JOB TITLE: Director of Conservation
SCHEDULED DAYS/HOURS: Full Time- 35 hours/week
Job Description: The Director of Conservation will lead Winterthur’s Conservation Department comprising 19 full-time conservation, scientific, and allied professionals in establishing regional and national prominence in conservation and scientific research and practice. S/he will provide leadership for the documentation, analysis, conservation treatment, and preventive care of Winterthur’s museum, garden and library collections. S/he will enhance the support and visibility of the department and its associated professional partnerships through advocacy and development. The Director of Conservation will provide strategic support and direction to the Winterthur/University of Delaware Program in Art Conservation, a Master’s-level graduate program co-sponsored by Winterthur and the University of Delaware. This positon offers a unique and exciting opportunity in conservation leadership and education in the midst of a pre-eminent collection of 89,000 objects made and used in the North American colonies and the United States and over 500,000 documents, books, manuscripts and images in Winterthur’s research library. The facilities include paper, furniture, objects, textiles, library and archival materials, and paintings conservation laboratories, a photographic documentation studio, a well-equipped scientific analytical laboratory, and a student workshop.
Job Requirements: A Master’s degree in conservation combined with eight years of effective conservation management and leadership experience is required. A Ph. D. in preservation studies or a related field is preferred. Demonstrated teaching and scholarly achievement, including evidence of original research, publications, or other projects that demonstrate intellectual ability, innovation, and accomplishment in a relevant field, is mandatory. The Director of Conservation is expected to be adept in grant writing and overseeing grant-funded projects. S/he is to be committed to engaging in conservation on an international level. The successful candidate will demonstrate (1) excellent interpersonal and communication skills with staff, students, museum and university colleagues, donors, and the general public (2) creative thinking and solutions-based problem-solving, and (3) superior organizational abilities with a high attention to detail. A proven ability to work both collaboratively and independently while managing multiple tasks simultaneously is required.
Salary will be commensurate with experience. To apply, send a letter of interest, curriculum vitae, writing sample and three professional references familiar with your conservation experience to: jobs@winterthur.org. Deadline for applications: January 22, 2016.
Month: December 2015
The Migelien Gerritzen Fellowship for Conservation Research at the Rijksmuseum (Amsterdam, The Netherlands)
The Migelien Gerritzen Fellowship for conservation research
Predoctoral Fellowship
The Migelien Gerritzen Fonds / Rijksmuseum Fonds will annually or biennially enable one predoctoral candidate to conduct conservation research or technical PhD-research on art works and historical artefacts. This is a one-year Fellowship, with the possibility of renewal for one additional year. It will welcome applicants who are either conservators or scientists. The Fellow’s progress will be assessed in consultation with his/her supervisors at the university and the Rijksmuseum, to determine if the renewal of the Fellowship for a second year is desirable. The Fellowship will preferably result in a publication, the content and form of which will be decided by the Fellow and his/her academic supervisors in consultation with the Rijksmuseum. The Rijksmuseum will provide working space for the Fellows, in order to stimulate an exchange of knowledge, ideas and experience. Access will be provided to all necessary information in the museum, as well as to the library, conservation laboratories of the Rijksmuseum and the University of Amsterdam.
Eligibility
- The Migelien Gerritzen Fellowship supports individuals engaged in postgraduate studies leading to a Doctor of Philosophy (PhD) or Doctor of Science (DSc) degree. whose research is compatible with the Fellowship position. The candidate has to have a university-affiliated supervisor.
- Fellowships are open to candidates of all nationalities and with varied specialisms. They may include conservators and scientists.
- Candidates should have proven research capabilities, academic credentials and excellent written and spoken knowledge of two languages (English and preferably Dutch or German).
Funding
Fellowship stipends are awarded to help support a Fellow’s study and research efforts during the tenure of their appointment. The stipend of €33,000 (less applicable taxes and deductions) is for a period of twelve months commencing 1 September 2016, the start of the academic year. It is funded by an endowment legacy. The Fellowship will allow for limited travel for research in art collections and archives elsewhere in Europe to a maximum value of €5,000 annually. This is a one-year Fellowship, with the possibility of renewal for one additional year.
Application and procedure
Complete applications have to be submitted through the online application system. Please follow the link below to learn about the required documents for application.
Apply here
The closing date for all applications is 13 March 2016, at 6:00 p.m. (Amsterdam time/CET). No applications will be accepted after this deadline. All applications must be submitted online and in English. Applications or related materials delivered via email, postal mail, or in person will not be accepted.
Selection will be made by an international committee in April 2016. The committee consists of eminent scholars in the relevant fields of study from European universities and institutions, and members of the curatorial and conservation staff of the Rijksmuseum. Applicants will be notified by 1 May 2016. All Fellowships will start in September 2016.
Further information
- For questions concerning the application procedure, contact Marije Spek, Coordinator of the Fellowship Programme (m.spek@rijksmuseum.nl), +31 (0)20-6747395.
- For questions concerning the Migelien Gerritzen Fellowship, contact Robert van Langh, Head of the Conservation Department (r.van.langh@rijksmuseum.nl), +31 (0)20 6747233
Workshop Review: Master Class Plastics: Indentification, Degradation and Conservation of Plastics. Amsterdam, October 20-23 2015
Course Leaders: Thea van Oosten, former senior conservation scientist at the Cultural Heritage Agency of the Netherlands (RCE) since 1989, currently retired and freelancing and Anna Laganà, lecturer at the University of Amsterdam and freelance conservator / researcher specialized in the conservation of plastics. Both were entertaining educators throughout the course.
This is a short review of the above plastics workshop which took place as a collaborative professional development program between the University of Amsterdam and the Cultural Heritage Agency of the Netherlands (RCE). The four day course combined theory and practice, as well as input from the ten participants from seven countries regarding the challenges they are encountering with plastics materials.
An overview of the development of plastics from the 19th century to present day was reported including the chemical properties and manufacturing processes which create the various types of plastics materials. This was useful in determining what type of plastics you may be working with and how this influences degradation and therefore future preservation protocols. Understanding the difference between three main characteristics of thermoplastics, thermosets and elastomers and their polymeric makeup made sense when thinking about characteristics and deterioration patterns. The impact of additives, such as fillers, pigments and plasticizers used to manipulate the properties of plastics materials can have drastic effects on the aesthetic aspect, touch and life span of many plastic objects. These are considered the internal factors that gear the longevity of synthetic materials. External factors like oxygen, ozone, light and temperature cause oxidative degradation and hydrolysis of plastic objects initiating catalytic reactions and can accelerate deterioration. Scary stuff! But in the safe hands of Thea and Anna we motored on.
The five most vulnerable plastics: cellulose nitrate, cellulose acetate, poly (vinyl chloride), natural rubber and polyurethane were highlighted. These plastics are known to show significant deterioration patterns in short periods of time. Chemical breakdown, physical and mechanical damage and also, biological damage are often documented with these kinds of plastics. Theory sessions encompassed plenty of handling sessions using examples from reference collections donated to the RCE by Thea van Oosten. This exercise helped to familiarize participants with various plastics materials produced through history by feeling, smelling and listening to the sound plastics make when dropped. Density and color were other considerations. Film clips of manufacturing processes and artists using and manipulating plastic products to produce works of art were shown.
Ron Mueck – videos: https://www.youtube.com/channel/UC4tUoKVLJ8j6onJ2C5ytdGQ
Practical sessions included the impact of solvents on various plastics types. Deionized water and white spirit (organic clear solvent made with a mixture of hydrocarbons) seemed to have the least effect, whereas acetone showed significant physical change. Great fun was had examining residual strains in clear and translucent plastics using a strain viewer. This instrument provided a fabulous myriad of colors which enabled the examiner to measure the internal stress areas. Learning adhesive and consolidation methodologies provided good pragmatic solutions to repair and stabilize plastic objects that are physically or mechanically damaged. Understanding surface energy of plastic surfaces (low energy a water droplet will remain on the surface, high energy the water droplet will disperse evenly) was useful to know when thinking about adhesion levels and prevention of causing further internal stress and strain. There was dedicated sessions to the specific properties and consolidation of polyurethane foam as this material can degrade quickly depending on its polymeric make-up. Cleaning strategies were reviewed and practical sessions included the effects of dry cleaning methods, solvents and mild detergent solutions on various plastics materials.
Preventive guidelines were discussed; display parameters of 50- 150 lux (5-14 foot-candles), dark conditions preferred in storage, 50%RH, a temperature of 18-20 centigrade (64.4-68 Fahrenheit), good ventilation to prevent a build-up of gaseous degradation products from off-gassing plastics and maintaining a low temperature to help slow down the degradation process. Oxygen scavengers were mentioned as a useful product to help maintain a good environment. Encapsulating rubber objects was also demonstrated in order to slow down the deterioration of rubber being one of the most vulnerable plastics.
All participants were provided with a folder with useful theory, a bibliography and documentation of the presentations that were given during the course. One of the most useful sections for me were the tables reflecting the solubility parameters and chemical resistance of plastics, these would certainly help when deciphering appropriate cleaning systems if appropriate at all. I would certainly consider the use of micro emulsions and gels as other applications which were not included in the workshop. Also, the data sheets referring to adhesive properties and their appropriateness to various plastic types would be a good reference point to selecting adhesive and consolidation treatments. All provided good starting points for investigation.
With many thanks to Thea and Anna, they were both marvelous!
2016 Summer Internships at the Smithsonian’s Museum Conservation Institute
2016 Summer Internships at the Smithsonian’s Museum Conservation Institute
The Smithsonian’s Museum Conservation Institute (MCI) is offering short-term opportunities to work on research and conservation projects with staff members. The internships are intended mainly for the summer of 2016, but consideration will be given to projects at other times during the year. Preference will be given to applicants currently enrolled in conservation training programs or graduate students in related subjects. A stipend may be offered for a period of up to 10 weeks. Projects will be supervised by the following staff members, whom applicants are urged to contact in advance of application:
Mary Ballard, Senior Textiles Conservator, 301-238-1210, ballardm@si.edu
Elena Charola, Research Scientist (biodeterioration, stone), 301-238-1213, charolaa@si.edu
Paula DePriest, Deputy Director (biodeterioration), 301-238-1206, depriestp@si.edu
Janet G. Douglas, Head of Technical Studies (analysis of cultural heritage), 301-238-1238, douglja@si.edu
Christine France, Research Physical Scientist (stable isotopes), 301-238-1261, francec@si.edu
Carol Grissom, Senior Objects Conservator, 301-238-1236, grissomc@si.edu
Jessica S. Johnson, Head of Conservation (disaster management and recovery training), 301-238-1218, johnsonjs@si.edu
Rebecca Kaczkowski, Preventive Conservator, 301-238-1242, kaczkowskir@si.edu
Gwénaëlle Kavich, Conservation Scientist (technical studies: XRF, FTIR, Py-GC-MS), 301-238-1265, kavichgm@si.edu
Robert Koestler, Director (biodeterioration), 301-238-1205, koestlerr@si.edu
Thomas Lam, Physical Scientist (technical studies: SEM-EDS, XRF) 301-238-1238, lamt@si.edu (after January 25)
Nicole Little, Physical Scientist (technical studies: ICP-MS, XRD), 301-238-1243, littlen@si.edu
Odile Madden, Research Scientist (modern materials, plastic, Raman spectroscopy), 301- 238-1257, maddeno@si.edu
Dawn Rogala, Paintings Conservator (modern paints, artists’ materials research/archives), 301-238-1255, rogalad@si.edu
Jia-Sun Tsang, Senior Paintings Conservator (modern and contemporary art conservation), 301-238-1231, tsangj@si.edu
Ed Vicenzi, Research Scientist (spectroscopic imaging/microscopy), 301-238-1215, vicenzie@si.edu
Keats Webb, Digital Imaging Specialist (advanced imaging), 301-238-1212, webbekeats@si.edu
Applications must be made on line through SOLAA (https://solaa.si.edu/solaa/SOLAAHome.html) by February 25, 2016; select the option for the Museum Conservation (MCI) Internship Program.
2016 Research Experiences for Undergraduates in Archaeological and Museum Conservation Science at the Smithsonian's Museum Conservation Institute
2016 Research Experiences for Undergraduates in Archaeological and Museum Conservation Science at the Smithsonian’s Museum Conservation Institute
Supported by NSF REU Sites Program
MCI is accepting applications for 2016, contingent on continued funding
Application deadline is February 25, 2016
The Smithsonian Museum Conservation Institute in conjunction with the NSF REU Sites Program is offering short-term opportunities for undergraduates to work on research projects with staff members of its technical studies and research group, contingent on continued funding. The Smithsonian’s Museum Conservation Institute (MCI) is the center for specialized technical collections research and conservation for all Smithsonian museums, collections, and research centers. MCI combines state-of-the-art instrumentation and scientific techniques to provide technical research and characterization of objects.
Internships will take place during the summer. Applicants must be currently enrolled as an undergraduate in a university program or scheduled to matriculate in the fall term following the internship. Acceptable majors include, but are not limited to: museum studies, art history, archaeology, paleontology, chemistry, biochemistry, biology, ecology, earth science, chemical engineering, and materials science engineering. Basic chemistry and mathematical coursework is preferred; laboratory experience is not required. Applicants must be U.S. citizens or permanent residents. A stipend will be offered for a period of 10 weeks starting in late May or early June.
Projects will be supervised by one of the following staff members in their specific project area. Applicants are strongly urged to contact potential advisors in advance of application. Students are also welcomed to propose projects of their choosing contingent upon agreement of a staff member to advise the project.
Janet Douglas, Head of Technical Studies, 301-238-1238, douglja@si.edu
Materials, technology, and provenance studies of museum collections; technical and mineralogical studies of jades; characterization of artist’s painting materials and their degradation.
Christine France, Research Physical Scientist, 301-238-1261, francec@si.edu
Analyses of human and animal remains using stable isotope mass spectrometry to determine diet, provenance, demographics, and state of diagenetic alteration.
Gwenaelle Kavich, Physical Scientist, 301-238-1265, kavichgm@si.edu
Materials, technology, and provenance studies of museum collections; characterization of artist’s painting materials and their degradation.
Nicole Little, Physical Scientist, 301-238-1243, littlen@si.edu
Environmental studies of heavy metals using time of flight inductively coupled plasma mass spectrometry, X-ray diffraction, and scanning electron microscopy to determine provenance, diet, and demographics; materials, technology, and provenance studies of museum collections
Odile Madden, Research Scientist, 301-238-1257, maddeno@si.edu
Analytical study of natural and synthetic polymeric materials in cultural heritage (including plastics) using Raman, FTIR, and/or XRF spectroscopies, visible light and scanning electron microscopy, and other techniques; analysis of bone and tooth diagenesis in natural settings and collections.
- Keats Webb, Digital Imaging Specialist, 301-238-1212, webbekeats@si.edu
Advanced imaging of heritage objects using 2D- and 3D-imaging techniques as well as optical imaging beyond the range of human vision.
Edward Vicenzi, Research Scientist, 301-238-1215, vicenzie@si.edu
Spectroscopic imaging of natural and manufactured materials; mineralogical studies of jades; materials, technology, and provenance studies of museum collections.
Applications must be made on line at https://solaa.si.edu. Selected candidates will be interviewed by telephone, although MCI visits are welcome. Notifications will be sent by April 15.
Am I being too cynical?
A brief note in The New York Times (“A Digital Substitute for a Stolen Caravaggio”, by Elisabetta Povoledo, December 12, 2015) and a longer post in The Daily Mail Online (“Painting Stolen by the Mafia is Resurrected”, by Gian Volpicelli, December 11, 2015) present the news that a team of conservators, computer experts and artists utilizing digital scans of both a photo of that painting and other paintings by Caravaggio, have recreated Caravaggio’s “Nativity with St. Francis and St. Lawrence” which was stolen from the Oratorio di San Lorenzo in Palermo in 1969. As we welcome the technology (I am sure that each of us can think of a number of works of art for which it could be applied), would I be a cynic to take note of the fact that the reproduction was commissioned by the Sky Television Network which will broadcast “Mystery of the Lost Caravaggio”, a documentary about the process, in 2016?
C2C Care Webinars for Winter/Spring 2016
The Connecting to Collections Care webinar offerings for Winter/Spring 2016 are as follows:
January 14, 2016, 2:00 – 3:30 PM ET: A Conservation Primer: Caring for Historic Furniture
February 9, 2016, 2:00 – 3:30 PM ET: Re-Framing the Problem: Caring for Framed Objects in Small Institutions (aka: On a Budget)
March 8, 2016, 2:00 – 3:30 PM ET: Much Ado About Mannequins: Making the Perfect Form
April 7, 2016, 2:00 – 3:30 PM ET: Artifacts in Archives Collections
May 3, 2016, 1:30 – 3:00 ET: Arsenic and Old Lace: Controlling Hazardous Collection Materials
Register at www.connectingtocollections.org All C2C Care webinars are free!
Job Postings: Preservation Services Manager – Center for Jewish History (New York City)
Preservation Services Manager
Center for Jewish History
Position description:
The Center for Jewish History is seeking qualified candidates for a full-time Preservation Services Manager. This position manages the Preservation Services department which offers conservation treatment and re-housing of archival, library and photographic materials, exhibition consultation, and preventive conservation services for the partner’s collections.
The Center for Jewish History is a cultural institution, independent research facility and destination for the exploration of Jewish history and heritage. It is home to five partner organizations: American Jewish Historical Society, American Sephardi Federation, Leo Baeck Institute, Yeshiva University Museum and YIVO Institute for Jewish Research. The partners’ archival collections span more than 700 years of history and total over 500,000 books and 30,000 linear feet of records. The collections also include thousands of artworks, textiles, ritual objects, recordings, films and photographs.
Reporting to the Senior Manager for Collection Services, this position will work directly with the Archival Services Manager and Digital Services Manager around joint processing, digitization and conservation projects. The role requires a close working relationship with the partner collection managers to determine their treatment priorities, advise on and collaborate in all aspects of collection care; and Building Services for environmental monitoring and other preventive conservation projects.
The successful applicant will be a dynamic team leader and a forward-thinking and professionally engaged conservation manager. They will have the ability to work both independently and collaboratively in a rapidly changing team-based environment. The ability to formulate and implement innovative approaches and solutions to problems, communicate complex ideas to a wide range of audiences, and to speak and write clearly, concisely, and persuasively is important. Exceptional organizational, analytical, and interpersonal communication, time and project management skills, and a strong commitment to the improvement of preservation and collection services will be essential for success in this position.
Responsibilities include:
- Planning and managing workflows through the conservation lab and determining priorities for conservation treatment, re-housing, exhibitions and preventive conservation
- Developing, maintaining and implementing procedures and training manuals; evaluating processes and outputs, ensuring that treatment standards are met and implementing modifications to improve quality and effectiveness; training and supervising lab staff, volunteers and interns
- Tracking budget expenses and materials; maintaining department statistics and preparing reports; maintaining treatment records and database systems
- Directing and carrying out environmental monitoring and preventive conservation activities
- Directing condition surveys on both item and collection level as appropriate, devising and implementing short and long term preservation strategies based on assessment
- Advising on exhibition and loan of collection material to ensure its safety and care, including packaging for transport, security, length of display, mounting, lighting and environmental conditions
- Providing emergency preparedness and disaster recovery leadership
- Examining, documenting, and conducting complex conservation treatment of a wide range of paper-based archival , library and photographic material
- Following best practices and standards for treatments; keeping current about the latest conservation techniques and practices through research and training
- Assisting in identifying grant opportunities and in the preparation of grant applications and funding proposals for collection-related needs
- Supporting staff, patron, and community engagement through outreach activities, including workshops, seminars, and other training for Center and/or external audiences, and social media
Required qualifications:
- Master’s degree from a recognized conservation training program with a specialization in paper or book conservation
- Minimum five years experience conserving paper-based materials
- Experience in preservation project management
- Knowledge of preservation theory and standards of conservation practice
- Experience supervising and managing collaborative teams
- Experience with technology-based management tools
- Good organizational, time management and communication skills
- Ability to work independently and as part of a team
- Ability to work with diverse constituencies, including collection managers, archivists, librarians, building operations staff, and administration
Preferred qualifications:
- Experience working with library or archival material
- Experience with budget development, and tracking budgets and expenditures
To Apply:
Review of applications will begin immediately. First consideration will be given to applications received by Sunday December 27. Please direct questions and applications (cover letter addressing each of the selection criteria, resume and salary requirements) to:
Felicity Corkill
Preservation Services Manager
Center for Jewish History
15 West 16th Street
New York, NY 10011
fcorkill [at] cjh_org
No phone calls please. Candidates invited for interview will be required to present a conservation portfolio of projects and treatments, and the contact details of three references.
AIC members can access all 2015 JAIC articles online now!
While print editions of issues 54.3 and 54.4 of JAIC have been delayed due in part to the transition to our new publisher (Taylor & Francis recently acquired Maney), AIC members can access all 7 articles online now, plus editorials and book reviews. Log into the AIC website, then visit www.conservation-us.org/jaic to get one-click access to all the latest research. Subscribers and members can expect their print issues to begin arriving in 2-4 weeks.
We are so excited about the research presented in these issues, and hope you will read through and enjoy. As always, the editorial is available as a free download to all.
Volume 54, Issue 4 (November, 2015)
EDITORIAL
Julio M. del Hoyo-Meléndez, Editor-in-Chief
AN INVESTIGATION INTO JAPINE PLATINUM PHOTOGRAPHS: WILLIAM WILLIS’S PROPRIETARY PAPER
Matthew L. Clarke, Constance Mccabe, Christopher A. Maines, Silvia A. Centeno, Lisa Barro, Anna Vila
AN EVALUATION OF SELECTED RETOUCHING MEDIA FOR ACRYLIC EMULSION PAINT
Nina L. Engel and Stefan Zumbühl
16TH- AND 17TH-CENTURY ITALIAN CHIAROSCURO WOODCUTS: INSTRUMENTAL ANALYSIS, DEGRADATION, AND CONSERVATION
Linda Stiber Morenus, Charlotte W. Eng, Naoko Takahatake, Diana C. Rambaldi
Volume 54, Issue 3 (August, 2015)
EDITORIAL
Julio M. del Hoyo-Meléndez, Editor-in-Chief
MOPA MOPA: SCIENTIFIC ANALYSIS AND HISTORY OF AN UNUSUAL SOUTH AMERICAN RESIN USED BY THE INKA AND ARTISANS IN PASTO, COLOMBIA
Richard Newman, Emily Kaplan, Michele Derrick
ULTRAVIOLET-INDUCED VISIBLE FLUORESCENCE AND CHEMICAL ANALYSIS AS TOOLS FOR EXAMINING FEATHERWORK
Ellen Pearlstein, Melissa Hughs, Joy Mazurek, Kevin McGraw, Christel Pesme, Renée Riedler, Molly Gleeson
ANALYSIS OF FATTY ACIDS EXTRACTED FROM A WHALE SKELETON: ANALYTICAL APPROACH TO EVALUATE THE EFFICACY OF DEGREASING TREATMENT
Charlène Pelé, Bruno Bujoli, Élodie Guilminot, Gwenaël Lemoine, Isabelle Louvet, Laurent Poisson
ON THE PROTECTIVE NATURE OF WAX COATINGS FOR CULTURALLY SIGNIFICANT OUTDOOR METALWORKS: MICROSTRUCTURAL FLAWS, OXIDATIVE CHANGES, AND BARRIER PROPERTIES
Natasja Swartz and Tami Lasseter Clare
BOOK REVIEWS
Mary Broadway, Rebecca Anne Rushfield, Doug Severson
Collection Care Network Program for Montreal
The Collection Care Network has been busy! We are highlighting the connections CCN has developed with some of our allied preservation professionals. We are delighted to team with the Canadian Association for Conservation/Association Canadienne pour la Conservation et la Restauration (CAC-ACCR) to bring you these collection care offerings.
This year we thought, why not start early, even before the meeting officially starts. Our colleagues at the International Association of Museum Facilities Administrators (IAMFA) thought this was a good idea too. AIC, CAC-ACCR and IAMFA have developed a dynamic and interactive pre-meeting seminar that focuses on some of the concerns we share.
Share the Care: Collaborative Preservation Approaches, Friday, May 13, 2016, 9:00 am – 5:30pm
This seminar delves into the concepts of shared risk and responsibility of allied preservation professionals. The following topics will be considered through this lens: interacting among the professional groups, reviewing institutional emergency plans, surveying the current state of environmental guidelines, considering the existing international environmental guideline standards.
Choosing and Implementing an Automatic Fire Suppression System for a Collecting Institution, Saturday, May 14, 2016, 10:00 am to 12:00 pm
This special half-day session is the second part of the pre-meeting session hosted by AIC, CAC-ACCR, and IAMFA. The program will introduce attendees to the different types of automatic fire suppression systems available, evaluation criteria for each system, and implementation guidelines and considerations for collecting institutions.
This pre-session has a separate registration from the national meeting. For registration details for this special pre-meeting session consult: http://aics44thannualmeeting2016.sched.org/event/4gp4/pre-conference-meeting-iamfa-meeting#
Another pre-conference offering continues our successful collaboration and expansion of the original content provided by the Society for the Preservation of Natural History Collections (SPNHC). We’re hosting the third installment of:
STASH Flash, Saturday, May 14, 2016, 3:30pm – 5:30pm. This session is FREE with regular meeting registration.Join your fellow colleagues for a lightening round of storage tips. Submissions are being solicited around three topics:
- Building on this year’s program theme Emergency! Preparing for Disasters and Confronting the Unexpected in Conservation the program will present storage solutions that were either specifically designed to mitigate against the threat of a disaster or inappropriate environment, or presentations that assess how rehousing solutions performed in protecting (or not protecting) collections in a disaster or emergency event.
- The second proposed theme focuses on multi-function supports serving more than one purpose, such as storage, storage, travel and/or exhibition purposes.
- General presentations on innovative storage solutions for individual or collection group. To read more about the session and how to submit an idea for a short five-minute tip presentation visit the STASH website.
Next, join us for the Collection Care sessions. The first installment is planned for Sunday, May 15, 2016 with the second Tuesday, May 17, 2016. This year’s program covers an extraordinary wide range of collection care topics whose solution is frequently rests in the cooperation and input from a diverse group of allied preservation professionals.
Collection Care Session I, Sunday, May 15, 2:00 pm – 5:30 pm
This session will cover topics that include: risk management, considering loss of value in a collection, facing institutional change while maintaining consistency, planning pitfalls during construction projects, considering art and noise, designing exhibition HVAC in historic buildings.
Collection Care Session II, Tuesday, May 17, 10:00 am – 12:00 pm
Speakers in this session will discuss collaborative preservation training; unforeseen hazards of implementing emergency training, planning for emergencies at archaeological sites, and lessons learned creating emergency planning for international partners.
Consider meeting for lunch! There are two opportunities to hear about recent work in collection care while enjoying lunch. Advance registration and additional fees apply.
On Sunday, May 15, the Collection Care Network Lunch will focus on collection care issues that have arisen from content developed for the upcoming book, Preventive Conservation: Collection Storage, a partnership publication by AIC, SPNHC, Smithsonian Institution and George Washington University. Expected publication date, October 2016.
On Monday, May 16 IMLS staff will conduct a lunch presentation focusing on the 2014 Heritage Health Index. Tune in to hear about developments in IMLS’s continuing support of collections care and conservation. Hear about the launch of a new national conservation assessment program for collections care in small and medium-sized museums. And hear highlights of models, tools, and other resources recently developed by IMLS-funded Collections Stewardship projects.
The full conference schedule can be found at http://www.conservation-us.org/annual-meeting/meeting-schedule.
Meet me in Montreal!
Gretchen Guidess
AIC Collection Care Network