Please note that PDFs for Volume 19 are not available online yet. While supplies last, hard copies of Topics in Photographic Preservation volumes 15, 16, 17, 18 & 19 can be purchased through the AIC store.
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P |Q | R | S | T | U | V | W | X | Y | Z
A
Abdallah, Mervat
Current Photograph Conservation Practices in Egypt: What To Do and What Not To Do, 18
Abdel-Fattah, Ibrahim
A Novel Non-Adhesive Housing Mat for the Display and Storage of Broken Glass Plates, 15
Ackerman, Catherine
The History and Treatment of the Ivorytype, 5
Ackerman, J. Luca
New Originals: Reprints in Fine Art Photography, 17
Adamopoulou, Adia
Same Albums, Different Treatment Approaches: the Conservation of Two Photographic Albums from the First Modern Olympic Games in Athens, 1896, 15
Adams, Morgan Simms
Evaluation of Ultraviolet Filtration by Glazing and Display Case Materials (Abstract), 15
Adelstein, Peter Z.
Effect of Paper Alkaline Reserve on the Chemical Stability of Acetate Base Sheet Film, 7
Photo Enclosures Research and Specifications, 3
Ahmad, Ida R.
What do Cigarette Filters and Photographic Films Have in Common? Cellulose Acetate: Durable in the Streets, Volatile in the Sheets, 19
Albright, Gary E.
José Orraca and the Chemical Treatment of Photographs, 14
Purple Haze: The Development and Analysis of Vapor Iodine Treatment for the Reduction of Silver Mirroring, 13
The Story Between Two Covers: The Treatment History of P.H. Emerson’s Cuba Album, 13
Treatment Options for Paper Negatives, 10
A Tentative Method for Consolidating Gelatin Dry Plates, 7
Planning for the Treatment of a Large Collection of Photographs, 5
A Short Review of Crayon Enlargements: History, Technique, and Treatment, 3
Flood Aftermath: The Preservation of Water-Damaged Photographs, 3
Ali, Maha
Current Photograph Conservation Practices in Egypt: What To Do and What Not To Do, 18
Allen, Sarah
Conserving the Knights-Whittome Negative Collection: A Pain in the Glass?, 18
Alvarez Frigola, Gloria C.
Integral Management of Photographic Collections for Conservation. Case Museum of
Photography in Cuba, 17
Andraud, Christine
Photochromatic Images of Edmond Becquerel: Where do the Colors Come From? Tracks
in the Understanding of the Origin of their Colors, 17
Identification of Chromogenic Colour Photographic Prints Brand by Spectral and
Statistical Analysis, 17
Andrews, Theresa
SFMOMA Artist Initiative: Interdisciplinary research on reprinting color photographs as a preservation solution, 18
Preservation of Deborah Luster’s One Big Self, 16
Appiah, Krystal
The Jessie Fuller Scrapbook: Balancing Access and Context in the Treatment of an Important Black Sorority Scrapbook from 1949 with a Unique but Damaging Structure, 19
Arai, Hideo
Examination of an Antifungal Agent for Use on Photographs, 16
Argomedo, Paula
The Effect of Aqueous Treatment on The Properties of Silver Gelatin Prints, 10
Arida, Zeina
The Middle East Photograph Preservation Initiative 2011-2013: Mapping Photograph Archives and Training Collection Keepers, 15
Atkinson, Patrick
Rare findings – Pannotypes in the Design Registers of the Board of Trade Collection at The National Archives, 19
B
Baas, Valerie
Tip: Localized Light Bleaching with a Fiber Optic Lamp, 13
The Effects of Multiple Wet Treatments on Cracking in Albumen Prints, 7
Ongoing Investigations into Chemical Image Enhancement of Faded Vintage Printing-out Photographic Prints, 5
The Effects of Sodium Borohydride Solutions on Silver-Based Photographic Materials: An Update, 4
Treatment Notes, 1
Baldwin, Ann
Pilot Project for the Treatment of Photogravures on Gampi Paper by Edward S. Curtis
(1868-1952), 17
Barata, Carolina
Digitizing collections – A reflection on negative archive collections, prioritizing procedures and what is lost, 18
Barbagallo, Ron
Mickey, Donald, Goofy & Pluto: What’s Breaking Up That Old Gang of Mine?, 6
Barbisan, Sophie
Camera Work: One Size Treatment Does Not Fit All, 19
Barcella, Caroline
The Conservation Project of the Manilla Daguerreotypes (Abstract), 14
Barger, M. Susan
Daguerreotype Research at the Materials Research Laboratory, The Pennsylvania State University: 1979-1984, 13
The Examination, Surface Analysis, and Retreatment of Eight Daguerreotypes Which were Thiourea Cleaned in 1977, 5
Barro, Lisa
Blue Pigment Inclusions In Salted Paper Prints, 18
New Insights into the Composition and Permanence of the Silver-Platinum Satista Paper and the Satista Prints of Paul Strand, 16
Pigment-Based Photographic Processes: A Technical Study of Pictorialist Works in the Metropolitan Museum’s Collection (Abstract), 15
An Initial Investigation into Japine: William Willis’ Proprietary Paper, 15
Contemporary Photographic Materials at the Solomon R. Guggenheim Museum, 12
The Deterioration of Paul Strand’s Satista Prints, 10
Barton, Jenny
NPS Service-Wide Initiative for the Preservation of Film-Based Media: Project Update and Presentation of Multimedia Training Program (Abstr.), 14
NPS Service-Wide Initiative for the Preservation of Film-based Media (Abstract), 13
Bartz, Marissa
Investigation of Portrait with Applied Oil Color, 18
Beauchamp, Marie-Lou
Once upon a time; The history of the photograph conservation lab at the Art Institute of Chicago, 18
Beeman, Karina
Surface Matters: the Treatment Challenges to Retain the Surface Characteristics for Gelatin Silver Developing-Out Photographs (Abstr.), 14
Treatment of an American Political Tintype Badge, Case-Study, 13
Beeman, Mark
Preservation System for Housing Bare Plate Daguerreotypes, 14
Bernier, Brenda M.
Disaster Recovery of Flood Damaged Glass Plates, 18
New Methodology for Analytical Identification of Historic Coatings on Salted Paper Photographs at Harvard University, 16
The Preservation Challenges of Historic Scientific Photographs (Abstract), 15
Salted Paper Print Initiative at Harvard University: Preliminary Report (Abstract), 14
The Preservation of Panoramas at Harvard University, 14
Tip: The Use of Inkjet Copiers to Transcribe Historical Inscriptions, 13
Polaroid Vectographs, 13
A Case for Preservation: Revisiting the Agassiz Collection of Daguerreotypes from the Peabody Museum Archives at Harvard University, 13
Issues in Humidification and Drying of Gelatin Silver Prints, 11
A Study of Poly(vinyl chloride) Erasers Used in the Surface Cleaning of Photographs, 7
Berselli, Silvia
Conservation and Restoration of The Family of Man, 4
Bezur, Anikó
19th Century Photography in a Modern Chemistry Lab, 15
Bigelow, Nicholas
A Summary of the National Science Foundation (SCIART) Supported Research of the Daguerreotype, 15
Bigourdan, Jean-Louis
Understanding Temperature and Moisture Equilibration: A Path Towards Sustainable
Strategies for Museum, Library and Archives Collections, 17
Effect of Paper Alkaline Reserve on the Chemical Stability of Acetate Base Sheet Film, 7
Binder, Victoria
Digital Fills for Photographs with Glossy Surfaces, 15
Binnie, Nancy E.
Disinfection of Photographic Materials with Ethanol Vapours: Preliminary Evaluation of the Innocuity on Chromogenic Prints, 19
Bischoff, Judith J.
Ongoing Investigations into Chemical Image Enhancement of Faded Vintage Printing-out Photographic Prints, 5
Bisi, Sara
Purple Haze: The Development and Analysis of Vapor Iodine Treatment for the Reduction of Silver Mirroring, 13
Boatright, Ryan
The Graphics Atlas, 15
The Graphics Atlas: Applied (Abstract), 14
Bogan, Mary Patrick (MP)
Preserving Ernest Hemingway’s Photograph Albums and Scrapbooks at the Finca Vigía, 16
Bogomolova, E.V.
Micromycetes Complexes on Photographs from Old Collections (1839-1912), 12
Bone, Sara
Mass-treatment of E.S. Curtis’ The North American Indian Photogravures, 19
Borrego, Sofía
Mold on Stored Photographs and Maps: A Case Study, 16
Breitung, Eric
Refining the Daguerreotype Package, 18
Scratch Repair on Acrylics Used in Face-Mounted Photographs: A Survey of Materials and Techniques, 12
Survey of Abrasion Resistant Acrylics and Polycarbonates for Face-Mounted Photographs, 12
Brogdon-Grantham, Shannon
A Context-Based Approach to Conserving Photographs On Textiles, 18
New Approaches to Cleaning Works on Paper and Photographic Materials, 16
Brostoff, Lynn
19th Century Glass Manufacture and Its Relevance to Photographic Glass Stability, 18
Brown, Barbara N.
Four Metallic Photographic Prints From The Harry Ransom Center Collection, 11
Curatorship and Conservation at The Harry Ransom Humanities Research Center: the Evolution of a Process, 5
The Treatment of H.P. Robinson’s Bringing Home the May, 8 19th-Century English Albumen Print, 3
Early Commercial Photographic Papers in the Wentzel Collection at the George Eastman House, 2
Notes on a Preliminary Investigation into Bronze Powder Deterioration of Albumen Prints, 1
Brown, Heather
The Niepce Heliograph, at the Harry Ransom Center, 19
Extending Our Reach: Effective Methods for Engaging Allied and Public Audiences with Photograph Preservation, 15
Brown, Sarah
Re-visiting Strip Lining of Large Format Photographs (Abstract), 15
TIP: Collaboration, Learning, and a Positive Response to Disaster: Preparing a Collection of 16mm Film for Digitization, 14
Brückle, Irene
The “Perfect” Fill for the Tintype, 9
Photo Buttons on the Mind: Repairing Large Splits in Photo Buttons, 9
Immediate and Long-term Effects of the Treatment of Silver Mirroring on the Surface of Photographs, 8
Update: Remoistenable Lining with Methyl Cellulose Adhesive Preparation, 7
Bulat, Elena Simonova
Specular Reflection FTIR for Chemical Analysis of Historic Photographs, 18
Disaster Recovery of Flood Damaged Glass Plates, 18
“Larger Than Life”- Edwin Forrest Mammoth Daguerreotype Conservation Challenges, 18
A Glimpse from the Dawn of Photography Investigation and Stabilization of an 1839 Daguerreotype at the Peabody Essex Museum, 16
New Methodology for Analytical Identification of Historic Coatings on Salted Paper Photographs at Harvard University, 16
TIP: Rubber Cement Reduction Surface of Gelatin Silver Photographs (DOP) Effects, 14
TIP: Burnished Scratches Reduction on Some Silver Gelatin Photographs, 14
The Preservation of Panoramas at Harvard University, 14
A Case for Preservation: Revisiting the Agassiz Collection of Daguerreotypes from the Peabody Museum Archives at Harvard University, 13
Photograph Preservation in Russia, 11
Facsimilation of Paper Negatives, 10
Burandt, Jan
It’s All That: Standardization of the material characterization of photographs in the age of the extended medium field, 18
Burge, Daniel M.
Examination of the Effects of Various Water Emergency Scenarios on Inkjet Prints Past to Present, 19
When Inkjet Prints Get Wet: First Contact to Weeklong Submersions, 17
Key Components of the Recent Major Revision of ISO 18902 Imaging Materials – Processed Imaging Materials – Albums, Framing and Storage Materials, 16
Further Studies in Digital Print Preservation (Abstract), 15
Effects of Enclosure pH on Cyanotypes and Blue Prints (Prussian Blue) (Abstract), 15
The Effects of Acidic, Alkaline, Buffered, and Non-Buffered Enclosures on Cyanotypes, 14
Burgess, Helen D.
Evaluation of Paper Products: With Special Reference to Use with Photographic Materials, 4
Burnett, Nicholas
The Transformation and Printing of Claude Marie Ferrier’s Albumen on Glass Negatives by Robert Jefferson Bingham, 19
Burton, Robert
Cataloging Is Preservation: An Emerging Consideration in Photograph Conservation Programs, 16
Butler, Savannah
The Chemistry of Digital Fine Art Paper Yellowing: A Comparative Case Study of Moab Entrada Rag Natural 300gsm and Harman Inkjet Glossy Art Fibre Warmtone by Hahnemühle, 18
C
Caen, Joost
Evaluation of Atmospheric Plasma as a New Conservation Treatment for Historical Photographs using Advanced Electron Microscopy, 16
Caldararo, Niccolo
Restoring Ansel Adams, 13
Preliminary Reports on the Conservation of Slides with Special Reference to the Removal of Mold, 9
The Examination and Treatment of an Early Twentieth Century Photographic Collage, 5
Campbell, Lynn
Earthquakes and their Aftermath: Lessons Learned from the Canterbury Quakes 2010-2011, 15
Cane, Deborah
What do Cigarette Filters and Photographic Films Have in Common? Cellulose Acetate: Durable in the Streets, Volatile in the Sheets, 19
Cannarella, Fabien
Conservation of Three Collodion Glass Plate Negatives Made by Charles Marville (C. 1865): Research on Cleaning and Strengthening of the Collodion Varnished Image Binder (Abstract), 14
Cannon, Alice
Investigation of Fusion 4000 as an Alternative to Lascaux for Hinging Inkjet Prints, 15
Canosa, Elyse
Investigation and Optimization of Electrochemical Treatment for Daguerreotypes, 17
Carbon Isotope Analysis of Waxed Paper Negatives, 15
Carver-Kubik, Alice
Advancements in Image-Based Condition Reporting for Daguerreotypes: Optimizing Microscopy to Accompany High Resolutions Images, and Sharing them in the Daguerreotype Research Portal, 14
Carey, Kathryn Myatt
A Glimpse from the Dawn of Photography Investigation and Stabilization of an 1839 Daguerreotype at the Peabody Essex Museum, 16
Carta, Carolyn
Evaluation of Hydrolytic Accelerated Aging Protocols on Cellulose Acetate, 18
Casella, Luisa
Investigation of Portrait with Applied Oil Color, 18
Treatment of Oversized Photographs and Tracing Linens for George Keyt’s “Lanka Matha” Glass Panels, 16
Behavior of Autochrome Color Screen Dyes under Anoxic Conditions, 14
Display of Alfred Stieglitz and Edward Steichen Autochrome Plates: Anoxic Sealed Package and Lighting Conditions, 14
Preliminary Results for Anoxia Light-Fading, Autochrome Research at the Metropolitan Museum of Art: Testing Methodology and 13
Research on Methods for Cleaning Face-Mounted Photographs, 13
Casto, Sarah
Pictorialist Experiments of Karl Struss, 18
Hinging and Float Mounting 20×24” Polaroid Prints and Negatives, 18
Castro, Laura
Digitizing collections – A reflection on negative archive collections, prioritizing procedures and what is lost, 18
Cattaneo, Barbara
Two case studies of the treatment of photographic albums: between emic and etic approaches, 18
Centeno, Silvia A.
Blue Pigment Inclusions In Salted Paper Prints, 18
Visualizing the nanoscale: new developments in the understanding and preservation of the daguerreotype image, 18
New Insights into the Composition and Permanence of the Silver-Platinum Satista Paper and the Satista Prints of Paul Strand, 16
Pigment-Based Photographic Processes: A Technical Study of Pictorialist Works in the Metropolitan Museum’s Collection (Abstract), 15
An Initial Investigation into Japine: William Willis’s Proprietary Paper, 15
The Effect of Environmental Pollutants on the Deterioration of the Daguerreotype Image (Abstract), 15
Characterization of Chlorine Induced Alterations on Daguerreotypes by SEM-EDS, XRF, and Raman Spectroscopy (Abstract), 14
Chan, Lisa H.
The Daguerreotype Uncovered: An Overview of the Surface and Subsurface Chemistry, Physics and Material Science Underlying the First Photographic Process Based on Electron Microscopical Studies, 16
Using Electron Back Scattered Diffraction (EBSD) & Energy Dispersive Spectrometry (EDS) to Characterize the Surface of 19th Century and Modern Daguerreotypes, 15
Charette, Sean
Advancing the Conservation of Photographs in Central, Southern, and Eastern Europe Using a Model of Extended Learning, 14
Chemali, Yasmine
Digitization as a Tool for Preventative Conservation and a Key Role for Sustainability, 16
The Fouad Debbas Collection (Lebanon) in the Core of a Regional Emergency Preparedness Strategy, 15
Chen, Jiuan-Jiuan
A Glimpse from the Dawn of Photography Investigation and Stabilization of an 1839 Daguerreotype at the Peabody Essex Museum, 16
Development and Testing of a Fluorescence Standard for Documenting Ultraviolet Induced Visible Fluorescence, 16
Condition Documentation and Monitoring of an Exhibition of Daguerreotypes at the State Hermitage Museum, 16
Surface Matters: the Treatment Challenges to Retain the Surface Characteristics for Gelatin Silver Developing-Out Photographs (Abstract), 14
Surface Characterization and Monitoring of Surface Changes after Conservation Treatments of Silver Gelatin Photographic Papers Using Confocal Microscopy, 14
Preservation System for Housing Bare Plate Daguerreotypes, 14
Reversible Mounting Techniques for the Display of Large-Format Contemporary Photographs, 12
Treatment Options for Paper Negatives, 10
The “Perfect” Fill for the Tintype, 9
Cheung, C. S
Rare findings – Pannotypes in the Design Registers of the Board of Trade Collection at The National Archives, 19
Chipman, Alisha
The Treatment and Preservation of the Emily Howland Photograph Album, 19
Heat and Solvent Set Repair Tissues, 18
The Last Full Measure: An Exhibition of American Civil War Photographs from the Liljenquist Family Collection at the Library of Congress, 15
Separate but Equal: Testing Treatment Techniques to Separate Water-Damaged Blocked Film-Based Negatives from the Henry Clay Anderson Collection of the Smithsonian National Museum of African-American History and Culture, 15
The Platinum and Palladium Initiative: Tools and Strategies for Interdisciplinary Collaboration (Abstract), 15
Inexcusable but Appropriate: the Technical Analysis of Hand-Painted Tintypes from the Smithsonian National Museum of American History and the Winterthur/University of Delaware Program in Art Conservation Collections, 14
Christie, Nicole
Separation Anxiety: Kiss Your Acetate Goodbye!, 17
Ciliberto, Enrico
Aluminum Foil as a Cathodic Protector to Prevent Silver Mirroring on Silver Based Photographic Materials, 19
Clarke, Matthew L.
Removing Residual Iron from Platinum and Palladium Prints, 16
An Initial Investigation into Japine: William Willis’s Proprietary Paper, 15
The Platinum and Palladium Initiative: Tools and Strategies for Interdisciplinary Collaboration (Abstract), 15
Coddington, James
Surface Classification for Black and White Prints (Abstract), 14
Cole, Tatiana
New Originals: Reprints in Fine Art Photography, 17
The Kodak Dye Transfer Process – How Eliot Porter Captured Color, 16
Colford, Cindy
Separation Anxiety: Kiss Your Acetate Goodbye!, 17
Colina, Luis Montes de Oca
A New Frontier: Photograph Conservation in Cuba, 10
Connors-Rowe, Sandra
Optical Brightener Loss in Photographic Paper, 12
Cortes Pereira, Catarina
Digitizing collections – A reflection on negative archive collections, prioritizing procedures and what is lost, 18
Curran, Katherine
What do Cigarette Filters and Photographic Films Have in Common? Cellulose Acetate: Durable in the Streets, Volatile in the Sheets, 19
Cruz, Cinthya
Fototeca Pedro Guerra: Conservation of the Photographic Archives, 16
Curry, Lynn
Notice to the Reader: Talbot’s The Pencil of Nature in Canada, 15
D
Daffner, Lee Ann
From Here On and Beyond: Researching Objects, History and Collection at The Museum of Modern Art, 18
Characterizing Resin Coated Surfaces and Evaluation of Adhesive Systems to Hinge-
Mount for Photographs and Digital Prints, 17
Object: Photo – A Presentation of Deep Data from the Thomas Walther Collection Project at The Museum of Modern Art, 16
Retouch Practices Revealed in the Thomas Walther Collection, 16
The Proof is in the Print: Characterization and Collaboration in the Thomas Walther Collection Project at The Museum of Modern Art (Abstract), 15
Surface Classification for Black and White Prints (Abstract), 14
Context and Content: Dating of Photographic Prints by Henri Cartier-Bresson Based on Visual Examination and Chemical Analysis, 14
New Applications for Paper Fiber Analysis in Characterizing Gelatin Silver Prints (Abstracts), 13
Survey of Cool and Cold Storage Facilities for Fine Art Photograph Collections, 10
Examination and Investigation of 19th Century Paper Negatives: A Study of the Process, Materials, and Deterioration Characteristics, 6
Daher, Céline
Accidental Images, The Negative Before Photography?, 18
Daly, Nathan
Deconstructing the Creation of Daguerre’s Dessins-Fumées: A Photographic Process or Just Smoke and Mirrors?, 19
Daly, Rose
Development of a Conservation Database for the Photographic Collection at the MFA, Houston, 12
Dantigny, Philippe
Disinfection Treatment of Fungi Damaged Silver Gelatin Prints with Ethanol Vapours, 17
Danzing, Rachel
Pilot Project for the Treatment of Photogravures on Gampi Paper by Edward S. Curtis
(1868-1952), 17
Obtaining Photographic-Grade Gelatin, 8
Alfred Stieglitz: Photographic Processes and Related Conservation Issue, 4
Dardes, Kathleen
Advancing the Conservation of Photographs in Central, Southern, and Eastern Europe Using a Model of Extended Learning, 14
Dávila-Lorenzana, Liliana
The Characterization of the Photographic Production of Dèsirè Charnay on His First Trip to Mexico, 16
Davis, Andrew R.
Heat and Solvent Set Repair Tissues, 18
Davis, Keith F.
Building a Collection: The History of the Hallmark / Nelson-Atkins Museum of Art
Photography Collection, 17
Deckers, Ann
The Lieven Gevaert Tower: a New Low Energy Climate Storage Facility for the Collection
of the FOMU – Fotomuseum Antwerp, 17
de Filippi, Patricia
Emerging photograph conservators of the 2020’s, 18
De Herder, Hans C.
Gold Fever: Two Unique Gold Daguerreotypes From the Collection of the German Kaiser, 8
Déniel, Frank
Disinfection Treatment of Fungi Damaged Silver Gelatin Prints with Ethanol Vapours, 17
Derby, Deborah
Singing the Blues: the Treatment of Water-Damaged Negatives, 5
de Saint-Ours, Edouard
Photochromatic Images of Edmond Becquerel: Where do the Colors Come From? Tracks
in the Understanding of the Origin of their Colors, 17
de Seauve, Victor
Photochromatic Images of Edmond Becquerel: Where do the Colors Come From? Tracks
in the Understanding of the Origin of their Colors, 17
Díaz, Cecilia
The Effect of Aqueous Treatment on The Properties of Silver Gelatin Prints, 10
Diaz-Cañas, Diana Lorena
The Niepce Heliograph, at the Harry Ransom Center, 19
Providing Access to ‘Overprotected’ Color Slides, 17
Conservation of an Oversized Photographic Collage: First Phase, 15
Panoramic View of Mexico City by Photographer Claude Désiré Charnay, 15
Donovan Sue
The Jessie Fuller Scrapbook: Balancing Access and Context in the Treatment of an Important Black Sorority Scrapbook from 1949 with a Unique but Damaging Structure, 19
Doutriaux, Miriam
A Context-Based Approach to Conserving Photographs On Textiles, 18
Down, Jane
Photographic Activity Tests of Various Adhesives Suggested for Use on Water-Sensitive Photographs, 15
Drover, Christopher
A Preliminary Investigation into Acrylic Glazing Deterioration, 12
Du Boise, Kim
Revealing History with Moisture and Megabytes: Curled Panorama Prints from WWI and WWII, 18
Dumville, Moya
Treatment of Oversized Photographs and Tracing Linens for George Keyt’s “Lanka Matha” Glass Panels, 16
Duncan, Lisa
What Is It: Empirical Research into the Art of Bleaching Crayon Enlargements, 17
Development of a Conservation Database for the Photographic Collection at the MFA, Houston, 12
Dune, Corinne
Characterization of Black-And-White Silver Gelatin Fiber-Based Photographic Prints, 11
Duval, Constance
Restoration of an Experimental Film: Research of an Adhesive Compatible with Color
Film Materials, 17
E
Edmondson, Thomas M.
What Is It: Empirical Research into the Art of Bleaching Crayon Enlargements, 17
Foam (12), By Zhang Huan: The Treatment of An Oversize Chromogenic Print (Abstract), 13
Digital Photography! But What About our Careers! (or, What IS Photograph Conservation?),11
The “Perfect” Fill for the Tintype, 9
The Examination, Surface Analysis, and Retreatment of Eight Daguerreotypes Which were Thiourea Cleaned in 1977, 5
Eiselt, Irena
Janez A. Puhar (1814–1864) – The Forgotten Slovene Inventor of Photography on Glass and His Process – The Puharotype (1842), 16
Eldabaa, Medhat
Atmospheric Pressure Non-thermal Plasma of Cleaning 19th Century Tintype, 18
Elwing, James
Preservation of Historic Glass Plate Negatives in Low Budget Conditions (Abstract), 15
Eremin, Katherine
A Glimpse from the Dawn of Photography Investigation and Stabilization of an 1839 Daguerreotype at the Peabody Essex Museum, 16
New Methodology for Analytical Identification of Historic Coatings on Salted Paper Photographs at Harvard University, 16
Estrada, Mirasol
Laszlo Moholy-Nagy: Characterization of his Photographic Work at The Art Institute of Chicago and His Working Practices, 16
The Conservation Plan for the “Mexican Suitcase”, 14
Evers, Jennifer
The Treatment and Preservation of the Emily Howland Photograph Album, 19
F
Fischer, Monique C.
Seventeen Years of Teamwork: Teaching Photograph Conservation in Central and Eastern Europe, 19
The Chemistry of Digital Fine Art Paper Yellowing: A Comparative Case Study of Moab Entrada Rag Natural 300gsm and Harman Inkjet Glossy Art Fibre Warmtone by Hahnemühle, 18
Finding a Balance: Conservation of the Dolley Madison Cased Image from the Greensboro History Museum, 18
The Re-creation and Conservation of Megalethoscope Slides, 17
Francesca Woodman’s BFA Thesis: Conserving a Work of Art for An Active Archive, 17
Characterization of Inkjet Output Media…or How to Hit a Moving Target, 16
Preserving Ernest Hemingway’s Photograph Albums and Scrapbooks at the Finca Vigía, 16
Creating Long-Lasting Inkjet Prints, 12
A New Frontier: Photograph Conservation in Cuba, 10
The Hand-coloring and Retouching of Daguerreotypes and Glass Photographs: An Annotated Bibliography, 9
Use of Passive Monitors in Film Collections, 6
Guidelines for Care and Identification of Film-Base Photographic Materials, 5
Florian, Mary-Lou
Water, Heritage Photographic Materials and Fungi, 10
Flukinger, Roy
Curatorship and Conservation at The Harry Ransom Humanities Research Center: the Evolution of a Process, 5
Fogle, Kate
19th Century Glass Manufacture and Its Relevance to Photographic Glass Stability, 18
Foster, Christopher
The Effects of Multiple Wet Treatments on Cracking in Albumen Prints, 7
Fraticelli, Guilia
Albumen and gelatine photographs from the Italian artist Arturo Viligiardi’s collection: conservation treatment and study on chemical hydrogels, 18
Freeman, Sarah
Deconstructing the Creation of Daguerre’s Dessins-Fumées: A Photographic Process or Just Smoke and Mirrors?, 19
Repairing transparency, recovering the image. Research and testing fill materials and methods for conservation treatments on photographs face-mounted with poly(methyl methacrylate), 18
A Technical Study of the Work of Felice Beato in Asia, 14
Tip: Localized Light Bleaching with a Fiber Optic Lamp, 13
Working with Large Photographs at the J. Paul Getty Museum, 13
Frellsen, Ann
The Early Emory College Class Photograph Preservation Project, 11
Frigerio, Jean-Marc
Photochromatic Images of Edmond Becquerel: Where do the Colors Come From? Tracks
in the Understanding of the Origin of their Colors, 17
G
Gallardo, Claudia Sofía Arévalo
Saving Film History through Photography, 15
Gandolfo, Jean-Paul
Historical and Technological Investigations of the Autochrome Process, and Attempts at Re-creation, 5
García, Pablo Ruiz
Conservation of New Photographic Art: Direct Printing and Textile Artifacts, 15
García Celma, Marta
Reproduction as strategy for photograph conservation? Theory and practice, 18
Garnier, Chantal
Analysis and Restoration of Negatives Intensified with Mercuric Iodide, 3
The Use of Microwaves for Drying Flood Damaged Photographic Materials, 3
Garratt, Caroline
Acetate Base Stripping: a Preliminary Investigation into the Feasibility of Bulk Treatment, 15
Gerritsen, Ingrid
Re-Examining The (Electro-)Chemical Cleaning of Daguerreotypes: Microscopic Change Vs. Macroscopic Perception, 14
Giachet, Miriam Truffa
Animation Cels: Conservation and Storage Issues, 16
Giberson-Chen, Carew
The Chemistry of Digital Fine Art Paper Yellowing: A Comparative Case Study of Moab Entrada Rag Natural 300gsm and Harman Inkjet Glossy Art Fibre Warmtone by Hahnemühle, 18
Gieri, Paul
Visualizing the nanoscale: new developments in the understanding and preservation of the daguerreotype image, 18
Gillet, Martine
The Use of Microwaves for Drying Flood Damaged Photographic Materials, 3
Gironda, Michele
Scanning Micro-XRF for Historical Photography, 19
Glaser, Greta
Technical Investigation of the Effects of Light and Humidity on Diazotypes, 16
Technical Investigation of a 20th Century Hand-Colored Opaltype, 15
Gloor, Jessamy
‘’Respectfully Dedicated to my Friends Messrs. Bradley & Rulofson’’ Photographically Illustrated Sheet Music and Connections Between Photography Studios and Sheet Music Publishers, 19
Godomski, Tessa
Appropriate Techniques for Surface Cleaning Inkjet Prints, 13
Gold, Jens
Reconstruction of European Daguerreotype and Ambrotype Cover Glasses, 15
Investigation of Methods Used to Misrepresent the Conditions and the Age of Photographs, 11
Goltz, Douglas
Hyperspectral Imaging of Daguerreotypes (Abstract), 14
Goodall, Rosemary
The Kodak Colorama Collection at Museums Victoria, 18
Goulait, Joe
The Bourges-Bruehl Collection: Reproducing Color from Glass Separation Negatives Using Desktop Computer Equipment, 5
The Bourges-Bruehl Collection: Reproducing Color from Glass Separation Negatives, 4
Gourley, Belinda
The Kodak Colorama Collection at Museums Victoria, 18
Granowski, Caitlin
A Preliminary Investigation into Acrylic Glazing Deterioration, 12
Grieten, Eva
Evaluation of Atmospheric Plasma as a New Conservation Treatment for Historical Photographs using Advanced Electron Microscopy, 16
Surprise, Surprise…Technical Analysis of Photographs in the Alfred Stieglitz Collection at the Art Institute of Chicago, 13
Griggs, Candis
Preliminary Reports on the Conservation of Slides with Special Reference to the Removal of Mold, 9
Grinde, Lene
Characterization of Black-And-White Silver Gelatin Fiber-Based Photographic Prints, 11
Gruber, Andreas
Pigment-Based Photographic Processes: A Technical Study of Pictorialist Works in the Metropolitan Museum’s Collection (Abstract), 15
The Photographs of Heinrich Kühn: Research Project on Artistic Technique, 14
Pioneers of the Daguerreotype in Austria: Observations on the Technology and Conservation Issues, 12
The History and Preservation of the Josef Maria Eder Collection, 9
Gutierrez, Jennifer Jae
The Preservation of Photographic Collections in Historically Black Colleges and Universities, 13
Gutierrez Jr., Robledo O.
The Daguerreotype Uncovered: An Overview of the Surface and Subsurface Chemistry, Physics and Material Science Underlying the First Photographic Process Based on Electron Microscopical Studies, 16
Guzman-Solano, Maria Estibaliz
The Characterization of the Photographic Production of Dèsirè Charnay on His First Trip to Mexico, 16
Conservation of an Oversized Photographic Collage: First Phase, 15
Panoramic View of Mexico City by Photographer Claude Désiré Charnay, 15
Preliminary Considerations and the Factors Involved in Lining Treatments of Black and White Fiber Base Photographs, 14
H
Ha, Taiyoung
Pioneers of the Daguerreotype in Austria: Observations on the Technology and Conservation Issues, 12
Haberstich, David
Conservation and Carcinogens: Removing Asbestos from 28,000 Glass-Plate Stereographs (or How to Move Your Asbestos), 2
Hager, Michael
Facsimilation of Paper Negatives, 10
Hailstone, Richard
The Application of Optical and Surface Metrology to Daguerreotypes, 12
Hamilton, Tess
International Collaboration, and the Potential of Virtual Condition Surveys – The Conservation Assessment of a Collection of Linnaeus Tripe Photographs at the University of Yangon Central Library, Myanmar, 19
Haney, Erin
New Photo Histories in West Africa, 16
Hardman-Peavy, Colette
Technical Analysis of William Henry Fox Talbot’s The Pencil of Nature, 19
Harnly, Marc
Working with Large Photographs at the J. Paul Getty Museum, 13
Harvey, Ruth
From Private Photographs to Public Narratives: the Swainson/Woods Collection, 16
Haspo, Beatriz
Strengthening the Preservation of Photographic Materials in Latin America: Celebrating 30 Years of APOYOnline, 19
Current Trends and Collaboration Among Heritage Institutions in Latin America:
APOYOnline Regional Conference and Workshop in Medellin, Colombia, 17
Held, Lauren
Effects of Enclosure pH on Cyanotypes and Blue Prints (Prussian Blue) (Abstract), 15
The Effects of Acidic, Alkaline, Buffered, and Non-Buffered Enclosures on Cyanotypes, 14
Helion, Courtney
Elevating Photography to Fine Art: Stieglitz’s Carbon Prints, 18
Hellman, Karen
Deconstructing the Creation of Daguerre’s Dessins-Fumées: A Photographic Process or Just Smoke and Mirrors?, 19
Hemmenway, Dana C.
Removing Residual Iron from Platinum and Palladium Prints, 16
The Last Full Measure: An Exhibition of American Civil War Photographs from the Liljenquist Family Collection at the Library of Congress, 15
Early Motion Picture Fragments at the Library of Congress (Abstract), 15
Francesca Woodman’s Untitled Diazotype, 15
Hendriks, Klaus B.
Fingerprints on Photographs, 5
On the Causes of Edge Fading in Early Photographic Prints, 5
Hendy, Mohamed
Aluminum Foil as a Cathodic Protector to Prevent Silver Mirroring on Silver Based Photographic Materials, 19
Biodegradation Study on Photographic Archive of Khedive Ismail Pasha Back to 19th Century, 18
Henin, Emil
Current Photograph Conservation Practices in Egypt: What To Do and What Not To Do, 18
Hennessey, Lisa
That Was Then: Changes to the New Nitrate Film Preservation Facility for Library and Archives Canada (Abstract), 14
Herrmann, Jennifer K.
Heat and Solvent Set Repair Tissues, 18
Hernandez Romero, Pilar
Cleaning Beverages off Photographs, 14
Community Collections, Community Museums, Collaborative Projects: the Ottawa Museum Network Conservation Project (Abstract), 14
Film Base to Pixels: The Juan Cachu-Ramirez Collection – a Cross-Over Education Experience, 12
Herrera, Rosina
Ethical considerations when exhibiting, studying and treating photographic albums: the Asser albums at the Rijksmuseum, Amsterdam, 18
Alfred Stieglitz’s Lanter Slides, 13
Reversible Mounting Techniques for the Display of Large-Format Contemporary Photographs, 12
Herro, Holly
Photoshop® Assisted Spectroscopy – An Economical and Non-Destructive Method for Tracking Color Shift, 16
Heylen, Sylke
Megalethoscope Plates, 8
Hill, Greg
Disinfection of Photographic Materials with Ethanol Vapours: Preliminary Evaluation of the Innocuity on Chromogenic Prints, 19
A Long Story… the Continuing Saga of Two 20-Foot Long Panoramas, 16
Photographic Activity Tests of Various Adhesives Suggested for Use on Water-Sensitive Photographs, 15
Hyperspectral Imaging of Daguerreotypes (Abstract), 14
An Unexpected Learning Opportunity: Making the Most of a Problematic Treatment, 14
The Study of Two Humidification and Flattening Methods for Albumen Prints to Determine Their Impact on the Evolution of Cracks in the Albumen Layer (Abstract), 11
New Nitrate Film Storage for Library and Archives, Canada, 10
Hodgins, Gregory W. L.
Carbon Isotope Analysis of Waxed Paper Negatives, 15
Dating Photographic Materials Based Upon Atomic Bomb-Derived Radiocarbon Content (Abstract), 14
Hodgkins, Robyn E.
The Effect of Environmental Pollutants on the Deterioration of the Daguerreotype Image (Abstract), 15
Hoeyng, Katharina
Evaluation of Hydrolytic Accelerated Aging Protocols on Cellulose Acetate, 18
Hofmann, Ana B.
Flattening Cracks in Photographs, 4
Hofmann, Christa
Matte Albumen Papers and Their Use in Austrian Portrait Photography, 10
Heinrich Kuehn and Photography with Autochromes, 9
Holdcraft, T. Rose
A Case for Preservation: Revisiting the Agassiz Collection of Daguerreotypes from the Peabody Museum Archives at Harvard University, 13
Holden, Maria S.
Test Method for Rating Abrasiveness of Photographic Interleaving and Enclosure Materials, 2
Horvath, David
The Acetate Negative Survey: Final Report, 2
Survey of Acetate Negative Collections, 1
Hoyos Velasco, Susana A.
Safely Handling Moldy Photographs Might be Worth a Few Stains, 18
Huber, Terra
Finding a Balance: Conservation of the Dolley Madison Cased Image from the Greensboro History Museum, 18
I
Iklé, Geneva
Scientific Analysis and Treatment of a William Sawyer Photograph Album, 17
Iraci, Joe
Photographic Activity Tests of Various Adhesives Suggested for Use on Water-Sensitive Photographs, 15
Ishikawa, Shingo
Crystalline Deterioration on Glass Cinema Slides, 15
Ivanova, A.M.
Micromycetes Complexes on Photographs from Old Collections (1839-1912), 12
J
Jackson, Cheryl
A Cost Effective Method for Removing Dry Mount Tissue from Photographic Prints, 15
Jamison, Jamye
A Survey of Photographic Negative Collections from 1925-1950: Some Results and Observations, 10
Jennings, Kate
Preliminary Investigation Into the Preservation of Backlit Works of Art (Abstract), 14
Treatment Options for Paper Negatives, 10
Joosten, Ineke
Electrotyping Daguerreotypes – The Reconstruction of an Early Reproduction Technique, 18
Jürgens, Martin
Why re-create rare processes? The case of the printed daguerreotype, 18
Electrotyping Daguerreotypes – The Reconstruction of an Early Reproduction Technique, 18
Poitevin’s Precious Plates: Current Research at the Rijksmuseum (Abstract), 15
Effective Advocacy and Partnerships: Lessons Learned from Global Photograph Preservation Initiatives, 15
Conservation and Digitization at the Buddhist Archive of Photography in Luang Prabang, Laos, 13
Two Finishing Techniques for Contemporary Photographs, 9
K
Kaplan, Art
Pushing the Limits of the Identification of Photographs: Variants of the Gum Dichromate Process, 15
The Atlas of Analytical Signatures of Photographic Processes: Its Past, Present, and the Future, 15
Kavich, Gwénaëlle
A Context-Based Approach to Conserving Photographs On Textiles, 18
Kawasumi Lewis, Saori
Removal of aged filmoplast® P 90 tape from inkjet prints, 19
What Is It: Empirical Research into the Art of Bleaching Crayon Enlargements, 17
Kehoe, Amber
A Sticky Situation: The Preservation of Self-Adhesive Photograph Albums, 19
Keister, Jessica
ATP Testing to Determine if Cultural Artifacts are Contaminated with Active Biological
Materials, 17
What Is It: Empirical Research into the Art of Bleaching Crayon Enlargements, 17
Acrylic-Toned Inserts and Overlays, 16
Preserving Underserved Historically Significant Photographic Collections: An Overview of the Andrew W. Mellon Funded Photographic Preservation Project with the Historically Black Colleges and Universities, 15
Content Area Photograph Conservation: Teaching Conservation to Non-Native English Speakers, 15
An Unexpected Learning Opportunity: Making the Most of a Problematic Treatment, 14
Kelly, Katherine S.
Heat and Solvent Set Repair Tissues, 18
Kelly, Nigel
Scanning Micro-XRF for Historical Photography, 19
Kennedy, Nora W.
Refining the Daguerreotype Package, 18
Organizing a Workshop in West Africa, 16
Characterization of Photographic Papers in the Work of Diane Arbus, 16
Pigment-Based Photographic Processes: A Technical Study of Pictorialist Works in the Metropolitan Museum’s Collection (Abstract), 15
The Middle East Photograph Preservation Initiative 2011-2013: Mapping Photograph Archives and Training Collection Keepers, 15
Effective Advocacy and Partnerships: Lessons Learned from Global Photograph Preservation Initiatives, 15
Development and Use of the Photograph Information Record, 15
Faking It in Analog Terms (Abstract), 15
Characterization of Chlorine Induced Alterations on Daguerreotypes by SEM-EDS, XRF, and Raman Spectroscopy (Abstract), 14
Photograph Preservation Institute in the Middle East: Lessons in Priorities, 13
Marking Photographs: The Impact of Ink Stamping Practices, 12
Three French Photograph Conservation Techniques, 2
Kepkiewicz, Janet
That Was Then: Changes to the New Nitrate Film Preservation Facility for Library and Archives Canada (Abstract), 14
Khan, Yasmeen
Heat and Solvent Set Repair Tissues, 18
Khanjian, Herant
Evaluation of Hydrolytic Accelerated Aging Protocols on Cellulose Acetate, 18
Animation Cels: Conservation and Storage Issues, 16
Four Metallic Photographic Prints from the Harry Ransmon Center Collection, 11
Kim, Emy
Scratch Repair on Acrylics Used in Face-Mounted Photographs: A Survey of Materials and Techniques, 12
Kinsey, Fiona
The Kodak Colorama Collection at Museums Victoria, 18
Kirtsideli, I.Y.
Micromycetes Complexes on Photographs from Old Collections (18391912), 12
Klinger, Jane E.
Film Based Photographic Materials Project: a Story of Perseverance and Patience, 14
Knipe, Penley
The Evaluation of Four Aqueous and Non-Aqueous Surface-Cleaning Techniques on Silver Gelatin Photographs, 7
Koseki, Toshiaki
Characterization of Platinum Prints: Comparative Study of Platinum Prints in The Museum of Fine Arts, Houston Collection and The Early 20th Century Kodak Platinum Print Samples, 16
Development of a Conservation Database for the Photographic Collection at the MFA, Houston, 12
Krall, RüDiger
Fingerprints on Photographs, 5
Kreusburg, Lara
Cleaning Beverages off Photographs, 14
Krizanova, Janka
Photograph Preservation and Conservation in Slovakia, 18
Characterization of Photographic Papers in the Work of Diane Arbus, 16
Hand Colored Photographs: History, Identification and Research, 16
Kung, Natasha
International Collaboration, and the Potential of Virtual Condition Surveys – The Conservation Assessment of a Collection of Linnaeus Tripe Photographs at the University of Yangon Central Library, Myanmar, 19
Refining the Daguerreotype Package, 18
L
LaBarca, Joseph E.
Recent History of Kodak EKATCOLOR Papers – A Guide for Conservators, 18
Preservation of Photographic Images for Future Generations: New Opportunities for Prints and Photo Books with a Conservator’s Perspective, 15
Lalande, Ariane
Methods for Cleaning Brass Mats from Ambrotype and Daguerreotype Packages, 17
Lam, Thomas
A Context-Based Approach to Conserving Photographs On Textiles, 18
Langenbacher, Julia
Repairing transparency, recovering the image. Research and testing fill materials and methods for conservation treatments on photographs face-mounted with poly(methyl methacrylate), 18
Langford, Martha
From Concept to Concrete: The Ongoing Saga of the Canadian Museum of Contemporary Photography, 4
Languille, Marie-Angélique
Accidental Images, The Negative Before Photography?, 18
Photochromatic Images of Edmond Becquerel: Where do the Colors Come From? Tracks
in the Understanding of the Origin of their Colors, 17
Lavédrine, Bertrand
Accidental Images, The Negative Before Photography?, 18
Photochromatic Images of Edmond Becquerel: Where do the Colors Come From? Tracks
in the Understanding of the Origin of their Colors, 17
Photography, Continuity and Change. Impact on the Conservation Field, 17
Organizing a Workshop in West Africa, 16
Effective Advocacy and Partnerships: Lessons Learned from Global Photograph Preservation Initiatives, 15
Deterioration of Some Contemporary Prints, 6
Historical and Technological Investigations of the Autochrome Process, and Attempts at Re-creation, 5
The Study of the Microstructure of Silver Grains in Gelatin Printing Out Paper During Accelerated Ageing, 4
Analysis and Restoration of Negatives Intensified with Mercuric Iodide, 3
Leahey, Kelly
TIP: Collaboration, Learning, and a Positive Response to Disaster: Preparing a Collection of 16mm Film for Digitization, 14
Learner, Tom
Repairing transparency, recovering the image. Research and testing fill materials and methods for conservation treatments on photographs face-mounted with poly(methyl methacrylate), 18
Animation Cels: Conservation and Storage Issues, 16
Leckie, Carolyn G.
Evaluation of Paper Products: With Special Reference to Use with Photographic Materials, 4
Lee, Lynn
Deconstructing the Creation of Daguerre’s Dessins-Fumées: A Photographic Process or Just Smoke and Mirrors?, 19
Lee, Michael K.
A Short Review of Crayon Enlargements: History, Technique, and Treatment, 3
Leggio, Angeletta
A History of Australia’s Kodak Manufacturing Plant, 12
Lemmen, Barbara
Salvaging Memories: The Recovery of Fire-Damaged Photographs and Lessons Learned in Conservation and Kindness, 17
Blocked Photographic Prints: Adhesion and Treatment, 17
Preserving Underserved Historically Significant Photographic Collections: An Overview of the Andrew W. Mellon Funded Photographic Preservation Project with the Historically Black Colleges and Universities, 15
Thawing and Treating Water-Damaged Photographic Materials (Abstract), 13
Guidelines For Exhibition Light Levels for Photographs, 9
Lesser, Brian
Photosens: Automating Photographic Sensitometry in the Photograph Conservation Laboratory, 4
Lewis, Saori Kawasumi
Characterization of Platinum Prints: Comparative Study of Platinum Prints in The Museum of Fine Arts, Houston Collection and The Early 20th Century Kodak Platinum Print Samples, 16
Leyva, Karla Castillo
Conservation versus Historicity: A Necessary Reconciliation for the Intervention in the Photographic Collection of Frida Kahlo, 16
Liang, Haida
Rare findings – Pannotypes in the Design Registers of the Board of Trade Collection at The National Archives, 19
Ling, Elenor
Lord Fitzwilliam’s Print Albums as Evidence, 19
Lloyd, Jennifer
Digitization of the Enemark Panoramic Nitrate Negatives (Abstract), 15
Loew, Steven
Heat and Solvent Set Repair Tissues, 18
Long, Carolyn
The Muybridge/Animal Locomotion Collection at the National Museum of American History, 8
Mending of Fiber Based Silver-Gelatin Photographs, 3
Long, Zach
PMG is Turning 40! A Look Back as the Group Celebrates a Major Anniversary and Approaches a Generational Shift, 18
Color Records: Wood’s Diffraction Process of Color Photography, 18
Conservation of Two Floris Neusüss Photograms, 17
Chromogenic Print Characterization: A Study Of Kodak Color Prints, 1942-2008, 13
Lough, Krista
Past, Present, and Future of the Collaborative Workshops in Photograph Conservation, 19
Complications with “My Birth”, 18
Bellmer: Complexities of the Doll, 17
Characterization of a Surface Tarnish Found on Daguerreotypes under Shortwave Ultraviolet Radiation, 16
Fluorescence Fails: the Color of UVA-Induced Visible Fluorescence of Tintype Varnishes does not Discriminate between Varnish Materials, 15
Lourenço, Miguel J. L.
Microbial Deterioration of Gelatin Emulsion Photographs: A Case Study, 12
Lowe, Emma
Blocked Photographic Prints: Adhesion and Treatment, 17
Lucas, Chloé
Disinfection of Photographic Materials with Ethanol Vapours: Preliminary Evaluation of the Innocuity on Chromogenic Prints, 19
Disinfection Treatment of Fungi Damaged Silver Gelatin Prints with Ethanol Vapours, 17
Methods for Cleaning Brass Mats from Ambrotype and Daguerreotype Packages, 17
Lundgren, Adrienne
Hidden Treasures in the Photographic Technology Books at the Library of Congress, 17
Problems with Image: A Conservator’s Role in the Attribution of Photographs, 17
The Use of the Salted Paper Print as a Copying Technique for Architectural Drawings and Maps (Abstract), 13
Luzeckyj, Tamara
Immediate and Long-term Effects of the Treatment of Silver Mirroring on the Surface of Photographs, 8
M
Maaruf, Nayla
Nineteen-Century Japanese Tourist Albums at the Art Institute Chicago: Complex Interpretation and Material Deterioration, 19
MacKay, Anne
Enhanced: Nineteenth Century Hand-Colored Photographic Portraits, 17
Maes, Herman
Dmitri Ermakov in the Caucasus: Preservation and Conservation of the Ermakov Estate, Kept in the S. Janashia State Museum of Tbilisi, Georgia, 14
The Gandhãra Battle, Treatment of a Photographic Album, 11
Megalethoscope Plates, 8
Main, Rebecca
Preservation of Historic Glass Plate Negatives in Low Budget Conditions (Abstract), 15
Maines, Christopher A.
An Initial Investigation into Japine: William Willis’s Proprietary Paper, 15
The Platinum and Palladium Initiative: Tools and Strategies for Interdisciplinary Collaboration (Abstract), 15
Maloney, Amanda A.
PMG is Turning 40! A Look Back as the Group Celebrates a Major Anniversary and Approaches a Generational Shift, 18
Francesca Woodman’s BFA Thesis: Conserving a Work of Art for An Active Archive, 17
Manjavacas, Alejandro
Visualizing the nanoscale: new developments in the understanding and preservation of the daguerreotype image, 18
Marchesi, Monica
Conservation of Photographic Artwork by John Baldessari: Two Strategies — Reproduction and Framing, 16
Marigza, Anne
Revisiting and Reconsidering Disbound Photograph Albums, 19
Martins, Ana
Context and Content: Dating of Photographic Prints by Henri Cartier-Bresson Based on Visual Examination and Chemical Analysis, 14
Mateus, Catarina
Characterization and Decision Making in the Conservation of IICT’s Photographic Album, 19
Maxson, Holly
Vacuuming in Tight Spaces II: An Updated Report on the Design of a Homemade Suction Table for Paper and Photographic Conservation, 5
Vacuuming in Tight Spaces: An Initial Report on the Design of a Homemade Suction Table for Paper and Photographic Conservation, 1
Mayer, Debora D.
A Glimpse from the Dawn of Photography Investigation and Stabilization of an 1839 Daguerreotype at the Peabody Essex Museum, 16
Mazurek, Joy
Evaluation of Hydrolytic Accelerated Aging Protocols on Cellulose Acetate, 18
Animation Cels: Conservation and Storage Issues, 16
Mazzei, Luca
What do Cigarette Filters and Photographic Films Have in Common? Cellulose Acetate: Durable in the Streets, Volatile in the Sheets, 19
McCabe, Constance
Platinum and Palladium Photographs: Rediscoveries, 18
Elevating Photography to Fine Art: Stieglitz’s Carbon Prints, 18
Lessons Learned from the Platinum and Palladium Project: Applications to the Alfred Stieglitz Key Set at the National Gallery of Art, 18
An Initial Investigation into Japine: William Willis’s Proprietary Paper, 15
The Platinum and Palladium Initiative: Tools and Strategies for Interdisciplinary Collaboration (Abstract), 15
Guidelines For Exhibition Light Levels for Photographs, 9
Preliminary Testing of Adhesives Used in Photograph Conservation, 3
The Use of the Suction Table for the Conservation of Photographic Prints, 2
McClelland, Arthur
Specular Reflection FTIR for Chemical Analysis of Historic Photographs, 18
The Chemistry of Digital Fine Art Paper Yellowing: A Comparative Case Study of Moab Entrada Rag Natural 300gsm and Harman Inkjet Glossy Art Fibre Warmtone by Hahnemühle, 18
New Methodology for Analytical Identification of Historic Coatings on Salted Paper Photographs at Harvard University, 16
McCormick, Kristen
Evaluation of Hydrolytic Accelerated Aging Protocols on Cellulose Acetate, 18
Animation Cels: Conservation and Storage Issues, 16
McCormick-Goodhart, Mark
Print Permanence Research at Aardenburg Imaging & Archives (Abstract), 14
Research on Collodion Glass Plate Negatives, 3
McElhone, John P.
The “Perfect” Fill for the Tintype, 9
Determining Responsible Display Conditions for Photographs, 5
Restoration and Conservation of the Lambert Gift Collection of Daguerreotypes, 3
McElroy, Rob
The Daguerreotype Uncovered: An Overview of the Surface and Subsurface Chemistry, Physics and Material Science Underlying the First Photographic Process Based on Electron Microscopical Studies, 16
Using Electron Back Scattered Diffraction (EBSD) & Energy Dispersive Spectrometry (EDS) to Characterize the Surface of 19th Century and Modern Daguerreotypes, 15
McGlinchey, Chris
Characterizing Resin Coated Surfaces and Evaluation of Adhesive Systems to Hinge-
Mount for Photographs and Digital Prints, 17
Context and Content: Dating of Photographic Prints by Henri Cartier-Bresson Based on Visual Examination and Chemical Analysis, 14
Investigation of Adhesives for RC Prints, 10
McGlinchey Sexton, Jennifer
It’s All That: Standardization of the material characterization of photographs in the age of the extended medium field, 18
Facts and Fictions of Pink Prints, 17
Development and Testing of a Fluorescence Standard for Documenting Ultraviolet Induced Visible Fluorescence, 16
Photographic Paper XYZ: De Facto Standard Sizes for Silver Gelatin Prints, 16
McIntyre, Brian
A Summary of the National Science Foundation (SCIART) Supported Research of the Daguerreotype, 15
Meek, Lizzie
Coming in from the cold, 18
Meller, Taina
Advances in Daguerreotype Conservation: The Conservation Program for the Exhibition, 12
Marking Photographs: The Impact of Ink Stamping Practices, 12
Mel’Nik, V.A.
Micromycetes Complexes on Photographs from Old Collections (1839-1912), 12
Mendoza, Alexandra
Current Status of Treatment Practices in Photograph Conservation, 14
Mesquit, Teresa
Sudden damage to obsolete print materials, 18
Messier, Paul
Facts and Fictions of Pink Prints, 17
Computational Techniques for Evaluating Daguerreotypes, 16
Development and Testing of a Fluorescence Standard for Documenting Ultraviolet Induced Visible Fluorescence, 16
Photographic Paper XYZ: De Facto Standard Sizes for Silver Gelatin Prints, 16
Condition Documentation and Monitoring of an Exhibition of Daguerreotypes at the State Hermitage Museum, 16
Effective Advocacy and Partnerships: Lessons Learned from Global Photograph Preservation Initiatives, 15
A Surface Texture Library for Photographic Papers (Abstract), 15
Surface Classification for Black and White Prints (Abstract), 14
Surface Matters: the Treatment Challenges to Retain the Surface Characteristics for Gelatin Silver Developing-Out Photographs (Abstract), 14
History and Stylistic Evolution of Gelatin Silver Developing-Out Paper (Abstract), 13
New Applications for Paper Fiber Analysis in Characterizing Gelatin Silver Prints (Abstracts), 13
Understanding 20th-Century Photographs: The Baryta Layer Symposium, 12
Notes on Dating Photographic Paper, 11
Protein Chemistry of Albumen Photographs, 4
Work in Progress: An Analysis of the Effect of Water on the Cracking of Albumen Photographs, 4
Metcalf, Harry
Lord Fitzwilliam’s Print Albums as Evidence, 19
Minten, Nathalie
The Gandhãra Battle, Treatment of a Photographic Album, 11
The Influence of Adhesives on the Appearance of Albumen Photographs, 11
Miranda, Maria Elia Botello
Conservation of an Oversized Photographic Collage: First Phase, 15
Miyandabi, Amir R.M.
Preservation of Historic Glass Plate Negatives in Low Budget Conditions (Abstract), 15
Mohareb, Francis
Current Photograph Conservation Practices in Egypt: What To Do and What Not To Do, 18
Mokaiseh, Rima
The Middle East Photograph Preservation Initiative 2011-2013: Mapping Photograph Archives and Training Collection Keepers, 15
Molina, Alian
Mold on Stored Photographs and Maps: A Case Study, 16
Moody, Sharon Gavitt
Instructions for a Preservation Quality Photographic Album Based on an Oriental Design, 1
Moore, Camille
Research on Methods for Cleaning Face-Mounted Photographs, 13
An Analytical Study of Eugène Atget’s Photographs at the Museum of Modern Art, 12
Morris, Hannah
Optical Brightener Loss in Photographic Paper, 12
Morrison Danzis, Katherine
Heat and Solvent Set Repair Tissues, 18
Morrison, Pip
Re-visiting Strip Lining of Large Format Photographs (Abstract), 15
Mounting Large Format Photographs at the National Gallery of Victoria, Australia, 12
Munson, Doug
The Pellicular Burlesque, 7
Photographic Duplication and the Concept of Reversibility: A Call for Standards, 7
Murata, Hanako
The ‘Stradivarius’ of Photographic Papers: GEVALUXE VELOURS, 18
New Originals: Reprints in Fine Art Photography, 17
Retouch Practices Revealed in the Thomas Walther Collection, 16
Marking Photographs: The Impact of Ink Stamping Practices, 12
Murphy, Erin L.
Disaster Recovery of Flood Damaged Glass Plates, 18
New Methodology for Analytical Identification of Historic Coatings on Salted Paper Photographs at Harvard University, 16
Development and Use of the Photograph Information Record, 15
XRF Indentification of 20th Centry Developer-Incorporated Stabilized Prints, 13
Basic Care of Face-Mounted Photographs at the Museum of Modern Art, 12
Treatment of Andreas Gursky’s Rhine II: Testing of Dusting Materials And Cleaning Cloths (Abstract), 11
Murray, Kate
The Early Emory College Class Photograph Preservation Project, 11
Mustalish, Rachel A.
The Development of Photomechanical Printing Processes in the Late 19th Century, 7
Mustardo, Peter J.
New Originals: Reprints in Fine Art Photography, 17
Approaches to Treating Contemporary Photographs, 12
The Daguerreotype’s Environment, 1
Myers, Michael
Preservation of Historic Glass Plate Negatives in Low Budget Conditions (Abstract), 15
N
Naipavel-Heidushke, Victoria
A Step in the Evolution of the Treatment of Acetate Negatives, 11
Namde, Ronel
Platinum and Palladium Photographs: Rediscoveries, 18
Setting the Tone: Platinum Toning of Silver Photographs, 17
Consolidation of Four Flaking Gelatin Glass Plate Negatives from the University of Colorado, 16
Newnham, Mick
Crystalline Deterioration on Glass Cinema Slides, 15
Nishimura, Douglas W.
Strategies for the Storage of Cellulose Acetate Film, 16
Effects of Enclosure pH on Cyanotypes and Blue Prints (Prussian Blue) (Abstract), 15
Lessons in Digital Print Preservation: The DP3 Project, 14
The Effects of Acidic, Alkaline, Buffered, and Non-Buffered Enclosures on Cyanotypes, 14
Report on the Chemical Treatment of Photographic Materials, 9
The IPI Storage Guide for Acetate Film, 5
Photo Enclosures Research and Specifications, 3
Nixon, Abbott
Investigation of Portrait with Applied Oil Color, 18
Norris, Debbie Hess
From Teleprompters to TEDx: Lessons Learned in Public Outreach, Advocacy and Fundraising, 18
Current Trends and Collaboration Among Heritage Institutions in Latin America:
APOYOnline Regional Conference and Workshop in Medellin, Colombia, 17
Salvaging Memories: The Recovery of Fire-Damaged Photographs and Lessons Learned in Conservation and Kindness, 17
Organizing a Workshop in West Africa, 16
The Middle East Photograph Preservation Initiative 2011-2013: Mapping Photograph Archives and Training Collection Keepers, 15
Effective Advocacy and Partnerships: Lessons Learned from Global Photograph Preservation Initiatives, 15
Challenges and Strategies in the Preservation of Photographic Collections: Here, There, and Everywhere Across the Universe (Abstract), 14
Photograph Preservation Institute in the Middle East: Lessons in Priorities, 13
Fund Raising for Photograph Preservation: Eight Days a Week, 12
The Removal of a Silver Gelatin Photograph Adhered to Glass, 3
O
O’Connor, Kaslyne
Moonlight and Midnight: The evolution of Edward Steichen’s ‘Moonrise’ prints, 17
The Alfred Stieglitz Collection: Photographs: Conservation and Art Historical Data
Go Digital at the Art Institute of Chicago, 17
Ogeneski, Stephanie
Film Base to Pixels: The Juan Cachu-Ramirez Collection – a Cross-Over Education Experience, 12
Ogou, Franck
Organizing a Workshop in West Africa, 16
Ohanyan, Tamara
Heat and Solvent Set Repair Tissues, 18
Oliveira Fernandes, Lénia
Mouldy Matters: Conserving Ed van der Elsken’s 42.000 colour slides, 18
Orraca, José
Developing Treatment Criteria in the Conservation of Photographs, 4
Osorio, Fernando
Film Base to Pixels: The Juan Cachu-Ramirez Collection – a Cross-Over Education Experience, 12
Osterman, Mark
Facsimilation of Paper Negatives, 10
O’Toole, Erin
SFMOMA Artist Initiative: Interdisciplinary research on reprinting color photographs as a preservation solution, 18
Owen, Grace
TIP: Cast Composites: a System for Texturing Repair Materials in Book Conservation, 14
P
Padilla, Diana Noemí Velázquez
Photography-Painted: Problems and Solutions in Handling, Display and Storage, 16
Palmer, Rick K.
On the Causes of Edge Fading in Early Photographic Prints, 5
Panadero, Laura
Gardner’s Photographic Sketch Book of the War: A Case Study for the Manufacture and Deterioration of Photographic Albums and Books, 18
Uncovering Irving Penn’s Chemical Treatment Techniques, 17
Parker, Anniack
A Context-Based Approach to Conserving Photographs On Textiles, 18
Pate, Ariel
Moonlight and Midnight: The evolution of Edward Steichen’s ‘Moonrise’ prints, 17
The Alfred Stieglitz Collection: Photographs: Conservation and Art Historical Data
Go Digital at the Art Institute of Chicago, 17
Passafiume, Tania
The Words Beyond the Image: Hippolyte Bayard and His Letters, 16
Notice to the Reader: Talbot’s The Pencil of Nature in Canada, 15
Pavão, Luis
Photo Enclosures Research and Specifications, 3
Pavelka, Karen L.
A Step in the Evolution of the Treatment of Acetate Negatives, 11
Pénichon, Sylvie
Moonlight and Midnight: The evolution of Edward Steichen’s ‘Moonrise’ prints, 17
The Alfred Stieglitz Collection: Photographs: Conservation and Art Historical Data
Go Digital at the Art Institute of Chicago, 17
Preliminary Investigation Into the Preservation of Backlit Works of Art (Abstract), 14
Reversible Mounting Techniques for the Display of Large-Format Contemporary Photographs, 12
Two Finishing Techniques for Contemporary Photographs, 9
Pereira Pardo, Lucia
Rare findings – Pannotypes in the Design Registers of the Board of Trade Collection at The National Archives, 19
Pereira, Catarina
Photography Beyond Two Dimensions – Exhibition and Re-Valuation of Materiality, 19
Perreux, Aurélie
L’Atelier de Restauration et de Conservation des Photographies de la Ville de Paris (ARCP): Activities of the Preventive Conservation Section 2002-2012, 15
Perron, Johanne
The Use of FTIR in the Study of Photographic Materials, 3
Phelan, Wynne
Development of a Conservation Database for the Photographic Collection at the MFA, Houston, 12
Phibbs, Hugh
Sealed Packages, 6
Phillips, Michele
The Effects of Aqueous Immersion Wash Treatments on Platinum Photographs, 9
Piantavigna, Roberta
SFMOMA Artist Initiative: Interdisciplinary research on reprinting color photographs as a preservation solution, 18
Characterizing Resin Coated Surfaces and Evaluation of Adhesive Systems to Hinge-
Mount for Photographs and Digital Prints, 17
Pietsch, Katrin
Mouldy Matters: Conserving Ed van der Elsken’s 42.000 colour slides, 18
Flattening Rolled Negatives on Filmbase, 16
www.photographicnegatives.net, 12
Pilko, Magdalena
Electrotyping Daguerreotypes – The Reconstruction of an Early Reproduction Technique, 18
Porto Bozzetti, Rodrigo
How to receive and organize a collection of 1 million photographs at once? Material and metadata discussions, 18
Price, Lois Olcott
The History and Identification of Photo-Reproductive Processes Used For Architectural Drawings Prior to 1930, 6
Prodger, Phillip
A Glimpse from the Dawn of Photography Investigation and Stabilization of an 1839 Daguerreotype at the Peabody Essex Museum, 16
Puglia, Steven T.
The Preservation of Acetate Film Materials—A Cost-Benefit Analysis for Duplication and Cool/Cold Storage, 6
Negative Duplication: Evaluating the Reproduction and Preservation Needs of Collections, 3
Q
Quabeck, Nina
Uncovered and Unconventional: Preserving Works on Paper and Photographs on Open Display, 16
R
Ravines, Patrick
The Daguerreotype Uncovered: An Overview of the Surface and Subsurface Chemistry, Physics and Material Science Underlying the First Photographic Process Based on Electron Microscopical Studies, 16
Using Electron Back Scattered Diffraction (EBSD) & Energy Dispersive Spectrometry (EDS) to Characterize the Surface of 19th Century and Modern Daguerreotypes, 15
Surface Characterization and Monitoring of Surface Changes after Conservation Treatments of Silver Gelatin Photographic Papers Using Confocal Microscopy, 14
Advancements in Daguerrotype Research Using Confocal and Electron Microscopy (Abstract), 13
The Application of Optical and Surface Metrology to Daguerreotypes, 12
Reversible Mounting Techniques for the Display of Large-Format Contemporary Photographs, 12
Rayner, Georgina
New Methodology for Analytical Identification of Historic Coatings on Salted Paper Photographs at Harvard University, 16
Régimbald, Jessica
Conservation and Mass-Digitization, Implementation of a Workflow, 18
Reidell, Sarah
TIP: Cast Composites: a System for Texturing Repair Materials in Book Conservation, 14
Reilly, James M.
Effect of Paper Alkaline Reserve on the Chemical Stability of Acetate Base Sheet Film, 7
Use of Passive Monitors in Film Collections, 6
A Summary of Recent Research at the Image Permanence Institute (1992), 5
Photo Enclosures Research and Specifications, 3
Reinhardt, Falk
Scanning Micro-XRF for Historical Photography, 19
Reinhold, Nancy
Marking Photographs: The Impact of Ink Stamping Practices, 12
The Exhibition of an Early Photogenic Drawing by Henry Fox Talbot, 5
An Investigation of Commercially Available Dry Mount Tissues, 4
Ritzenthaler, Mary Lynn
The Use of the Suction Table for the Conservation of Photographic Prints, 2
Robb, Andrew
Analysis and Comparison of Recent Large-Scale Emergencies Involving the Recovery of Photographs (Abstract), 15
Recent Developments in Using, Storing, and Transporting Cellulose Nitrate Still Picture Film, 10
Responding to Biological Hazards: The Effects of Chlorine Dioxide, Ethylene Oxide, Foam, And Irradiation on People and Cultural Property (Abstract), 10
Addendum to “Guidelines for Care and Identification of Film-Base Photographic Materials”, 6
Guidelines for Care and Identification of Film-Base Photographic Materials, 5
Robinson, Mike
A Twin Paradox: A Study of Preservation and Disfigurement of Southworth and Hawes Daguerreotypes, 16
Robles, Felice
International Collaboration, and the Potential of Virtual Condition Surveys – The Conservation Assessment of a Collection of Linnaeus Tripe Photographs at the University of Yangon Central Library, Myanmar, 19
Rodriguez, Ariadna
Between Originality and Functionality: Conservation Challenges of Two Photographic Albums Belonging to the Saturnino Herrán Foundation, 19
Roemich, Hannelore
Evaluation of Ultraviolet Filtration by Glazing and Display Case Materials (Abstract), 15
Rogge, Corina E.
Analysis of Historical Tintype Plates: Materials, Methods, and Manufacturers, 17
Fluorescence Fails: the Color of UVA-Induced Visible Fluorescence of Tintype Varnishes does not Discriminate between Varnish Materials, 15
19th Century Photography in a Modern Chemistry Lab, 15
Roldão, Élia
Characterization and Decision Making in the Conservation of IICT’s Photographic Album, 19
Romer, Grant B.
The Application of Optical and Surface Metrology to Daguerreotypes, 12
What is a Photograph?, 11
Can We Afford to Exhibit our Valued Photographs?, 1
Rosenstein, Drake
Dating Photographic Materials Based Upon Atomic Bomb-Derived Radiocarbon Content (Abstract), 14
Ross, Lincoln
Experiments in Restorative Copying of Reflection Colour Prints, 2
Experiments on the Image Stability of ResinCoated Black & White Photographic Papers, 1
Rothgangel, Ella
Tracking Cumulative Light Exposure Using The Museum System (TMS), 16
Rueda, Amparo
Strengthening the Preservation of Photographic Materials in Latin America: Celebrating 30 Years of APOYOnline, 19
Current Trends and Collaboration Among Heritage Institutions in Latin America:
APOYOnline Regional Conference and Workshop in Medellin, Colombia, 17
Ruiz García, Pablo
Intervention Criteria of Two Photographic Albums, 19
Spanish National Plan for Photographic Heritage Conservation, 16
Conservation of New Photographic Art: Direct Printing and Textile Artifacts, 15
S
Sampaio, José Paulo
Microbial Deterioration of Gelatin Emulsion Photographs: A Case Study, 12
Samson, Geneviève
Notice to the Reader: Talbot’s The Pencil of Nature in Canada, 15
San Andrés, Margarita
Digitizing collections – A reflection on negative archive collections, prioritizing procedures and what is lost, 18
Sanderson, Katherine
New Insights into the Composition and Permanence of the Silver-Platinum Satista Paper and the Satista Prints of Paul Strand, 16
A Comparative Study of Handheld Reflectance Spectrophotometers, 16
Technical Investigation of the Effects of Light and Humidity on Diazotypes, 16
Measuring Color Change in Photographs (Abstract), 15
Display of Alfred Stieglitz and Edward Steichen Autochrome Plates: Anoxic Sealed Package and Lighting Conditions, 14
Santana, Adriana
Mold on Stored Photographs and Maps: A Case Study, 16
Sayatina, Tatiana
Computational Techniques for Evaluating Daguerreotypes, 16
Condition Documentation and Monitoring of an Exhibition of Daguerreotypes at the State Hermitage Museum, 16
Scanlon, Meaghan
Notice to the Reader: Talbot’s The Pencil of Nature in Canada, 15
Schatzl, Gabriele
Matte Albumen Papers and Their Use in Austrian Portrait Photography, 10
Schenck, Kimberly
Cliché-Verre: Drawing and Photography, 6
Preliminary Testing of Adhesives Used in Photograph Conservation, 3
Schilling, Michael R.
Evaluation of Hydrolytic Accelerated Aging Protocols on Cellulose Acetate, 18
Animation Cels: Conservation and Storage Issues, 16
Schisler, Millard Wesley Long
Emerging photograph conservators of the 2020’s, 18
Actions for Preserving Digital Photographs (Abstract), 15
Schlather, Andrea E.
Visualizing the nanoscale: new developments in the understanding and preservation of the daguerreotype image, 18
Schobert, Mary
The Treatment of William H. Rau’s Pennsylvania Railroad Scenery, 6
Schoegl, Uwe
Heinrich Kuehn and Photography with Autochromes, 9
Schrott, Alejandro G.
The Effect of Environmental Pollutants on the Deterioration of the Daguerreotype Image (Abstract), 15
Characterization of Chlorine Induced Alterations on Daguerreotypes by SEM-EDS, XRF, and Raman Spectroscopy (Abstract), 14
Schryvers, Dominique
Evaluation of Atmospheric Plasma as a New Conservation Treatment for Historical Photographs using Advanced Electron Microscopy, 16
Schulte, Franziska
Characterization of Chlorine Induced Alterations on Daguerreotypes by SEM-EDS, XRF, and Raman Spectroscopy (Abstract), 14
Scott, Marcelle
TIP: Collaboration, Learning, and a Positive Response to Disaster: Preparing a Collection of 16mm Film for Digitization, 14
Searles, Erin
Investigation Into the Pollution of the Silver Bath, 8
Severson, Douglas G.
The Effects of Exhibition on Photographs, 1
Shaheem, Rasha A.
Aluminum Foil as a Cathodic Protector to Prevent Silver Mirroring on Silver Based Photographic Materials, 19
Atmospheric Pressure Non-thermal Plasma of Cleaning 19th Century Tintype, 18
Biodegradation Study on Photographic Archive of Khedive Ismail Pasha Back to 19th Century, 18
Sherring, Asti
TIP: Collaboration, Learning, and a Positive Response to Disaster: Preparing a Collection of 16mm Film for Digitization, 14
Shevoz-Zebrun, Nina
The Chemistry of Digital Fine Art Paper Yellowing: A Comparative Case Study of Moab Entrada Rag Natural 300gsm and Harman Inkjet Glossy Art Fibre Warmtone by Hahnemühle, 18
Shiwaira, Yoko
Rescuing Tsunami-Damaged Photographs in Japan, 16
Examination of an Antifungal Agent for Use on Photographs, 16
Shoemaker, Heida Q.S.
Formation of a Watermark Impression on a Collection of Cellulose Nitrate Negatives, 8
Shores, Franklin
Vacuuming in Tight Spaces II: An Updated Report on the Design of a Homemade Suction Table for Paper and Photographic Conservation, 5
Shpargel, Sara
Environmental Management Through The Climate Notebook™, 10
Photo Buttons on the Mind: Repairing Large Splits in Photo Buttons, 9
Siegel, Robin E.
Filmbase Deterioration in Dufaycolor Film, 10
An Examination of Duplicating Film Damaged by Water in 1986, 8
Report on ANSI Standard IT9.9: Stability of Color Photographic Images—Methods for Measuring, 7
Airflow and Humidity Control in a Two-Room Cold Storage Box: A Design Flaw Uncovered, 6
Image Permanence Institute Summary of Activities at IPI—1993, 6
AIC PMG Color Committee: 1992 Report, 5
Conservation Implications of Yellow Sticky Tabs, 3
Light-Fading of Color Transparencies on Desk-Tops, 2
Silverman, Jessica
ATP Testing to Determine if Cultural Artifacts are Contaminated with Active Biological
Materials, 17
Sirven, Marsha
Cleaning Beverages off Photographs, 14
Reversible Mounting Techniques for the Display of Large-Format Contemporary Photographs, 12
Smith, Gregory D.
Purple Haze: The Development and Analysis of Vapor Iodine Treatment for the Reduction of Silver Mirroring, 13
Sobral, Joana
Characterization and Decision Making in the Conservation of IICT’s Photographic Album, 19
Sokolenko, D. V.
Micromycetes Complexes on Photographs from Old Collections (1839-1912), 12
Southworth, Georgia
Cross-Disciplinary Care for the Preservation of Photograph Albums, 19
Spartz, India
A Case for Preservation: Revisiting the Agassiz Collection of Daguerreotypes from the Peabody Museum Archives at Harvard University, 13
Srinivasan, Jaishree
Not Drowning, Waving: Complications with the Preparation and Display of Unconventional Photographs and Works of Art on Paper at the National Gallery of Australia, 12
Stachurski, Zbigniew
A Preliminary Investigation into Acrylic Glazing Deterioration, 12
Stenman, Richard
Mass-treatment of E.S. Curtis’ The North American Indian Photogravures, 19
Initial Investigation into Orotone Photographs, 14
Marking Photographs: The Impact of Ink Stamping Practices, 12
Stigter, S.
Surface Roughness, Appearance, and Identification of AGFA-Gevaert Photograph Samples, 17
Stodulski, Leon P.
Ongoing Investigations into Chemical Image Enhancement of Faded Vintage Printing-out Photographic Prints, 5
The Effects of Sodium Borohydride Solutions on Silver-Based Photographic Materials: An Update, 4
Stollman, Sasha
Result!!! Christchurch Earthquakes Test Canterbury Museum’s Quake-Proofing, 15
Strange, Mark
Coming in from the cold, 18
From Private Photographs to Public Narratives: the Swainson/Woods Collection, 16
Stulik, Dusan C.
Pushing the Limits of the Identification of Photographs: Variants of the Gum Dichromate Process, 15
The Atlas of Analytical Signatures of Photographic Processes: Its Past, Present, and the Future, 15
Understanding 20th-Century Photographs: The Baryta Layer Symposium, 12
Four Metallic Photographic Prints From The Harry Ransom Center Collection, 11
Sullivan, Michelle
Deconstructing the Creation of Daguerre’s Dessins-Fumées: A Photographic Process or Just Smoke and Mirrors?, 19
New Approaches to Cleaning Works on Paper and Photographic Materials, 16
T
Tafilowski, Diane
Surface Matters: the Treatment Challenges to Retain the Surface Characteristics for Gelatin Silver Developing-Out Photographs (Abstract), 14
Tagle, Roald
Scanning Micro-XRF for Historical Photography, 19
Talman, Hugh
The Bourges-Bruehl Collection: Reproducing Color from Glass Separation Negatives, 4
An Examination of the Effectiveness of Various Toning Solutions on Black and White Silver Halide Emulsions, 3
Tarek, Reham
Aluminum Foil as a Cathodic Protector to Prevent Silver Mirroring on Silver Based Photographic Materials, 19
Tay, Jam Meng
The Glass Plate Negative Project at the Heritage Conservation Centre, 15
Thyss, Elsa
The Conservation of the Ernest J. Bellocq Glass Plate Negatives at the Metropolitan Museum of Art, 19
Conserving the Matrix: Investigation of the Ernest J. Bellocq glass plate negative collection, 18
The Effects of Solvents on Early Color Transparencies, 17
Townsend, Joyce H.
What do Cigarette Filters and Photographic Films Have in Common? Cellulose Acetate: Durable in the Streets, Volatile in the Sheets, 19
Tragni, Claire
L’Atelier de Restauration et de Conservation des Photographies de la Ville de Paris (ARCP): Activities of the Preventive Conservation Section 2002-2012, 15
Trentelman, Karen
The Effects of Multiple Wet Treatments on Cracking in Albumen Prints, 7
Triana, Cristian
What do Cigarette Filters and Photographic Films Have in Common? Cellulose Acetate: Durable in the Streets, Volatile in the Sheets, 19
V
Vaillard, Elisa Carmona
Conservation versus Historicity: A Necessary Reconciliation for the Intervention in the Photographic Collection of Frida Kahlo, 16
Valverde, Maria Fernanda
The Expansion of the Cold and Cool Storage Vaults at the Amon Carter Museum of American Art, 19
The Expansion of the Cold and Cool Storage Vaults at the Amon Carter Museum of American Art (abstract), 18
Hinging and Float Mounting 20×24” Polaroid Prints and Negatives, 18
Mounting Medium and Large-Format Photographs, 12
The Education of Photograph Conservators in México, 10
Training Program for Photographic Conservators, 8
Methods for Evaluating the Deterioration of Nitrate Motion Picture Film, 7
VanDenburgh, Stacey
Research Themes Explored by the Advanced Residency Program in Photograph Conservation,13
Varga, Lauren
Heat and Solvent Set Repair Tissues, 18
Vasallos, Ioannis
Rare findings–Pannotypesin the Design Registers of the Board of Trade Collection at The National Archives, 19
Discovering, preserving and promoting the photographic collections at the National Library of Scotland, 18
Venosa, Andrea J.
Key Components of the Recent Major Revision of ISO 18902 Imaging Materials – Processed Imaging Materials – Albums, Framing and Storage Materials, 16
Vanpeene, Saskia
Photochromatic Images of Edmond Becquerel: Where do the Colors Come From? Tracks
in the Understanding of the Origin of their Colors, 17
Verdonk, Henriette
Dmitri Ermakov in the Caucasus: Preservation and Conservation of the Ermakov Estate, Kept in the S. Janashia State Museum of Tbilisi, Georgia, 14
Vicenzi, Edward P.
A Twin Paradox: A Study of Preservation and Disfigurement of Southworth and Hawes Daguerreotypes, 16
Vieira Serrano, Nathália
T34 The Fiocruz Collections: Discussing the Preservation of its Photographic Archives, 17
Vila, Anna
Pigment-Based Photographic Processes: A Technical Study of Pictorialist Works in the Metropolitan Museum’s Collection (Abstract), 15
An Initial Investigation into Japine: William Willis’s Proprietary Paper, 15
Vischi, Christophe
Methods for Cleaning Brass Mats from Ambrotype and Daguerreotype Packages, 17
The Study of Two Humidification and Flattening Methods for Albumen Prints to Determine Their Impact on the Evolution of Cracks in the Albumen Layer (Abstract), 11
Vo, Tram
The Middle East Photograph Preservation Initiative 2011-2013: Mapping Photograph Archives and Training Collection Keepers, 15
Effective Advocacy and Partnerships: Lessons Learned from Global Photograph Preservation Initiatives, 15
Advancing the Conservation of Photographs in Central, Southern, and Eastern Europe Using a Model of Extended Learning, 14
Voellinger, Theresa
NPS Service-Wide Initiative for the Preservation of Film-Based Media: Project Update and Presentation of Multimedia Training Program (Abstract), 14
NPS Service-Wide Initiative for the Preservation of Film-based Media (Abstract), 13
Von Waldthausen, Clara C.
Electrotyping Daguerreotypes – The Reconstruction of an Early Reproduction Technique, 18
Materials, Technology, Reproductions and Defining the Vintage Print, 17
RC Coatings on Aerial Photographs 1944-45, 16
Reflections on the Material History and Materiality of Photographic Gelatin, 16
Annotated Bibliography: 19th Century Articles on Fading, Permanence, and Coatings used on Paper Photographs, 16
Re-Examining The (Electro-)Chemical Cleaning of Daguerreotypes: Microscopic Change Vs. Macroscopic Perception, 14
The Great Exhibition of 1851: An Introduction to a Research Project and Preliminary Findings, 12
Exhibition of Photographic Materials in Library and Archive Collections, 10
W
Wagner, Sarah S.
The Platinum and Palladium Initiative: Tools and Strategies for Interdisciplinary Collaboration (Abstract), 15
Cold Storage Options: Costs and Implementation Issues, 12
Guidelines For Exhibition Light Levels for Photographs, 9
The Hand-coloring and Retouching of Photographic Prints: An Annotated Bibliography, 9
An Update on the Stability of B&W Resin Coated Papers, 8
Remoistenable Tissue, Part II: Variations on a Theme, 7
Approaches to Moving Glass Plate Negatives, 6
Conservation Tip a Modified Dacron Lining Technique for Photographs, 4
Some Recent Photographic Preservation Activities at the Library of Congress, 4
A Preliminary Study: Consolidation of Gelatin Glass Plate Negatives with Organosilanes, 3
Waldschlaeger, Ullrich
Scanning Micro-XRF for Historical Photography, 19
Walker, Clare
Tracking Cumulative Light Exposure Using The Museum System (TMS), 16
Walker, Joan M.
Elevating Photography to Fine Art: Stieglitz’s Carbon Prints, 18
Lessons Learned from the Platinum and Palladium Project: Applications to the Alfred Stieglitz Key Set at the National Gallery of Art, 18
Setting the Tone: Platinum Toning of Silver Photographs, 17
Wallace, Jim
The Bourges-Bruehl Collection: Reproducing Color from Glass Separation Negatives Using Desktop Computer Equipment, 5
The Bourges-Bruehl Collection: Reproducing Color from Glass Separation Negatives, 4
An Examination of the Use of Commercial Scanners to Restore Faded Color Transparencies, 3
An Examination of the Effectiveness of Ag-Guard Protecting Silver Halide Photographic Emulsions, 2
Walsh, Betty
Preservation of Negatives at The British Columbia Archives, 11
Identification of Cellulose Nitrate and Acetate Negatives by FTIR Spectroscopy, 6
Ware, Mike
On the Illumination of Light-Sensitive Photographs, 13
A Blueprint for Conserving Cyanotypes, 10
Weaver, Gawain
Carbon Isotope Analysis of Waxed Paper Negatives, 15
Chromogenic Print Characterization: A Study Of Kodak Color Prints, 1942-2008, 13
A Guide to Fiber-based Gelatin Silver Print Condition and Deterioration (Abstract), 13
Wei, W. (Bill)
Electrotyping Daguerreotypes – The Reconstruction of an Early Reproduction Technique, 18
Surface Roughness, Appearance, and Identification of AGFA-Gevaert Photograph Samples, 17
Investigation and Optimization of Electrochemical Treatment for Daguerreotypes, 17
Re-Examining The (Electro-)Chemical Cleaning of Daguerreotypes: Microscopic Change Vs. Macroscopic Perception, 14
Weintraub, Steve
Evaluation of Ultraviolet Filtration by Glazing and Display Case Materials (Abstract), 15
Wessling, Margaret
Past, Present, and Future of the Collaborative Workshops in Photograph Conservation, 19
Edward Weston’s Platinum and Palladium Photographs, 17
Computational Techniques for Evaluating Daguerreotypes, 16
Technical Investigation of the Effects of Light and Humidity on Diazotypes, 16
Characterizing United Press International’s Unifax Facsimile Prints, 15
Wetzel, Rachel K.
Attributions, Working Methods and Scientific Analysis of Robert Cornelius’s Daguerreotypes: How a collaborative partnership of conservators, curators, scientists and artists help to collectively broaden the understanding of the history of early photography in America, 18
PMG is Turning 40! A Look Back as the Group Celebrates a Major Anniversary and Approaches a Generational Shift, 18
An Experimental Era: The Ungilded Daguerreotype in Early America, 17
Confronting the Challenges of Treating Crayon Enlargements, 16
Preserving Underserved Historically Significant Photographic Collections: An Overview of the Andrew W. Mellon Funded Photographic Preservation Project with the Historically Black Colleges and Universities, 15
An Examination of the Short And Long Term Effects of Light Bleaching Silver Gelatin Photographs (Abstract), 13
A Survey and Evaluation of the Use of Light Bleaching Techniques for Photographic Materials, 12
Optical Brighteners-A Study of Water Solubility, 11
Whitman, Katharine
Conservation of an American Icon: The Reconstruction of the Lincoln Interpositive, 15
Case Study: Repair of a Broken Glass Plate Negative, 12
Housing Glass Transparencies, 12
The Technology of Solar Enlargements, 11
Whitmore, Paul
Optical Brightener Loss in Photographic Paper, 12
Wichern, Christian M.
Surface Characterization and Monitoring of Surface Changes after Conservation Treatments of Silver Gelatin Photographic Papers Using Confocal Microscopy, 14
The Application of Optical and Surface Metrology to Daguerreotypes, 12
Wiegandt, Ralph
A Summary of the National Science Foundation (SCIART) Supported Research of the Daguerreotype, 15
Advancements in Image-Based Condition Reporting for Daguerreotypes: Optimizing Microscopy to Accompany High Resolutions Images, and Sharing them in the Daguerreotype Research Portal, 14
Advances in Daguerreotype Conservation: The Conservation Program for the Exhibition , 12
The Application of Optical and Surface Metrology to Daguerreotypes, 12
Case Study: Repair of a Broken Glass Plate Negative, 12
Reversible Mounting Techniques for the Display of Large-Format Contemporary Photographs, 12
Characterization of Black-And-White Silver Gelatin Fiber-Based Photographic Prints, 11
Wilhelm, Henry
Comparison of LED, L-37 Filtered Xenon Arc, and Glass-Filtered Cool White Fluorescent llumination in the Light Fading and Light-Induced Staining of Color Photographs, 18
Contemporary Analog and Digital Color Photographic Prints: Dye and Pigment Print Process Descriptors, Naming Conventions, Dating, and Permanence Characteristics, 16
The Long-Term Permanence Behavior of Photographs and Fine Art Prints Made with Large-Format Flatbed Printers Using UV-Curable Pigment Inks, 16
Report on ANSI Standard IT9.9: Stability of Color Photographic Images—Methods for Measuring, 7
Wise, Andrea
Sole Survivor: Re-evaluating and Conserving Claude Cahun and Marcel Moore’s Only Known Remaining Photomontage Used for Cahun’s 1930 Publication Aveux non Avenus (Disavowed Confessions), 15
Transparent Things through which the Past Shines: Conservation of Holograms in the Collection of the National Gallery of Australia, 15
Not Drowning, Waving: Complications with the Preparation and Display of Unconventional Photographs and Works of Art on Paper at the National Gallery of Australia, 12
A Preliminary Investigation into Acrylic Glazing Deterioration, 12
Witty, Anne
Heat and Solvent Set Repair Tissues, 18
Wright, Kristi
Photoshop® Assisted Spectroscopy – An Economical and Non-Destructive Method for Tracking Color Shift, 16
Y
Yamaguchi, Takako
Examination of an Antifungal Agent for Use on Photographs, 16
Yates, Kerry
Crystalline Deterioration on Glass Cinema Slides, 15
Youngfert, Andrea
Tip: The Use of Inkjet Copiers to Transcribe Historical Inscriptions, 13
Youket, Michele H.
Heat and Solvent Set Repair Tissues, 18
Yuan, Bing
Investigation of Adhesives for RC Prints, 10
Z
Zabumba, Ilda
Photography Beyond Two Dimensions – Exhibition and Re-Valuation of Materiality, 19
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