The peer-reviewed Journal of the American Institute for Conservation (JAIC) has published additional research on photographic materials:

Articles published between 1977-2005 are available for free through Conservation Online (CoOL):

• The Conservation of Photographic Materials (1973), José Orraca
• Monitoring the Fading and Staining of Color Photographic Prints (1981), Henry Wilhelm
• The Cleaning of Daguerreotypes: Comparison of Cleaning Methods (1982), M. Susan Barger, S.V. Krishnaswamy, and R. Messier
• Protective Surface Coatings for Daguerreotypes (1984), Barger, M. Susan, A.P. Giri, William B. White, William S. Ginell, and Frank Preusser
• Paintings on a Photographic Base (1985), Mervyn Ruggles
• A Note on The Treatment of Two Gelatin Silver Photographs by Harold Edgerton From the Portfolio “Seeing The Unseen” (1988), Meredith Mickelson
• Preservation of 19th-Century Negatives in The National Archives (1991), Constance  McCabe
• The Conservation of a Photograph Album at The National Archives of Canada (1991), Gregory Hill
• Natural Aging of Photographs (1992), Stanton Anderson, and Robert Ellison
• Thomas Eakins: Painter, Sculptor, Photographer (1992), Mark F. Bockrath, Virginia N. Naudé, and Debbie Hess Norris
• Examination, Technical Analysis, and Treatment of His Works in the Charles Bregler Collection of the Pennsylvania Academy of the Fine Arts (1992), Mark F. Bockrath, Virginia N. Naudé, and Debbie Hess Norris
• Investigation Into the Deterioration of Paintings and Photographs Using Computerized Modeling of Stress Development (1994), Marion F. Mecklenburg, Mark McCormick-Goodhart, and Charles S. Tumosa
• Effects of Aqueous Treatment on Albumen Photographs (1994), Paul Messier, and Timothy Vitale
• Physical and Mechanical Properties of Albumen Photographs (1994), Timothy Vitale, and Paul Messier
• Alfred Stieglitz’s Palladium Photographs and Their Treatment by Edward Steichen (1995), Douglas G. Serverson
• Chemistry and Conservation of Platinum and Palladium Photographs (1995), Adam Gottlieb
• Investigation of a Surface Tarnish Found on 19th-Century Daguerreotypes (1996), Lee Ann Daffner, Dan Kushel, and John M. Messinger
• Moisture Relationships of Photographic Films (1997), Peter Z. Adelstein, Jean-Louis Bigourdan, and James M. Reilly
• Differences in Image Tonality Produced by Different Toning Protocols for Matte Collodion Photographs (1999), Sylvie Pénichon
• The Effects of Four Different Wet Treatments on Albumen Photographs (1999), Valerie Baas, Christopher Foster, and Karen Trentelman
• The Loss of Meaning in Faded Color Photographs (1999), Kayley Vernallis
• Effects of Enclosure Papers and Paperboards Containing Lignins on Photographic Image Stability (2002), Daniel M. Burge, James M. Reilly, and Douglas W. Nishimura
• Silver-Mirroring Edge Patterns: Diffusion-Reaction Models for the Formation of Silver Mirroring on Gelatin Glass Plates (2002), Giovanna Di Pietro, and Frank Ligterink
• A Transparent Atmosphere: The Paper Negatives of Frédéric Flachéron in the Harrison D. Horblit Collection (2003), Lee Ann Daffner
• Optical Brightening Agents in Photographic Papers (2005), Paul Messier, Valerie Baas, Diane Tafilowski, and Lauren Varga

Articles published after 2005 are available on Taylor & Francis website; they are available for free to all AIC members, via this page (log in and click Member Access on the JAIC page).  Non-members are charged a fee per article.

• Optical Brighteners in Black-and-White Photographic Paper: Appearance and Degradation (2007), Sandra A. Connors-Rowe, Paul M. Whitmore, and Hannah R. Morris
• The Making of In the American West (2008), Sylvie Pénichon
• Characterization of Filamentous Accretions on Daguerreotype Surfaces (2011), Nick R. Konkol, Brenda Bernier, Elena Bulat, and Ralph Mitchell
• Effects of Low-Oxygen Environments in the Light Fading of Six Dyes Present in the Autochrome Color Screen (2012), Luisa Casella, and Masahiko Tsukada
• Multimodality Imaging of Daguerreotypes and Development of a Registration Program for Image Evaluation (2014), Patrick Ravines, Karl G. Baum, Nicholas A. Cox, Shawn Welch, and María Helguera
• Pursuing Automated Classification of Historic Photographic Papers from Raking Light Images (2014), C. Richard Johnson JR., Paul Messier, William A. Sethares, et. al.
• Photographic Paper XYZ: de facto Standard Sizes for Silver Gelatin Paper (2014), Jennifer McGlinchey Sexton, and Paul Messier
• An Investigation Into Japine Platinum Photographs: William Willis’s Proprietary Paper (2015), Matthew L. Clarke, Constance McCabe, Christopher A. Maines, Silvia A. Centeno, Lisa Barro, and Anna Vila
• ‘Transparent things through which the Past Shines’: Investigating Holograms in the Collection of the National Gallery of Australia (2016), Andrea Wise
• Forthcoming: Special issue on Salted Paper Prints, Summer 2020

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