Presented at the 2018 Annual Student Conference hosted by Queen’s University, 2018.
See the finalized program schedule and speaker abstracts and biographies.
Presentations
Analysis and Conservation of Portrait of a Young Man, Formerly Attributed to Édouard Manet
Becca Goodman, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
Analytical Imaging, Visualization and Interpretation of a Byzantine Icon
Austin Anderson, Emily Rezes, and Karime Castillo, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles
A Mask on the Move: Analysis and Treatment of an African Mask for Traveling Exhibition
Lindsay Ocal, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles
From Polyptych to Easel Painting: A Panel from A Dismembered Altarpiece by Giusmto De’Menabuoi
Hae Min Park, Conservation Center, Institute of Fine Arts, New York University
“At once the most delicate and lasting of our materials”- Considerations in the Treatment of a Late 18th-Century Cut-Hair Memorial
Andrew D. Wolf, Conservation Center, Institute of Fine Arts, New York University
A 19th-Century Aquarium: How Collaboration Informed the Technical Study and Treatment
Haddon Dine, Winterthur/University of Delaware Program in Art Conservation
Investigation into the Reduction of Foxing Stains in Paper (presentation) (paper)
Emily Farek and Madison Brockman, Winterthur/University of Delaware Program in Art Conservation
Plump and Pliant: Fluid Retention in the Presentation of Cellulose-based Bioart
Courtney Books, Art Conservation Program, Queen’s University
An Investigation into the use of Ionic Liquids for the Removal of Surface Coatings
Brandon Finney, Art Conservation Program, Queen’s University
‘Art Shapes’: An Investigation of Hans Arp’s Constellations II
Madeline Corona, Harvard Art Museums
Alexander Gardner’s Photographic Sketch Book of the War
Laura Panadero, Harvard Art Museums
Lightning Round or Posters
Fading Foxing
Alison Brewer, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
The Historic Manufacture of Transparent Papers
Grace Walters, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
Characterization of Four Polymer Tracing Papers
Carolyn Burns, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
Treatment of a 16th-17th C. Panel Painting Attributed to Paul Brill
Jen Munch, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
Treatment and Research of a Floral Still Life Painting
Elizabeth Robson, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
Sankofa: The Conservation Treatment of “The Surveying of Washington, DC by Benjamin Banneker”
LaStarsha McGarity, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
The Examination and Treatment of a Vejigante Mask
Elena Bowen, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles
Analysis and Treatment of an Ipu Heke
Skyler Jenkins, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles
Monitoring Climate at Villa La Pietra
Katherine Parks, Conservation Center, Institute of Fine Arts, New York University
Demystifying “Monotypes” by Hedda Sterne
Rachel Mochon, Conservation Center, Institute of Fine Arts, New York University
Documenting DayGlo: Photodocumentation of Color Fading and Fluorescence Decrease
Chantal Stein, Conservation Center, Institute of Fine Arts, New York University
Technical Examination of Two (of the Seven) Edward Steichen In Exaltation of Flowers
Keara Teeter, Winterthur/University of Delaware Program in Art Conservation