ECPN’s next webinar, Beyond the Prerequisites: Preparing for Graduate Education in Art Conservation is quickly approaching! This Wednesday, July 16 at 12pm EDT, representatives from five of the North American graduate programs in art conservation will discuss what makes a strong applicant and ways you can grow as an emerging conservation professional.
You may have seen their names on the program websites, but we thought you might like to get to know the speakers a little better before the webinar. Each program representative has provided a short bio to help you become better acquainted!
And there is still time to register — just follow the link below. You will have a chance to submit questions for the Q&A session when you complete the registration form, but you can also send us your questions by leaving a comment on the ECPN Facebook page, or by commenting below on this blog post. You can also submit your questions via email to Megan Salazar-Walsh, ECPN Chair, at email@example.com.
Registration link: https://www2.gotomeeting.com/register/177805026
Let’s meet the speakers!
Margaret Holben Ellis is the Eugene Thaw Professor of Paper Conservation, Institute of Fine Arts, New York University. She also serves as Director, Thaw Conservation Center, The Morgan Library & Museum. She is currently Vice-President and Fellow of the American Institute for Conservation of Historic and Artistic Works of Art (AIC), Fellow of the International Institute for Conservation of Historic and Artistic Works (IIC), Accredited Conservator/Restorer of the International Institute of Conservation (ICON). Professional and academic awards have included the Caroline and Sheldon Keck Award (2003) for a sustained record of excellence in education, the Rutherford John Gettens Merit Award (1997) in recognition of outstanding service to the profession both conferred by the AIC, and a Fellowship from the American Academy in Rome (1994). She has published and lectured on artists ranging from Raphael and Titian to Pollock and Lichtenstein with her research on artists materials similarly far-ranging. She is a graduate of Barnard College (1975 B.A. art history, magna cum laude) and the Institute of Fine Arts, New York University (1979 M.A. art history; Advanced Certificate in Conservation).
James Hamm has taught paintings conservation in the Art Conservation Department at SUNY Buffalo State since 1986. He earned his M.A. degree and Certificate of Advanced Studies in Art Conservation in 1978, in the earlier iteration of the Buffalo program operated by Sheldon and Caroline Keck, as part of the Cooperstown Graduate Programs. Between graduate school and the beginning of his tenure at Buffalo State, James and his wife Patricia Hamm (’75) operated a successful private practice near Albany, New York. Professor Hamm has an ongoing interest in authentication issues and the detection of fakes and forgeries in paintings. Working closely with colleagues in the department, he regularly examines paintings using modern imaging techniques and sophisticated methods of materials analysis, in conjunction with an educated eye, to address questions of age and authenticity. He also applies the knowledge gained from the study of art materials and the processes of their degradation, to the improvement of materials and techniques available to modern artists. As a part of this work, he was awarded a U.S. patent for a rigid painting support for artists and has recently developed a pigmented wax-resin system for filling losses in paintings and objects. He has lectured and published on a wide variety of conservation topics. In 2007, Professor Hamm was honored with the President’s Award for Excellence in Teaching. He has supervised students who have become conservation professionals at museums all around this country and a few overseas, as well as those who have established successful private practices.
Rosaleen Hill is the Director of the Queen’s University Art Conservation Program. Prior to joining Queen’s University in 2013 she taught at the School of Library and Archival Studies at the University of British Columbia and in the Conservation of Cultural Materials program at the University of Canberra in Australia. Rosaleen has taught more than 40 workshops and seminars for conservator and allied professionals and has consulted widely for archives, museums, libraries and other heritage institutions.
Debra Hess Norris is chair of the Art Conservation Department at the University of Delaware, director of the Winterthur/University of Delaware Program in Art Conservation, and professor of photograph conservation. Debbie has taught more than 125 workshops and seminars for conservators and allied professionals globally including in Peru, Columbia, Mexico, New Zealand, Australia, Russia, Ireland, Finland, France, the Netherlands, Morocco, Abu Dhabi, Turkey, Lebanon, Jordan, Iraq, and India. She has published over 35 articles and book chapters on the preservation of photographic materials, conservation education, ethics, and emergency planning. Debbie served as president of the American Institute for Conservation from 1993 – 1997 and chairperson of Heritage Preservation from 2003-2008. She currently serves on the boards of Heritage Preservation and the Conservation Center for Art and Historic Artifacts in Philadelphia, and the Advisory Committees for the FAIC Hermitage Photograph Conservation Initiative, the Mellon Collaborative Photograph Workshops, and the American Friends of the National Gallery of Denmark, among others. In 2002, she was inducted into the University of Delaware’s Alumni Wall of Fame and in 2004 she was appointed as the Henry Francis duPont Chair of Fine Arts. She is a Fellow in the AIC and the International Institute for Conservation, and received the 2008 AIC University Products Award for distinguished achievement in the conservation of cultural property and the Caroline and Sheldon Keck Award for Teaching Excellence.
Ellen Pearlstein is one of the founding faculty and is associate professor at the UCLA/Getty Master’s Program in Archaeological and Ethnographic Conservation, which accepted its first students in 2005. Beforehand, Ellen spent 22 years as a conservator at the Brooklyn Museum of Art in New York City, and she taught classes at the Conservation Center of the IFA. Ellen teaches classes in organic materials conservation, conservation and ethnography, and preventive strategies at UCLA/Getty. Her research focuses on tribal museums and values for cultural preservation; effects of environmental agents on ethnographic and natural history materials (including understanding and preventing light damage in feather work); reinstating context for museum materials found ex situ; and curriculum development within conservation education.
We are looking forward to learning from this amazing group of conservation educators on Wednesday! If you miss the webinar, it will be posted afterwards on the AIC YouTube channel. Keep an eye out for an announcement when the link becomes available.