Proceedings of the Objects Specialty Group Session
24th Annual Meeting in Norfolk, Virginia; June 14, 1996
Digital Imaging for Conservation; Environmental Standards: Research Findings and Implications; Collaborations in the Visual Arts
Compiled by Virginia Greene and John Griswold
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Individual article PDFs are available by following the links below
Program Chair’s Foreword
John Griswold
Postprints abstracts
Conservation and collaboration to understand a tiponi
Nancy Odegaard
The use of thin-layer chromatography in the identification of historic artificially colored varnishes and glazes
Judith J. Bischoff, Scott W. Nolley and Jonathan Thornton
Development and implementation of a new method of wax application for outdoor sculpture using an airless sprayer
Nicolas F. Veloz
Developing the Australian Survey of Sculpture, Monuments and Outdoor Cultural Material
Donna Midwinter
Conservation of Howard Finster’s eccentric Bible House
Anton Rajer
Where east meets west: The conservation of a modern, large-scale, black lacquer sculpture exhibited in a public space
Ingrid A. Neuman and James S. Martin
Mounting ethnographic featherwork on mannequins: An exotic exercise in cooperation
Virginia Greene
Dowels, powder and cracks: Collaboration in the preservation of a 12th-century portal from Bordeaux
Barbara Mangum and Valentine Talland
Stained glass conservation at the Isabella Stewart Gardner Museum: Putting the pieces together
Valentine Talland and Barbara Mangum
Unpublished presentation abstracts
Lost in Lloyds: A conservator in corporate America
Sharon D. Blank
Twenty-five years after the bomb: Maintaining Cleveland’s The Thinker
Bruce Christman
From surface to seismic: Conserving Rodin’s The Thinker in San Francisco
Elisabeth Cornu
The roles of the conservation scientist and the conservator in the development of treatments for painted objects
Eric F. Hansen and Rosa Lowinger
Rodin’s The Thinker at Philadelphia: A treatment using chelating agents
Andrew Lins
Collaboration in the treatment of Rodin’s The Thinker in Kansas City
Jonathan Taggart
The production of Rodin’s bronzes
Glenn Wharton