Presented at the 2017 Annual Student Conference hosted by The Conservation Center, Institute of Fine Arts, New York University and the Historic Preservation Program at the Graduate School of Architecture Planning & Preservation, Columbia University, April 20-22, 2017
Presentations
An American Icon in Plastic
Morgan Burgess and Marci Burton, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles
Thinking Inside the Box
Ersang Ma and Claire Taggart, Winterthur/University of Delaware Program in Art Conservation
Technical Study and Treatment of a Late-Nineteenth Century Thai Panel Painting
Ellen Nigro, Winterthur/University of Delaware Program in Art Conservation
Jun Ware Technical Study
Lucy Cooper, Katherine Eremin, Susan Costello, Melissa Moy, Kathy King, Marc Walton, Emeline Pouyet, Andrew Shortland and Laure Dussebieux, Harvard Art Museums
The Technical Analysis of a Log Cabin Quilt
Elisa D. Contreras Cigales, Art Conservation Program, Queen’s University
Investigating the Cause of Media-Related Condition Issues
Marie Ève Gaudreau Lamarre, Art Conservation Program, Queen’s University
The Lost Art of Splitting Paper
Shannon Mulshine, Conservation Center, Institute of Fine Arts, New York University
The Effects of Adhesives and Pressure on the Color of Kingfisher Feathers
Michaela Paulson, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles
Value-Based Decision-Making
Chantal Stein and Christine Haynes, Conservation Center, Institute of Fine Arts, New York University
The Influence of Glass Transition Temperature
Jessica Betz Abel, Historic Preservation Program, Columbia University
Testing and Evaluation of Earthen Grouts
Nicole Mariel Declet Díaz, Graduate Program in Historic Preservation, University of Pennsylvania
American Historic Colors
Tania Alam, Historic Preservation Program, Columbia University
Baron Von Steuben’s Liquor Case
Sophie du Bois Hunter, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
Interpreting Thonet
Paige Schmidt, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
Pinning of Petrified Sequoia Wood Stumps
Evan Oxland, Graduate Program in Historic Preservation, University of Pennsylvania
Lightning Round
The Application of Japanese Paper Repairs in the Conservation of Leather Bound Books
Emilie Demers, Art Conservation Program, Queen’s University
Investigation and treatment of a carved wooden ngoni from Connecting Cultures Mobile Museum
Mari Hagemeyer, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles
Analysis of Corrosion Products and Superficial Residues to Illuminate the Treatment Histories of Diniacopolous Coins
Mikaela Marchuk, Art Conservation Program, Queen’s University
The Man in the Ancient Bronze Mirror
Hayley Monroe, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles
An Experimental Gel-based Treatment of Iron Gall Ink Corrosion Halos
Kelly Conlin, Art Conservation Program, Queen’s University
The Treatment of a Block-Printed “Palampore” Textile
Jacquelyn Peterson, Winterthur/University of Delaware Program in Art Conservation
A Technical Analysis of Two Unattributed Canadian Sketches Possibly Painted by Tom Thomson
Camille Beaudoin, Art Conservation Program, Queen’s University
The Technical Analysis and Examination of The Weeping Virgin: A Panel Painting Attributed to Hendrick ter Brugghen
Aimee Hawker, Art Conservation Program, Queen’s University
International Collaboration for the Creation of a Conservation MA Program in Peru
Lindsay Ocal, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles
The Identification, Characterization, and Reconstruction of a Third-Intermediate Period Egyptian Coffin Using Computed-Tomographic (CT) Imaging and Instrumental Analysis
Victoria Kablys, Art Conservation Program, Queen’s University
An evaluation of the leakage rate and relative humidity buffering capacity of dropspine
boxes
Lydia Aikenhead, Conservation Center of the Institute of Fine Arts, New York University
Plastic Comic Book Sleeves and their Appropriateness for Long-Term Storage
Chloe Houseman, Art Conservation Program, Queen’s University
Un-Developed Territory: Measuring the Lightfastness of Photographs
Bryanna Knotts, Conservation Center of the Institute of Fine Arts, New York University
An Examination and Condition Assessment of Robert Chanler’s Pool Grotto Ceiling Mural at Vizcaya, Miami
Lucy Midelfort, Graduate Program in Historic Preservation, University of Pennsylvania
New applications of Pickering-type emulsions for the cleaning of modern water-dispersed oil paints
Mina Porell, Ellen Nigro, Diana Hartman, Kelsey Wingel, and Keara Teeter, Winterthur/University of Delaware Program in Art Conservation
Risk Assessment of Rashid Johnson’s Falling Man (2015)
Andy Wolf, Conservation Center of the Institute of Fine Arts, New York University
Exploring Experimental Parameters for Paper as an Indicator in the Oddy Test
Rachel Mochon, Conservation Center of the Institute of Fine Arts, New York University
Improving the Flexural Strength of Bowed Marble Panels through Mechanical Treatment
Danielle Pape, Graduate Program in Historic Preservation, University of Pennsylvania