their businesses and their evolution, how they have learned to balance various initiatives and projects, and their advice for those considering going into private practice.

Participants will have the opportunity to ask questions before and after the webinar here on the AIC blog. Please submit your questions as comments to this post, or email them to Anisha Gupta at anishagupta72[at]gmail[dot]com. Questions will be accepted until the morning of the forum. During the webinar, your questions will be posed anonymously. All answered questions will be followed up on after the program in an AIC blog post.

Attendance is free and open to all AIC members. Registration is required and will be open until the forum starts. To register for the webinar, please visit www.conservation-us.org/ecpnforum.

 

AIC-CERT Offers Vital Resources to those Affected by Superstorm Sandy

In the wake of Superstorm Sandy, the Foundation of the American Institute for Conservation of Historic and Artistic Works (FAIC), is offering crucial disaster response assistance to cultural organizations and artists in need. In the first 10 days after the storm struck, the 24-hour hotline (202-661-8068) fielded over 55 calls from collectors, artists, and museums. Five AIC-CERT members are currently in the field working with small collections, galleries, and artists in Manhattan and Brooklyn with more team members to arrive this weekend. New York area conservators have also volunteered and are assisting team members in the recovery effort.

The Foundation has begun to purchase supplies for drying and treating collections and a warehouse space has been identified from which these materials can be distributed. A survey to collect information concerning current needs and resources available has been sent to members of the New York arts community in cooperation with the New York Alliance for Response and the New York Regional Association for Conservation.

An online forum has been set up by AIC-CERT to ask questions regarding the salvage, triage, and treatment of art and historic artifacts or to offer volunteer assistance (https://groups.google.com/forum/?fromgroups#!forum/aic-cert-sandy-response ). Information from the Consortium on Conservation, held November 4th at MoMA and featuring speakers from AIC-CERT and MoMa’s conservation staff, can be found on the MoMA’s website (http://www.moma.org/explore/collection/conservation/recovery ) as well as their Inside/Out Blog (http://www.moma.org/explore/inside_out/category/hurricane-sandy-aftermath-tips-for-artists).

AIC-CERT volunteers have provided assistance and advice to dozens of museums, libraries, and archives since 2007.  AIC-CERT teams were on the ground following Tropical Storm Irene and flooding in Minot, North Dakota in 2011, the Midwest floods in 2008, and in the Galveston area following Hurricane Ike later that year. AIC-CERT members and other AIC conservators participated in an 18-month-long project in Haiti assisting with recovery of cultural materials damaged in the 2010 earthquake.

AIC-CERT is supported and managed by the Foundation of the American Institute for Conservation (FAIC).  In 2007 and again in 2010, FAIC received funding from the Institute of Museum & Library Services to support an advanced training program for conservators and other museum professionals that resulted in a force of 107 “rapid responders” trained to assess damage and initiate salvage of cultural collections after a disaster has occurred.  These well-prepared professionals are currently ready to assist in New York and surrounding areas.

The Foundation thanks Sotheby’s for their leadership gift in support of our work following this disaster. We would also like to offer special thanks to AIC-CERT Coordinator Beth Antoine; New York volunteer leaders Lisa Elkin, Jim Coddington, Rebecca Fifield, and Cindy Albertson; Richard Kurin and Corine Wegener of the Smithsonian Institution; Larry Reger and Lori Foley of Heritage Preservation, and all AIC-CERT team members assisting with response to this disaster, including Viviana Dominguez (CA), Susan Duhl (PA), Hitoshi Kimura (FL), Vicki Lee (MD), Caitlin O’Grady (DE), Steve Pine (TX), and Chris Stavroudis (CA).

Resources and information on disaster recovery and salvage can be found on the AIC website at www.conservation-us.org/disaster .  The public can also call AIC-CERT at 202.661.8068.