Presented at the 2019 Annual Student Conference hosted by UCLA/Getty Program in the Conservation of Archaeological and Ethnographic Materials.
See the official ANAGPIC 2019 conference program here.
Presentations
Investigation of polychromy remains preserved on architectural surfaces and a pre-Angkorian Buddha figure from Cambodia
Kasey Hamilton and Elena Bowen, UCLA/Getty Interdepartmental Program in the Conservation of Archaeological and Ethnographic Materials
Analysis of Mortars from Archaeological Stratigraphy
Gabriela Figuereo, Historic Preservation Program, GSAPP, Columbia University
She’s Got the Moves: Treatment of a late-nineteenth century moveable edition of “Cinderella“
Lydia Aikenhead, Conservation Center, Institute of Fine Arts, New York University
Sankofa: the Treatment and Analysis of “The Surveying of Washington, DC by Benjamin Banneker”
LaStarsha D. McGarity, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
(presentation pdf)
In-Situ Biomimetic Nano-Hydroxyapatite Formation for Archaeological Bone Consolidation
Skyler Jenkins, UCLA/Getty Interdepartmental Program in the Conservation of Archaeological and Ethnographic Materials
Experimental Loss Techniques for the Filling and Inpainting of Horizon ’72: A Screenprint by Noriko Yamamoto Prince
Carolyn Burns, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
A Potential New Fill Material for Ceramics: Determining the Suitability of La Doll Clay
Sally Gunhee Kim, Queen’s University Art Conservation Program
Building Bridges and Blurring Borders: Collaboration Initiatives in Modern and Contemporary Art Conservation Education
Jennifer Myers and Natalya Swanson, Winterthur/University of Delaware Program in Art Conservation
Making Headway: An Investigation of a David Wojnarowicz Flexible Mold
Taylor Healy, Conservation Center, Institute of Fine Arts, New York University
Dyes analysis of late Byzantine and early medieval Islamic textiles, 4th-11th c.
Dr. Julie H. Wertz, Straus Center for Conservation and Technical Studies, Harvard Art Museums
Analyzing Digital Photogrammetry for Heritage Preservation
Rob Kesack, Historic Preservation Program, GSAPP, Columbia University
Working Outside the Recommended Guidelines: Preventive Conservation for All
Melissa King, Winterthur/University of Delaware Program in Art Conservation
A Conservation Assessment and Treatment Plan for the Architectural Wood of the Original Dining Room at Taliesin West
Mia Maloney, University of Pennsylvania Graduate Program in Historic Preservation/School of Design
Technical Study of Winslow Homer’s Pitching Quoits and Related Drawings
Anne Schaffer, Straus Center for Conservation and Technical Studies, Harvard Art Museums
Consolidating Brittle Ink: Technical Analysis and Treatment of an Early-20th Century Serigraph
Jessica Lau, Queen’s University Art Conservation Program
Lightning Rounds
[Title]
Dorcas Corchado, University of Pennsylvania Graduate Program in Historic Preservation/School of Design
[Title]
Anna Ersenkal, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
Exploring André Biéler‘s Potential Use of the ‘Mixed Technique‘ in Wartime Market
Martha Griffith, Queen’s University Art Conservation Program
(speaking notes)
The Universal Language of Collections Care: Preparing Didactics for Preservation Education Worldwide
Joanna Hurd, Winterthur/University of Delaware Program in Art Conservation
Una Tecnica di Foderatura Romana: A Roman Practice of Open-Weave Canvas Lining
Emma Kimmel, The Conservation Center, Institute of Fine Arts, New York University
(speaking notes)
Investigation & Treatment of a Hopi Gourd Lizard
Megan Salas, UCLA/Getty Interdepartmental Program in the Conservation of Archaeological and Ethnographic Materials
The Characterization of Hand-Coloured Woodcuts using Reflectance Transformation Imaging (RTI)
Emily White, Queen’s University Art Conservation Program
Accelerated Aging Study of Papers Treated with Citrate Solutions
Madison Brockman, Winterthur/University of Delaware Program in Art Conservation
The Characterization of an Artist’s Masking Fluid & Their Effect on the Paper Substrate
Perrine LeSaux, Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College
The Impact of Benzyl Alcohol and 1-Phenylethanol Gelled Emulsion Cleaning Systems on Oil Films in Easel Paintings
Chun (Tracy) Liu, Winterthur/University of Delaware Program in Art Conservation
[Title]
(Melissa) Wei Luo, University of Pennsylvania Graduate Program in Historic Preservation/School of Design
Girl, Reconsidered: Investigating a polychrome terracotta bust
Sarah Montonchaikul, The Conservation Center, Institute of Fine Arts, New York University
[Title]
Charlotte Parent, Queen’s University Art Conservation Program
Buffering Environmental Extremes: The Documentation, Treatment and Monitoring of a Wooden Luba Mboko Figure
Emily Rezes, UCLA/Getty Interdepartmental Program in the Conservation of Archaeological and Ethnographic Materials