Papers presented at the Electronic Media Group sessions and EMG/Contemporary Art Network (CAN!) joint sessions of the 49th AIC Virtual Annual Meeting, 2021, and the 50th AIC Annual Meeting, Los Angeles, CA, 2022.
Meaghan Perry, Managing Editor; sasha arden, Assistant Editor
Papers presented at the Electronic Media Group sessions and EMG/Contemporary Art Network (CAN!) joint sessions of the 49th AIC Virtual Annual Meeting, 2021.
EMG – Building Preventative Conservation & Documentation into a Private Digital Art Collection
Kate Weinstein
EMG – Divergent Conservation: Cultural Sector Opportunities and Challenges Relating to the Development of Time-Based Art Conservation in Australasia
Asti Sherring
EMG – Collecting in the Shadow of the State: Acquiring Performance at IMMA and Institutions of Care in the Irish Context
Brian Castriota and Claire Walsh
EMG/CAN! PANEL: In Search of Sustainable Care for Digital Art: Establishing Networks, Enhancing Collaboration and Shifting from Ownership to Commons
Anett Dekker, Marina Valle Noronha, and Aga Wielocha
EMG – Sine Waves, Sounds and Sensations
Agathe Jarczyk and Sophie Bunz
EMG – The Installation and Long-Term Preservation of Alex Da Corte’s Rubber Pencil Devil at the Dallas Museum of Art
Elena Torok, Katie Province, and Lance Lander
EMG – Why Ask a 60 Year Old to Run a Daily Marathon? The Conundrum of Documenting and Displaying Kinetic Art by Jean Tinguely
Jane Gillies
EMG/CAN! – New Art and New Ways of Institutional Collecting: From Possession to Partnership
Aga Wielocha
EMG/CAN! – How to Lose Control and Learn to Like It (The Story of Planetary)
Jessica Walthew and Ben Fino-Radin
EMG/CAN! Trust and “Oral Tradition” as a Proposed Strategy for the Conservation of Performance Art
Ruth del Fresno-Guillem
EMG/CAN! – Murals and the Matter of Cultural Heritage
Lorraine Lazama Lazard
EMG/CAN! – SFMOMA Policy on Reprinting: New Challenges and Opportunities
Roberta Piantavigna
EMG/CAN! – Developing a Community of Practice Between M+ and AGNSW for the Preservation of Two Editions of a Complex Time-Based Media Installation Artwork, Yin Xiuzhen’s Beijing Opera (2000, 2001)
Asti Sherring, Rebecca Barnott-Clement, Alessandra Guarascio, and Marta García Celma
Papers presented at the Electronic Media Group session of the 50th AIC Annual Meeting, Los Angeles, CA, 2022.
Preserving Software-Based Art at Tate: From Research to Best Practices
Tom Ensom and Patricia Falcão
Beyond the archive: Preservation and Access for Web-Based Interactive Data Journalism
Josephine Jenks, Jessica Walthew, and Andrea Lipps
An Analysis of Software-Based Artworks Using Max/MSP Through Different Conservation Strategies
Tzu-Chuan Lin
Peer-to-Peer: Towards the Collective Conservation of Net Art
Anna Mladentseva
Right-Sizing a Time-Based Media Conservation Program at Glenstone
Samantha Owens and Ben Fino-Radin