Category: Job, Internship, & Fellowship Postings

Summer Internship in Objects Conservation (Cincinnati, OH, USA)

The Cincinnati Art Museum seeks a conservation training program student this summer to assist in preparing our collection of Nabatean works of art for exhibit. Under the supervision of the Associate Objects Conservator the intern will survey, condition and treat archaeological objects from the ancient city of Petra.

Cincinnati is located in the scenic Ohio River valley at the intersection of Ohio, Indiana and Kentucky. Founded in 1881, the Cincinnati Art Museum has an encyclopedic collection that spans over 6000 years. Our Conservation Department is an integral part of the CAM team and includes conservators specializing in paintings, objects, paper and textiles.

The applicant should be a student in a recognized conservation training program, with a specialization in objects conservation. An interest in archaeological objects is preferred. The successful candidate will possess good hand skills, a basic understanding of the field of archaeological conservation and a willingness to learn about museum practice.

The internship is 10 weeks during the summer of 2018. The start date is negotiable. The successful candidate must arrange her/his housing. In the past, accommodation has been available at two local universities. The stipend is $8,000.00, paid bi-weekly. The application deadline in March 1, 2018.

To apply, please send a letter of interest along with curriculum vitae, a list of coursework and if available, a sample treatment report. Please include the contact information for one or two references. Send the application to:

Cincinnati Art Museum
ATTN: Human Resources
953 Eden Park Drive
Cincinnati, OH 45202-1596
Fax: (513) 639-2932
Email: internships@cincyart.org

Pre-program Internship with stipend (Charlottesville, VA, USA)

The University of Virginia Library is pleased to offer the opportunity of a six-week internship for the summer of 2018 in their Preservation Services Department, working with the two Book Conservators on staff.  The purpose of the internship is to perform conservation treatment on a selection of plates from the “Moon Atlas” http://search.lib.virginia.edu/catalog/u6821780 and also a possible rehousing project involving the Virginia Gazette http://search.lib.virginia.edu/catalog/u3514532.

The intern will develop treatment plans in collaboration with the Book Conservators and maintain the written documentation throughout the treatment process.  Likely flat paper treatments include dry cleaning; adhesive and pressure sensitive tape removal; paper mending; and humidification and flattening. Book treatments could include board tacketing and other binding stabilization techniques. Pre-treatment photo documentation will be performed by the Library’s Digital Services Department prior to the intern’s arrival. It is expected that the intern will participate in the after-treatment photo-doc at the end of the six week internship. The intern will be required to give a presentation to library staff at the end of the internship, describing the project overall and highlighting a few specific details from the treatments.

Treatment will be performed in the UVa Library Conservation lab, a small but well-equipped facility with a 4’x6’ treatment sink, de-ionized water system, fume trunk, suction platen, and the usual tools. The treatment will be performed under the supervision of the Book Conservators for Library Collections and in consultation with Librarians from the Small Special Collections Library.

The Library is offering a $4000 stipend to support the internship. The internship can be scheduled for any consecutive six-week period between June 11, 2018 and August 24, 2018 (the Fall semester at UVA begins August 28, 2018). We will be accepting applications until the position is filled but priority will be given to applications received prior to March 9, 2018. The ideal candidate will have some prior treatment experience and be working toward a career in library conservation.

Applicants should send a resume, letter of interest and the contact information for three professional references via email to Eliza Gilligan, Book Conservator for University Library Collections at emg3b@virginia.edu. Applicants must be a US citizen.

The Preservation Services Department is grateful to Margery Lee for her continued support of this internship.

Assistant Paintings Conservator (Columbia, SC, USA)

This job announcement was previously advertised on September 11, 2017. To see that ad, click here.

Carolina Conservation is seeking a dedicated and career-oriented Assistant Paintings Conservator for its private practice. Ideal candidates are enthusiastic team players with strong critical thinking and applied problem solving skills. Time management and the ability to meet deadlines while working under pressure will be necessary. Carolina Conservation provides on-site disaster response for fine art collections that have suffered severe damage as the result of a fire, flood, or catastrophic disaster. Applicants please send a cover letter, resume, professional references, and salary requirements to info@carolinaconservation.com.

General responsibilities of the Assistant Paintings Conservator will include the following:

  • Assessment and evaluation of incoming collections
  • Preparation of condition reports, treatment proposals, treatment records, and additional documentation as necessary
  • Execution of treatments under the direction and supervision of the Lead Conservator
  • Perform conservation treatments to easel paintings & other works as directed by Lead Conservator, including, but not limited to: surface cleanings, varnish removals, varnish applications, consolidation, tear repairs, reversible fills, retouching, linings, and related tasks
  • Triage and on-site collection recovery
  • Client consultations and collection reviews
  • Additional responsibilities as directed and supervised by the Lead Conservator

Applicants are expected to meet the following education and work experience criteria:

  • BA or BS in related field (Art History, Fine Art, Chemistry, etc.)
  • Postgraduate degree in Conservation of Fine Art, specializing in the conservation of paintings, or equivalent training and work experience
  • Private practice experience is a plus, but will consider entry-level conservation professionals
  • Ability to work independently and contribute as an effective member of a team
  • Strong verbal and written communication skills
  • Digital photography proficiency
  • Computer proficiency

Essential Skills & Personality Traits: We have identified a number of skills and abilities that are critical to success in this position. The following are non-negotiable qualities we are looking for in a candidate:

  • An energetic, positive & optimistic attitude
  • Strong personal and professional ethics and conduct
  • Strong verbal communication skills
  • Ability to build rapport & develop strong interpersonal relationships
  • Professionalism, assertiveness & confidence
  • Meticulous, precise, & detail oriented
  • A team player that enjoys working with others
  • An enthusiastic commitment to excellence
  • Pro-active, responsible, motivated self-manager
  • Enjoys working with their hands
  • Processes new information quickly with a passion for learning
  • A passion for using their knowledge & skills to help others

Benefits include:

  • Comprehensive Health, Dental, and Vision insurance. Carolina Conservation pays 60% of all employees insurance premiums
  • Two weeks paid vacation + holidays
  • Volunteer and Angel Project opportunities
  • Continuing Education opportunities

About Carolina Conservation
Family owned and operated, Carolina Conservation has specialized in fine art conservation for fire and water damaged collections since 2005. We service major national accounts and companies within the property insurance industry. Due to the high level of service quality we provide to our clients, we have built strong industry relationships that have fueled the rapid growth of our studio operations. Over the past twelve years, we have grown to become the largest conservation studio in the nation exclusively specializing in fire and water damaged fine art and specialty collections. Salary will be competitive and commensurate with education and work history. Carolina Conservation employees are given the potential for strong career growth within our organization. We believe in providing our staff access to ongoing education, training, fieldwork experience, and volunteer conservation opportunities.

The David Booth Fellowship in Sculpture Conservation (New York, NY, USA) – PASSED DEADLINE

*** APPLICATION DEADLINE HAS PASSED – PLEASE DO NOT APPLY FOR THIS POSITION ***

September 2018 – August 2020

The David Booth Conservation Department at The Museum of Modern Art is pleased to offer a two-year fellowship in sculpture conservation, starting September 2018. The fellowship provides an opportunity to acquire comprehensive training in sculpture and objects preservation, conservation, and restoration in a museum setting. Working as part of the sculpture and objects conservation team, the fellow will assist conservators with all facets of the preservation, conservation, and restoration of three-dimensional sculptures and objects, including acquisition, exhibition, treatment, collection care, and research, related to sculpture and objects conservation. Fellowship activities will involve collaboration with Museum departments, including curatorial, Exhibition Design and Production, Exhibition Planning and Administration, Information Technology, and Collection Management and Exhibition Registration. Besides developing and refining advanced techniques in sculpture conservation, the fellow will have the opportunity to collaborate with MoMA’s conservation scientists; to develop and carry out research projects; and to have their work disseminated or published through blogs, conferences, and peer-reviewed journals.

REQUIREMENTS

Education
Graduate from a recognized training program; candidates with equivalent training will be considered.

Experience
Internship in treatment of three-dimensional sculptures, works of art, and objects. No more than three years experience past graduation.

Qualifications

  • Examination and treatment of sculptures, works of art, and objects at an advanced intern level.
  • Some experience with treatment of modern and contemporary works preferable.
  • Familiarity with condition photography, including ultra-violet, infrared, and photomicrography.
  • Use of analytic instruments, including microscopes, X-ray equipment, and other instruments for the examination and technical analysis of works of art and their constituent parts.
  • Excellent speaking, reading, and writing skills in English.
  • Proficiency with computer software, including image editing and Adobe Photoshop.

Responsibilities

  • Writes condition reports and installation instructions (when needed) for works of art. Recommends and executes treatment of works of art and their optimal storage and exhibition conditions in consultation with associate/conservators, scientists, other higher conservator titles, and curators. Keeps full photographic and written documentation of original condition and all stages of treatment of works of art.
  • Assists in advising curators, registrars, and exhibitions staff on conservation requirements to ensure protection of works of art during exhibition, packing, and shipping. Assists in advising curators on the condition of works of art as related to exhibition, loans, and acquisition.
  • Examines and interprets the physical structure of works of art and liaises with scientists on the interpretation of scientific data.
  • Carries out courier trips as needed.
  • Assists in supervising seasonal (three-month) interns and conservation program trainees as requested.
  • Investigates, evaluates, and tests new materials used by contemporary artists. Researches, develops, and tests materials and techniques for conservation use. Keeps abreast of new technical and material developments in the art historical and conservation fields through attendance at meetings and readings of conservation, technical, and art historical literature.
  • Adheres to the AIC Code of Ethics and Standards of Practice.
  • Performs any other duties reasonably related to the functions described above.

REPORTS TO: Sculpture Conservators, Associate Conservators, and higher.

Stipend: $45,000 plus benefits and vacation, with $3,775 for research and travel.

Candidates must submit a statement of interest, a current CV, and a list of references to jobs@moma.org no later than March 1, 2018. Please reference the position title in the subject line.

The Museum of Modern Art is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation or political affiliation.

The Museum of Modern Art’s Sculpture Conservation Initiative is made possible through the David Booth Conservation Center Endowment Fund.

The David Booth Fellowship in Painting Conservation (New York, NY, USA) – PASSED DEADLINE

*** APPLICATION DEADLINE HAS PASSED – PLEASE DO NOT APPLY FOR THIS POSITION ***

September 2018 – August 2020

The David Booth Conservation Department at The Museum of Modern Art is pleased to offer a two-year fellowship in painting conservation, starting September 2018. The fellowship provides an opportunity to acquire comprehensive training in paintings preservation, conservation, and restoration in a museum setting. Working as part of the paintings conservation team, the fellow will assist conservators with all facets of the preservation, conservation, and restoration of paintings, including acquisition, exhibition, treatment, collection care, and research. Fellowship activities will involve collaboration with Museum departments, including curatorial, Exhibition Design and Production, Exhibition Planning and Administration, Information Technology, and Collection Management and Exhibition Registration. Besides developing and refining advanced techniques in paintings conservation, the fellow will have the opportunity to collaborate with MoMA’s conservation scientists; to develop and carry out research projects; and have their disseminated or published through blogs, conferences, and peer-reviewed journals.

REQUIREMENTS

Education
Graduate from a recognized training program; candidates with equivalent training will be considered.

Experience
Internship in the treatment of paintings. No more than three years experience past graduation.

Qualifications

  • Examination and treatment of paintings at an advanced intern level.
  • Some experience with treatment of modern and contemporary works preferable.
  • Familiarity with condition digital-imaging documentation, including ultra-violet, infrared, and photomicrography.
  • Use of analytic instruments, including microscopes, X-ray equipment, and other instruments for the examination and technical analysis of works of art and their constituent parts.
  • Excellent speaking, reading, and writing skills in English.
  • Proficiency with computer software, including image editing and Adobe Photoshop.

Responsibilities

  • Conducts examinations and writes condition reports on works of art. Recommends and executes treatment of works of art and their optimal storage and exhibition conditions in consultation with paintings conservators, scientists, and other higher conservator titles, and curators. Records full photographic and written documentation of original condition and all stages of treatment of works of art.
  • Assists in advising curatorial, registration, and exhibitions staff on conservation requirements to ensure protection of works of art during exhibition, packing, and shipping. Assists in advising curators on the condition of works of art as related to exhibition, loans, and acquisition.
  • Examines and interprets the physical structure of works of art and liaises with scientists on the interpretation of scientific data.
  • Participates in courier trips of loaned works as required.
  • Assists in supervising seasonal (three-month) interns and conservation program trainees as requested.
  • Investigates, evaluates, and tests new materials used by contemporary artists. Researches, develops, and tests materials and techniques for conservation use. Keeps abreast of new technical and material developments in the art historical and conservation fields through attendance at meetings and readings of conservation, technical, and art historical literature.
  • Actively produces blogs posts and publishes research, and is encouraged to speak at related professional conferences.
  • Adheres to the AIC Code of Ethics and Standards of Practice.
  • Performs any other duties reasonably related to the functions described above.

REPORTS TO: Painting Conservators and other higher conservator titles

Stipend: $45,000 plus benefits and vacation, with $3,775 for research and travel.

Candidates must submit a statement of interest, a current CV, and a list of references to jobs@moma.org no later than March 1, 2018. Please reference the position title in the subject line.

The Museum of Modern Art is an equal opportunity employer and considers all candidates for employment regardless of race, color, sex, age, national origin, creed, disability, marital status, sexual orientation or political affiliation.

The Museum of Modern Art’s Conservation Fellowship Initiative is made possible through the David Booth Conservation Center Endowment Fund.

The Mary and Samuel Somit Preservation Internship (Chicago, IL, USA)

2018 Summer Internship – University of Chicago Library

The University of Chicago Library is accepting applications for the 2018 Mary and Samuel Somit Preservation Internship. This Internship, established in 2006, has been made possible through the generosity of Dr. Albert Somit (AB ’41, PhD ’47), University of Chicago alumnus and past president of Southern Illinois University. Dr. Somit has established the Internship to honor his parents’ legacy, serve the needs of the Library’s collection, and prepare individuals for important work to preserve library materials and other scholarly works in all formats so that they are available for research and teaching.

The six-week Internship is intended to provide firsthand experience and a broader understanding of the care, treatment, and accessibility of library and archives materials in a large research library. The intern will work with the Preservation Librarian and other Department managers to learn about the operations, issues, and challenges of a comprehensive preservation and access program. Technical Services, the Digital Library Development Center, and the Special Collections Research Center are all partners in the Library’s preservation initiatives.  Under the guidance of the Preservation Librarian and other professional staff, the intern will undertake a project and prepare a final report.  During the internship, the intern will have the opportunity to collaborate with other library staff and give a presentation about the project and its findings.

Audio Recordings Description Project
Under the direction of the Preservation Librarian and the Metadata Analyst Librarian, the Intern will focus on a review and analysis of descriptive and administrative metadata for sound recordings held by the University of Chicago’s Digital Media Archive (DMA).  The DMA holds an extensive collection of audio and some video recordings primarily created by University of Chicago faculty in the course of their research.  The collection includes over 180 languages and dialects as well as ethnographic music recordings.  Collections reflect the teaching and scholarly interests of faculty and researchers who have worked at the University of Chicago over the past eighty years, and are of great research interest to linguists, anthropologists, and ethnomusicologists.  One of the Archive’s distinctive collections is the Mesoamerican Collection which includes field recordings from the 1930 – 1990s of the many dialects and endangered languages throughout Central America.  The University of Chicago Library also holds several paper-based archival collections that are closely related to the DMA’s Mesoamerican Collection of recordings.  The majority of recordings in the Digital Media Archive have been converted to digital form and some are available on the web (see http://dma.uchicago.edu/ for a fuller description and catalog of the DMA materials).

The goal of the project is to perform a critical assessment of the existing descriptive metadata that has been created for these language recordings.  Work will contribute to development of metadata guidelines for media collections that will enable the Library to ingest the collection into the Library’s Digital Repository, provide online access, and ensure its integration into and compatibility with the discovery systems for digital collections of other types and formats.  This project will support future planning for the delivery of both public and restricted media collections and the ability to share standardized metadata more broadly.

Tasks during the internship may include:

  • Examining current metadata and controlled vocabulary used in the Archive
  • Reviewing of metadata schemas in use for the Library’s existing digital collections and for similar collections at selected other institutions
  • Making recommendations for the use of existing metadata, methods for crosswalking to other schemas, enhancement of metadata with additional data (such as ISO language codes), or adoption of additional standards
  • Preparing a final report about the work of the project and recommendations
  • To the extent possible, making some desired changes or enhancements to metadata; identifying relationships and ways to connect the DMA collections to related Library collections; providing inventories of other media collections for digital conversion
  • During the project, the intern will have the opportunity to collaborate with Preservation, Technical Services, and IT and Digital Scholarship staff.

Eligibility and Requirements
The Internship is open to recent graduates and currently enrolled students of a recognized library school of information or related program; or students with equivalent experience and training in preservation, digital collections and metadata.  Whether through coursework or previous practical application, the Somit intern must be familiar with preservation principles, and the creation and management of metadata for media collections. The applicant should possess the ability to work collaboratively and independently to accomplish project goals. Familiarity with spreadsheets, databases, and metadata schemas for media collections is highly desirable.  Background in linguistics or anthropology is a plus, but language expertise is not required.

The 2018 Internship provides a $4,000 stipend.

To apply for the Internship, individuals should electronically submit a letter of application, resume, list of completed relevant coursework or training, and contact information (name and email address) for two professional references. To be considered, individuals must currently be authorized to work permanently in the US and be able to commit to six consecutive weeks of full-time work between approximately June 4 and August 31.

The deadline for applications is Monday, March 5, 2018. Submit electronic applications to: somitinternship@lib.uchicago.edu.

For more information please see our Somit Preservation Internship website (https://www.lib.uchicago.edu/about/directory/departments/pres/somit/) or contact: Sherry Byrne, Preservation Librarian, University of Chicago Library, sbyr@uchicago.edu.

The University of Chicago is an Affirmative Action / Equal Opportunity/ Disabled / Veterans Employer.

Senior Paintings Conservator & Assistant Paintings Conservator (Carlisle, PA, USA)

These job announcements were previously advertised on October 3, 2017. To see them, go to: Asst. Paintings Conservator, and Sr. Paintings Conservator.

Hartmann Fine Art Conservation Services, Inc. in Carlisle, Pennsylvania, USA (a private conservation corporation providing conservation services for government, museum, corporate, & private collectors for 35 years) is posting two positions for “Professionally Trained” paintings conservators.

We are seeking candidates for full-time employment, with benefits and commensurate salary, for an ASSISTANT PAINTINGS CONSERVATOR (3 – 5 years of experience desired) and a SENIOR PAINTINGS CONSERVATOR (7 – 10+ years’ experience desired), both of which will report to the President/Chief Conservator of our corporation, John Hartmann – Fellow Member of AIC. Both positions will remain open until filled.

Candidates recently graduated, or soon to be graduated from a recognized Conservation Graduate School/Program with less experience than requested, will be considered for the Assistant Conservator position. Work will primarily be based out of our conservation facility in Pennsylvania, but may occasionally require on-site work at project sites nationwide. The Senior Conservator position’s primary job responsibilities will include personally undertaking complicated conservation treatments; completing conservation reports; and overseeing the daily operations of junior staff, project work; and deadline scheduling at our conservation facility.

If you are interested in either of these positions in our active private conservation business, feel that you are driven, self-motivated, and work well with a team; please send a cover letter, resume and curriculum vitae, three professional or academic references, available start date, salary requirements, and a sample Condition Report and Treatment Report example to info@hartmannconservation.com, contact our business office at 717-258-3009, or send correspondence by mail to: Hartmann Conservation, 321 West Old York Road, Carlisle, PA 17015, USA.

We look forward to having interested applicants join our team. Please use the following links for more information about each active job posting at Hartmann Conservation:

  1. Assistant Paintings Conservator description: www.hartmannconservation.com/wp-content/uploads/2018/01/Announcement-of-Job-Opportunity-Assistant-Paintings-Conservator-2.htm
  1. Senior Paintings Conservator description: www.hartmannconservation.com/wp-content/uploads/2018/01/Announcement-of-Job-Opportunity-Senior-Paintings-Conservator-2.htm

 

Graduate Conservation Intern (Potomac, MD, USA)

Glenstone is an art museum located on more than 200 acres of rolling hills and unspoiled woodland in Potomac, Maryland. Conceived by founders Mitchell and Emily Rales on their deeply held belief that art is essential to life, it has already become one of the finest collections of modern and contemporary art in the world. In addition to the current museum, when its new museum building opens to the public in 2018, Glenstone will become the largest private museum in America welcoming 100,000 visitors every year free of charge. By thoughtfully integrating the power of art, the energy of architecture and the serenity of landscape, Glenstone is both a distinctive idea and a unique place.

Glenstone is proud to foster a professional environment in which people can do interesting, fulfilling and enjoyable work. Not only do its founders develop and oversee all acquisitions and exhibitions, but Emily Rales also serves as director of the Museum and curator of the collection. This provides all associates an unusually high degree of access and interaction with the spirit and vision of Glenstone. To work at Glenstone is to be a part of something bigger, something more meaningful, and something truly special. It is a chance to do a job to the highest standard, with the resources and support available of a founder-led and endowed organization. It is an invitation to be engaged, challenged and stimulated, to help fulfill a powerful mission, and to contribute to a noble purpose.

We are incredibly proud of what Glenstone offers to those who create, appreciate, study, and otherwise participate in the world of art; and we are equally proud of what Glenstone offers to those who choose to join us in doing so. There is no better time than now to become a part of Glenstone.

The internship will provide a unique opportunity to work with Glenstone’s superlative collection of post-World War II artworks. A major focus of the internship will be assisting with the movement of the collection into the Pavilions, Glenstone’s second museum building, which measures 170,000 square feet and was designed by Thomas Phifer and Partners. In addition, the intern will have the opportunity to maintain and treat Glenstone’s outdoor sculpture collection, as well as contribute to the Museum’s preventive conservation activities. Applicants with experience in time-based media would have the opportunity to document video and sound installations, as well as contribute to ongoing migration projects. Due to the distinct challenges posed by contemporary art, Glenstone’s conservation program is collaborative in nature. As such, there will be occasions to work with other conservators, museum professionals, galleries, artists, and their studios or foundations.

Required Skills & Experience: Candidates should be enrolled in a recognized conservation training program or have equivalent training. Preference will be given to candidates with experience in the following areas: objects/sculpture, time-based media, modern and contemporary art, and preventive conservation.  Strong problem-solving and communication skills are essential.

Salary & Benefits: The internship includes a stipend of $20/hour. The internship will begin in the spring/summer of 2018 and run for a minimum of 8 weeks. The start date is flexible and the internship may extend into the fall if the applicant is available.

To promote collaboration and show appreciation to associates, Glenstone provides a weekly staff lunch, on-site health and wellness classes and volunteer opportunities.

Application Process: Submit a cover letter and resume to our Glenstone Jobs Portal: https://goo.gl/ckKeoQ.

We are an equal opportunity employer. All qualified applicants will receive consideration for employment without regard to race, color, religion, gender, national origin, disability status, protected veteran status or any other characteristic protected by law.

Project Specialist (Los Angeles, CA, USA) – PASSED DEADLINE

*** APPLICATION DEADLINE HAS PASSED – PLEASE DO NOT APPLY FOR THIS POSITION ***

The Getty Conservation Institute (GCI), located in Los Angeles, California, and one of the operating programs of the J. Paul Getty Trust, works internationally to advance conservation practice in the visual arts—broadly interpreted to include objects, collections, architecture, and sites. The Institute serves the conservation community through scientific research, education and training, field projects, and the dissemination of information. In all its endeavors, the GCI creates and delivers knowledge that contributes to the conservation of the world’s cultural heritage.

The Building and Sites Department of the Getty Conservation Institute is seeking a Project Specialist to work on the Conserving Modern Architecture Initiative (CMAI). Reporting to the Senior Project Specialist who manages the CMAI, the Project Specialist will manage the CMAI’s new education and training initiatives. This is a three-year, limited-term position, based in Los Angeles.

The CMAI’s education and training initiatives are key to its goal of improving the management, conservation, and recognition of the value of twentieth-century heritage. Through these initiatives, the CMAI will develop training materials and techniques for physical conservation, and will increase the application of appropriate values-based conservation methodologies, leading to an expanded and strengthened community of practice. By developing and offering a variety of courses and training opportunities (of short and long duration) and offering other capacity building experiences, CMAI will reach target audiences at many different levels and in different regions of the world. These education and training opportunities will be offered starting in the winter and spring of 2018 and thereafter, for many years to come.

The Project Specialist will project manage the development of modern conservation education and training courses, develop related didactic materials, and manage the implementation of these courses. He/She will be responsible for: developing course budgets and schedules, selecting trainers and lecturers, preparing course material, advertising courses, and selecting participants. He/She will manage the day to day needs of the course to meet its educational goals; this will include working closely with participants, lecturers, and others involved in the delivery of the course. He/She will work with a broad range of conservation professionals, as well as other heritage professionals, in an international environment. The Project Specialist will develop long and short courses, which are repeatable so they can be offered many times; he/she will be in charge of adapting and modifying courses, as necessary, to keep their content relevant and to ensure they address the needs of audiences in different regions of the world. It is the objective of CMAI to create education and training courses that others can use, so the Project Specialist will also be tasked with the role of “training the trainers” to ensure that there are qualified people who can sustain and perpetuate the courses that CMAI develops.

Must have a Bachelor’s degree in architecture, archaeology, architectural conservation, or a related discipline. Post-graduate degree in cultural heritage conservation or the equivalent practical experience is also required. Must have a minimum of 3–7 years of practical work experience in the area of built heritage conservation and experience in teaching and/or designing educational and training courses.

The Project Specialist must be adaptable, analytical, a positive problem-solver, and a creative thinker. The position requires excellent oral and written communication skills and superior organizational and time management skills. Proficiency in English is required and proficiency in a language other than English is an advantage. The position involves international travel. This is a three-year, limited-term position.

To apply, please visit: https://jobs-getty.icims.com/jobs/3046/gci-project-specialist,-conserving-modernarchitecture-initiative/job. Please prepare a cover letter and curriculum vitae in a single PDF file. Note: When prompted by the online application system to select or submit your “resume”, please upload your cover letter and curriculum vitae as a single PDF file.

Candidates who successfully complete the online application process will receive an automated message from “autoreply@icims.com”. If you have specific questions about the Project Specialist position, please email gcistaffing@getty.edu. The deadline for applications is February 28, 2018.

Icon Internship: Ceramics Conservation (Liverpool, UK)

  • 6-month Internship starting April 2018
  • Location: Little Crosby Village, Liverpool, L23 4TS
  • Supervisor: Lynne Edge ACR
  • Educational Stipend: GBP8,500

Funded by the Heritage Lottery Fund, the internship forms part of the joint project, Galkoff’s and the Secret Life of Pembroke Place, between Liverpool School of Tropical Medicine (LSTM) and the Museum of Liverpool (MoL) which began in July 2016.

EDGE Conservation-Restoration Services is private sector conservation workshop, working with Cunningham Brown Ltd., to conserve and re-display tiles from the shop facade of the Galkoff’s Family Butchers in Liverpool. This internship will provide a unique opportunity to gain practical experience in the conservation of faience tiles and the mounting and presentation of these tiles for display in the Museum of Liverpool of the National Museums Liverpool.

The building that housed the shop facade is a Grade II listed Georgian building, principally listed for the survival of a nationally unique Jewish butcher’s shop front: the explicit display of Hebrew lettering of the facade in such a context is very unusual and is an expressive reflection of Jewish identity in Liverpool at this time. This is an exciting tile conservation project that will preserve an iconic legacy of Liverpool’s Jewish history.

The tileworks started December 2017 with their removal from the shop front by EDGE Conservation-Restoration Services. From March – September 2018 these tiles will be conserved, missing tiles replicated, and the tiles mounted to mimic the original shop frontage, forming a major element of the Secret Life of Pembroke Place display at the Museum of Liverpool due to open in October 2018.

Under the guidance of Lynne Edge ACR, the successful intern will be involved with all elements of related conservation work and will learn about historic and contemporary conservation techniques and approaches. There is also the opportunity to work alongside professional mount makers and engineers to gain experience in the display of tiles in a museum context. An important element of the project is outreach and as such, the intern will be asked to record their experiences to produce a report and write a blog for the Museum of Liverpool.

Requirements: Applicants should be able to demonstrate a clear interest and experience that is relevant to this opportunity. There isn’t a set requirement however it would be expected that this may be an undergraduate or post graduate qualification in Conservation or related experience and training in a relevant subject such as Ceramic Design.

Please apply using the application form on the Icon website only. https://icon.org.uk/what-is-conservation/internships.

  • Closing date: February 15, 2018 at 9:00 a.m.
  • Interviews will be held on: March 1, 2018
  • Internship will commence: April 3, 2018

Questions: pwhife@icon.org.uk.