“Dry Cleaning Methods for Unvarnished Paintings”, Porto, Portugal 1-2 October 2012

“Dry Cleaning Methods for Unvarnished Paintings”
Porto, Portugal
1-2 October 2012

Teacher: Maude Daudin-Schotte

English: <URL:http://www.2021.pt/en/>
Portuguese: <URL:http://www.2021.pt/>

This is the 9th conservation masterclass organized by 20-21 Conservacao e Restauro, and attached is a portfolio of past courses, for your reference.

As usual, the approach will be hands-on, allowing participants to apply the lessons learned in their own studio; theory and observation will blend with practice for optimized learning.

Registration fee: 325Euro + 23%VAT = 399,25Euro (“early bird”, valid until the end of August, 2012)

Pedro Pardinhas
20-21 Conservacao e Restauro de Arte Contemporanea, Lda.
IN SERRALVES: Rua de Serralves 954
Porto, Portugal

Atelier: Rua do Rosario 339-B 1o, Porto
+351 22 010 98 71
Mobile: +351 96 008 06 07

Conference: “International Conference on the History of Records and Archives (ICHORA 6),” Austin, Texas, USA, August 2-4, 2012

International Conference on the History of Records and Archives (ICHORA 6)

“Exploring Shared Heritage in the History of Archives with Libraries, Information Science/Documentation, Preservation/Conservation, and Museums”
Austin, Texas, USA
August 2-4, 2012

Early bird registration ends July 1, 2012

Further information: http://www.ischool.utexas.edu/~ichora6/

Twenty-first century archivists and librarians, information scientists and documentalists, preservation administrators and conservators, and museum professionals share a common rich enterprise of managing information. Yet the fields of each through time have included work that others stake as their province. Consequently through the centuries this shared heritage often has been honored in rivalry grounded:

  • in the different purposes archivists and librarians, museum curators and administrators, information scientists and documentalists, and preservation administrators and conservators have claimed as their work
  • in the different traditions of practice grown up to deliver the special contribution of each field to society
  • in the education appropriate to practicing in each tradition

The papers gathered for this sixth ICHORA meeting address these questions and contextualize them by including a strong set of archival history papers. We anticipate a rich opportunity for scholarly discussion around the papers and the opportunities offered by our venues.

Abstracts of papers to be presented are now available:

<URL:http://www.ischool.utexas.edu/~ichora6/program.htm>

Meeting location and local archives: Most of the paper sessions will be held in the Prothro Theater in the Harry Ransom Center, home of a world-class archives of literature and publishing. Attendees will be hosted at a reception with tours at the Briscoe Center for American History, known for its broad holdings of historical manuscripts pertaining to the history of the United States. Other significant archival institutions exist on campus (the Lyndon Baines Johnson Presidential Library, the Benson Center for Latin American History, the Alexander Architectural Archives) and all are prepared to welcome researchers who may have a few additional days to spend in Austin. All of these institutions can be reached through their websites, all of which are listed at:

<URL:http://www.lib.utexas.edu/help/librarylist.html>

This list does not exhaust the archival wealth of Austin, which is also the home of the Texas State Library and Archives, the Austin History Center (the city archives), the Catholic Archives of Texas, the Presbyterian Archives, the Texas General Land Office, and the Texas Archive of the Moving Image, to name a few within easy reach of the campus.

Registration rates:

Full Registration (Early Bird until July 1, 2012): US $200
Full Registration: US $250
Student Registration: US $100
Day Registration: US $100

Dinner only (for banquet guests; must accompany a participant in the conference and should be included in a participant’s

registration): US $55

To register by credit card see

<URL:http://utdirect.utexas.edu/txshop/list.WBX?component=0&application_name=GLINFOST&cat_seq_chosen=01>

Professor Patricia Galloway
School of Information
University of Texas at Austin
1616 Guadalupe, Suite 5.202
Austin, Texas 78701-1213
512-232-9220

Conference: “The Future’s Bright: Managing Colour Change in Light Sensitive Collections” in Stockholm, Sweden, 15-16 November 2012

Nationalmuseum
Stockholm, Sweden
15-16 November 2012

This two day event will address one of the most pertinent issues in modern collections care: How to assess and manage colour change in light sensitive objects whilst still enabling collections access. The event will cover: accelerated fading techniques (microfading and spectrophotometry) anoxic framing and solid state lighting (SSL) and will include workshop demonstrations of microfading technology. This conference will be of interest to anyone who works with light sensitive collections; however, it is primarily aimed at conservators and conservation managers. The focus will be the practical application and use of these techniques and technologies for conservators who do not work with an in-house conservation science team.

The event will be held in English.

Cost: 995 SEK

For more information please email futuresbright [at] nationalmuseum__se.

Call for Papers and Posters : 12th ICOM-CC Wet Organic Archaeological Materials Conference (WOAM)

Call for Papers and Posters : 12th ICOM-CC Wet Organic Archaeological Materials Conference (WOAM)

Istanbul, Turkey

May 13-17, 2013

Aims of the Conference

  • To present relevant case studies in the conservation of wet organic archaeological materials
  • To disseminate scientific research results in the field of wet organic archaeological materials
  • To promote the application of new materials and technologies for conservation as well as new tools for analysis and documentation
  • To identify further research and to provide networking for future activities

The Wet Organic Archaeological Materials Working Group has decided to focus on the following subjects. The list is not inclusive and all topics of relevance to the analysis, treatment and care of wet organics are welcome.

  • Pre-conservation storage
  • In-situ preservation and reburial
  • New materials for the conservation of organic materials
  • Re-treatment of artifacts with particular reference to alum in  wood
  • Acids (sulphur and iron) formation in organic materials
  • Categorization of materials, wood degradation and analysis
  • Post-conservation display and storage
  • Review of the samples from the 1987 International Comparative Wood Treatment Study
  • Reports on ongoing conservation projects and case studies

Due Dates:

Sept 15, 2012: Submission of abstracts for papers or posters

Abstracts for Peer Review papers (title, authors and text, maximum 800 words, no images or graphs)

Please indicate if Paper is for Peer Review.

Abstracts for all other papers and posters (title, authors and text, maximum 400 words, no images or graphs) Abstracts for papers or posters should be submitted by e-mail to: tara.grant [at] pch__gc__ca

Oct 15, 2012: Approval of abstracts, speakers and posters, notification of authors

Jan 15, 2013: Submission of Peer Review Papers

April 30, 2013: Submission of all other papers or posters submitted for publication.

Late acceptance of Non-peer reviewed papers may be accepted if space remains.

All papers will be published in the conference proceedings.

For more information about submitting an abstract, please contact tara.grant [at] pch__gc__ca

For more information concerning the conference please go to http://www.icom-cc.org/42/working-groups/wet-organic-archaelogical-materials/

Tara Grant, Coordinator WOAM

Senior Conservator – Archaeology

Canadian Conservation Institute

1030 Innes Road

Ottawa ON K1A 0M5

613-998-3721 ext 227

Artists’ Colourmen Database

Paintings conservators at the  National Gallery of Victoria (NGV), Australia, have compiled a database of Artists’ Colourmen stamps, stencils, labels and marks found on artworks in the NGV Collection as a resource for study and interest.

The database can be viewed online at: http://www.ngv.vic.gov.au/explore/conservation/artists-colourmen

Companies manufacturing and supplying artist’s materials, from the late Eighteenth Century onward, are known as Artists’ Colourmen. They marked their products, canvases, stretchers, and boards, for instance, with individual and characteristic stamps, stencils, labels and embossed marks. These often carry the company name and address, which can be used to indicate the source and general date of manufacture of the canvas, board or stretcher associated with an artwork.

This online resource has been made possible by the generous support of the Telematics Course Development Fund.  We are also indebted to Jacob Simon for allowing us to reference the rich on-line archive of historical information on artist’s colourmen provided by the National Portrait Gallery, London.

6th Helen Warren DeGolyer Triennial Competition and Exhibition Winners

The 6th Helen Warren DeGolyer Triennial Competition and Exhibition for American Bookbinding took place Friday, June 8, 2012 at Bridwell Library, Southern Methodist University and it was a great day!

There were 31 entrants in the competition (almost a doubling from last Triennial’s participation); great workshops by Karen Hanmer, Shanna Leino, and Chela Metzger; a superb and personal luncheon presentation by Priscilla Spitler on her design and realization of the binding from that 2009 award-winning design; many moving memorials to Jan Sobota; and a wonderful awards ceremony and exhibition opening–the Bridwell Library staff did a fantastic job of everything!

The winners at this Triennial’s competition are:

Jana Pullman
2012 Award for Design

Eleanore Edwards Ramsey
2012 Award for Excellence in Fine Binding

David John Lawrence
2012 DeGolyer Award for American Bookbinding

See www.smu.edu/Bridwell/Collections/SpecialCollectionsandArchives/Exhibitions/DeGolyer2012.

2012 IIC Vienna Congress- ‘The Decorative: Conservation and the applied arts’: registration now open

Registration is now open for IIC’s twenty-fourth international Congress, which will take place in Vienna from the 10th to the 14th of September 2012.
Full details, including the technical and social programmes, are available at the Congress pages of the IIC web-site: http://www.iiconservation.org/congress

The 2012 Congress will focus on a topic that is uniquely well-suited to Vienna’s wealth and breadth of decorative and applied arts heritage. Ornament and decoration have been evident in human endeavour since the beginning of human history, ranging from the bold clarity of ancient Egypt to the great period of Jugendstil and the Vienna Secession around 1900 and on to the exuberant revivals of today. Wherever civilisations have developed, many of their forms of cultural expression can be considered as ‘decorative’ or ‘applied’ arts. The congress topic coincides with Vienna’s Klimt 2012 celebrations, on the 150th anniversary of the birth of Gustav Klimt.

Over 40 speakers and a further 40 poster presenters will report on contemporary thinking, current research and examples of best practice on a wide range of conservation topics including:
–       glass
–       furniture
–       textiles and carpets
–       porcelain
–       precious metals
–       jewellery
–       musical instruments
–       manuscripts
–       wall paintings
–       lacquerware

As with all IIC Congresses, the conference will bring together the international professional community to present and exchange ideas, to debate conservation practices and cutting-edge research, to consider exciting new developments and thought-provoking challenges, and to make new connections between this region and all corners of the world.  There is a full social programme of receptions and the Gala Diner, plus the tours in and around Vienna on the Wednesday and the IIC Round Table event on the Wednesday evening.  After the Congress a series of visits to neighbouring cultural centres is also available.

Book now at www.iiconservation.org to secure your place at what is already a very popular event.

Priceless heritage at risk from extremists

Rebel group in control of Timbuktu desecrates venerated tomb and seeks to obliterate thousands of ancient manuscripts

By Emily Sharpe. Conservation, Issue 236, June 2012
Published online: 06 June 2012

Timbuktu is in the hands of religious extremists who have set fire to a 15th-century mausoleum

Concern for the cultural heritage of Mali is growing after militant Islamic fundamentalists desecrated a 15th-century tomb of a Muslim saint in Timbuktu in May, and threatened to destroy other tombs as well as anything else they perceive as being idolatrous or contrary to their version of Islam. The northern Malian city, a Unesco World Heritage Site, is home to several other such tombs and three historic mosques as well as many small museums. Timbuktu also has between 600,000 and one million ancient manuscripts housed in public and private collections that are vulnerable to acts of destruction from the occupying rebel forces as well as from those looking to profit from the political unrest.

Read the full story at the Art Newspaper >>

JSTOR Launches “Register & Read”

AIC is participating, along with about 70 other publishers, in a  new program that JSTOR is testing, called Register & Read.   It’s not the kind of access for our members that we’re really after, but it’s a good start.  Register & Read allows individuals to register for free with JSTOR and find content that can be read online or purchased.  Users can add content to  a “reading shelf” to read online for a minimum of 14 days during the BETA (meaning that this may change over time as JSTOR assesses use and user needs).  Users have the ability to view articles within the context of the entire issue and can remove content from the shelf after 14 days or choose to leave it there indefinitely.  Users may also choose to purchase and download articles if the publisher participates in the Publisher Sales Services, as AIC does.   Purchased articles will be stored on a new “Purchases” tab in the user’s account and users will then have unlimited access to the article PDF file.  Unregistered users who purchase articles will receive a traditional access token that limits access to 5 PDF downloads and expires in 14 days.  Our goals in participating in this program include making JAIC more accessible to researchers beyond the field, researchers with institutional access to only a limited number of JSTOR collections, and researchers who currently have no access to JSTOR, in addition to helping to provide increased research opportunities to our members.

Reach out to AIC and Help Shape Your 40th Annual Meeting

Ever wish you could bring some of those amazing annual meeting hallway conversations into the session hall? At the final session during the conference, we want to do just that. On Friday, May 11 at 4:15 pm, the What’s Next? session will be your opportunity to participate in a lively discussion of  ideas explored during the conference Outreach Sessions. All the presenters will be encouraged to attend this session to be on hand to continue the conversation.

Think you’ll be feeling weary by the end of Friday afternoon? No worries. Refreshments will be served from 4:00-4:15 pm to help pick you up.

We’ll be using the comment section of this blog post to collect your thoughts, observations and questions before and during the meeting. If there’s a particular presenter that you’d like to address your topic, please include that as well. This will help us maximize our time together during the session.

We look forward to seeing you in May.