Papers presented at the Electronic Media Group session of the 43rd AIC Annual Meeting, Miami, Florida, 2015, and the 44th AIC Annual Meeting, Montreal Canada, 2016.
Briana Feston-Brunet and Jeffrey Warda, Managing Editors
Papers presented at the Electronic Media Group Session, AIC 43rd Annual Meeting, May 13–16, 2015, Miami, Florida
The Fragile Surface: Preserving the CD-DA
John Passmore
QCTools: A Consideration of Free Software for the Quality Control of Video Digitization
Dave Rice and Benjamin Turkus
Drop Video File(s) Here: The Emergence of Free Quality Control Tools for Video Preservation
Benjamin Turkus
Digital Applications for Film Preservation
Erik Piil and Peter Oleksik
Cross-disciplinary Conservation: Building a Synergetic Time-based Media Lab
Joanna Phillips
Computational Provenance and Computational Reproducibility: What Can We Learn about the Conservation of Software Art from Current Research in the Sciences?
Deena Engel and Mark Hellar
An Exploration of Significance, Dependency, and Virtualization in the Conservation of Software-based Artworks
Patricia Falcao, Annet Dekker, and Pip Laurenson
Defining an Ethical Framework for Preserving Cory Arcangel’s Super Mario Clouds
Emilie Magnin
Archiving The Brotherhood: Proposing a Technical Genealogy for Time-Based Works
Joey Heinen
Jeremy Blake’s Time-Based Paintings: A Case Study
Julia Kim and Don Mennerich
Papers presented at the Electronic Media Group Session, AIC 44th Annual Meeting, May 13–17, 2016, Montreal, Canada
Conservation and Digital Preservation: (Where) Do the Two Roads Meet?
David Stevenson
Videotape Deterioration Mechanisms and Conservation Remedies: A Primer
Erik Piil
How Sustainable is File-based Video Art? Exploring the Foundations for Best Practice Development
Brian Castriota, Sophie Bunz, Flaminia Fortunato, Carole Maître
Recovering the Eyebeam Collection Following Superstorm Sandy: Conservation lessons for all revealed by a multimedia disaster
Kara Van Malssen
Re-Constructions: Preserving the Video Installations of Buky Schwartz
Eddy Colloton
Matters in Media Art III: Sustaining Digital Video Art
Martina Haidvogl and Peter Oleksik
Putting the Time Base back in Time Based Media Conservation
Benjamin Turkus and Kelly Haydon
Slow Dissolve: Re-presenting Synchronised Slide-based Artworks in the 21st Century
Fergus O’Connor
Pinball for Posterity: Adapting the preservation principles of libraries to preserve arcade and pinball collections at The International Center for the History of Electronic Games
Carrie McNeal, Jeremy Saucier, Martin Reinhardt
Best Practices for Conservation of Media Art from an Artist’s Perspective
Rafael Lozano-Hemmer
Susan Kare and Her Macintosh Icons: A Co-Acquisition
Ben Fino-Radin, Martina Haidvogl and Mark Hellar
Unauthorized Archives and Unreleased Software: Preserving a Cancelled Project
James Hodges