Meetings presented by Research and Writing in collaboration with FAIC provide an introduction and discussion forum for business topics of interest to the conservation and preservation community. They do not replace individual consultation with an appropriately qualified professional.
Many face-to-face and online courses, and many books, describe how to organize and manage a small business. The FAIC Online series is the only information source designed specifically for the community of art and artifact preservation specialists. The courses are led by experienced online teachers who have an intimate knowledge of conservation as well as their subject matter, and are able to provide advice and solutions based in the reality of a conservation practice today.
Five different courses are offered each calendar year. You are never more than about eighteen months from the next offering of the course(s) you want to take. (Desperate to know now? Ask about minimum fees and participant numbers for a special offering of the course you want to take.)
It’s easy to fit an FAIC Online Education course into your schedule. You have 24/7 access while the course is taking place. You can be anywhere, as long as you have a computer or smartphone and an internet connection. Check into the site when you have a minute or two. Respond to requests or comments as the mood strikes you.
Build Your Skills
Each week of every course introduces new activities for all skill levels. Learn what you need to know now. Use the basic activities as a review. Reserve more advanced assignments for later. Don’t find what you need on the site? Ask the leader: He or she has the expertise to help you with the questions you’re facing. Don’t forget that you can also ask questions of your colleagues in the course. You’ll find them a source of real-world experience and you can be confident that they understand what a conservator does.
The online environment accommodates your learning style, too. Whether you’re someone who constantly asks and answers questions or the one at the back of the classroom who watches and learns but prefers to remain silent, there is room for you to learn best what you need to learn the most.
Create a new network
The FAIC Online Education courses provide an opportunity to work with conservators beyond your existing network. Meet with and learn about colleagues in other specialties, who work in different regions of the U.S. or the world. You develop a new node in your network: a cohort of people who know you and your skills, people to whom you can turn for advice—and with whom you can share referrals—even though they are not in your backyard.
Expense. Or Rather, the Lack Thereof.
Each FAIC Online Education course is four weeks long. Each week is the equivalent of a very full, daylong conference. AIC members pay $200 per course. It’s like attending 4 seminars at $50 each.
Courses remaining in the FAIC Online Education series for 2011:
Written and Video Review of the 2011 CIPP Seminar – Philadelphia
“Claiming Your Piece of the Insurance Pie”
There was at this seminar an excellent cross section of insurance experts that are intimately associated with the art conservation field: George Schwartz our fearless CIPP leader and Vice Chair last year (our new Chair For 2012) who teaches on this subject; Sylvia Leonard Wolf of Fine Art Appraisers and Consultants, NY, NY; Barbara Chamberlain, Director of the Central Region USA, Art Collection Mgmt for Chartis Insurance from Palm Beach, Fl; Mary L. Sheridan, Assistant Fine Art Manager, Chubb & Son, a division of Federal Insurance Co. from NY, NY. Let me also give an honorable mention to Gordon Lewis whose wealth of experience in working with insurance companies in many capacities, his contacts, his coordination of and for this meeting, his input during the meeting is much appreciated.
George’s presentation the first two hours was an excellent primer in understanding how the insurance field works in settling claims. His depth of detail and the valuable information he presented in his PowerPoint we hope will be available online soon. Much or all of his information seemed to be a direct result of working with the insurance industry for decades in the capacity of an art conservator (sorry about the reference to your age George) and being a teacher on the subject. Perhaps this is not the place to try and summarize his presentation and I won’t try. If you would like to contact George call (561) 912 0030 or firstname.lastname@example.org www.ConservArt.net
See his video clip:
Sylvia Leonard Wolf, who teaches her subject at NYU, spoke from her extensive experience as an appraiser and how appraisals impact claims and treatments that conservators perform. She works closely with conservation issues and spoke eloquently and on subject while presenting important issues that conservators must be sensitive to. A couple of key points she made are that conservators should always remember:
*Always get paid for everything you do (bill out at full rate) for your expertise, consultations and services when working on issues for insurance companies.
* If you are looking to network for contacts, appraisers refer conservation work.
Barbara Chamberlain, Chartis Insurance, gave a terrific presentation and the audience was well served by her openness to respond to questions. Her staggering responsibilities regarding high-end collections clients was most interesting. She confirmed the high regard that Chartis has for the Conservation Field and indeed considers it an essential part of the team to service their clients. It was very interesting to hear the priorities Chartis has to care for and prepare collections in order to avoid damage… not just respond to damage. She is available for you to contact her at (561) 623 4050 and at email@example.com See her video clip:
Mary Sheridan, Chubb & Son Insurance, was very open and personable about her company’s efforts with high end art collections and clients. Many similarities between Chubb and Chartis in how they care for collections and respond to needs were expressed. Mary’s discussion and her participation in questions and answers were invaluable and very entertaining. Her extensive experience with art conservation was evident and she spoke on subject and to our profession’s interests. She is available for you to contact her at (212) 612 4384 and firstname.lastname@example.org
In summary, I think it was generally expressed among attendees and presenters that a follow up effort would be beneficial to art conservators in order to better understand how to get work from insurance companies, as there are many different sources from which a conservator can receive work. See the following video clip:
If you have suggestions for the 2012 CIPP program in Albuquerque, NM, contact Judith Tartt of Art-Care (www.art-care.com), new CIPP Vice Chair and program organizer.
Express yourself and reach out: “Like” this article by clicking on the thumbs up below, refer this posting to others you connect with via Facebook, Twitter etc. Please pass the link for this blog post along to other conservators.