Presented at the 2022 Annual Student Conference, hosted by The Winterthur/University of Delaware Program in Art Conservation (WUDPAC) and the University of Pennsylvania Program in Historic Preservation
View the official ANAGPIC 2022 conference program.
Presentations
Jane Henderson, Angelica Zander Rudenstine Keynote Speaker, Professor of Conservation, Cardiff University Greeting Challenges: Ambitions for Change in Conservation
Hsin-Chen Tsai, Cornelius Van der Starr Associate Conservator of Chinese Paintings, Asian Conservation, Museum of Fine Arts, Boston
Modern Tradition: Chinese Paintings Conservation in Boston
Robin Canham, Queen’s University Department of Art Conservation
Remoistenable Nanocellulose Film: Practical Application and Analysis
Ali Cavicchio, University of Pennsylvania Graduate Program in Historic Preservation
Evaluation of Shelter Coating as a Preventive Conservation Method for Earthen Sites
Preme Chaiyatham, Columbia University, Historic Preservation Department
Restored with Light: Use of Projection Mapping in Historic Preservation
Lauren Conway, Tamara Dissi, Jenny McGough, Isabel Schneider, and Céline Wachsmuth, UCLA/Getty Interdepartmental Program in the Conservation of Cultural Heritage
Benzo-trying-something-new: A Comparison of Corrosion Inhibitors on Copper Coupons
Emma Guerard, Buffalo State College, Patricia H. and Richard E. Garman Art Conservation Department
Comparative Study of American Cloth Covered Bindings 1850-1869 and Treatment of The Silver Sunbeam (1864)
Jocelyn Hillier, Queen’s University Department of Art Conservation
A Technical Approach to Rembrandt: The Examination of Head of an Old Man in a Cap
Natasha Kung, New York University, Conservation Center, Institute of Fine Arts
Piecing Together a Damaged Relievo Ambrotype
Caitlin Livesey, University of Pennsylvania Graduate Program in Historic Preservation
Formulation and Evaluation of a Biophilic Protective Surface Treatment for Stone Substrates
Jennifer McGough, UCLA/Getty Interdepartmental Program in the Conservation of Cultural Heritage
Diamonds in the Rough: Challenges and Trials in the Assessment of Uncatalogued Collections
Verónica Mercado Oliveras, Winterthur/University of Delaware Program in Art Conservation
Multi-Analytical Examination of an 18th-Century Velvet-bound Spanish Carta Ejecutoria (Carta de Ejecutoria de Hidalguía de Sangre de Nuñez D. Armesto, de Arce)
Kaela Nurmi, Buffalo State College, Patricia H. and Richard E. Garman Art Conservation Department
Material Analysis and Conservation Treatment of Louise Nevelson’s sculpture Dawn’s Image, Night
Sarahí Soriano Orozco, Escuela Nacional de Conservación, Restauración y Museografía “Manuel del Castillo Negrete”
El sistema de senderos interpretativos patrimoniales como alternativa para la valoración y conservación del paisaje cultural en el medio rural: el caso de Santiago Huatusco-Quauhtochco, Carrillo Puerto, Veracruz (The Heritage Interpretive Trails System as an Alternative for the Assessment and Conservation of the Cultural Landscape in Rural Areas: the case of Santiago Huatusco-Quauhtochco, Carrillo Puerto, Veracruz)
Katharine Shulman, Winterthur/University of Delaware Program in Art Conservation
Agar Bioplastic: Understanding Its Degradation and Exploring Its Viability as a Fill Material for the Conservation of Glass Objects
Abigail Slawik, New York University, Conservation Center, Institute of Fine Arts
LEOcode and beyond: Applying New Tools for Watermark Studies to Leonardo da Vinci’s Papers and Blank Ledger Books
Meghan Vonden Steinen, Columbia University, Historic Preservation Department
Effects of Fire and Heat on Interior Architectural Paint Finishes
Leslie Zacharie, Harvard University, Straus Center for Conservation and Technical Studies
The Journey of a French Conservation Student
Lightning Round Presentations
Melissa Allen, Queen’s University Department of Art Conservation
Comparing Coatings for the Conservation of the 3-D Printed, Magnesia-Based Cement Sculpture Rygo
Jonathan Clemente, Columbia University, Historic Preservation Department
Leaf-induced Damage to Finishes for Outdoor Bronze Sculpture
Lauren Conway, UCLA/Getty Interdepartmental Program in the Conservation of Cultural Heritage
Consolidation of Flaking Paint on a Yoruba Stool
Tamara Dissi, UCLA/Getty Interdepartmental Program in the Conservation of Cultural Heritage
Fungal Pigments: An Investigation into their Environmental Stability and Application to Conservation
Sarah Freshnock, Winterthur/University of Delaware Program in Art Conservation
Possible Material Limitations of Cold Storage
Elle Friedberg, Winterthur/University of Delaware Program in Art Conservation
Analytical Investigation of Robert Rauschenberg’s Dye and Pigment-based Inkjet Transfer Works: A Case Study of Identifying Colorants to Understand Fading
Kaeley Furguson, Winterthur/University of Delaware Program in Art Conservation
What’s Cookin’ Good Lookin’?: A Study of Sampling Techniques for Stain Analysis on The Art of Cookery by Hannah Glasse
Kathryn Kenney, Buffalo State College, Patricia H. and Richard E. Garman Art Conservation Department
Navigating Challenges in the Reading Room: Conserving for Patron Use
Emily Mercer, Buffalo State College, Patricia H. and Richard E. Garman Art Conservation Department
A Topographical Study of Silver Mirroring Treatment Methods on Gelatin Silver DOP Photographs
Isabel Schneider, UCLA/Getty Interdepartmental Program in the Conservation of Cultural Heritage
The Resurrection of a Corn-Osiris: Technical Study and Conservation Treatment of a Late-Period Egyptian Corn Mummy
Rachel Stark, Queen’s University Department of Art Conservation
Adhesives Testing on a Severely Delaminated Contemporary Oil Painting Containing Zinc: Conservation Treatment and Ethics
Peiyuan Sun, New York University, Conservation Center, Institute of Fine Arts
The Accuracy of Wireless Sensor Tags in Measuring Light Intensity
Céline Wachsmuth, UCLA/Getty Interdepartmental Program in the Conservation of Cultural Heritage
In Search of a Consolidant Befitting Baleen: the Treatment of a Baleen Sled