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Snowden Becker, University of Texas at Austin
See No Evil, Hear No Evil: Audiovisual Evidence, Forensics, and Preservation in Law Enforcement 2007ANAGPIC_Becker
Morwenna Blewett, Harvard University Art Museums
‘A Puzzle to the Critics’: The Technical Analysis and Treatment of a 16th Century Panel Painting of Possible French Origin 2007ANAGPIC_Blewett
Marie-Catherine Cyr, Queen’s University
Conservation Issues: The Case of Time-Based Media Installations 2007ANAGPIC_Cyr
Alisa Eagleston, New York University
The Conservation of a Baining Headdress 2007ANAGPIC_Eagleston
Anne R. Grady, Buffalo State College
Technical Examination and Treatment of an African Sword 2007ANAGPIC_Grady
Amber Kerr-Allison, University of Delaware/Winterthur
Outdoor Public Murals: Materials, Advocacy and Conservation 2007ANAGPIC_KerrAllison
Jennifer Kim, New York University
Jaime Davidovich’s Foam TV: An Interplay of Research, Interview, and Discussion to Determine Appropriate Treatment Avenues and the Acceptability of Replication 2007ANAGPIC_Kim
Crystal Maitland, Queen’s University
Where Archival and Fine Art Conservation Meet: Antioxidant and Deacidification Treatments of Corrosive Copper Watercolours Associated with Iron Gall Ink in Works of Art on Paper 2007ANAGPIC_Maitland
Samantha Sheesley, Buffalo State College
Artist Interviews as a Tool for Diligent Conservation Practice 2007ANAGPIC_Sheesley
Theresa Smith, Harvard University Art Museums
Bleaching and Color Reversion in Ingres Drawings at the Fogg Museum 2007ANAGPIC_Smith
Samantha Springer, University of Delaware/Winterthur
An Examination of Alterations to Mississippian Period Native Copper Artifacts from the Collection of the National Museum of the American Indian 2007ANAGPIC_Springer
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