• Bon appétit? Plastics in Julia Child’s kitchen
  Mary Coughlin

• Establishing conservation in an unconventional venue in Okinawa
  Anya Dani

• Three decades later: A status report on the silver lacquering program at Winterthur
  Bruno Pouliot, Jennifer Mass, Catherine Matsen, William Donnelly, Kaitlin Andrews, and Margaret Bearden

• Rethinking the monumental: A creative approach to the preservation of a landmark Tony Smith outdoor sculpture
  John Steele and Abigail Mack

• Metal health and weld being: Conservation strategies for a collection of sculpture by John Chamberlain
  Shelley M. Smith and Catherine Williams

• Three-Way Plug three ways: Conservation treatments of three editions of Claes Oldenburg’s COR-TEN steel and bronze Giant Three-Way Plug
  Mark Erdmann, Adam Jenkins, Robert Marti, and Marianne Russell Marti

• Innovations during renovations: Evolving technologies and new materials for an encyclopedic university museum
  Carol Snow

• Bringing history to life: Reproducing a Worthington steam pump from the USS Monitor
  William Hoffman

• Living artists and the conservation of contemporary objects: Preserving an aesthetic of decay
  John T. Campbell

• Intersecting conservation approaches to ethnographic and contemporary art: Ephemeral art at the National Museum of African Art
  Stephanie E. Hornbeck

• Restoring the immaterial: Using new media to communicate context
  Sarah Barack and Beth Edelstein

Unpublished presentation abstracts

• Beyond the visible: Macro and micro analytical forensic imaging for the documentation and investigation of archaeological objects
  Alexis North and Dr. Ioanna Kakoulli

Tips Session

• A comparison of fumed silica and precipitated silica as matting agents for acrylic paint
  Elizabeth La Duc and Dr. Aaron Shugar

• Hot melt cutting of Stabiltex with a soldering iron
  Ayesha Fuentes and Geneva Griswold

• Ultraviolet marking of beadwork restorations
  Linda Roundhill

• Loss compensation of leather and animal skins
  Erin A. Anderson, Steven O’Banion, and Marlene Yandrisevits

• A new barrier coating to reduce tarnish on silver art
  Glenn Gates, Eric Breitung, Terry Drayman-Weisser, Amy Marquardt, and Raymond Phaneuf